Relevant bibliographies by topics / Lebanese Poets

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Academic literature on the topic 'Lebanese Poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Lebanese Poets"

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Nsiri, Imed. "Narrating the Self: The Amalgamation of the Personal and the Impersonal in Eliot’s and Adonis’ Poetry." Advances in Language and Literary Studies 9, no. 2 (2018): 104. http://dx.doi.org/10.7575/aiac.alls.v.9n.2p.104.

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This article demonstrates how the self—reference to personal stories—infiltrates some, if not most, of the poems by two renowned modernist poets and literary critics: the American/Englishman T. S. Eliot and the Syrian/Lebanese ʿAlī Aḥmad Saʿīd, popularly known as Adūnīs or Adonis. The article compares the two poets’ depictions of the personal and the impersonal in poetry, and it reaffirms the great influence that Eliot’s poetry has on Adūnīs and other Arab modernist poets. While Eliot’s criticism discourages any biographical reading of his poetry, Adūnīs holds a different view by openly acknow
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SINDAW, Khalid Ahmad. "ELEGIES FOR THE PROPHET'S FAMILY BY CONTEMPORARY LEBANESE CHRISTIAN POETS." RIMAK International Journal of Humanities and Social Sciences 04, no. 01 (2022): 670–85. http://dx.doi.org/10.47832/2717-8293.15.46.

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The study discusses elegiac poetry on the Prophet's family composed by Lebanese poets belonging to the Christian community there. We chose a selection of writings by four contemporary Christian poets: Joseph al-Hāshim, Paul Salāma, Raymond Qasīs and Joseph al-Ḥarb. The study opens with a discussion of the meaning of elegies as a human, social and individual poetic object, that has been cultivated by poets since pre-Islamic times. Next, the study discusses the reason why the Prophet's family has been the subject of so many elegies, namely the important position this family occupied among poets.
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Weiss, Max. "THE CULTURAL POLITICS OF SHIءI MODERNISM: MORALITY AND GENDER IN EARLY 20TH-CENTURY LEBANON". International Journal of Middle East Studies 39, № 2 (2007): 249–70. http://dx.doi.org/10.1017/s0020743807070092.

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In an early 1980s interview, Amira Muhammad ءAli al-Houmani, daughter of one of the 20th century's most revered Lebanese Shiءi poets, insisted that the “southern woman” (al-marʿa al-janūbiyya) had always been a “partner” to the southern Lebanese man, both “in the house and in the field.” She explained how Lebanese women both in and from the south have historically played important domestic as well as productive economic roles spanning both the private and the public. Beyond casual nods toward their political and economic participation, however, disputes about and including Shiءi women in Leban
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Aldrian, Aldrian, Septi Lestari, and Laily Fitriani. "Diasporic Alienation and Empathy in Arab-American Poetry: A Postcolonial Comparative Study of Khalil Gibran and Suheir Hammad." Poetika 13, no. 1 (2025): 1. https://doi.org/10.22146/poetika.v13i1.98134.

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This research explores themes of diasporic alienation and empathy in Khalil Gibran and Suheir Hammad’s poetry from a postcolonial perspective. Khalil Gibran, a Lebanese-American poet, and Suheir Hammad, a Palestinian-American poet, articulate their complex diasporic experiences from distinct historical moments. Both emphasize a persistent longing to reconnect with their homelands, revealing how alienation and empathy shape identity in diaspora. While numerous studies have analyzed Arab-American literary expressions of identity and displacement, there remains a notable scholarly gap concerning
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Khudhur, Abbas Krimich. "La modernité baudelairienne et son impact sur la pensée et la poésie d'Ilyās Abu Šabaka." Al-Adab Journal 1, no. 138 (2021): 1–20. http://dx.doi.org/10.31973/aj.v1i138.1145.

