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Journal articles on the topic 'Lee, Bruce'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Hu, Brian. "‘Bruce Lee’ after Bruce Lee: A life in conjectures." Journal of Chinese Cinemas 2, no. 2 (2008): 123–35. http://dx.doi.org/10.1386/jcc.2.2.123_1.

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2

Bowman, Paul. "Fighting Over Bruce Lee." Martial Arts Studies, no. 8 (July 29, 2019): 29. http://dx.doi.org/10.18573/mas.82.

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3

Couté, Pascal. "Bruce Lee, un acteur bergsonien." Double jeu, no. 1 (November 1, 2003): 125–34. http://dx.doi.org/10.4000/doublejeu.2213.

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4

Bowman, Paul. "Game of text: Bruce Lee’s media legacies." Global Media and China 4, no. 3 (2019): 325–38. http://dx.doi.org/10.1177/2059436419869565.

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This article situates Bruce Lee at the heart of the emergence of ‘martial arts’. It argues that the notion ‘martial arts’, as we now know it, is a discursive entity that emerged in the wake of media texts, and that the influence of Bruce Lee films of the early 1970s was both seminal and structuring of ‘martial arts’, in ways that continue to be felt. Using the media theory proposition that a limited range of ‘key visuals’ structure the aesthetic terrain of the discursive entity ‘martial arts’, the article assesses the place, role and status of images of Bruce Lee as they work intertextually ac

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5

Pereda González, Pablo. "Bruce Lee: artista de la vida." Revista de Artes Marciales Asiáticas 4, no. 1 (2012): 108. http://dx.doi.org/10.18002/rama.v4i1.232.

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6

Myeong-gwan, Cheon, and Susanna Lim. "Excerpt from My Uncle Bruce Lee." Azalea: Journal of Korean Literature & Culture 11, no. 1 (2018): 65–84. http://dx.doi.org/10.1353/aza.2018.0003.

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7

Steenberg, Lindsay. "Bruce Lee as gladiator: Celebrity, vernacular stoicism and cinema." Global Media and China 4, no. 3 (2019): 348–61. http://dx.doi.org/10.1177/2059436419874625.

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This article situates Bruce Lee’s films and star persona in the context of wider patterns in global genre cinema of the 1960s and 1970s. I argue for a connection between the Western reception of Lee’s films and those of the mid-century Italian sword and sandal films, beginning with the Colosseum fight between Bruce Lee and Chuck Norris that concludes Way of the Dragon (1972). From the dojo fights of Fist of Fury (1972), through the tournament structure in Enter the Dragon (1973), to his statistically led re-animation in the EA Sports UFC 3 (2018) videogame, Bruce Lee can be usefully considered

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8

Lopes, Ricardo Cortez. "Análise das reações à iconoclastia de Bruce Lee no filme "Era uma vez em… Hollywood"." Revista Processando o Saber 16, no. 01 (2024): 104–20. https://doi.org/10.5281/zenodo.14226261.

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este artigo tratou de uma iconoclastia, por meio de uma cena do filme “Era uma vez em Hollywood” (2019), na qual aparece um Bruce Lee personagem. Esta cena causou grande repercussão junto ao público, o que gerou declarações do diretor, Quentin Tarantino, e de Shanon Lee, filha de Bruce. A pesquisa focou em análise de conteúdo de comentários da Internet, investigando em que termos a iconoclastia foi compreendida. O tratamento foi por meio das categorias: (a) ataque ao personagem, (b) ataque ao diretor e (c) não ofendidos (como

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9

Pellerin, Eric. "Bruce Lee as director and the star as author." Global Media and China 4, no. 3 (2019): 339–47. http://dx.doi.org/10.1177/2059436419873337.

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This article examines Bruce Lee’s films as a director as well as his influence on films in which he starred. Using Richard Dyer’s “star studies” framework in conjunction with Patrick McGilligan’s notion of the “actor as auteur,” this article analyzes Bruce Lee’s star persona and his authorial power and contends that a case can be made for Lee’s authorship even in films for which he did not serve as the director. Against the backdrop of Golden Harvest and the New Hollywood–modeled Hong Kong production context in which Lee worked, Lee’s fight scenes as a director are juxtaposed with his fight sc

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10

Lowe, David. "David Lee, Stanley Melbourne Bruce: Australian Internationalist." Australian Journal of Political Science 47, no. 4 (2012): 733–34. http://dx.doi.org/10.1080/10361146.2012.732984.

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11

Hägele, Werner. "Bruce Lee: Grenzgänger zwischen Ost und West." Sport und Gesellschaft 19, no. 3 (2022): 375–95. http://dx.doi.org/10.1515/sug-2022-0032.

