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Journal articles on the topic 'Led Zeppelin'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Bosher, Hayleigh. "Michael Skidmore v Led Zeppelin: Copyright infringement in music under US law." Journal of Intellectual Property Law & Practice 15, no. 5 (2020): 321–23. http://dx.doi.org/10.1093/jiplp/jpaa055.

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Abstract Michael Skidmore v Led Zeppelin No 16-56057, DC No 2:15-cv-03462-RGK-AGR, 9 March 2020 The US Ninth Circuit Court of Appeal upheld that Led Zeppelin's song Stairway to Heaven did not infringe the copyright of the instrumental song ‘Taurus’ and overruled circuit precedent to reject the inverse ratio rule.

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2

BRACKETT, JOHN. "Examining rhythmic and metric practices in Led Zeppelin’s musical style." Popular Music 27, no. 1 (2007): 53–76. http://dx.doi.org/10.1017/s0261143008001487.

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AbstractIn this essay, I examine how aspects of rhythm and metre play a fundamental role in shaping and defining Led Zeppelin’s musical style. At the same time, I will show how Led Zeppelin was able to modify, manipulate, and develop pre-existing musical models and forms through various rhythmic and metric strategies. Comparative analyses will be used in an effort to show how Led Zeppelin’s flexible conception of rhythm and metre enabled the band to put their own stylistic ‘stamp’ on (i) specific musical genres (‘The Crunge’ and the song’s relation to James Brown-style funk), (ii) their riff c

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3

Smith, Erin Sweeney. "Post-imperialism, imaginary geography and the women of Led Zeppelin's IV." Popular Music 36, no. 3 (2017): 410–26. http://dx.doi.org/10.1017/s0261143017000320.

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AbstractLed Zeppelin have long been hailed as the ambassadors of cock rock. Yet, the band's fourth album – the commercial behemoth otherwise known as IV – features collaborations with two women: Sandy Denny's vocal contributions to ‘The Battle of Evermore’ and Memphis Minnie's co-songwriting credit on ‘When the Levee Breaks’. The two tracks feature landscapes dominated by powerful female forces via Denny's Queen of Light character and her counterpart embodied in Memphis Minnie's dark floodwaters. Through an analysis of both songs’ feminised soundscapes, I explore the links between Zeppelin's m

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4

Doyle, Alicia. "Led Zeppelin: Good Times, Bad Times." Notes 71, no. 3 (2015): 559–60. http://dx.doi.org/10.1353/not.2015.0025.

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5

ARRUDA Sinigaglia, Ricardo. "How many more dazed and confused." Fênix - Revista de História e Estudos Culturais 20, no. 2 (2023): 645–79. http://dx.doi.org/10.35355/revistafenix.v20i2.1246.

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Esse artigo tem como objetivo compreender os limites do projeto Led Zeppelin, elaborado por Jimmy Page e materializado em seu primeiro álbum de estúdio, o Led Zeppelin (1969), que é foco nesse artigo. Para compreender o primeiro álbum dessa banda e suas relações com a sociedade, serão mobilizados os conceitos de hit e de primazia do objeto de Theodor Adorno (1986).

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6

Finner, Kevin, Lars Grabbe, Julia Fendler, and Patrick Niemeier. "LED ZEPPELIN – THE SONG REMAINS THE SAME." Kieler Beiträge zur Filmmusikforschung 5, no. 4 (2023): 519–26. http://dx.doi.org/10.59056/kbzf.2011.5.p519-526.

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7

Somay, Errol S., and Stephen Davis. "Hammer of the Gods: The Led Zeppelin Saga." Notes 43, no. 2 (1986): 309. http://dx.doi.org/10.2307/897385.

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8

Mara, Vlad. "Led Zeppelin's Music and Its Black Blues (un)credited Influence." SOCIAL SCIENCES AND EDUCATION RESEARCH REVIEW 9, no. 1 (2022): 157–66. https://doi.org/10.5281/zenodo.6795742.

