Journal articles: 'Lee, Bruce'

1

Hu, Brian. "‘Bruce Lee’ after Bruce Lee: A life in conjectures." Journal of Chinese Cinemas 2, no. 2 (2008): 123–35. http://dx.doi.org/10.1386/jcc.2.2.123_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bowman, Paul. "Fighting Over Bruce Lee." Martial Arts Studies, no. 8 (July 29, 2019): 29. http://dx.doi.org/10.18573/mas.82.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Couté, Pascal. "Bruce Lee, un acteur bergsonien." Double jeu, no. 1 (November 1, 2003): 125–34. http://dx.doi.org/10.4000/doublejeu.2213.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Pereda González, Pablo. "Bruce Lee: artista de la vida." Revista de Artes Marciales Asiáticas 4, no. 1 (2012): 108. http://dx.doi.org/10.18002/rama.v4i1.232.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Myeong-gwan, Cheon, and Susanna Lim. "Excerpt from My Uncle Bruce Lee." Azalea: Journal of Korean Literature & Culture 11, no. 1 (2018): 65–84. http://dx.doi.org/10.1353/aza.2018.0003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Bowman, Paul. "Game of text: Bruce Lee’s media legacies." Global Media and China 4, no. 3 (2019): 325–38. http://dx.doi.org/10.1177/2059436419869565.

Full text

Abstract:

This article situates Bruce Lee at the heart of the emergence of ‘martial arts’. It argues that the notion ‘martial arts’, as we now know it, is a discursive entity that emerged in the wake of media texts, and that the influence of Bruce Lee films of the early 1970s was both seminal and structuring of ‘martial arts’, in ways that continue to be felt. Using the media theory proposition that a limited range of ‘key visuals’ structure the aesthetic terrain of the discursive entity ‘martial arts’, the article assesses the place, role and status of images of Bruce Lee as they work intertextually across a wide range of media texts. In so doing, the article demonstrates the enduring media legacy of Bruce Lee – one that has always overflowed the media realm and influenced the lived, embodied lifestyles of innumerable people the world over, who have seen Bruce Lee and other martial arts texts and gone on to study Chinese and Asian martial arts because of them.

APA, Harvard, Vancouver, ISO, and other styles

7

Steenberg, Lindsay. "Bruce Lee as gladiator: Celebrity, vernacular stoicism and cinema." Global Media and China 4, no. 3 (2019): 348–61. http://dx.doi.org/10.1177/2059436419874625.

Full text

Abstract:

This article situates Bruce Lee’s films and star persona in the context of wider patterns in global genre cinema of the 1960s and 1970s. I argue for a connection between the Western reception of Lee’s films and those of the mid-century Italian sword and sandal films, beginning with the Colosseum fight between Bruce Lee and Chuck Norris that concludes Way of the Dragon (1972). From the dojo fights of Fist of Fury (1972), through the tournament structure in Enter the Dragon (1973), to his statistically led re-animation in the EA Sports UFC 3 (2018) videogame, Bruce Lee can be usefully considered as a gladiator. Bruce Lee, as fighter, performer and star persona, contributes to the enduring gladiatorial archetype that is an embedded feature in the Western visual imaginary. Furthermore, I argue that the gladiator archetype itself shifted because of Lee’s onscreen roles and the discourse that surrounds his star persona. In order to map these shifts and patterns of confluence, I chart three main points of impact that Lee has had on the gladiatorial archetype using his Western-facing roles on film and television, namely the television series Longstreet (1971–1972) and Enter the Dragon (1973). First, I consider the inclusion of martial arts and, second, the opening up of the field of representation to different models of masculinity, including a leaner body type and a non-White – in this case, ethnically Chinese – gladiator. The third point is the emphasis on a popular, or vernacular, stoicism. Ultimately, I elucidate the relationship between the gladiator, Bruce Lee, and philosophy, arguing that Lee embodies a vernacular stoicism that has become one of the defining features of the post-millennial gladiator and notions of heroic masculinity in popular culture more widely.

