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1

Bello-Fadile, R. S. B. An officer and a gentleman: A play on military court-martial. Zaria: Tamaza Pub. Co., 1992.

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2

When clerics kill: Drama. Ibadan, Oyo State, Nigeria: Kraft Books Ltd., 2013.

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3

Legend of the kings: Drama. Ibadan: Kraftgriots, 2014.

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4

Adeoti, Gbemisola. Aesthetics of adaptation in contemporary Nigerian drama. Mushin, Lagos, Nigeria: Published for Centre for Black and African Arts and Civilization (CBAAC) by Concept Publications Limited, 2010.

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5

Egwuda, Emeka. Esoteric dialogue. Lagos, Nigeria: White Cock Press, 2005.

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6

Egwuda, Emeka. Esoteric dialogue. Lagos, Nigeria: White Cock Press, 2005.

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7

Yerimah, Amed P. Attahiru: Drama. Ibadan, Oyo State, Nigeria: Kraft Books Limited, 1999.

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8

Chukwuma, Anyanwu, ed. The battle, and other plays. [Ibadan, Nigeria]: Soul & Beam Publications, 2007.

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9

Ogunyẹmi, Wale. Queen Amina of Zazzau. Ibadan: University Press PLC, 1999.

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10

Ogunleye, Foluke. Nest in a cage. Manzini, Swaziland: TTI Publishing, 2004.

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11

Umeh, Charles C. The women's coup: A play. Onitsha, Nigeria: Spiritan Publications, 2010.

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12

Essien, Edet. Okube: A play. [Nigeria?]: Edet Essien, 2009.

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13

Osofisan, Femi. Restless breed: 4 short plays. Ibadan: Opon Ifa Readers, 2002.

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14

University, Ahmadu Bello, and Nigerian Universities Theatre Arts Festival, eds. Splitting images: And other Nutaf plays from the Well. Orile-Oshodi, Lagos State, Nigeria: Dat & Partners Logistics Ltd., 2002.

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15

Onyeibe, Onyekachukwu Pat. Captain Wazba. Suleja, Niger State, Nigeria: FloodGates, 1999.

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16

Bell-Gam, Henry Leopold. King Jaja: A play. Port-Harcourt, Nigeria: Gulf Communications, 1996.

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17

Uwaifo, S. O. A crown denied: A play in eight acts. Ikeja, Lagos, Nigeria: Hanon Publishers, 2013.

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18

Umeh, Charles C. The last coup: A play. Onistha, Nigeria: Spiritan Publications, 2010.

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19

Bell-Gam, Henry Leopold. King Jaja. Port Harcourt, Nigeria: Gulf Communications and Publications, 1996.

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20

Onyedibia, Adiela. Osiagor: A play in three acts (third part of Ogba Trilogy). Port Harcourt, Rivers State, Nigeria: Gofniek Multi-Services, 2013.

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21

Ogunleye, Foluke. The broken hedge: A Christian morality play. Ibadan, Nigeria: Humanities Publishers, 2008.

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22

Tobrise, Mabel. Nigerian feminist theatre: Essays on female axes in contemporary Nigerian drama. Ibadan, Nigeria: Sam Bookman Publishers for Humanities Research Centre, 1998.

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23

Dunton, Chris. Nigerian theatre in English: A critical bibliography. London: Hans Zell Publishers, 1998.

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24

Emmanuel, Amachi Iheanyichukwu. The judgement day: What is the fate of man? : a drama. Enugu: Vickson Press Production, 2013.

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25

Adedeji, Joel Adeyinka. Nigerian theatre: Dynamics of a movement. Ibadan, Nigeria: Caltop Publications, 1998.

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26

Creolisations in Nigerian theatre. Bayreuth: E. Breitinger, 2002.

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27

Bamiloye, Mike. The blood covenant. Ibadan [Nigeria]: Published by the Mount Zion Publications, 2000.

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28

Dunton, Chris. Make man talk true: Nigerian drama in English since 1970. London: Hans Zell Publishers, 1992.

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29

Onayemi, Folake. Portraits of women in Roman and Nigerian drama. Ibadan [Nigeria]: Oputoru Books, 1999.

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30

The pomp of man. Oke-Obere [Nigeria]: D' Virgo Publishers, 2007.

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31

Salka, Mohammed Samaila. Lessons of woe. Abuja, Nigeria: Caltop Publications (Nigeria) Limited, 2012.

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32

Colin, Wakefield, ed. On your honour. London: Josef Weinberger, 2008.

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33

Banville, John. The broken jug: After Heinrich von Kleist. Loughcrew, Ireland: Gallery Books, 1994.

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34

Because I am a woman: An enter-educate TV drama serial on reproductive health, rights, and gender. Lagos: BAAJ International Co., Calabar, 2002.

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35

Onyioha-Orji, Ngozi. The knots of Karma. Umuahia, Nigeria: Hamba Nigeria Enterprises, 2008.

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36

Olu, Obafemi. Contemporary Nigerian theatre: Cultural heritage and social vision. Lagos: Centre for Black and African Arts and Civilization (CBAAC), 2001.

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37

Contemporary Nigerian theatre: Cultural heritage and social vision. Bayreuth, Germany: Bayreuth University, 1996.

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38

Basi and company: A modern African folktale. Port Harcourt, Nigeria: Saros International Publishers, 1987.

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39

Basi and company: Four television plays. Port Harcourt, Nigeria: Saros International, 1988.

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40

Owusu, Martin. Analysis and interpretation of Ola Rotimi's The gods are not to blame. Accra: Afrique Publications, 1998.

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41

La tragedia greca in Africa: L'Edipo re di Ola Rotimi. Milano, Italy: FrancoAngeli, 2010.

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42

Introduzione al teatro nigeriano di lingua inglese. Roma: Edizioni associate, 2009.

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43

Iji, Edde M. Black experience in theatre. Makurdi, Nigeria: Editions Ehi, 1996.

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44

Johnson, Rotimi. The court of the queens. Lagos: Malthouse Press, 1991.

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45

Obamefi, Olu. Politics and aesthetics: Essays in drama, theatre and performance. Ilorin, Nigeria: Haytee Press and Publishing Co. Ltd., 2008.

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46

Alston, J. B. Yoruba drama in English: Interpretation and production. Lewiston, NY: E. Mellen Press, 1989.

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47

Nitzl, Irene. Formen und Funktionen des Pidgin im zeitgenössischen nigerianischen Drama. Aachen: Shaker, 1999.

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48

Sanusi, Lookman. Skeleton: A play. Lagos: Bubbles Books Limited, 1995.

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49

Osofisan, Femi. Recent outings II: Comprising Nkrumah-ni-- Africa-ni! and Reel, Rwanda! Ibadan [Nigeria]: Ọpọn IFA Readers, 1999.

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50

Akinwale, Ayo, and Amed P. Yerimah. Theatre and democracy in Nigeria. Ibadan, Nigeria: Kraft Books, 2002.

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