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Led Zeppelin is considered one of the most influential rock bands in the history of music due to their sophisticated sound and seminal compositions. Their music prodigiously impacted the industry, blazing the trail for today’s prominent artists. Throughout the years, their cultural legacy was fathomlessly analysed and assessed by a plethora of music pundits who focused their investigations on the musicians’ educational and artistic background, early musical influences and creative mindset. Despite being notorious for their rock supremacy, many of their works are deeply rooted in Af

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9

Lawson, Robert, Joshua Hall, and G. Dirk Mateer. "From Abba to Zeppelin, Led: Using Music to Teach Economics." Journal of Economic Education 39, no. 1 (2008): 107. http://dx.doi.org/10.3200/jece.39.1.107.

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10

Holzhauer, Peter. "Down By The Seaside." Deutsche Zeitschrift für Onkologie 50, no. 01 (2018): 1. http://dx.doi.org/10.1055/a-0519-0017.

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… see the boats go sailin’. Dieses maritime und akustisch einfühlsame, aber auch mahnende Stimmungsbild, das Led Zeppelin 1975 auf ihrem Album Physical Graffiti veröffentlichte, könnten wir durchaus in die heutige Zeit nach Warnemünde, an den Alten Strom, die beliebte Hafenpromenade, transponieren. Auch hier finden wir wie im Song, geschäftiges Treiben der Touristen, vor dem Hintergrund der eindrucksvollen Idylle der Ostsee.

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11

Bosher, Hayleigh. "Michael Skidmore v Led Zeppelin: Copyright infringement in music under US law." Journal of Intellectual Property Law & Practice 15, no. 8 (2020): 671. http://dx.doi.org/10.1093/jiplp/jpaa105.

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12

Rander, Tanel. "Wind of Change." Anthropological Journal of European Cultures 28, no. 1 (2019): 78–84. http://dx.doi.org/10.3167/ajec.2019.280109.

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What remains of the Soviet identity for those who grew up in an empire that started in the Baltic sea and ended in Kamchatka? What kind of post-Soviet cultural combos have been produced afterwards? Was it bizarre to listen to Led Zeppelin and Nirvana while being targeted with nuclear missiles from the West? In a retrospective way and engaging with the collective memory of his home country, Estonia, the author reflects on different narratives of Europeanisation, shame and peripherality and the way local people embodied them.

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13

Lampilahti, Janne, Hanna E. Manninen, Tuomo Nieminen, et al. "Zeppelin-led study on the onset of new particle formation in the planetary boundary layer." Atmospheric Chemistry and Physics 21, no. 16 (2021): 12649–63. http://dx.doi.org/10.5194/acp-21-12649-2021.

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Abstract. We compared observations of aerosol particle formation and growth in different parts of the planetary boundary layer at two different environments that have frequent new particle formation (NPF) events. In summer 2012 we had a campaign in Po Valley, Italy (urban background), and in spring 2013 a similar campaign took place in Hyytiälä, Finland (rural background). Our study consists of three case studies of airborne and ground-based measurements of ion and particle size distribution from ∼1 nm. The airborne measurements were performed using a Zeppelin inside the boundary layer up to 1

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14

WAKSMAN, STEVE. "STEVE WAKSMAN EVERY INCH OF MY LOVE: LED ZEPPELIN AND THE PROBLEM OF COCK ROCK." Journal of Popular Music Studies 8, no. 1 (1996): 5–25. http://dx.doi.org/10.1111/j.1533-1598.1996.tb00094.x.

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15

Berish, Andrew. "Review: In the Houses of the Holy: Led Zeppelin and the Power of Rock Music." Music and Letters 84, no. 4 (2003): 692–98. http://dx.doi.org/10.1093/ml/84.4.692.

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16

Walker, John V. (John Verleye). "In the Houses of the Holy: Led Zeppelin and the Power of Rock Music (review)." University of Toronto Quarterly 74, no. 1 (2004): 604–5. http://dx.doi.org/10.1353/utq.2005.0229.

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17

Patoulias, David, Christos Fountoukis, Ilona Riipinen, Ari Asmi, Markku Kulmala, and Spyros N. Pandis. "Simulation of the size-composition distribution of atmospheric nanoparticles over Europe." Atmospheric Chemistry and Physics 18, no. 18 (2018): 13639–54. http://dx.doi.org/10.5194/acp-18-13639-2018.

