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1

Tchernik, Alexander. "The Aragonese bat and other stories about the señera." Latin-American Historical Almanac 41, no. 1 (2024): 7–38. http://dx.doi.org/10.32608/2305-8773-2024-41-1-7-38.

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The article uses data from sigillography, numismatics and pictorial sources to analyze the composition of the coat of arms of the Autonomous Community of Aragon, known since 1499. The legends associated with it are considered. This is the legend about the origin of the red and gold pillars of Aragon, the appearance of the red cross of the Sobrarbe tree, the legend about the cross in the dream of Inigo Arista on the eve of the battle of Arajuest, the legend about the Alco-rass cross of St. George with the four heads of the Moors. The author notes that the dragon in the crest of the Aragonese ki
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GILLHAMMER. "THE HOLY CROSS LEGEND." Medium Ævum 88, no. 1 (2019): 52. http://dx.doi.org/10.2307/26889856.

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Drake, H. A. "Eusebius on the True Cross." Journal of Ecclesiastical History 36, no. 1 (1985): 1–22. http://dx.doi.org/10.1017/s0022046900023927.

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According to a beloved and now generally disbelieved story, the Cross upon which Jesus suffered was discovered some three hundred years after the event by the saintly Helena, mother of Constantine the Great, Rome's first Christian emperor. For centuries, this story enjoyed the greatest vogue, blossoming into a full-blown Legend of the Cross which traced its genealogy all the way back to the Garden of Eden. With the waning of the Middle Ages, however, came new criteria for evidence, and with them a scholarly predisposition to dismiss the discovery, as well as the legend, as pure bunkum. Put tog
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Stapleton, Paul J. "The Cross cult, King Oswald, and Elizabethan historiography." British Catholic History 33, no. 1 (2016): 32–57. http://dx.doi.org/10.1017/bch.2016.4.

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In Thomas Stapleton’s The History of the Church of Englande (1565), the first modern English translation of Bede’s Historia Ecclesiastica Gentis Anglorum, the cross cult is promoted as a definitive element of English religious and national identity, via the legend of the Saxon king Oswald. The version of the legend in Stapleton’s narrative, which includes textual supplements like illustrations, appears to be intended as a corrective in light of attacks upon the cross cult made in works of religious controversy by the reformists William Turner, John Jewel, and James Calfhill, but also in works
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Ho, K. M., W. L. Seaman, T. M. Choo, et al. "AC Legend barley." Canadian Journal of Plant Science 80, no. 1 (2000): 113–15. http://dx.doi.org/10.4141/p99-052.

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AC Legend is a six-rowed spring feed barley (Hordeum vulgare L.) cultivar bred at the Eastern Cereal and Oilseed Research Centre, Agriculture and Agri-Food Canada, and evaluated by the Easter Canada Barley Breeding Group. It was selected from a Chapais/CIMMYT-6 cross and is suitable for growing in eastern Canada, where it out-yielded the check cultivars AC Stephen, Chapais, Myriam, ACCA and AC Westech. AC Legend is resistant to scald. Key words: Hordeum vulgare L., six-rowed barley, feed barley, high yield, scald resistance
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Frisch, Patricia. "The Legend of Jesus and Veronica." CrossCurrents 66, no. 3 (2016): 337–49. http://dx.doi.org/10.1111/cros.12201.

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7

Feng, Haoran. "Reconstruction of Mythic Imagination, Modern Identity, and Cross-media Exploration." BCP Social Sciences & Humanities 18 (June 30, 2022): 540–45. http://dx.doi.org/10.54691/bcpssh.v18i.1159.

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With the release of Legend of Deification, COLOROOM Pictures Company has made further progress in the construction of the Mythic Universe. Two films, NeZha: Birth of the Demon Child and Legend of Deification, have subversively rewritten and reconstructed the mythic imagination in China, combining the strengthening self-concept and reflection on the social survival dilemma, which is in line with the current social context and audience expectations. The film pays attention to the realistic portrayal, touches the nerves of the times, and arouses the audience's intense recognition with the slogan
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Perdana, Aditya Bayu, Louie Buana, Ghina Amalia Yuhanida, and Sri Maharani Budi Haswati. "Designing a Cross-cultural Picture Book: A Glance at Legenda La Salaga." KnE Social Sciences 10, no. 1 (2025): 9–17. https://doi.org/10.18502/kss.v10i1.17844.

