Academic literature on the topic 'Led Zeppelin'

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Journal articles on the topic "Led Zeppelin"

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Bosher, Hayleigh. "Michael Skidmore v Led Zeppelin: Copyright infringement in music under US law." Journal of Intellectual Property Law & Practice 15, no. 5 (2020): 321–23. http://dx.doi.org/10.1093/jiplp/jpaa055.

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Abstract Michael Skidmore v Led Zeppelin No 16-56057, DC No 2:15-cv-03462-RGK-AGR, 9 March 2020 The US Ninth Circuit Court of Appeal upheld that Led Zeppelin's song Stairway to Heaven did not infringe the copyright of the instrumental song ‘Taurus’ and overruled circuit precedent to reject the inverse ratio rule.
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BRACKETT, JOHN. "Examining rhythmic and metric practices in Led Zeppelin’s musical style." Popular Music 27, no. 1 (2007): 53–76. http://dx.doi.org/10.1017/s0261143008001487.

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AbstractIn this essay, I examine how aspects of rhythm and metre play a fundamental role in shaping and defining Led Zeppelin’s musical style. At the same time, I will show how Led Zeppelin was able to modify, manipulate, and develop pre-existing musical models and forms through various rhythmic and metric strategies. Comparative analyses will be used in an effort to show how Led Zeppelin’s flexible conception of rhythm and metre enabled the band to put their own stylistic ‘stamp’ on (i) specific musical genres (‘The Crunge’ and the song’s relation to James Brown-style funk), (ii) their riff c
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Smith, Erin Sweeney. "Post-imperialism, imaginary geography and the women of Led Zeppelin's IV." Popular Music 36, no. 3 (2017): 410–26. http://dx.doi.org/10.1017/s0261143017000320.

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AbstractLed Zeppelin have long been hailed as the ambassadors of cock rock. Yet, the band's fourth album – the commercial behemoth otherwise known as IV – features collaborations with two women: Sandy Denny's vocal contributions to ‘The Battle of Evermore’ and Memphis Minnie's co-songwriting credit on ‘When the Levee Breaks’. The two tracks feature landscapes dominated by powerful female forces via Denny's Queen of Light character and her counterpart embodied in Memphis Minnie's dark floodwaters. Through an analysis of both songs’ feminised soundscapes, I explore the links between Zeppelin's m
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Doyle, Alicia. "Led Zeppelin: Good Times, Bad Times." Notes 71, no. 3 (2015): 559–60. http://dx.doi.org/10.1353/not.2015.0025.

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ARRUDA Sinigaglia, Ricardo. "How many more dazed and confused." Fênix - Revista de História e Estudos Culturais 20, no. 2 (2023): 645–79. http://dx.doi.org/10.35355/revistafenix.v20i2.1246.

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Esse artigo tem como objetivo compreender os limites do projeto Led Zeppelin, elaborado por Jimmy Page e materializado em seu primeiro álbum de estúdio, o Led Zeppelin (1969), que é foco nesse artigo. Para compreender o primeiro álbum dessa banda e suas relações com a sociedade, serão mobilizados os conceitos de hit e de primazia do objeto de Theodor Adorno (1986).
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Finner, Kevin, Lars Grabbe, Julia Fendler, and Patrick Niemeier. "LED ZEPPELIN – THE SONG REMAINS THE SAME." Kieler Beiträge zur Filmmusikforschung 5, no. 4 (2023): 519–26. http://dx.doi.org/10.59056/kbzf.2011.5.p519-526.

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Somay, Errol S., and Stephen Davis. "Hammer of the Gods: The Led Zeppelin Saga." Notes 43, no. 2 (1986): 309. http://dx.doi.org/10.2307/897385.

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Mara, Vlad. "Led Zeppelin's Music and Its Black Blues (un)credited Influence." SOCIAL SCIENCES AND EDUCATION RESEARCH REVIEW 9, no. 1 (2022): 157–66. https://doi.org/10.5281/zenodo.6795742.