APA, Harvard, Vancouver, ISO, and other styles

8

Lowe, David. "David Lee, Stanley Melbourne Bruce: Australian Internationalist." Australian Journal of Political Science 47, no. 4 (2012): 733–34. http://dx.doi.org/10.1080/10361146.2012.732984.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Pellerin, Eric. "Bruce Lee as director and the star as author." Global Media and China 4, no. 3 (2019): 339–47. http://dx.doi.org/10.1177/2059436419873337.

Full text

Abstract:

This article examines Bruce Lee’s films as a director as well as his influence on films in which he starred. Using Richard Dyer’s “star studies” framework in conjunction with Patrick McGilligan’s notion of the “actor as auteur,” this article analyzes Bruce Lee’s star persona and his authorial power and contends that a case can be made for Lee’s authorship even in films for which he did not serve as the director. Against the backdrop of Golden Harvest and the New Hollywood–modeled Hong Kong production context in which Lee worked, Lee’s fight scenes as a director are juxtaposed with his fight scenes as a star in the interest of identifying similarities and differences toward the goal of identifying greater similarities than critics and scholars have hitherto realized. Ultimately, this article proposes that so overpowering was Lee’s stardom that, whether as “merely” a star or as a “true” auteur, every Bruce Lee film bears his irrepressible signature.

APA, Harvard, Vancouver, ISO, and other styles

10

Nishime, LeiLani. "Reviving Bruce: negotiating Asian masculinity through Bruce Lee paratexts inGiant RobotandAngry Asian Man." Critical Studies in Media Communication 34, no. 2 (2017): 120–29. http://dx.doi.org/10.1080/15295036.2017.1285420.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Attard, B. "D. Lee (2010).Stanley Melbourne Bruce: Australian Internationalist." Diplomacy & Statecraft 22, no. 4 (2011): 763–65. http://dx.doi.org/10.1080/09592296.2011.625839.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Maeda, Daryl Joji. "Nomad of the Transpacific: Bruce Lee as Method." American Quarterly 69, no. 3 (2017): 741–61. http://dx.doi.org/10.1353/aq.2017.0059.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

MACKINTOSH, JONATHAN D. "Bruce Lee: A visual poetics of postwar Japanese manliness." Modern Asian Studies 48, no. 6 (2013): 1477–518. http://dx.doi.org/10.1017/s0026749x13000437.

Full text

Abstract:

AbstractFist of Fury, starring Bruce Lee, debuted in Japan in 1974. Whilst its critical reception reflected its box-office success, a complex emotional reaction is nevertheless detectable towards the film's unsympathetic portrayal of the Japanese. This paper will explore this reaction and suggest that a post-colonial angst was piqued, one that betrayed fundamental shifts in current racial, erotic, cultural, moral, and historical understandings of Japanese manliness. At one level, the response to Lee is a hermeneutic cue into the manifold ways that this angst was constructed through contesting understandings of an emergent China and unresolved memories concerning failed imperial Japanese adventure. At another level, the phenomenon of Lee's Japanese reception points to longer-term shifts in the visual-cultural representation of masculinity: vulnerability as articulated in the cinema's ‘new man’, male nudity as ‘discovered’ in women's magazines, and most potently, modern Japanese manliness to challenge American neo-colonial hegemony. It is this panorama of masculinity that this paper seeks to open through an inter-disciplinary survey of a variety of media—film, pulp fiction, women's magazines, andhomoporn; a panorama into which Bruce Lee exploded on screen, alerting us to the images and contradictory aspirations that script a visual poetry of Japanese manliness.

APA, Harvard, Vancouver, ISO, and other styles

14

Fariña López, Héctor P. "Pensamientos Extraordinarios. Sabiduría para la vida diaria. Bruce Lee." Revista de Artes Marciales Asiáticas 3, no. 4 (2012): 80. http://dx.doi.org/10.18002/rama.v3i4.392.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Brown, David Hugh Kendall. "Embodying Charismatic Affect(If): the Example of Bruce Lee." Corpus Mundi 1, no. 3 (2020): 14–52. http://dx.doi.org/10.46539/cmj.v1i3.22.