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12

Gruet, Brice. "Bruce Lee, le messager du kung fu." La Géographie N° 1550, no. 3 (2013): 62–63. http://dx.doi.org/10.3917/geo.1550.0062.

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13

Wong, May L. Y. "The statue of Bruce Lee in the Hong Kong Heritage Museum." Chinese Semiotic Studies 18, no. 4 (2022): 633–51. http://dx.doi.org/10.1515/css-2022-2083.

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Abstract This article presents an analysis of the most recent statue of Bruce Lee displayed in the entrance to the Bruce Lee exhibition at the Hong Kong Heritage Museum. The analysis primarily utilizes O’Toole’s social semiotic framework as outlined in The language of displayed art (1994, 2011) in the tradition of systemic functional linguistics for analyzing the multimodality of sculpture, and provides insights into how the statue represents the kung fu legend Bruce Lee, who created the martial arts discipline of Jeet June Do. The article begins by first analyzing its sculptural features and

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14

Nishime, LeiLani. "Reviving Bruce: negotiating Asian masculinity through Bruce Lee paratexts inGiant RobotandAngry Asian Man." Critical Studies in Media Communication 34, no. 2 (2017): 120–29. http://dx.doi.org/10.1080/15295036.2017.1285420.

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15

Ng, Peter K.L., Bee Yan Lee, and Bertrand Richer de Forges. "Periclimenaeus djiboutensis Bruce 1970." Zoological Studies 60, no. 15 (2021): 1–22. https://doi.org/10.6620/ZS.2021.60-15.

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Ng, Peter K.L., Lee, Bee Yan, Forges, Bertrand Richer de (2021): Periclimenaeus djiboutensis Bruce 1970. Zoological Studies 60 (15): 1-22, DOI: 10.6620/ZS.2021.60-15, URL: http://dx.doi.org/10.5281/zenodo.8055885

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16

Attard, B. "D. Lee (2010).Stanley Melbourne Bruce: Australian Internationalist." Diplomacy & Statecraft 22, no. 4 (2011): 763–65. http://dx.doi.org/10.1080/09592296.2011.625839.

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17

Maeda, Daryl Joji. "Nomad of the Transpacific: Bruce Lee as Method." American Quarterly 69, no. 3 (2017): 741–61. http://dx.doi.org/10.1353/aq.2017.0059.

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18

MACKINTOSH, JONATHAN D. "Bruce Lee: A visual poetics of postwar Japanese manliness." Modern Asian Studies 48, no. 6 (2013): 1477–518. http://dx.doi.org/10.1017/s0026749x13000437.

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AbstractFist of Fury, starring Bruce Lee, debuted in Japan in 1974. Whilst its critical reception reflected its box-office success, a complex emotional reaction is nevertheless detectable towards the film's unsympathetic portrayal of the Japanese. This paper will explore this reaction and suggest that a post-colonial angst was piqued, one that betrayed fundamental shifts in current racial, erotic, cultural, moral, and historical understandings of Japanese manliness. At one level, the response to Lee is a hermeneutic cue into the manifold ways that this angst was constructed through contesting

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19

Fariña López, Héctor P. "Pensamientos Extraordinarios. Sabiduría para la vida diaria. Bruce Lee." Revista de Artes Marciales Asiáticas 3, no. 4 (2012): 80. http://dx.doi.org/10.18002/rama.v3i4.392.

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20

Brown, David Hugh Kendall. "Embodying Charismatic Affect(If): the Example of Bruce Lee." Corpus Mundi 1, no. 3 (2020): 14–52. http://dx.doi.org/10.46539/cmj.v1i3.22.

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While the concept of charisma is widely used in the social sciences, its embodied nature is less thoroughly explored and theorised. This paper revisits the key embodied characteristics of Weber's sociology of charisma and re-interprets these using Shilling's (2005, 2013) umbrella notions of the body as a source and location of and means for society as a way of analysing the idea of the charismatic body as a force for social change. It then draws on a range of embodied concepts to illuminate how charisma is significant channel of infra and inter-corporeal affective interaction between "leaders"

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21

de la Vega, Xavier. "Hong Kong - De Bruce Lee à Wong Kar-Waï." Les Grands Dossiers des Sciences Humaines N°17, no. 12 (2009): 39. http://dx.doi.org/10.3917/gdsh.017.0039.

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22

Xu, Jincheng. "Research on Bruce Lee's Classic Film Image and Cross-cultural Communication." Communications in Humanities Research 3, no. 1 (2023): 24–31. http://dx.doi.org/10.54254/2753-7064/3/20220113.