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Many aspects of Indonesian traditional culture may serve as a valuable source of inspiration in the creative industries. The picture book Legenda La Salaga (2021) is one recent example retelling a Mandar legend from West Sulawesi. Uniquely, the Mandar story is illustrated using traditional Balinese kamasan painting style, a deliberate choice by the book’s authors to highlight the archipelago’s multicultural society. This paper aims to describe some of the book’s visual elements and design processes that supported the book’s aim. This is done through a qualitative and explanatory approach using
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McKee Irwin, Robert. "The Legend of Lola Casanova." Aztlán: A Journal of Chicano Studies 30, no. 2 (2005): 35–64. http://dx.doi.org/10.1525/azt.2005.30.2.35.

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This article contrasts two stories of nineteenth-century interracial romance, the Mexican borderlands legend of Lola Casanova and the U.S. borderlands novel Ramona. It argues that the Casanova legend suggests Mexican attitudes toward interracial marriage that differ significantly from those understood in recent readings of Ramona by U.S.- based scholars. This disparity draws attention to a blind spot in U.S.-based border studies: its tendency toward an exclusive focus on the U.S. Southwest that utterly disregards a Mexican borderlands perspective. I argue that border studies scholars need to e
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Чалов, Геннадий, and Gennadiy Chalov. "Stone-worship on the frotier of the south defense (zasechnyi) lines of Muscovy in the first half of the 16th century." Servis Plus 9, no. 1 (2015): 98–108. http://dx.doi.org/10.12737/7588.

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The author specifies the location of the ancient "Sacred stones" of the south defense line of Muscovy in the first half of the 16th century, registered and literally adapted their legend, ascertained the Vyatichi origin of the legend and the stones and its affinity with the legend of Antes chieftain Boz- The article substantiates the extrapolation of their beliefs to the spiritual views, inner life and fighting qualities of their ancestors of the forenamed period with due regard for relics´ impact on the spirit world and mentality of the modern descendants of the lines
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Winarti, Yuliani, Anita Wahyuni, Nur Ainun Jariah, and Rahmat Hidayat. "THE CORELLATIONS MOBILE LEGEND GAMES BETWEEN SEX BEHAVIOR IN JUNIOR HIGH SCHOOL 10 REMPANGA VILLAGE." Jurnal Ilmu Kesehatan 9, no. 1 (2021): 40–44. http://dx.doi.org/10.30650/jik.v9i1.1376.

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Mobile Legend is a game program that is connected through a network and can be played at anytime and anywhere. It is also can be played in groups around the world. Mobile Legend Game itself has one of the deviations committed by teenagers due to addiction to online games, among others was to say something dirty, being rude, and lazy behavior. From this game, there are several figures (YouTuber) who play this game with open clothes that are sexually tricky. Because of the frequency of watching content like this, teenagers have been unconsciously exposed to pornography which if they already addi
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Nowacki, Łukasz. "Geneza legendy świętokrzyskiej – uwagi do prac profesora Marka Derwicha." Historia Slavorum Occidentis 37, no. 2 (2023): 205–17. http://dx.doi.org/10.15804/hso230208.

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The article presents the critical analysis of Marek Derwich’s concept thanks to which the genesis of the legend of the Holy Cross was explained. As a result, weak points of construction of the mentioned historian were identified.
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Stroud, Scott R. "Narrative Translation Across Cultures: From the Bhagavad Gita to The Legend of Bagger Vance." Journal of Communication and Religion 26, no. 1 (2003): 51–82. https://doi.org/10.5840/jcr20032613.