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Abstract. PMCAMx-UF, a three-dimensional chemical transport model focusing on the simulation of the ultrafine particle size distribution and composition has been extended with the addition of the volatility basis set (VBS) approach for the simulation of organic aerosol (OA). The model was applied in Europe to quantify the effect of secondary semi-volatile organic vapors on particle number concentrations. The model predictions were evaluated against field observations collected during the PEGASOS 2012 campaign. The measurements included both ground and airborne measurements, from stations acros

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18

Patoulias, D., C. Fountoukis, I. Riipinen, A. Asm, M. Kulmala, and S. Pandis. "Simulation of the size-composition distribution of atmospheric nanoparticles over Europe." Atmospheric Chemistry and Physics 18, no. 18 (2018): 13639–54. https://doi.org/10.5194/acp-18-13639-2018.

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PMCAMx-UF, a three-dimensional chemical transport model focusing on the simulation of the ultrafine particle size distribution and composition has been extended with the addition of the volatility basis set (VBS) approach for the simulation of organic aerosol (OA). The model was applied in Europe to quantify the effect of secondary semivolatile organic vapors on particle number concentrations. The model predictions were evaluated against field observations collected during the PEGASOS 2012 campaign. The measurements included both ground and airborne measurements, from stations across Europe an

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19

Charan Agrawal, Vrushank. "The Effect of Thickness of A Plectrum Used on The Sound Produced by A Guitar String." Oriental Journal of Physical Sciences 3, no. 2 (2018): 87–91. http://dx.doi.org/10.13005/ojps03.02.03.

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It is believed that the human ear is very sensitive to subtle changes in sounds. In the context of a guitar, the myriad of sounds produced by the strings depends majorly on the plucking technique of the player, but it is hypothesized that the sound produced by a string is also influenced, to some degree, by the thickness of the plectrum used for playing. This has led many to speculate whether bands and artists like the Beatles, Led Zeppelin and the Rolling Stones would have sounded very different if they hadn't used the right guitar plectrum. In this research paper, three plectrums of differen

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20

Velásquez Barón, Fredy Alberto. "Reseña: Una escalera al cielo." Revista Científica General José María Córdova 11, no. 11 (2013): 307. http://dx.doi.org/10.21830/19006586.224.

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Una escalera al cielo es una lectura dinámica dada la variedad temática de las historias que la componen. A su vez, es una colección de retratos capitalinos y colombianos que desestabilizan por su intensidad al lector que quiere entrar en contacto con otras experiencias de vida. Su título hace referencia a la canción Stairway to Heaven del grupo de rock inglés Led Zeppelin, conectándose temáticamente con la propuesta del tema musical: se cree que todo lo que brilla es oro pero la vida abre varios caminos, a algunos les toca o escogen el camino difícil; ese camino es el hilo en común que conect

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21

Erickson, Gregory. "Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin by Theodore Gracyk." Journal of Popular Music Studies 20, no. 1 (2008): 92–96. http://dx.doi.org/10.1111/j.1533-1598.2008.00146.x.

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22

Ganev, Venelin I. "The Borsa: The Black Market for Rock Music in Late Socialist Bulgaria." Slavic Review 73, no. 3 (2014): 514–37. http://dx.doi.org/10.1017/s0037677900027522.

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This paper offers an empirical description and analytical interpretation of theborsa—the largest black market for rock music in Bulgaria in the 1980s. The text illuminates the distinct characteristics of the urban locale that became the focal point of rock fans’ desires and ambitions, examines how the interactions between the entrepreneurs who supplied the music and their adoles-cent clients were embedded in enduring networks of trust, and explores the peculiarities of the borsa as a site where western works of art were mechanically reproduced. It also demonstrates that the place where admirer

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23

Fast, Susan. "Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman's View of Pleasure and Power in Hard Rock." American Music 17, no. 3 (1999): 245. http://dx.doi.org/10.2307/3052664.

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24

Muhamad, Ramadhan, and Parulian Paidi Aritonang. "INDIKATOR PLAGIARISME KARYA MUSIK DALAM DOKTRIN ORISINALITAS : BAGAIMANA PLAGIARISME DI TENTUKAN?" Kertha Semaya : Journal Ilmu Hukum 10, no. 4 (2022): 922. http://dx.doi.org/10.24843/ks.2022.v10.i04.p16.