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Led Zeppelin is considered one of the most influential rock bands in the history of music due to their sophisticated sound and seminal compositions. Their music prodigiously impacted the industry, blazing the trail for today’s prominent artists. Throughout the years, their cultural legacy was fathomlessly analysed and assessed by a plethora of music pundits who focused their investigations on the musicians’ educational and artistic background, early musical influences and creative mindset. Despite being notorious for their rock supremacy, many of their works are deeply rooted in Af
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Lawson, Robert, Joshua Hall, and G. Dirk Mateer. "From Abba to Zeppelin, Led: Using Music to Teach Economics." Journal of Economic Education 39, no. 1 (2008): 107. http://dx.doi.org/10.3200/jece.39.1.107.

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Holzhauer, Peter. "Down By The Seaside." Deutsche Zeitschrift für Onkologie 50, no. 01 (2018): 1. http://dx.doi.org/10.1055/a-0519-0017.

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… see the boats go sailin’. Dieses maritime und akustisch einfühlsame, aber auch mahnende Stimmungsbild, das Led Zeppelin 1975 auf ihrem Album Physical Graffiti veröffentlichte, könnten wir durchaus in die heutige Zeit nach Warnemünde, an den Alten Strom, die beliebte Hafenpromenade, transponieren. Auch hier finden wir wie im Song, geschäftiges Treiben der Touristen, vor dem Hintergrund der eindrucksvollen Idylle der Ostsee.
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Dissertations / Theses on the topic "Led Zeppelin"

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Smith, Mandy J. "“Primitive” Bodies, Virtuosic Bodies: Narrative, Affect, and Meaning in Rock Drumming." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1589971850375113.

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Segida, Larisa. "Culture as a catalyst in L. looking for L: life, learning, love, language, and Led Zeppelin." 2008. http://hdl.handle.net/1993/3032.

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The key postulation of the research is: learning an additional language should go together with learning its culture. Through personal experience as an EAL learner and EFL teacher, the researcher examines the interconnected system of the learner’s motivations, premising that language cognition could engage a meta-cognitive search for L, as a symbol of the researcher’s inner world, and arising from L such concepts as Language, Learning, Life, Love, and Led Zeppelin. Quest and examination of those concepts analyze sense-data, the researcher’s short literary works written in Russian and translate
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Books on the topic "Led Zeppelin"

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Schlesinger, Ethan. Led Zeppelin. Mason Crest Publishers, 2008.

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Tony, Horkins, ed. Led Zeppelin. St. Martin's Press, 1997.

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Welch, Chris. Led Zeppelin. Carlton Books, 1996.

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Di͡ankov, I͡Avor. [Led Zeppelin]. Izd-vo Muzika, 1992.

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Ray, Tedman, and Rex Features, eds. Led Zeppelin. Reynolds & Hearn, 2008.

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Tedman, Ray. Led Zeppelin. Titan Books, 2011.

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Ross, Halfin, ed. Led Zeppelin. 2.13.61 Publications, 1995.

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Ray, Tedman, and Rex Features, eds. Led Zeppelin. Reynolds & Hearn, 2008.

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Preston, Neal. Led Zeppelin portraits. Perennial Library, 1986.

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group), Led Zeppelin (Musical. Led Zeppelin II. Atlantic, 1994.

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Book chapters on the topic "Led Zeppelin"

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Liberman Cuenca, Esther. "Led Zeppelin—“Immigrant Song” (1970)." In One-Track Mind. Routledge, 2022. http://dx.doi.org/10.4324/9781003093206-5.

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Clarida, Bob. "Music, Deposit Copies, and Unanswered Questions After Skidmore V. Led Zeppelin." In The Routledge Companion to Copyright and Creativity in the 21st Century. Routledge, 2020. http://dx.doi.org/10.4324/9781315658445-28.

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"LED ZEPPELIN." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-275.

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Davis, Erik. "Introduction." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.0003.

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Davis, Erik. "Notes." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.0004.

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Davis, Erik. "Physical Graffiti." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.ch-001.

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Davis, Erik. "Let the Music Be Your Master." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.ch-002.

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Davis, Erik. "Gotta Roll." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.ch-003.

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Davis, Erik. "In the Middle of the Air." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.ch-004.

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Davis, Erik. "Wandering and Wondering." In Led Zeppelin’s Led Zeppelin IV. Bloomsbury Publishing Inc, 2005. http://dx.doi.org/10.5040/9781501397042.ch-005.

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