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Tradition and culture definitely limit what individuals will accept as narrative reasons for belief and/or action. Enshrined within popular narratives, however, are presuppositions and claims that have an important position within the particular audience that has accepted them. This inquiry seeks to expand narrative theory by exploring the cross-cultural appropriation that occurs through the “translation” from the Bhagavad Gita to Steven Pressfield’s contemporary novel The Legend of Bagger Vance to the recent film The Legend of Bagger Vance. It is argued that the narrative (from the Gita) beco
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Stump, Donald. "Fashioning Gender: Cross-Dressing in Spenser’s Legend of Britomart and Artegall." Spenser Studies 15, no. 1 (2000): 95–119. http://dx.doi.org/10.1086/spsv15p95.

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Båtsvik, Rigmor. "The Queen of Sheba in the Legend of the True Cross." Bodleian Library Record 19, no. 2 (2006): 229–38. http://dx.doi.org/10.3828/blr.2006.19.2.229.

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Maria Lydia Happy Kartika, Suci Wahyu Ismiyasa, Ika Fitri Wulan Dhari, and Agustiyawan. "HUBUNGAN ANTARA TINGKAT KECANDUAN SMARTPHONE DENGAN RISIKO TERJADINYA TENSION TYPE HEADACHE PADA TIM ESPORT MOBILE LEGEND UPN VETERAN JAKARTA." Indonesian Journal of Physiotherapy 3, no. 1 (2023): 39–44. http://dx.doi.org/10.52019/ijpt.v3i1.6180.

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Tujuan: Tujuan dari penelitian ini adalah untuk mengetahui hubungan antara tingkat kecanduan smartphone terhadap risiko terjadinya tension type headache pada tim esport mobile legend UPN Veteran Jakarta. Metode: Metode yang digunakan untuk penelitian ini yaitu kuantitatif korelasional dengan pendekatan cross sectional dengan uji korelasi Spearman’s Rho. Besar sampel yang digunakan sebanyak 95 responden, Alat ukur yang digunakan adalah kuesioner Smartphone Addiction Scale Short Version untuk melihat tingkat kecanduan smartphone dan kuesioner Headache Screening Questionnaire untuk menilai keluha
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López-Baralt, Luce. "St. John's Nocturnal Beloved Could Have Been Named “Layla”." Medieval Encounters 12, no. 3 (2006): 436–61. http://dx.doi.org/10.1163/157006706779166093.

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AbstractSt. John of the Cross silences the names of his feminine poetic alter egos. In this essay, I propose a symbolic name for the nocturnal lover of Noche oscura del alma: Layla. In Arabic layl means “night,” and this is the name of the woman Qays loved to the point of madness, according to the famous pre-Islamic legend. Forced to part from his beloved, Qays goes to the desert and writes desperate love verses to her until he feels so spiritually transformed in Layla that he is Layla herself. As “Majnūn Layla,” or “Layla's fool,” the Lover no longer needs the Beloved's physical presence. Suf
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Pradnyadewi, Putu Premanatara, Anak Ayu Nyoman Trisna Narta Dewi, Nila Wahyuni, and Made Hendra Satria Nugraha. "Duration of playing mobile legends on the incidence of De Quervain syndrome among e-sport players." Physical Therapy Journal of Indonesia 5, no. 1 (2024): 43–46. http://dx.doi.org/10.51559/ptji.v5i1.186.

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Background: The development of e-sports in Indonesia is influenced by favorable economic aspects such as commercial and marketing activities, but it also poses physiological problems such as game addiction, physical injuries, and social disorders. This study analyzed the relationship between the duration of playing mobile legends and de Quervain's syndrome (DQS) incidence in e-sport players. Methods: This study used a descriptive-analytic cross-sectional approach. The inclusion criteria were mobile legend esports players who had been in the game for at least one year, while the exclusion crite
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Wróblewski, Paweł. "Dzieje odnalezienia drzewa Krzyża Świętego. Ustalenia i wątpliwości historyczne." Analecta Cracoviensia 40 (January 4, 2023): 395–416. http://dx.doi.org/10.15633/acr.4026.