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Topik dalam penelitian ini adalah mengenai bagaimana cara menentukan suatu karya cipta music telah melakukan plagiat berdasarkan teori dan doktrin yang ada dan tercipta dengan adanya permasalahan yang sama, undang-undang hak cipta di Indonesia tidak secara komplek mengatur bagaimana suatu karya dapat dikatakan melakukan tindakan plagiarisme, oleh karena itu penulisan ini mengkaji bagaimana teori orisinalitas dalam suatu karya cipta menentukannya, dengan contoh kasus lagu rock legendaris asal amerika yaitu Stairaway to heaven milik Led Zeppelin yang di tuntun melakukan tindakan plagiarisme oleh

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25

Spracklen, Karl. "Leisure, Popular Culture and Memory: The Invention of Dark Age Britain, Wales, England, and Middle-Earth in the Songs of Led Zeppelin." International Journal of the Sociology of Leisure 1, no. 2 (2018): 139–52. http://dx.doi.org/10.1007/s41978-018-0009-7.

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26

Navarret, Benoît. "[ Sans Titre - No Title ]Led Zeppelin. Contexte, analyse, réception, dirigé par Philippe Gonin, Coll. Musiques, Dijon, Éditions universitaires de Dijon, 2021, 240 pages." Revue musicale OICRM 10, no. 2 (2023): 204. http://dx.doi.org/10.7202/1108282ar.

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27

Patoulias, David, and Spyros N. Pandis. "Simulation of the effects of low-volatility organic compounds on aerosol number concentrations in Europe." Atmospheric Chemistry and Physics 22, no. 3 (2022): 1689–706. http://dx.doi.org/10.5194/acp-22-1689-2022.

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Abstract. PMCAMx-UF, a three-dimensional chemical transport model focusing on the simulation of the ultrafine particle size distribution and composition has been extended with the addition of reactions of chemical aging of semivolatile anthropogenic organic vapors, the emissions and chemical aging of intermediate-volatility organic compounds (IVOCs), and the production of extremely low-volatility organic compounds (ELVOCs) by monoterpenes. The model is applied in Europe to quantify the effect of these processes on particle number concentrations. The model predictions are evaluated against both

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28

Yttri, Karl Espen, Are Bäcklund, Franz Conen, et al. "Composition and sources of carbonaceous aerosol in the European Arctic at Zeppelin Observatory, Svalbard (2017 to 2020)." Atmospheric Chemistry and Physics 24, no. 4 (2024): 2731–58. http://dx.doi.org/10.5194/acp-24-2731-2024.

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Abstract. We analyzed long-term measurements of organic carbon, elemental carbon, and source-specific organic tracers from 2017 to 2020 to constrain carbonaceous aerosol sources in the rapidly changing Arctic. Additionally, we used absorption photometer (Aethalometer) measurements to constrain equivalent black carbon (eBC) from biomass burning and fossil fuel combustion, using positive matrix factorization (PMF). Our analysis shows that organic tracers are essential for understanding Arctic carbonaceous aerosol sources. Throughout 2017 to 2020, levoglucosan exhibited bimodal seasonality, refle

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29

Heslin-Rees, Dominic, Maria Burgos, Hans-Christen Hansson, et al. "From a polar to a marine environment: has the changing Arctic led to a shift in aerosol light scattering properties?" Atmospheric Chemistry and Physics 20, no. 21 (2020): 13671–86. http://dx.doi.org/10.5194/acp-20-13671-2020.

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Abstract. The study of long-term trends in aerosol optical properties is an important task to understand the underlying aerosol processes influencing the change of climate. The Arctic, as the place where climate change manifests most, is an especially sensitive region of the world. Within this work, we use a unique long-term data record of key aerosol optical properties from the Zeppelin Observatory, Svalbard, to ask the question of whether the environmental changes of the last 2 decades in the Arctic are reflected in the observations. We perform a trend analysis of the measured particle light

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30

HEYLIN, MICHAEL. "Flyer or Lead Zeppelin?" Chemical & Engineering News 72, no. 31 (1994): 3. http://dx.doi.org/10.1021/cen-v072n031.p003.