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Bruce Lee was a well-known actor, martial artist, and philosopher who brought quality films to people. At the same time, he used his way to spread Chinese culture to the world. This kind of cross-cultural communication was undoubtedly very successful at that time. This paper introduces the influence of Bruce Lee, the symbol of the era on the cross-cultural communication mode and the combination of films through the literature summary. Bruce Lee's model of cross-cultural communication was based on the medium of film. Due to the popularity of the Internet and social media, the effect of movies o

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23

Barrowman, Kyle. "Lessons of the dragon: Bruce Lee and perfectionism between East and West." Global Media and China 4, no. 3 (2019): 312–24. http://dx.doi.org/10.1177/2059436419865797.

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This article endeavors to understand the work of Bruce Lee, particularly his appearance on the US television series Longstreet (1971–1972), with reference to the philosophical concept of perfectionism. Although in extant scholarship Lee has often been presented as an anti-Confucian figure, this article reexamines Lee’s Confucian connections vis-à-vis perfectionism. By virtue of an investigation into the centrality of the concepts of character, volition, and self-actualization in Confucianism, in conjunction with an analysis of their prominence in Western (specifically, Aristotelian and Emerson

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24

Pan González, Juan. "Bruce Lee. Jeet Kune Do. Comentarios sobre el camino marcial." Revista de Artes Marciales Asiáticas 1, no. 2 (2012): 87. http://dx.doi.org/10.18002/rama.v1i2.241.

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25

Wang, Ban. "Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger." Film Quarterly 60, no. 2 (2006): 74–75. http://dx.doi.org/10.1525/fq.2006.60.2.74.

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26

Vaselaar, Rona Mae. "Kicking and Screaming: Fist of Fury and the Bruce Lee Legacy." Film Matters 4, no. 2 (2013): 30–33. http://dx.doi.org/10.1386/fm.4.2.30_1.

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27

Wong, Kai-Kit, Kin-Fai Tong, Yangyang Zhang, and Zheng Zhongbin. "Fluid Antenna System for 6G: When Bruce Lee Inspires Wireless Communications." Electronics Letters 56, no. 24 (2020): 1288–90. http://dx.doi.org/10.1049/el.2020.2788.

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28

Bush, Elizabeth. "Be Water, My Friend: The Early Years of Bruce Lee (review)." Bulletin of the Center for Children's Books 60, no. 6 (2007): 261. http://dx.doi.org/10.1353/bcc.2007.0078.

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29

Bowman, Paul. "The Limits of Post-marxism: The (dis)Function of Political Theory in Film and Cultural Studies." Global Discourse 9, no. 2 (2019): 329–45. http://dx.doi.org/10.1332/204378919x15526540593598.

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This article first sets out the value of the political discourse theory of Laclau and Mouffe. It argues that this work was central to the development of cultural studies, in its theorisation of social and cultural practices as being part of 'political discourse'. This confers a dignity, status, value and political importance on cultural practices of all kinds. However, the article seeks to probe the limits of this approach to cultural politics, and it does so through a necessarily unusual exploration. First, it takes an example of something ostensibly trivial from the realms of film and popula

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30

Rodríguez-Sánchez, Augusto Rembrandt, Joaquín Piedra, and Gonzalo Ramírez-Macías. "El combate de Bruce Lee en pocas palabras: análisis de sus aportaciones a la estrategia a través de sus obras." Revista de Artes Marciales Asiáticas 19, no. 1 (2024): 1–15. http://dx.doi.org/10.18002/rama.v19i1.2401.

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Esta investigación examina la filosofía de las artes marciales de Bruce Lee, con un enfoque particular en su método único de jeet kune do, para abordar el vacío de rigor científico en el análisis de su metodología marcial. El estudio adopta una estrategia de estudio de caso y emplea el análisis de contenido utilizando el software MaxQDA v.11. Una selección de la literatura oficial de Lee, priorizando escritos inalterados y aquellos que reflejan su pensamiento directo, conforman la muestra de investigación. Los hallazgos principales destacan el desarrollo por parte de Lee de las cinco vías de a

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31

Oh, David C. "Seeing Myself Through Film: Diasporic Belongings and Racial Identifications." Cultural Studies ↔ Critical Methodologies 18, no. 2 (2017): 107–15. http://dx.doi.org/10.1177/1532708617742405.