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At the end of the last century modern scholarly debate concerning the legend of finding the True Cross started again. S. Heid, S. Borgehammar i J. W. Drijvers presented different reconstructions of beginnings of Inventio crucis. Heid maintained that the Holy Wood was not found, Borgehammar wrote that this event really had place and that Helena discovered the lignum crucis. Drijvers argues with Borgehammar about finding the trophy but he thinks that He- lena did not participate in that event. Recently in polish publications about relics and True Cross the Borgehammar’s thesis was accepted witho
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Melanie Oppenheimer. "Shaping the Legend: The Role of the Australian Red Cross and Anzac." Labour History, no. 106 (2014): 123. http://dx.doi.org/10.5263/labourhistory.106.0123.

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Yang, Qing. "Cross-cultural Variation: Chinese Monkey King Legend as a Trickster in America." Comparative Literature: East & West 3, no. 2 (2019): 205–15. http://dx.doi.org/10.1080/25723618.2019.1696264.

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Shehzad, Aamar, Hafeez Ahmad Sadaqat, Mohsin Ali, and Muhammad Furqan Ashraf. "Combining Ability Analysis and Genetic-Effects Studies for Some Important Quality Characters in Brassica napus L." Turkish Journal of Agriculture - Food Science and Technology 3, no. 10 (2015): 790. http://dx.doi.org/10.24925/turjaf.v3i10.790-795.463.

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Combining ability analysis has an important position in rapeseed breeding. To evaluate genetic and combining ability effects, three Brassica napus L. testers “Punjab Sarson, Legend and Durre-NIFA” and five lines “Duncled, K-258, ZN-R-1, ZN-R-8, ZN-M-6” were crossed using line × tester design in Randomized Complete Block Design (RCBD) with three replications. Mean sum of squares of the analysis of variances (ANOVA) for genotypes was highly significant for all of the traits. Most of the lines and testers exhibited significant results of mean sum of squares for combining ability. Line ‘Duncled’ w
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Ionuț, Bogdan Mihnea. "APPEARANCE AND DEVELOPMENT OF MOUNTAIN BIKE ABROAD." Journal of Social Sciences II (2) (June 15, 2019): 44–51. https://doi.org/10.5281/zenodo.3235232.

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There are several versions of the appearance of MountainBike - mountain bikes, the emergence and development of a new type of MountainBike sports specialization  - "Cross Country". The most interesting and curious legend is that the first mountain bike was invented by California musician leader Brant Richards, who had nothing to do with cycling. Due to the immense popularity of the new type of cycling, the "Cross Country" specialty was included in the 1995 Olympic Games program, and since 1996 began the Olympic MountainBike Olympic history in Atlanta.
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Antsyferova, Olga Yu. "Three American Modifications of the Faustian Theme: Stephen Vincent Benét, Gertrude Stein, Jack Kerouac." Literature of the Americas, no. 18 (2025): 66–93. https://doi.org/10.22455/2541-7894-2025-18-66-93.

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The article examines three American modifications of the Faustian theme, manifesting essential tendencies of American culture between the two world wars, or more precisely, in the 1930s. S.V. Benét and G. Stein turned to Faust theme in late 1930s, for Jack Kerouac the atmosphere of the 1930s became the cultural substrate that determined his individual interpretation of the Faustian legend, which took its final shape in the 1950s. For Stephen Vincent Benét, the main source of the short story “The Devil and Daniel Webster” (1937) was the Romantic version of the deal with the devil of W. Irving,
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Bednarski, Aleksander. "Textual Transformations: Iain Sinclair’s Black Apples of Gower and the Merlin Legend." Rocznik Komparatystyczny 13 (2022): 249–69. http://dx.doi.org/10.18276/rk.2022.13-13.

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This paper explores the connections between Iain Sinclair’s 2015 travelogue Black Apples of Gower and the Merlin legend. Despite the fact that, on the surface, Sinclair does not refer to the early Welsh merlinistic tradition, on closer inspection both share what M. Wynn Thomas has described as “hidden attachments” – cross cultural connections and experiences between the two literatures of modern Wales. The archaic bedrock of the Merlin legend and the alchemical imagery in Sinclair’s book are both rooted in the mythico-ritualistic complex of symbolic regeneration based on the repetition of the
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Arther Sandag, Green. "Model Prediksi Kemenangan Tim dalam Game League of Legend Menggunakan Algoritma Decision Tree." Jurnal Komputer Terapan, Vol. 7 No. 1 (2021) (June 1, 2021): 42–52. http://dx.doi.org/10.35143/jkt.v7i1.4516.