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This study reveals a clear and profound influence of Baudelaire's poetics, philosophy and thought on the literary production of the Lebanese poet and the avant-garde of modern Arabic poetry Ilyās Abu Šabaka (1903 - 1947). Abu Šabaka's poetic texts evoke part of what the read of Baudelaire's poetry, but he did not resort to the method of dialogue in his relations with the texts. It is due to the fact that the two poets have the same perception towards the universe and the life, based on two opposites: the hatred of the life on the one hand and the inclination and the passion for it until the ec
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ABDULLAH, Muhammed Enes. "Mehcer Edebiyatı’ndan Örnekler: Lübnanlı ve Suriyeli Şairler." AYDIN ARAPÇA ARAŞTIRMALARI DERGİSİ 6, no. 2 (2019): 297–322. https://doi.org/10.17932/iau.arap.2019.020/ayad_v06i2005.

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Taha, Aseel Abdulateef. "Arab-American Diaspora and the “Third Space”: A Study of Selected Poems by Sam Hamod." English Language and Literature Studies 8, no. 2 (2018): 29. http://dx.doi.org/10.5539/ells.v8n2p29.

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Arab-Americans are an essential part of the multi-ethnic scene in the United States of America. They are increasingly making their voices louder. However, the process of Americanization has shaped Arab-American experience and literature both directly and indirectly. The early immigrants faced the pressures of assimilation into the American society, while also trying to preserve their Arab identity in the American-born generation. Cultural issues that are related to the immigrants’ experience, like biculturalism, bilingualism and dualism, are vitally depicted in Arab-American poetry. The Americ
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حسين, ئاري علي, and ئازاد عبدول رشيد. "Alienation and Estrangement in Gibran Khalil Gibran’s Poems." JOURNAL OF LANGUAGE STUDIES 6, no. 1 (2022): 184–204. http://dx.doi.org/10.25130/jls.6.1.10.

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In this Research we have tried to shed light on the topic of alienation and estrangement in Gibran Khalil Gibran’s poetry, which is of a Lebanese origin (1883 – 1931), and is considered to be one of the prominent poets of Northern Diaspora School. This poet who shook the theme of loss and its repercussions depicted by estrangement and alienation as the cornerstone of his life like a storm that came devastatingly because of the death of his mother and brothers early in his life, living at the time and circumstances when he was a an alienated worker in the United States of America, the bitternes
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Moor, Ed de. "Christelijke Themata in de Moderne Arabische Literatuur." Het Christelijk Oosten 47, no. 1-2 (1995): 73–94. http://dx.doi.org/10.1163/29497663-0470102006.

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Themes Related to Christianity in Modern Arabic Literature Although Christians contributed largely to modern Arabic literature, in literary studies Arabic literature is generally considered as the reflexion of Islamic culture. Scholars tend to neglect the Christian aspects of this literature. Nevertheless there are some studies which deal with works by modern writers, Moslims and Christians alike, on themes such as mixed marriage, Church and State, the problem of the minorities and religious questions. Striking themes in modern Arabic prose and poetry, are the presentation of Jesus, the Son of
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Jișa, Simona. "La vieillesse ou comment revisiter le spleen dans Le dernier des Snoreaux d’Abla Farhoud." Dalhousie French Studies, no. 123 (November 23, 2023): 105–12. http://dx.doi.org/10.7202/1107714ar.

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<p>This article proposes to revisit the rich synonymy of “spleen” (sadness, regret, nostalgia, melancholy, boredom, unhappiness, fatigue, lassitude, languor, anguish, neurosis, pessimism, despair, or depression), in order to see how that word can be attached to a 21st century novel and to a specific age group, the elderly. Le dernier des Snoreaux was published in 2019 by Abla Farhoud, a Canadian writer of Lebanese origin. As the title suggests, the novel concerns a sibling, whose only living brother, Ibrahim Abou-Snobara, known as Snoreau, is dying in hospital. After a first crisis suffe
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Books on the topic "Lebanese Poets"

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Ṭūqān, Fadwá. Riḥlah jabalīyah: Riḥlah ṣaʻbah. 2-ге вид. Dār al-Shurūq, 1985.