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31

Pillsbury, Glenn T. "Susan Fast. In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford: Oxford University Press, 2001. vii, 247 pp. ISBN 0-195-14723-5 (paperback)." Canadian University Music Review 23, no. 1-2 (2003): 221. http://dx.doi.org/10.7202/1014527ar.

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32

Lüdecke, Cornelia. "Wissenschaft und Abenteuer in der Arktis." Journal of Northern Studies 1, no. 1-2 (2007): 51–79. http://dx.doi.org/10.36368/jns.v1i1-2.511.

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its beginning in 1868 German polar expeditions were focused on scientific exploration. History shows that around 1910 only well prepared and equipped expeditions were successful and could gain valuable experiences. The training expedition of the Bavarian officer Wilhelm Filchner who subsequently led the German Antarctic Expedition (1911–1912) was one of these. This is contrasted by the preliminary expedition to Nordaustlandet (Svalbard) of the west Prussian officer Herbert Schröder-Stranz. Other expeditions gave rise to longrangeinvestigations like the permanently occupied German Geophysical O

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33

Adams, Michael. "Inside Bowie and the Spiders 1972-1974: An Independent Critical Review, and: Inside Deep Purple: The Independent Critical Guide, 1969-1973, and: Inside Led Zeppelin: A Critical Review, 1968-1972 (review)." Notes 62, no. 3 (2006): 791–93. http://dx.doi.org/10.1353/not.2006.0002.

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34

Petrova, Mariia. "Collision with a Thing as a Collision with Other in G. Ayurzana’s Novel “Their Shadows are Taller Than Our Souls”." Бюллетень Калмыцкого научного центра Российской академии наук, no. 1 (May 15, 2024): 234–44. http://dx.doi.org/10.22162/2587-6503-2024-1-29-234-244.

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Article examines the work by G. Ayurzana (b. 1970), one of the most popular and read authors in modern Mongolia. His creative range is very wide: from postmodernism to magical realism, from psychological detective stories to historical novels. In 2021, G. Ayurzana’s new novel “Their Shadows are Taller than Our Souls” (“Тэдний сүүдэр бидний сэтгэлээс урт”) was released. This time the author turned to science fiction genre. In Mongolia, classic science fiction works by J. Verne, A. Tolstoy, A. Azimov, S. Lem, and Strugatsky brothers have been translated and are popular among readers. In modern M

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35

Souza, Larissa Barros, Ednaldo Feijó de Souza, Talita Mirella Ferreira Silva, Rodrigo Slama Ribas, and Maurivan de Barros Candido. "IDENTIDADE IMIGRANTE EM CANÇÕES: A CONSTRUÇÃO DO SENTIDO BASEADA EM FRAMES." Revista Ibero-Americana de Humanidades, Ciências e Educação 7, no. 3 (2021): 73–79. http://dx.doi.org/10.51891/rease.v7i3.758.

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: A música popular é um artefato midiático através do qual são tramitados socialmente conceitos, valores, atitudes e estratégias de identidade individual e coletiva. Através das letras, podemos refletir sobre assuntos importantes, nos emocionamos, reconhecemos a uma identidade cultural. Na música universal, temas que vão desde o amor à exploração do trabalho se presentificam, e a identidade dos imigrantes fica de fora do escopo temático das canções. Este trabalho é uma relação entre as áreas de Língua Inglesa, uma vez que todas as canções estudadas são deste idioma, é de Língua Portuguesa, na

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36

Loy, Stephen. "Questions of Style and Lateness in Led Zeppelin’s Presence." Rock Music Studies 6, no. 3 (2019): 179–97. http://dx.doi.org/10.1080/19401159.2019.1665373.

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37

Drummond, Kent. "Climbing a stairway to heaven: Led Zeppelin's Celtic embrace." Journal of Strategic Marketing 14, no. 1 (2006): 35–43. http://dx.doi.org/10.1080/09652540500511412.