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Game online berkembang sangat pesat karena didukung dengan perkembangan ponsel cerdas yang semakin banyak digunakan. Salah satu game online yang yang banyak dimainkan adalah League of Legend. Kemenangan suatu tim dapat ditentukan oleh penggunaan hero maupun strategi pemain, dengan penggunaan machine learning dapat membantu pemain agar mendapat kemenangan dalam tim, maka pada penelitian ini peneliti membuat model dalam memprediksi kemenangan tim pada game league of legend dengan menggunakan algoritma decision tree. Dalam penelitan ini dataset yang digunakan adalah 50.000 data, dibagi menjadi 80
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Kokin, Daniel Stein. "Toward the Source of the Sambatyon: Shabbat Discourse and the Origins of the Sabbatical River Legend." AJS Review 37, no. 1 (2013): 1–28. http://dx.doi.org/10.1017/s0364009413000019.

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Writing back in 1888, Adolf Neubauer, the father of modern scholarship on the Lost Tribes, warned that “It would be lost time . . . to trouble ourselves about the identification of this stream.” Neubauer was referring, of course, to the Sambatyon River, the mythical waterway that, according to common understanding, rests each Sabbath and separates missing Jews—the ten lost tribes or others—from their brethren, and indeed from the known world. Six days each week, according to the legend, the river runs so powerfully that neither these tribes nor their seekers can cross it; on the Sabbath, eithe
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Ширинкин, Павел, and Pavel Shirinkin. "New discipline "technology of using legends in tourism" in the curriculum for bachelor’s training in tourism." Services in Russia and abroad 10, no. 3 (2016): 73–91. http://dx.doi.org/10.12737/20102.

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Modern cross-disciplinary socio-cultural research is conducted on the base of cultural and image geography and tourism study. The modern tourists´ perception of spatial images is the core of this research. These images can be fixed by means of a questionnaire and then represented graphically in the form of image-maps. The proposed concept has theoretical and practical character, as the most frequently recurring images and their constructions ("metasystems") can be used in the tourism and excursion activities and in tourism development in the regional context as a whole
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Weed, Stanley E., and Barbara Baert. "A Heritage of Holy Wood: The Legend of the True Cross in Text and Image." Sixteenth Century Journal 37, no. 3 (2006): 787. http://dx.doi.org/10.2307/20478010.

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Bakalov, A. S., N. E. Erofeeva, L. V. Kipnes, and T. V. Malchenko. "THE IRISH TALE BY SIDNEY OWENSON." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 79(1) (2021): 44–48. http://dx.doi.org/10.37313/2413-9645-2021-23-79(1)-44-48.

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The article for the first time considers the "Irish fairy tale" by S. Owenson as the kind of a literary fairy tale that has its own ideological-thematic specifics. The authors show that the novelist had a peculiar perception of the historical chronotope. She constantly talked about the present with an "eye" on the past, designated certain thesaurus keys in the form of an ancient legend, the Irish people, the names and surnames of the representatives of famous Irish clans. In the fairytale novels by Owenson a specific "Irish world" was formed as the world based on a national tradition based on
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Yi, Xiaoying. "The Phenomenon of Cultural Discount and Its Reasons in the Cross-cultural Communication of Domestic TV Dramas--Taking The Legend of Zhenhuan as an Example." Communications in Humanities Research 33, no. 1 (2024): 256–62. http://dx.doi.org/10.54254/2753-7064/33/20240111.

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In the perspective of the dynamic global landscape, individuals residing overseas have several misunderstandings and prejudices towards China, resulting in a range of obstacles limiting the promotion of Chinese perspectives. Utilizing the story of an attractive Chinese narrative and cultivating a positive perception of a nation's greatness can serve as a potent strategy for mitigating opposition towards Chinese culture. Nevertheless, the occurrence of "cultural discount" frequently arises in the context of cultural export, so significantly impacting the efficacy of cultural communication. The
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Walsh, Elizabeth. "Images of Hope: Representations of the Death of the Virgin, East and West." Religion and the Arts 11, no. 1 (2007): 1–44. http://dx.doi.org/10.1163/156852907x172412.