Full text

Abstract:

While the concept of charisma is widely used in the social sciences, its embodied nature is less thoroughly explored and theorised. This paper revisits the key embodied characteristics of Weber's sociology of charisma and re-interprets these using Shilling's (2005, 2013) umbrella notions of the body as a source and location of and means for society as a way of analysing the idea of the charismatic body as a force for social change. It then draws on a range of embodied concepts to illuminate how charisma is significant channel of infra and inter-corporeal affective interaction between "leaders" and their followers. In particular, Freund's (2009) social synaesthesia and bio-agency, Massumi's (2002) perspective of affect and the moving body, Thrift's (2010) charismatic celebrity, allure and glamour, Mellor and Shilling's (1997) sensual solidarities, and Seyfert's (2012) conception of affectif. To develop and illustrate this perspective of the charismatically affective body in action, the life of film star and martial artist Bruce Lee (1940–1973) is utilised.

APA, Harvard, Vancouver, ISO, and other styles

16

de la Vega, Xavier. "Hong Kong - De Bruce Lee à Wong Kar-Waï." Les Grands Dossiers des Sciences Humaines N°17, no. 12 (2009): 39. http://dx.doi.org/10.3917/gdsh.017.0039.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Pan González, Juan. "Bruce Lee. Jeet Kune Do. Comentarios sobre el camino marcial." Revista de Artes Marciales Asiáticas 1, no. 2 (2012): 87. http://dx.doi.org/10.18002/rama.v1i2.241.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Wang, Ban. "Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger." Film Quarterly 60, no. 2 (2006): 74–75. http://dx.doi.org/10.1525/fq.2006.60.2.74.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Barrowman, Kyle. "Lessons of the dragon: Bruce Lee and perfectionism between East and West." Global Media and China 4, no. 3 (2019): 312–24. http://dx.doi.org/10.1177/2059436419865797.

Full text

Abstract:

This article endeavors to understand the work of Bruce Lee, particularly his appearance on the US television series Longstreet (1971–1972), with reference to the philosophical concept of perfectionism. Although in extant scholarship Lee has often been presented as an anti-Confucian figure, this article reexamines Lee’s Confucian connections vis-à-vis perfectionism. By virtue of an investigation into the centrality of the concepts of character, volition, and self-actualization in Confucianism, in conjunction with an analysis of their prominence in Western (specifically, Aristotelian and Emersonian) philosophy, this article situates Lee between Eastern and Western perfectionist traditions. This article then examines Lee’s work on Longstreet in an effort to elucidate the perfectionist ethos that fueled Lee’s philosophy of Jeet Kune Do and, by extension, his media pedagogy regarding teaching and learning martial arts. Ultimately, this article argues that Lee represents a quintessential perfectionist pedagogue and that the most important lessons to be learned from Lee involve such perfectionist hallmarks as building character, cultivating virtue, and self-actualizing.

APA, Harvard, Vancouver, ISO, and other styles

20

Vaselaar, Rona Mae. "Kicking and Screaming: Fist of Fury and the Bruce Lee Legacy." Film Matters 4, no. 2 (2013): 30–33. http://dx.doi.org/10.1386/fm.4.2.30_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Bush, Elizabeth. "Be Water, My Friend: The Early Years of Bruce Lee (review)." Bulletin of the Center for Children's Books 60, no. 6 (2007): 261. http://dx.doi.org/10.1353/bcc.2007.0078.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Wong, Kai-Kit, Kin-Fai Tong, Yangyang Zhang, and Zheng Zhongbin. "Fluid Antenna System for 6G: When Bruce Lee Inspires Wireless Communications." Electronics Letters 56, no. 24 (2020): 1288–90. http://dx.doi.org/10.1049/el.2020.2788.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Chin, Jessica W. "Striking distance: Bruce Lee & the dawn of martial arts in America." Sport in Society 21, no. 3 (2017): 574–76. http://dx.doi.org/10.1080/17430437.2017.1379187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Maier, Gonzalo. "Bruce Lee en Chile: ironía y parodia en Fuenzalida de Nona Fernández." Symposium: A Quarterly Journal in Modern Literatures 71, no. 1 (2017): 38–49. http://dx.doi.org/10.1080/00397709.2017.1277874.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Prashad, V. "Bruce Lee and the Anti-imperialism of Kung Fu: A Polycultural Adventure." positions: east asia cultures critique 11, no. 1 (2003): 51–90. http://dx.doi.org/10.1215/10679847-11-1-51.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Choi, Kyu-Jin, and Chang Joon OK. "Contrapuntal Reading on the Writings of Chong-Sik Lee and Bruce Cumings." Historical Journal 74 (December 31, 2020): 349–81. http://dx.doi.org/10.20457/sha.74.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Otero, Daniel. "Thanks to Bruce Lee & David Carradine, Kung-fu did not disappear." International Journal of Martial Arts 5 (December 18, 2019): 84–99. http://dx.doi.org/10.51222/injoma.2019.12.5.84.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Bowman, Paul. "The Limits of Post-marxism: The (dis)Function of Political Theory in Film and Cultural Studies." Global Discourse 9, no. 2 (2019): 329–45. http://dx.doi.org/10.1332/204378919x15526540593598.