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Stétié, Salah. Sauf erreur: Entretiens. Editions Paroles d'aube, 1999.

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Stétié, Salah. Fils de la parole: Un poète d'Islam en Occident. Albin Michel, 2004.

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compiler, ʻAlāwinah Aḥmad, ред. al-Qarawī shāʻir al-ʻurūbah: Sīratuhu fī dhikrayātih. al-Maktab al-Islāmī, 2019.

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Ḥammūd, Muḥammad Aḥmad. al-Shaykh Shaḥādhah ʻAbd Allāh Ghassānī: Shāʻir ʻālim min Jabal ʻĀmil, 1873-1955 M., 1290-1374 H. Dār al-Maḥajjah al-Bayḍāʼ lil-Tibāʻah wa-al-Nashr wa-al-Tawzīʻ, 2011.

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Norashkharian, Shant. Beyond the Red Sea: Collected poems, 1988-1998. Morris Pub., 1998.

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7

Gibran, Kahlil. al- Nabī. Muʾassasah al-ʻArabīyah lil-Dirāsāt wa-al-Nashr, 1993.

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Kahlil, Gibran. The prophet. Phoenix Press, 1986.

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Kahlil, Gibran. The prophet. Wordsworth, 1996.

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Kahlil, Gibran. The Prophet. The Floating Press, 2009.

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Book chapters on the topic "Lebanese Poets"

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Badini, Dounia Abourachid. "al-Ḥājj, Unsī (1937–2014)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1955-1.

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Unsī al-Ḥājj (1937–2014) was a Lebanese poet largely recognized as the pioneer of Arabic prose poems (qaṣīdat al-nathr) thanks to his renowned but controversial first collection, Lan (1960), as well as one of the major contributors to the modernist poetry magazine Shi ͑r (1957–1970) which is considered a turning point in the history of modern Arabic poetry. He was also a veteran journalist, a job that he carried on for half a century. His name is especially associated (from 1956 to 2003) with the al-Nahār newspaper, where he started to work in 1956, and of which he was editor-in-chief from 199
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Fakhreddine, Huda J. "Wadiʿ Saʿadeh and the Third Generation of Prose Poets: An Arabic Poetics of Translation and Exophony." In The Arabic Prose Poem. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474962.003.0008.

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Chapter 7 turns to poetry that attempts to escape the hold of language in the works of Wadi Saʿadeh (b.1948), a Lebanese émigré poet who has lived in Australia since 1988. Saʿadeh represents a stage in which the prose poem becomes less an oppositional poetic practice accompanied by a simultaneous theorizing effort and more of a space for free writing. This chapter traces a thread from Saʿadeh to a host of young contemporary prose poets whose poetic investments increasingly exceed the bounds of one language; such as the Lebanese Joumana Haddad (b. 1970) and Nazem al-Sayed (b. 1975), the Palesti
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Hassan, Waïl S. "Feline Mermaid." In Arab Brazil. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197688762.003.0007.

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Abstract Until today, there continues to be a noticeable dearth of Arab Brazilian women writers, in contrast to the United States, where women are a majority among contemporary Arab American poets and novelists. This dearth explains the surprising fact that it was not until Ana Miranda (b. 1951) published her sixth novel Amrik (1997, America) that a woman of Arab descent figured as narrator or protagonist of a Brazilian novel. Formally and stylistically innovative in its portrayal of the Arab community in São Paulo at the turn of the twentieth century, the novel features a Christian Lebanese b
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Antoon, Sinan. "The Arabic Prose Poem in Iraq." In The Edinburgh Companion to the Prose Poem. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474462747.003.0018.