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AbstractChristianity has existed for nearly two thousand years, yet its divergent forms and rituals almost belie its existence. Perhaps the best image to express its reality is the cross, but that too has many interpretations. Is there any image that can be said to represent all that Christianity intends? The Death of the Virgin, which was first represented in art in the tenth century, is an image which includes all of the basic elements of the Christian faith: incarnation, death, and resurrection. The story of this icon spans much of Christian history as the icon evolved through legend, litur
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Malkina, Victoria Ya. "THE VISUAL AND FANTASTIC IN VADIM SHEFNER’S POEMS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2024): 88–98. https://doi.org/10.28995/2686-7249-2024-10-88-98.

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The paper studies the category of fantastic through the example of fantastical poetry by Vadim Shefner, focusing on texts like “Cosmic Legend”, “Martian”, “Electronic Fairy Tale”, and “Fantastic”. The analysis of fantastic, which is seen as a specific type of imagery, is conducted in two levels: lyrical plot and verbal image. Special emphasis is placed on the visual characteristics of the poem’s inner world, as transgressive (indirect) vision is often utilized to depict the fantastic. The specific features of the fantastic and visual in V. Shefner’s poems is determined by a conclusion, with th
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段, 霞. "A Historical Study on the Cross-Media Dissemination of “The Legend of the White Snake” in Japan." Interdisciplinary Science Letters 08, no. 04 (2024): 585–93. https://doi.org/10.12677/isl.2024.84075.

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DOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN." Культурный код, no. 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.

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The article is devoted to the opera The Song of Majnun by Bright Sheng, the modern American composer of Chinese origin. This one-act opera was composed in 1992 and premiered in Chicago. In Russian musicology, this work is being studied for the first time. The authors analyze the history of the creation of the opera, the plot, composition, dramaturgy, and the specifics of the musical style. They pay special attention to the search for cross-cultural connections - the interaction of elements of Eastern (Persian, Chinese, Tibetan) and Western European cultures. The libretto of the opera is based
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Lourie, Elena. "Black Women Warriors in the Muslim Army Besieging Valencia and the Cid's Victory: A Problem of Interpretation." Traditio 55 (2000): 181–209. http://dx.doi.org/10.1017/s036215290000009x.

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Although recent studies have shown that women played a larger part in European and American armies in early modern times than standard military histories have been prepared to acknowledge, it has never been suggested that they were regarded as combatants. Individual women who wanted to fight in the ranks had to cross-dress and “pass” as men. Cross-dressing was apparently not unknown even in medieval Christian armies, for, according to a Muslim chronicler, some of the crusaders killed in action in the twelfth century were discovered to have been women, but only after their corpses had been stri
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Baert, Barbara. "New Observations on the Genesis of Girona (1050-1100). The Iconography of the Legend of the True Cross." Gesta 38, no. 2 (1999): 115–27. http://dx.doi.org/10.2307/767184.

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Theimer Nepomnyashchy, Catharine. "Pushkin's The Bronze Horseman and Irving's "The Legend of Sleepy Hollow": A Curious Case of Cultural Cross-Fertilization?" Slavic Review 58, no. 2 (1999): 337–51. http://dx.doi.org/10.2307/2673075.

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Yankee [. . .] A nickname given to Americans; its meaning is unknown to us–A. S. Pushkin, "Dzhon Tenner"As is well known, "influence" studies have fallen into disrepute in recent decades in western literary criticism. Linda Hutcheon rightly points out that this development constitutes an inevitable corollary to Roland Barthes's announcement of the "death of the author" in 1968,' shifting the site of meaning away from the flesh-and-blood author onto the interaction between text and reader, placing at issue "the locus of textual appropriation.
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Guo, Wei. "The Image of Women in Cross-cultural Perspective: The Case of Dunhuang Mural Paintings." International Journal of Social Sciences and Public Administration 4, no. 1 (2024): 495–502. http://dx.doi.org/10.62051/ijsspa.v4n1.59.