Full text

Abstract:

This article first sets out the value of the political discourse theory of Laclau and Mouffe. It argues that this work was central to the development of cultural studies, in its theorisation of social and cultural practices as being part of 'political discourse'. This confers a dignity, status, value and political importance on cultural practices of all kinds. However, the article seeks to probe the limits of this approach to cultural politics, and it does so through a necessarily unusual exploration. First, it takes an example of something ostensibly trivial from the realms of film and popular culture and explores it in terms of Laclau and Mouffe's categories, in two different ways. The 'trivial'/pop cultural example is Bruce Lee. Could Bruce Lee be regarded as 'politically' significant or consequential? He was certainly an enormously influential film and popular cultural icon of the 1970s, one who arguably ignited a global 'kung fu craze'. Moreover, Bruce Lee also had his own 'hegemonic project', seeking to transform and unify martial arts practices. In this paper, Bruce Lee's own 'project' is first examined in the terms of Laclauian categories. These are shown to be extremely useful for grasping both the project and the reasons for its failure. Then the article moves into a wider consideration of the emergence of globally popular cultural discourses of martial arts. However, Laclau and Mouffe's approach is shown to be somewhat less than satisfactory for perceiving at least some of the 'political' dimensions entailed in the spread martial arts culture and practices, from contexts of the global south into affluent contexts such as Hollywood film and Euro-American cultural practices. The paper argues that this is because Laclau and Mouffe's approach is logocentric, which leads it to look for and to perceive a very limited range of factors: specifically, political identities formed through political demands. However, to more fully perceive the political dimensions of culture, the paper argues that different kinds of perspective, paradigms and analysis are required. Adopting or developing some of these would enrich the field of political studies.

APA, Harvard, Vancouver, ISO, and other styles

29

Barrowman, Kyle. "Bruce Lee and the Perfection of Martial Arts (Studies): An Exercise in Alterdisciplinarity." Martial Arts Studies, no. 8 (July 29, 2019): 5. http://dx.doi.org/10.18573/mas.80.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Bowman, Paul. "Sick man of transl-Asia: Bruce Lee and Rey Chow's queer cultural translation." Social Semiotics 20, no. 4 (2010): 393–409. http://dx.doi.org/10.1080/10350330.2010.494393.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

HIGH, CASEY. "Warriors, hunters, and Bruce Lee: Gendered agency and the transformation of Amazonian masculinity." American Ethnologist 37, no. 4 (2010): 753–70. http://dx.doi.org/10.1111/j.1548-1425.2010.01283.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Tolentino, Célia, and Luana Hordones Chaves. "A profetisa que amava Bruce Lee: Oriente e Ocidente na perspectiva de Persépolis." Lua Nova: Revista de Cultura e Política, no. 89 (2013): 249–74. http://dx.doi.org/10.1590/s0102-64452013000200010.