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Through critical autoethnography, I explore memories with film that I have drawn upon to form hybrid diasporic identifications located in “new ethnicities” that are situated between dominant White racial meanings of home and transnationally informed meanings of homeland. Recalling my memory of watching Dragon: The Bruce Lee Story, I recognize that my identification with Bruce Lee (Jason Scott Lee) and his relationship with Linda Lee Caldwell (Lauren Holly) was situated in my desire for White acceptance, which was manifest in my heterosexual romantic interests in White women. I unravel the ways

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32

王萬睿, 王萬睿. "重繪李小龍：作為明星文本的手繪電影看板". 藝術評論 48, № 48 (2025): 077–113. https://doi.org/10.53106/101562402025010048003.

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<p>電影看板畫師不只是一位電影院廣告宣傳的工作者，同時也可能是熱愛電影的藝術家。本文通過明星研究的分析框架，重新檢視跨媒體敘事的實踐，並強調手繪電影看板如何在影院牆面上展示時，不僅推廣了電影，還強化了「電影明星」的視覺再現。本研究聚焦於1970年代手繪看板畫師張玉村先生的工作影像檔案，特別關注他對傳奇功夫明星李小龍的描繪，將這些手繪電影看板視為一種獨特的「明星文本」。首先，本文從電影文化研究的視角，探討電影手繪看板如何作為公共空間中的展示媒介以及文化產物，促進電影文化的傳播。其次，通過分析電影明星作為宣傳與行銷工具的運用，強調明星影像在手繪電影看板設計與吸引力中的核心地位。最後，通過李小龍在手繪看板上的形象案例研究，闡明看板畫師如何以視覺轉譯功夫類型電影，提供重新思考電影史書寫的另類視角。本文旨在連結電影文化研究與明星研究領域，提出手繪電影看板作為理解藝術風格、商業策略與電影明星遺產交涉的重要媒介。</p> <p> </p><p>SThe movie billboard painter is not merely a worker involved in cinema advertising and promotion but also a potential artist deeply passionate about

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33

Choi, Kyu-Jin, and Chang Joon OK. "Contrapuntal Reading on the Writings of Chong-Sik Lee and Bruce Cumings." Historical Journal 74 (December 31, 2020): 349–81. http://dx.doi.org/10.20457/sha.74.11.

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34

Otero, Daniel. "Thanks to Bruce Lee & David Carradine, Kung-fu did not disappear." International Journal of Martial Arts 5 (December 18, 2019): 84–99. http://dx.doi.org/10.51222/injoma.2019.12.5.84.

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35

Brown, David Hugh Kendall. "Embodying Charismatic Affect(If): the Example of Bruce Lee (Translation into Russian)." Corpus Mundi 2, no. 3 (2021): 15–49. http://dx.doi.org/10.46539/cmj.v2i3.47.

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While the concept of charisma is widely used in the social sciences, its embodied nature is less thoroughly explored and theorised. This paper revisits the key embodied characteristics of Weber's sociology of charisma and re-interprets these using Shilling's (2005, 2013) umbrella notions of the body as a source and location of and means for society as a way of analysing the idea of the charismatic body as a force for social change. It then draws on a range of embodied concepts to illuminate how charisma is significant channel of infra and inter-corporeal affective interaction between “leaders”

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36

Chin, Jessica W. "Striking distance: Bruce Lee & the dawn of martial arts in America." Sport in Society 21, no. 3 (2017): 574–76. http://dx.doi.org/10.1080/17430437.2017.1379187.

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37

Maier, Gonzalo. "Bruce Lee en Chile: ironía y parodia en Fuenzalida de Nona Fernández." Symposium: A Quarterly Journal in Modern Literatures 71, no. 1 (2017): 38–49. http://dx.doi.org/10.1080/00397709.2017.1277874.

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38

Prashad, V. "Bruce Lee and the Anti-imperialism of Kung Fu: A Polycultural Adventure." positions: east asia cultures critique 11, no. 1 (2003): 51–90. http://dx.doi.org/10.1215/10679847-11-1-51.

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39

Wei, Jiehong, Jiarui Gu, Min Liu, et al. "Fig. 12. Gieysztoria hermes Reyes and Brusa n in Fig. 12. Majella pristis n in Periclimenaeus djiboutensis Bruce 1970." Zoological Studies 60, no. 33 (2021): 1–11. https://doi.org/10.6620/ZS.2021.60-33.

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Wei, Jiehong, Gu, Jiarui, Liu, Min, Lin, Bai-an, Lee, Gabriel Y., Wai, Tak-Cheung, Lam, Paul K.S., Yan, Meng, Leung, Priscilla T.Y. (2021): Fig. 12. Gieysztoria hermes Reyes and Brusa n in Fig. 12. Majella pristis n in Periclimenaeus djiboutensis Bruce 1970. Zoological Studies 60 (33): 1-11, DOI: 10.6620/ZS.2021.60-33, URL: http://dx.doi.org/10.5281/zenodo.12824119

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40

Barrowman, Kyle. "Bruce Lee and the Perfection of Martial Arts (Studies): An Exercise in Alterdisciplinarity." Martial Arts Studies, no. 8 (July 29, 2019): 5. http://dx.doi.org/10.18573/mas.80.