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This paper analyses the images of women in Dunhuang murals and their status and role in society in the context of Chinese history, culture and religion, and explores the phenomenon of cross-cultural intermingling in these murals and the influence of foreign cultures on these images in the context of foreign cultural elements and globalisation. To obtain background information about Dunhuang murals through the study of historical documents, Buddhist classics and Dunhuang research materials. Systematically analyses the murals of Guanyin Bodhisattva, the statue of the feeder, the flying nymphs an
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Maginnis, Hayden B. J. "A Heritage of Holy Wood: The Legend of the True Cross in Text and Image. Barbara Baert , Lee Preedy." Speculum 81, no. 3 (2006): 805–7. http://dx.doi.org/10.1017/s0038713400015773.

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Meng, Shu. "Glocalizing Metamorphosis: A Post-Humanist Critique of Hybrid Romance in The Legend of White Snake and The Little Mermaid." Asian Journal of Social Science Studies 7, no. 9 (2022): 1. http://dx.doi.org/10.20849/ajsss.v7i9.1268.

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As a transcultural archetype in both Eastern and Western mythology, metamorphosis is the main clue in The Little Mermaid by Danish writer Hans Christian Andersen and The Legend of the White Snake rewritten by Feng Menglong, which both demonstrate a cross-species romance between human beings and half-human-half-animal entities. Thus, by paralleling the story of metamorphosis in Eastern and Western cultural contexts, this paper attempts to investigate the “sharedness” rather than “sameness” between the metamorphosis tradition by creating a glocal heterotopia, revealing a possible post-humanistic
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Vissing, Yvonne. "The Cultural, Sexist Sanitization of Santa Claus." Education and Society 42, no. 1 (2024): 21–44. http://dx.doi.org/10.7459/es/420103.

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A cross-cultural historical examination of Santa Claus reflects that women have contributed substantially to the legend of Santa Claus, but their contributions are downplayed, demeaned, or reframed to fit a sexist view of women’s roles. Santa Claus type figures have emerged around the world as part of celebrations of the winter solstice, but strategically removed from their original cultural context to be portrayed to be part of a Christian holiday, when in fact they are not. In most reviews of the winter holidays around the world, there is almost no mention of the vital role that women play i
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Bullard, Eddie. "North American Monsters: A Contemporary Legend Casebook, edited by David J. Puglia." Journal of Scientific Exploration 36, no. 4 (2023): 816–24. http://dx.doi.org/10.31275/20222723.

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Who doesn’t love a good monster story? A delicious chill shimmies up the spine and tingles the hairs of listeners huddled around a dying fire on an autumn night as clouds cross the moon and extinguish its light, while the narrator’s hushed voice winds the taut wire of terror to the breaking point. And then dry leaves crackle somewhere off in the dark. Anyone indifferent to the monster lurking just beyond the firelight is surely a dead soul…though I hesitate even to think the thought, lest a new monster be born. This world and every world visited by the human imagination comes well-stocked with
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Reyniers, Jeroen. "The reliquary shrine of Saint Odilia in Borgloon (1292): An iconographical reconstruction." Oud Holland – Journal for Art of the Low Countries 136, no. 4 (2023): 157–79. http://dx.doi.org/10.1163/18750176-13604001.

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A remarkable thirteenth-century reliquary shrine of Saint Odilia kept in the Church of Saint Odulphus in Borgloon (Belgium) – notably the oldest dated example of panel paintings in the Low Countries – has been the topic of several art historical studies. These studies attempt to unravel the iconography of the painted panels, indicating how they should be interpreted, and in which order. The difficulty of this, however, lies in the fact that the reliquary shrine has been fully overpainted but also dramatically modified in the seventeenth century to fit into a smaller location. In the process, t
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Xiao, Ewen. "Disneys Reconstruction of the Traditional Chinese Heroine: a Comparative Analysis of the Three Mulan Movies." Communications in Humanities Research 1, no. 1 (2021): 19–27. http://dx.doi.org/10.54254/chr.iceipi.2021174.