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38

Motos, Ghislain, Gabriel Freitas, Paraskevi Georgakaki, et al. "Aerosol and dynamical contributions to cloud droplet formation in Arctic low-level clouds." Atmospheric Chemistry and Physics 23, no. 21 (2023): 13941–56. http://dx.doi.org/10.5194/acp-23-13941-2023.

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Abstract. The Arctic is one of the most rapidly warming regions of the globe. Low-level clouds and fog modify the energy transfer from and to space and play a key role in the observed strong Arctic surface warming, a phenomenon commonly termed “Arctic amplification”. The response of low-level clouds to changing aerosol characteristics throughout the year is therefore an important driver of Arctic change that currently lacks sufficient constraints. As such, during the NASCENT campaign (Ny-Ålesund AeroSol Cloud ExperimeNT) extending over a full year from October 2019 to October 2020, microphysic

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Paatero, Jussi, Juha Hatakka, Kim Holmén, Kristina Eneroth, and Yrjö Viisanen. "Lead-210 concentration in the air at Mt. Zeppelin, Ny-Ålesund, Svalbard." Physics and Chemistry of the Earth, Parts A/B/C 28, no. 28-32 (2003): 1175–80. http://dx.doi.org/10.1016/j.pce.2003.08.050.

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40

Rosati, B., M. Gysel, F. Rubach, et al. "Vertical profiling of aerosol hygroscopic properties in the planetary boundary layer during the PEGASOS campaigns." Atmospheric Chemistry and Physics Discussions 15, no. 6 (2015): 9445–505. http://dx.doi.org/10.5194/acpd-15-9445-2015.

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Abstract. Airborne measurements of the aerosol hygroscopic and optical properties as well as chemical composition were performed in the Netherlands and northern Italy on board of a Zeppelin NT airship during the PEGASOS field campaigns in 2012. The vertical changes in aerosol properties during the development of the mixing layer were studied. Hygroscopic growth factors (GF) at 95% relative humidity were determined using the white-light humidified optical particles spectrometer (WHOPS) for dry diameters of 300 and 500 nm particles. These measurements were supplemented by an aerosol mass spectro

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41

Paliy, Iryna. "Intertype evolution of the Black Dog composition in Robert Plant’ musical legacy." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 193–202. http://dx.doi.org/10.34064/khnum1-50.14.

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The article is devoted to the analysis of Led Zeppelin’s composition Black Dog and its compositional and performing versions. This musical material is a good example of the interaction of music in fundamentally different areas – rock music and ethnic music of Africa. Initially having related directly to rock music, the Black Dog composition in the 21st century became the object of numerous author interpretations that transformed this composition into an ethnic format. The article traces the process of such a transformation over a long period and reveals a definite pattern. The degree of intera

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42

Grządziel, Artur. "Using Remote Sensing Techniques to Document and Identify the Largest Underwater Object of the Baltic Sea: Case Study of the Only German Aircraft Carrier, Graf Zeppelin." Remote Sensing 12, no. 24 (2020): 4076. http://dx.doi.org/10.3390/rs12244076.

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New shipwrecks are usually found during other work at sea. In 2006, the research vessel St. Barbara discovered probably the most massive wreck that lies on the bottom of the Baltic Sea. Its identity was unknown, and the Arctowski was sent to conduct research. In this study, the author describes how an adequately selected research methodology using remote sensing technology can lead to obtaining precious and accurate measurement data. The article proposes an appropriate approach to identifying the most massive underwater object in the Baltic Sea. The results of bathymetric and sonar tests are p

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43

Yakhno, О. І. "Paradigms of rock music and jazz: comparative discourse." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 161–76. http://dx.doi.org/10.34064/khnum1-53.10.

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Objectives and methodology. The article is devoted to the revealing of the relation and differences between rock music and jazz, as the phenomena of the “third” layer. It is noted, that, in methodological terms, such a comparative approach is advisable to implement with the use of a paradigm apparatus that fixes a certain commonality in the development of each of the studied phenomena at different stages of evolution. The application of this concept to the phenomena of art is a characteristic feature of modern musicology. In the broadest sense, the paradigm is the possibility of “thinking by a

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44

"Stairway to heaven: Led Zeppelin uncensored." Choice Reviews Online 30, no. 04 (1992): 30–1974. http://dx.doi.org/10.5860/choice.30-1974.