Full text

Abstract:

Neste artigo analisamos a obra Persépolis, longa metragem de animação que sintetiza os quatro volumes da obra homônima lançada na forma de história em quadrinhos na França, entre os anos de 2000 e 2003. Narrado pela autora Marjane Satrapi, conta os quinze anos sucessivos aos acontecimentos de 1979 no Irã, a partir de sua perspectiva pessoal. Pertencente a um grupo social de esquerda e ocidentalizado segundo o padrão iraniano, viu morrer as utopias deste segmento com a vitória da Revolução Islâmica. No entanto, num autoexílio em Viena, em plena adolescência, percebeu que a apregoada liberdade ocidental também cobrava o seu preço. Tomando a narrativa de Persépolis como um olhar literalmente em perspectiva, colocamos em debate aspectos políticos e sociais da relação Oriente/Ocidente, dialogando, particularmente, com a obra de Edward Said.

APA, Harvard, Vancouver, ISO, and other styles

33

Oh, David C. "Seeing Myself Through Film: Diasporic Belongings and Racial Identifications." Cultural Studies ↔ Critical Methodologies 18, no. 2 (2017): 107–15. http://dx.doi.org/10.1177/1532708617742405.

Full text

Abstract:

Through critical autoethnography, I explore memories with film that I have drawn upon to form hybrid diasporic identifications located in “new ethnicities” that are situated between dominant White racial meanings of home and transnationally informed meanings of homeland. Recalling my memory of watching Dragon: The Bruce Lee Story, I recognize that my identification with Bruce Lee (Jason Scott Lee) and his relationship with Linda Lee Caldwell (Lauren Holly) was situated in my desire for White acceptance, which was manifest in my heterosexual romantic interests in White women. I unravel the ways in which racial isolation and a desire for acceptance and visibility created an internalized politics of desire rooted in dominant racial hierarchies. The second narrative examines my viewing of The Last Present, a Korean film, in a Seoul theater. Seeing a love story centered on a romantically involved Asian man in a relationship with an Asian woman, especially a Korean man and woman, was something I had never previously known, and its presence made visible its absence in my mediated life in the United States. This changed my sense of self, my relationship to dominant culture as part of the Korean diaspora, and my sexual and romantic interests. Because I am in the diaspora, my identification is found in what Hall refers to as new ethnicities, situated in the gaps between the local, dominant culture and transnationally received ethnic, homeland culture.

APA, Harvard, Vancouver, ISO, and other styles

34

Wong, Wayne. "Nothingness in motion: Theorizing Bruce Lee’s action aesthetics." Global Media and China 4, no. 3 (2019): 362–80. http://dx.doi.org/10.1177/2059436419871386.

Full text

Abstract:

This article argues that Bruce Lee revolutionized kung fu cinema not only by increasing its authenticity and combativity but also by revealing its inherent connection to wuyi (武意), or martial ideation. Martial ideation refers to a specific negotiation of action and stasis in martial arts performance which contains a powerful overflow of emotion in tranquility. Since the early 1970s, Bruce Lee’s kung fu films have been labeled “chop-socky,” offering only fleeting visual and visceral pleasures. Subsequently, several studies explored the cultural significance and political implications of Lee’s films. However, not much attention has been paid to their aesthetic composition—in particular, how cinematic kung fu manifests Chinese aesthetics and philosophy on choreographic, cinematographic, and narrative levels. In Lee’s films, the concept of martial ideation is embodied in the Daoist notion of wu (nothingness), a metaphysical void that is invisible, nameless, and formless. Through a close reading of Laozi’s Daodejing (道德經), it is possible to discover two traits of nothingness—namely, reversal and return—which are characteristics of Lee’s representation of martial ideation. The former refers to a paradigmatic shift from concreteness to emptiness, while the latter makes such a shift reversible and perennial via the motif of circularity. The discussion focuses on films in which Lee’s creative influence is clearly discernible, such as Fist of Fury (1972), The Way of the Dragon (1972), and the surviving footage intended for The Game of Death featured in Bruce Lee: A Warrior’s Journey (2000). These films shed light on the complicated relationship between the cinematic (action and stasis), the martial (Jeet Kune Do), the aesthetic (ideation), and the philosophical (Daoism). The goal is to stimulate a more balanced discussion of Lee’s films both from the perspective of global action cinema and Chinese culture.