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The legend of Mulan has been transmitted and remolded throughout China for hundreds of years. In recent years, this motif has also drawn significant attention from the US film industry. Three films are analyzed in this article: the Chinese Yu opera Hua Mulan [1], Disneys animated version Mulan [2] and the most recent addition, Disneys live-action version Mulan [3]. Under a cross-culture lens, the analysis compares three versions of the film to examine the transculturation and adaption of the narrative in reconstructing a traditional Chinese heroine. This paper concludes that to resist cultural
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Xiao, Ewen. "Disneys Reconstruction of the Traditional Chinese Heroine: a Comparative Analysis of the Three Mulan Movies." Communications in Humanities Research 1, no. 1 (2021): 19–27. http://dx.doi.org/10.54254/2753-7064/1/iceipi_174.

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The legend of Mulan has been transmitted and remolded throughout China for hundreds of years. In recent years, this motif has also drawn significant attention from the US film industry. Three films are analyzed in this article: the Chinese Yu opera Hua Mulan [1], Disneys animated version Mulan [2] and the most recent addition, Disneys live-action version Mulan [3]. Under a cross-culture lens, the analysis compares three versions of the film to examine the transculturation and adaption of the narrative in reconstructing a traditional Chinese heroine. This paper concludes that to resist cultural
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Pastore, Emanuelle, and Laura de Fuccia Lederer. "Solomon and the Queen of Sheba: Historical and Theological Issues in the First Book of Kings and in the Paintings of Piero della Francesca." Religions 16, no. 7 (2025): 865. https://doi.org/10.3390/rel16070865.

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The first book of Kings succinctly evokes—in only thirteen verses—the mysterious figure of a queen who came from the distant land of Sheba to test Solomon’s wisdom (1 Kgs 10.1–13). Who would have predicted that this modest episode celebrating the glory of the ancient kings of Jerusalem would be so popular? The episode has spread far beyond the boundaries of the two Testaments, notably in painting. Piero della Francesca’s fresco cycle in Arezzo is a fine example in this respect. Inspired by the Golden Legend, the Florentine painter recreates the scenes of the discovery of the true Cross. Solomo
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Rychkov, A. L. "Alexander Blok between Vl. Solovyev and E.V. Anichkov: A. Blok’s drama “The Rose and the Cross” and the legacy of Western esotericism." Solov’evskie issledovaniya, no. 1 (March 31, 2021): 95–111. http://dx.doi.org/10.17588/2076-9210.2021.1.095-111.

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In the third article of the series publications on the topic “A. Blok and Vl. Solovyov”, the author considers the representation of the heritage of Western esoterism in Blok’s drama “The Rose and the Cross” on the example of the poet's appeal to the themes of Joachimism and Catharism, including the neo-mythological connection of the Cathars with the legend of the Holy Grail. The author analyzes the influence of V.V. Solovyov's historiosophy and E.V. Anichkov's aesthetics on the symbolism of the drama from the perspective of rethinking these themes. It is shown that the drama of Blok is deeply
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Clauss, M. "Jan Willem Drijvers, Helena Augusta. The mother of Constantine the great and the legend of her finding of the true cross,." Zeitschrift für antikes Christentum / Journal of Ancient Christianity 3, no. 2 (1999): 293–96. http://dx.doi.org/10.1515/zac-1999-0210.

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Zhang, Yingjin. "Ways of Seeing China through Isaac Julien's Ten Thousand Waves." Prism 16, no. 1 (2019): 174–96. http://dx.doi.org/10.1215/25783491-7480373.

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Abstract This article examines ways of seeing China in Isaac Julien's nine-screen film installation Ten Thousand Waves (2010), which represents a migratory aesthetic based on evocative translocality and mobile spectatorship. As Julien reconstructs the legend of compassionate Mazu (played by Maggie Cheung) and memories of Old and New Shanghai (both enacted by Zhao Tao), his screen images and sounds enter a constant circulation and form an intriguing multidirectional dialogue across a variety of media and genres: cinema, art photography, calligraphy, painting, poetry, and star performance. In ad
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