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The emergence of the Arabic prose poem in its early embryonic forms in the early 20<sup>th</sup> century and in its mature phase in the 1960s was a radical break with an established poetic tradition going back to the 6<sup>th</sup> century C.E. There are two major “schools”: The Lebanese School and the Iraqi School. The most influential representative of the Lebanese school is the Syrian-Lebanese poet and critic Adunis (1928–). His poems and translations from French were very influential in expanding literary horizons and shaping the debate about the Arabic prose poem. The Iraqi School was mor
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"One Land or Two? Israel and Palestine in Amin Maalouf’s Ports of Call." In The Literature of the Lebanese Diaspora. I.B. Tauris, 2015. http://dx.doi.org/10.5040/9780755608829.ch-008.

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Trad, Antoine Toni. "The Societal and Educational Transformation Projects." In Advances in Higher Education and Professional Development. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-5929-4.ch014.

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The Phoenicians' affinity for education, innovative temperament, culture, and discipline enabled them to develop complex domains, like education. These fields were developed by this exceptional nation, which used Aramaic as their lingua franca; but they have also faced many grave challenges, genocides, and even risks of extinctions. As the combination of targeted subject(s) is/are complex and sensitive, this chapter focuses on the Semite-Phoenicians (SP) or today's Lebanese, their heritage, and the evolution of their specific diverse educational and multi-cultural system(s). SP's heritage, edu
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Junge, Christian. "al-Yāzijī, Nāṣīf (1800–1871)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1960-1.

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Nāṣīf al-Yāzijī was a Lebanese writer and philologist who contributed to the Nahḍa (‘awakening’), an intellectual current in the long nineteenth century for the renewal of Arab culture. Tremendously erudite in Arabic language and literature, he excelled in many different fields as a poet, philologist, and teacher, but mostly earned his wide reputation from his literary collection Majmaʿ al-baḥrayn (The Confluence of the Two Seas), published in 1856 in Beirut. In this eloquent work he both masters and exceeds the classical narrative and language of the maqāma and thereby expresses a new cultura
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Davidson, Michael. "Misspeaking Poetics." In Distressing Language. NYU Press, 2022. http://dx.doi.org/10.18574/nyu/9781479813827.003.0004.

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In chapter 3, I look at artists who have used their speech impediments to generate new work—Norma Cole’s “Speech Production” and Jordan Scott’s Blert. One section deals with various artists’ interpretation of the shibboleth as it applies to more recent history. Paul Celan’s poem “Shibboleth” responds to the horrors of the Holocaust; Doris Salcedo’s Shibboleth carves a crack in the Tate Modern’s massive gallery to memorialize global subjects who fall through cracks in national narratives; Caroline Bergvall’s “Say, ‘Parsley’” remembers the murder of Haitians by Dominican military for their inabi
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Solheim, Jennifer. "Beirut Calling." In The Performance of Listening in Postcolonial Francophone Culture. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940827.003.0006.

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In the conclusion to Performance of Listening, I begin with an analysis of Lebanese avant-jazz trumpeter and visual artist Mazen Kerbaj’s recording “Starry Night”, an unedited excerpt of Kerbaj improvising on trumpet to the sight and sound of Israeli fighter jets dropping bombs on Beirut during the 2006 Israeli War. improvisation with the bombs. Digital media has upped the ante for sound in culture and, by extension, the possibilities for the performance of listening. Digital works offers more flexibility in artistic media, and higher speed and lower cost of production and distribution. The la
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Badawi, M. M. "The Pioneers." In A Short History of Modern Arabic Literature. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198265429.003.0004.

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Abstract Of the literary forms which were borrowed from the West, the novel proved to be, despite the great technical difficulties it presented, or perhaps because of them, at once the most alluring and the most important in modern Arabic literature. Although initially regarded as morally suspect, to the extent that as late as the second decade of the twentieth century in Egypt a lawyer who was also a writer might prefer not to admit his authorship of a novel lest this should jeopardize his career in the legal profession, the novel, conceived as a pure work of the imagination with no explicit
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