APA, Harvard, Vancouver, ISO, and other styles

35

Jennings, George. "Bruce Lee and the Invention of Jeet Kune Do: The Theory of Martial Creation." Martial Arts Studies, no. 8 (July 29, 2019): 60. http://dx.doi.org/10.18573/mas.84.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Wong, John, and Robert E. Rinehart. "Representations of Physical Prowess, the Body, and National Identity in Selected Bruce Lee Films." Sport History Review 44, no. 2 (2013): 186–205. http://dx.doi.org/10.1123/shr.44.2.186.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Miranda, Maria Brígida de. "Bruce Lee nas telas – O “Pequeno Dragão” enlaça com seu corpo marcial Oriente e Ocidente." Urdimento 2, no. 25 (2016): 84–99. http://dx.doi.org/10.5965/1414573102252015084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Shu, Yuan. "Reading the Kung Fu Film in an American Context: From Bruce Lee to Jackie Chan." Journal of Popular Film and Television 31, no. 2 (2003): 50–59. http://dx.doi.org/10.1080/01956050309603666.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Harris, Fred R. "Sizing Up the Senate: The Unequal Consequences of Equal Representationby Francis E. Lee and Bruce I." Political Science Quarterly 115, no. 3 (2000): 489–90. http://dx.doi.org/10.2307/2658156.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Acevedo, William, and Mei Cheung. "Una visión histórica de las artes marciales mixtas en China." Revista de Artes Marciales Asiáticas 6, no. 2 (2012): 29. http://dx.doi.org/10.18002/rama.v6i2.6.

Full text

Abstract:

Mixed martial arts (MMA) has become one of the fastest-growing combat sports in the twenty-first century, drawing millions of Pay-Per-View spectators since the inception of the Ultimate Fighting Championship (UFC) in 1993. Popular conceptions have credited the creation of MMA to Bruce Lee, a Chinese-American actor and martial artist who became an icon in the 1970s and who is still considered by many as a revolutionary figure in the field. This paper will present, in chronological order, examples of ancient Chinese martial arts concepts preceding the creation of modern MMA.

APA, Harvard, Vancouver, ISO, and other styles

41

Bowman. "The Intimate Schoolmaster and the Ignorant Sifu: Poststructuralism, Bruce Lee, and the Ignorance of Everyday Radical Pedagogy." Philosophy & Rhetoric 49, no. 4 (2016): 549. http://dx.doi.org/10.5325/philrhet.49.4.0549.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Webb, Jeff. "Desarrollo del reflejo táctil a través de las “manos pegajosas” del wing tsun." Revista de Artes Marciales Asiáticas 4, no. 3 (2012): 74. http://dx.doi.org/10.18002/rama.v4i3.179.

Full text

Abstract:

<p>It was the late Bruce Lee who first demonstrated Wing Tsun gongfu’s “sticking hands” (chi-sau) exercise in the US, during the 1964 Long Beach International Karate Championships. Forty-four years later, very few outside of the art truly understand the purpose of chi-sau let alone how it develops tactile reflexes. This article will describe both the fundamental and complex methods of chi-sau training in detail. It will also explain the rationale and theories behind this method as well as discuss a variety of factors that can either improve or retard the acquisition of tactile reflexes.</p>

APA, Harvard, Vancouver, ISO, and other styles

43

Locke, Brian. "“The White Man’s Bruce Lee”: Race and the Construction of White Masculinity in David Fincher’s Fight Club (1999)." Journal of Asian American Studies 17, no. 1 (2014): 61–89. http://dx.doi.org/10.1353/jaas.2014.0009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Ho, Jennifer. "Ambiguous movements: Paisley Rekdal's passing identity inthe night my mother met Bruce lee: Observations on not fitting in." Women & Performance: a journal of feminist theory 15, no. 1 (2005): 141–65. http://dx.doi.org/10.1080/07407700508571492.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Alaggio, Flavia, and Milena Jedlowski. "Mandati e lealtŕ familiari: il particolare caso dell'incredibile Hulk." RIVISTA DI PSICOTERAPIA RELAZIONALE, no. 28 (December 2009): 41–54. http://dx.doi.org/10.3280/pr2008-028004.