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45

Luparini, Alessandro. "“Mai più in Italia!”. I Led Zeppelin al Vigorelli e quella certa idea di contestazione." Clionet 07, no. 2023 (2023). http://dx.doi.org/10.30682/clionet2307ab.

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Il 5 luglio del 1971 i Led Zeppelin suonarono al Velodromo Vigorelli di Milano, nell’ambito del 10° Cantagiro. Il concerto della band inglese, peraltro del tutto fuori contesto, fu interrotto dai disordini provocati dagli “autoriduttori”, una frangia della sinistra extraparlamentare che reclamava la gratuità dei concerti in nome di una visione di classe dell’arte. Si apriva nell’Italia degli “anni di piombo” un lungo periodo di proteste e di violenze, in cui per le grandi star della musica pop-rock i palcoscenici italiani divennero off-limits.

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46

"Listening to popular music, or how I learned to stop worrying and love Led Zeppelin." Choice Reviews Online 45, no. 04 (2007): 45–1945. http://dx.doi.org/10.5860/choice.45-1945.

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-, Priyanka Stephen. "Influential American Guitarist in the History of Hard Rock Music: Jimi Hendrix." International Journal For Multidisciplinary Research 6, no. 2 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i02.16592.

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Hard rock emerged in the late 1960s as a sub-genre of rock music, heavily influenced by blues and psychedelic rock, and became a significant part of the American music history with the rise of bands such as Led Zeppelin, Aerosmith, and Van Halen in the 1970s. Jimi Hendrix was one of the most influential guitarists of the 20th century and a pioneer in the hard rock music genre. Born in Seattle in 1942, Hendrix began playing guitar at a young age and quickly developed a unique style that combined blues, rock, and jazz influences. In the mid-1960s, he moved to London and formed the Jimi Hendrix E

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Vera-Arroyo, Alexandro, and Heather Bedle. "When the levee breaks; Visualization of a deepwater crevasse splay in Late Cretaceous in Exmouth Basin offshore Western Australia." Interpretation, September 4, 2022, 1–28. http://dx.doi.org/10.1190/int-2022-0019.1.

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'The present is the key to the past'- a foundational geological concept that helps us contextualize buried subsurface features in terms of current geologic analogs. As seismic interpreters, we are used to some of the more common reflection patterns. However, we also find anomalous geoforms in our seismic data that we often overlook. As a result, we often disservice ourselves when we overlook these features, potentially ignoring additional geologic context and interpreting these features. These features or funny looking things (FLT) may provide further geologic context and aid us in solving the

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Patoulias, D., and S. N. Pandis. "Simulation of the effects of low-volatility organic compounds on aerosol number concentrations in Europe, Atmos. Chem. Phys., 22, 1689–1706, 2022." April 7, 2022. https://doi.org/10.5281/zenodo.6420881.

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PMCAMx-UF, a three-dimensional chemical transport model focusing on the simulation of the ultrafine particle size distribution and composition has been extended with the addition of reactions of chemical aging of semi-volatile anthropogenic organic vapors, the emissions and chemical aging by intermediate volatile organic compounds (IVOCs) and the production of extremely low volatility organic compounds (ELVOCs) by monoterpenes. The model is applied in Europe to quantify the effect of these processes on particle number concentrations. The model predictions are evaluated against both ground meas

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Burton, Jack. "Dude Looks Like A Lady: Straight Camp and the Homo-social World of Hard Rock." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 04 (June 5, 2007). http://dx.doi.org/10.2218/forum.04.580.

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Madison Square Garden. 1973. Robert Plant, the 25 year old singer and frontman of Led Zeppelin, undoubtedly the world's biggest rock band, takes to the stage in front of another sell out crowd. He is dressed in his trademark outfit of blue denim jeans and snakeskin boots. His torso is conspicuously left uncovered beneath a blue shirt several sizes too small. His muscular biceps are hugged by its gathered sleeves, presumably worn with the intention of creating a sense of oriental opulence but actually suggesting nothing more exotic than a woman's blouse. As he flicks aside his lustrous mane of

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