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41

HIGH, CASEY. "Warriors, hunters, and Bruce Lee: Gendered agency and the transformation of Amazonian masculinity." American Ethnologist 37, no. 4 (2010): 753–70. http://dx.doi.org/10.1111/j.1548-1425.2010.01283.x.

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42

Bowman, Paul. "Sick man of transl-Asia: Bruce Lee and Rey Chow's queer cultural translation." Social Semiotics 20, no. 4 (2010): 393–409. http://dx.doi.org/10.1080/10350330.2010.494393.

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43

Tolentino, Célia, and Luana Hordones Chaves. "A profetisa que amava Bruce Lee: Oriente e Ocidente na perspectiva de Persépolis." Lua Nova: Revista de Cultura e Política, no. 89 (2013): 249–74. http://dx.doi.org/10.1590/s0102-64452013000200010.

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Neste artigo analisamos a obra Persépolis, longa metragem de animação que sintetiza os quatro volumes da obra homônima lançada na forma de história em quadrinhos na França, entre os anos de 2000 e 2003. Narrado pela autora Marjane Satrapi, conta os quinze anos sucessivos aos acontecimentos de 1979 no Irã, a partir de sua perspectiva pessoal. Pertencente a um grupo social de esquerda e ocidentalizado segundo o padrão iraniano, viu morrer as utopias deste segmento com a vitória da Revolução Islâmica. No entanto, num autoexílio em Viena, em plena adolescência, percebeu que a apregoada liberdade o

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44

Bowman, Paul. "Daryl Joji Maeda, Like Water: A Cultural History of Bruce Lee." American Literary History 35, no. 2 (2023): 1097–99. http://dx.doi.org/10.1093/alh/ajad067.

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45

Wong, Wayne. "Nothingness in motion: Theorizing Bruce Lee’s action aesthetics." Global Media and China 4, no. 3 (2019): 362–80. http://dx.doi.org/10.1177/2059436419871386.

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This article argues that Bruce Lee revolutionized kung fu cinema not only by increasing its authenticity and combativity but also by revealing its inherent connection to wuyi (武意), or martial ideation. Martial ideation refers to a specific negotiation of action and stasis in martial arts performance which contains a powerful overflow of emotion in tranquility. Since the early 1970s, Bruce Lee’s kung fu films have been labeled “chop-socky,” offering only fleeting visual and visceral pleasures. Subsequently, several studies explored the cultural significance and political implications of Lee’s f

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46

Jennings, George. "Bruce Lee and the Invention of Jeet Kune Do: The Theory of Martial Creation." Martial Arts Studies, no. 8 (July 29, 2019): 60. http://dx.doi.org/10.18573/mas.84.

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47

Wong, John, and Robert E. Rinehart. "Representations of Physical Prowess, the Body, and National Identity in Selected Bruce Lee Films." Sport History Review 44, no. 2 (2013): 186–205. http://dx.doi.org/10.1123/shr.44.2.186.

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48

Miranda, Maria Brígida de. "Bruce Lee nas telas – O “Pequeno Dragão” enlaça com seu corpo marcial Oriente e Ocidente." Urdimento 2, no. 25 (2016): 84–99. http://dx.doi.org/10.5965/1414573102252015084.

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49

Shu, Yuan. "Reading the Kung Fu Film in an American Context: From Bruce Lee to Jackie Chan." Journal of Popular Film and Television 31, no. 2 (2003): 50–59. http://dx.doi.org/10.1080/01956050309603666.

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50

Acevedo, William, and Mei Cheung. "Una visión histórica de las artes marciales mixtas en China." Revista de Artes Marciales Asiáticas 6, no. 2 (2012): 29. http://dx.doi.org/10.18002/rama.v6i2.6.

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Mixed martial arts (MMA) has become one of the fastest-growing combat sports in the twenty-first century, drawing millions of Pay-Per-View spectators since the inception of the Ultimate Fighting Championship (UFC) in 1993. Popular conceptions have credited the creation of MMA to Bruce Lee, a Chinese-American actor and martial artist who became an icon in the 1970s and who is still considered by many as a revolutionary figure in the field. This paper will present, in chronological order, examples of ancient Chinese martial arts concepts preceding the creation of modern MMA.

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