Full text

Abstract:

- In this article some of the aspects about the "family" construct proposed by Vittorio Cigoli are analysed thoroughly. Particularly the paradigms of this construct such as the affective pole and the ethical pole are drawn. As for the first aspect we refer to the works by Erik Erikson about hope and trust, shifting from an interpretation focused on the "Self" to another one focused on the exchange among generations. Relating to the ethical pole, we consider the hypotheses by Ivan Boszormenyi- Nagy about the concept of loyalty and justice. From a strictly clinical point of view, a "particular case" is revised through these considerations: that is the story of Bruce Banner and his alter ego, the Incredible Hulk, a comics character created in 1962 by Stan Lee and Jack Kirby. Two outlines are used for the analysis of the present case: the comic strip and the movie by A. Lee, come out in 2003. The behaviours of the members of the family and Hulk's fits of rage are read in terms of relations, as "symptoms" of credits and debts within the family.

APA, Harvard, Vancouver, ISO, and other styles

46

Guk-jo Jeon. "A Genealogy between Ip Man and Bruce Lee -the Post-1997 Hong Kong Kung Fu Films and Chinese Nationalism*-." Contemporary Film Studies 15, no. 1 (2019): 173–94. http://dx.doi.org/10.15751/cofis.2019.15.1.173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Ye, Guo. "Canton Kung Fu: The Culture of Guangdong Martial Arts." SAGE Open 9, no. 3 (2019): 215824401986145. http://dx.doi.org/10.1177/2158244019861459.

Full text

Abstract:

During the 20th century, a version of Kung Fu from the Guangdong region in Southern China became more widely known abroad as a result of Chinese migration to the West, as well as its exposure through popular culture, including the films of Bruce Lee. This article analyses the culture of Guangdong martial arts in the context of this growing exposure. A variety of martial arts sects and associated cultural expressions in other fields give a picture of the traditional martial arts culture in Guangdong. Underpinning these physical manifestations, Guangdong martial arts have derived their ideologies from traditional Chinese philosophy. The dynamic social system supporting Guangdong martial arts provided a platform ensuring that these cultural symbols and values could be created and maintained and exported over several centuries.

APA, Harvard, Vancouver, ISO, and other styles

48

Erwin, Kathleen. "Chinese American Masculinities: From Fu Manchu to Bruce Lee. By Jachison Chan. New York: Routledge, 2001. ix, 183 pp. $60.00 (cloth)." Journal of Asian Studies 62, no. 1 (2003): 195–97. http://dx.doi.org/10.2307/3096144.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Ongiri, Amy Abugo. ""He wanted to be just like Bruce Lee": African Americans, Kung Fu Theater and Cultural Exchange at the Margins." Journal of Asian American Studies 5, no. 1 (2002): 31–40. http://dx.doi.org/10.1353/jaas.2002.0009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Lu, Kevin. "Racial Hybridity." International Journal of Jungian Studies 12, no. 1 (2020): 11–40. http://dx.doi.org/10.1163/19409060-01201006.

Full text

Abstract:

Abstract This paper explores some possible contributions analytical psychology may make to theorising racial hybridity. Already a ‘hybrid psychology’, Lu suggests that analytical psychology is particularly well-positioned to speak to the specific experiences and challenges posed by multiraciality. In particular, Lu critically reflects on his hopes, fears, and fantasies that have arisen with the birth of his multiracial children, which may in turn act as a springboard to greater depth psychological reflections on the unique and equally ‘typical’ experience of raising mixed-raced children. Such concerns have been articulated by others such as Bruce Lee, who faced the challenge of raising multiracial children amidst a backdrop of racism in the Unites States. This paper critically assesses possible ways in which racial hybridity may be theorised from a Jungian perspective and argues that a Post-Jungian approach must reflect the flexibility and fluidity of hybridity itself.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Lee, Bruce'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles