Academic literature on the topic 'Legends, Chinese'

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Journal articles on the topic "Legends, Chinese"

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Kovačević, Ivan. "Tolerance or Assimilation: The Legends of the Chinese Restaurant and "The Gypsy's Tavern"." Issues in Ethnology and Anthropology 4, no. 3 (2009): 67–80. http://dx.doi.org/10.21301/eap.v4i3.4.

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Studying urban legends, the French folklorist Véronique Campion-Vincent posed the question of whether some of the more recent legends preach tolerance. The "elevator incident" or "swallowed ticket" legends display a different attitude to Others from that found in classic xenophobic urban legends. This different attitude is also to be found in two legends recorded in Serbia, namely, the legend of the Chinese restaurant and the legend of "The Gypsy's Tavern". An analysis of the two legends shows that the ambiguity of "tolerance legends" does not arise from the fact that they speak about a xenoph
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DanDan, T. "Legends about plants as a refl ection of the worldview of the Chinese people." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 100–106. http://dx.doi.org/10.30725/2619-0303-2020-3-100-106.

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Flowers, fruits and trees grow everywhere. They are separated only by species diff erences and regional differences. After their birth, at the beginning of growth, they do not carry any cultural information. However, when a person begins to interact with nature more closely, a two-way connection is established between them. When plants came into the interest of ancient writers, they became the basis of a rich plant culture that was strongly associated with ancient diet, medicine, politics, folklore, and aesthetics. The relationship between people and plants has a long history: in constant cont
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Akhmetbek, G., and R. Zhusupov. "A BRIEF HISTORY OF THE DEVELOPMENT OF CHINESE MYTHOLOGY." Bulletin of the Korkyt Ata Kyzylorda University 60, no. 1 (2022): 175–83. http://dx.doi.org/10.52081/bkaku.2022.v60.i1.023.

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Chinese mythology is rich in characters invented by the boundless fantasy of the human race, there are more than a thousand of them. Mythological works are directly related to literature, therefore legends and fairy tales, where these characters appear, influenced the literature of China, and sometimes even intersect with its history.At the beginning of our era, interest in China was focused on all the unusual and strange phenomena and things that could arise as a reaction to the "dry" practice of the followers of Confucianism. Remnants of myths, folk legends and beliefs began to appear on pap
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Kryukova, M. I. "ON THE MOTIF OF «REVIVING STATUE»: P.V. SHKURKIN’s CHINESE LEGENDS." Bulletin of Udmurt University. Series History and Philology 32, no. 4 (2022): 882–88. http://dx.doi.org/10.35634/2412-9534-2022-32-4-882-888.

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The article deals with the motif of a «reviving statue» in Chinese legends compiled by the sinologist P.V. Shkurkin. Awakening statues do not have a destructive function in Chinese culture. Thanks to prayers, the revived deity becomes the protector of those who ask. The intertextual typological echoes with Pushkin, Merezhkovsky and Grin’s works are studied, the analogies with the myths of Ancient Greece are indicated. It was found that the researched motif is also found in the other Far Eastern writers’ works (M. Shcherbakov, A. Haydock). The metamorphoses that occur with the sculptural charac
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Rungsh, N., and L. Sidorova. "Using mnemonic techniques to memorize the tone of Chinese characters." Bulletin of the Karaganda University. Pedagogy series 101, no. 1 (2021): 93–98. http://dx.doi.org/10.31489/2021ped1/93-98.

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This article is devoted to the use of mnemonic techniques for memorizing the tone of Chinese characters. At present, the ties with the East are strengthening, and more and more people becomeinterested in Chinese. It is difficult to study primarily because of the tones, the incorrect use of which can distort the meaning of a word and even a whole sentence. Therefore, from the first day of training, it is important to pay due attention to them, to practice this aspect. Students who study Chinese may face a number of problems, such as: the inability to distinguish the tone by hearing, the inabili
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Xiyao, HE. "Social and Political Criticisms Embedded in Chinese Myths and Legends." Folklore: Electronic Journal of Folklore 75 (2019): 109–30. http://dx.doi.org/10.7592/fejf2019.75.xiyao.

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Phillips, Carolyn. "The Kitchen God of Chinese Lore." Gastronomica 13, no. 4 (2013): 22–31. http://dx.doi.org/10.1525/gfc.2013.13.4.22.

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This article discusses the origins and mythology of China’s Kitchen God, which include the evolution of this deity over the centuries from Fire God in prehistoric times to his present role as the protector of the home. Also discussed are the many legends that surround this beloved being, as well as historical and current sources for who the Kitchen God might once have been, how he changed over the years, and how he is worshipped in modern times. Mainly ancient Chinese resources are cited in the original, with English translations in the copious endnotes. Illustrations by the author, Carolyn Ph
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Hong, ZHANG. "The Double Sources of the Legend of the White Snake and Its Overseas Influences." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 2 (2022): 088–94. http://dx.doi.org/10.53789/j.1653-0465.2022.0202.011.

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The study on sources of the Legend of the White Snake varies from scholar to scholar. It can be culturally related to the Chinese culture of evil spirits. Its elements were dispersedly shown in the Tang Legends and earlier Wei-Jin Mystery novels but never integrated into a complete story or text. Most scholars believe that the text of the White Snake was established in the script of Ming dynasty and developed in the opera of the Qing dynasty. There is a great difference between the text in Song and Ming dynasty and that in Qing dynasty and the source of the added plots such as “stealing a magi
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Hoe, Dan Seng. "Contemporary Chinese Cuisines in Canada Together With Some Culinary Aetiological Legends." Ethnologies 12, no. 1 (1990): 69. http://dx.doi.org/10.7202/1081661ar.

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Ren, Chunguang, and Xiaoming Yang. "Research on Costume Ideology of the Pre-Qin Period from Perspective of Chu Ci." Asian Social Science 16, no. 4 (2020): 59. http://dx.doi.org/10.5539/ass.v16n4p59.

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Chu Ci is a collection of poems created by Qu Yuan. It combines the folk songs of the ancestors of the Yangtze river valley with ancient myths and legends, and has a strong local color and unique artistic style. Through the description of costumes in Chu Ci, we can find the formation, development and connection between costume ideology in the pre-Qin period and the ancient Chinese conception of nature, which has a significant influence on the formation of ancient Chinese philosophy and traditional clothing culture.
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Dissertations / Theses on the topic "Legends, Chinese"

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You, Xiao. "Archetype and archetypal image in Chinese myths, legends and tales." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23484/.

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This research aims to examine Chinese myths, legends and tales from the perspective of analytical psychology. Considering that analytical psychologists have paid little attention to Chinese myths and that previous studies on Chinese myths from the standpoint of analytical psychology are lacking, this thesis investigates the universal archetype and its cultural carrier, or archetypal image, in Chinese mythical texts. First, this study examines both Jung’s engagement with Chinese culture, in order to see the function and significance of Chinese thought in analytical psychology, and the reception
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Liu, Yading. "Fo jiao ling yan ji yan jiu yi Jin Tang wei zhong xin /." Chengdu Shi : Sichuan chu ban ji tuan Ba Shu shu she, 2006. http://catalog.hathitrust.org/api/volumes/oclc/71742325.html.

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Revision and expansion of the author's Thesis (Ph. D.--Sichuan da xue, 2003).<br>"Sichuan da xue shi wu '211 gong cheng' zhong dian jian she xue ke xiang mu." 880-07 Includes bibliographical references.
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Si, Tou Sau-ieng, and 司徒秀英. "A study of zhuanqi drama of the mid-Ming period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31239262.

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Dmitrieva, Victoria. "The legend of Shambhala in Eastern and Western interpretations /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28260.

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The legend of Shambhala incorporated in the Tibetan Canon, has been one of the favourite motives of Tibetan Buddhism throughout the centuries. High lamas and laity alike venerated the legend connecting their innermost aspirations with it. For some it represents a mystical millennial country revealing itself only to the chosen ones, while others perceive it as a symbol of the hidden treasures of the mind. This way or the other, the legend of Shambhala remains a living belief for many. The present hardships of Tibet made the legend with its leitmotif of future victory of Buddhism, especially via
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Pearce, Laura Elizabeth Pearce. "Recording the West: Central Asia in Xuanzang’s Great Tang Dynasty Record of the Western Regions." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1515139237769597.

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Chan, Melissa Meilin. "Analyzing Cultural Reimaginations and Global Chinese Power in CCTV's "The Legend of Bruce Lee"." Thesis, University of California, Santa Barbara, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1545797.

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<p> Bruce Lee is a martial arts action star whose enduring screen image has lasted many decades beyond his death, and this is partially due to the numerous clones that came out after the star's premature death in 1973. These clones and various spin-offs of Lee's life's works resulted in the phenomenon dubbed "Bruceploitation." As time passed, the Bruceploitation phenomenon slowed down, but more recently there has been an interest in Bruce Lee's life with various films and television series that attempt to tell the life story of the actor, especially with his family's involvement. While earlier
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Pelletier, Valérie. "Etude sur l'entremêlement des concepts d'histoire et de fiction dans la littérature historique et fantastique en Chine." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79969.

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The fantastic stands as an important part of Chinese culture. It is in fact through its literature that it has been made possible for us to enjoy this heritage. With the study of fantastic tales and anomaly accounts, this thesis tackles the problem of rationalism in relation with supernatural. It attempts to understand the mechanisms of the intermingling of the concepts of fiction and history, through the comparison of Chinese historical and fictional texts, as well as parallels between China and Europe. It will also deal with the concepts of nature, in both the perspectives of China an
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"龍女故事研究". 2005. http://library.cuhk.edu.hk/record=b5896456.

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蔡鈺玲.<br>"2005年10月"<br>論文(哲學碩士)--香港中文大學, 2005.<br>參考文獻(leaves 126-140).<br>"2005 nian 10 yue"<br>Abstracts also in English.<br>Cai Yuling.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005.<br>Can kao wen xian (leaves 126-140).<br>Chapter 第一章 --- 緒論 --- p.1<br>Chapter 第一節 --- 硏究緣起及動機 --- p.1<br>Chapter 第二節 --- 研究範圍及方法 --- p.3<br>Chapter 第二章 --- 龍女故事的形成 --- p.5<br>Chapter 第一節 --- 先秦至漢代有關龍的傳說 --- p.5<br>Chapter 第二節 --- 魏晉南北朝有關龍的故事 --- p.8<br>Chapter 第三節 --- 唐代龍王龍女故事的形成背景 --- p.11<br>Chapter 一、 --- 印度那伽故事的影響 --- p.11<br>Chapter 二、 --- 中國水神故事的延續 --- p.23<br>Chapter 第三章 --- 龍女
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CHENG, CHIH-YUN, and 鄭芷芸. "A Study on Beliefs and Legends of Chinese Flower God." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/37004622847048552955.

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碩士<br>國立臺北大學<br>民俗藝術研究所<br>96<br>Chinese flower gods shows diversity of images because of the extensive territory and various ethnic groups. We can find them very meaningful and valuable on several topics such as “The Relation between Esthetic Experience on Common Customs”, “The Connection between Legends of Universe’s creation and Generating Culture”, “Folk Beliefs’ Succession to Nature Adoration” through the four perspectives which includes human beings, legends, folk cultures and social thoughts. This study explores Chinese flower gods chiefly through the folk cultures. With classical docum
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SuYan, TANG, and 唐素燕. "The Comparison Research of Beast Marriage in Chinese and Japanese Legends." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/83537322161627284346.

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Books on the topic "Legends, Chinese"

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Ardagh, Philip. Chinese myths & legends. Belitha, 1999.

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Ardagh, Philip. Chinese myths & legends. Dillon Press, 1999.

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Chinese myths & legends. Cambridge University Press, 2011.

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Legends & lore. Friedman/Fairfax Publishers, 2002.

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1947-, Chiang Yeng Fong, ed. Cloud weavers: Ancient Chinese legends. Pacific View Press, 2003.

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Chen, Lianshan. Chinese myths & legends: Legends of the universe, deities and heroes. China Intercontinental Press, 2009.

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Chinese myths & legends: Legends of the universe, deities and heroes. China Intercontinental Press, 2009.

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Li, Shu-fen. Legends of ten chinese traditional festivals. 3rd ed. Dolphin Books, 2003.

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Li, Shu-fen. Legends of ten chinese traditional festivals. 3rd ed. Dolphin Books, 2003.

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Werner, Edward Theodore Chalmers. Myths and legends of China. Dover Publications, 1994.

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Book chapters on the topic "Legends, Chinese"

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Cao, Qing. "Selling Culture: Ancient Chinese Conceptions of ‘the Other’ in Legends." In The Zen of International Relations. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230286429_10.

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Chang, Gigi. "Writing in One Voice: Thoughts and Memories on Co-Translating Jin Yong’s Legends of the Condor Heroes." In Understanding and Translating Chinese Martial Arts. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8425-9_7.

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Fu, Xiuyan. "In-Depth Interpretation of Xu Xun Legend." In Chinese Narratologies. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7507-5_13.

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Blofeld, John. "Tea in History and Legend." In The Chinese Art of Tea. Routledge, 2022. http://dx.doi.org/10.4324/9781003130871-1.

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Swatek, Catherine. "The Self in Conflict: Paradigms of Change in a T’ang Legend." In Expressions of Self in Chinese Literature, edited by Robert E. Hegel and Richard C. Hessney. Columbia University Press, 1985. http://dx.doi.org/10.7312/hege91090-007.

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Li, Shiwu. "The Legend of Gun and the Origin and Evolution of Chiwei." In Folklore Studies of Traditional Chinese House-Building. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5477-0_6.

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Ng, Kenny Kwok-Kwan. "The Eternal Return of Mythology: The White (Green) Snake Legend in Maoist China and Colonial Hong Kong." In Chinese Shock of the Anthropocene. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6685-7_5.

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Chang, Ivy I.-Chu. "Encountering the Alienated Self: Hip-Hop Jingju Chasing Chinese Wind in Contemporary Legend Theatre’s 108 Heroes." In Transnational Performance, Identity and Mobility in Asia. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7107-2_1.

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"Water Legends." In Chinese Creeds And Customs. Routledge, 2013. http://dx.doi.org/10.4324/9780203041062-111.

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"Chinese legends and mythology." In Companion to Literary Myths, Heroes and Archetypes. Routledge, 2015. http://dx.doi.org/10.4324/9781315677095-31.

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Conference papers on the topic "Legends, Chinese"

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Liu, Limei. "THE RESEARCH ON THE SOURCES OF CHINESE MATERIALS IN JAPANESE THE LEGENDS OF TŌNO." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.40.

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Tono Monogatari, published in 1910, is the pioneering and classic work of Yanagida Kunio, the father of modern Japanese folklore. Using Tono Monogatari as the starting point, Yanagida himself created the Japanese folklore, which the Japanese are proud of. Japanese academic circles have always regarded Tono Monogatari as a record of the local folk in Tono, Northeast Japan. Even Zhou Zuoren, who first got acquainted with this book in Japan, regarded it as a work of purely Japanese local studies. This article first starts with the text of Tono Monogatari, examines the relationship between its “Ch
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TIKHONOVA, E. L. "THE LEGENDS OF RUSSIAN OLD INHABITANTS OF BURYATIA ON THE DISAPPEARANCE OF THE TATARS, MONGOLS, CHINESE FROM CONCRETE PLACE." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-284-286.

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Wan, Fang. "THE INTERNET NOVEL IN MAINLAND CHINA: A NEW TREND IN CHINESE LITERATURE IN THE 21ST CENTURY." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.21.

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Internet novel has formed a new trend in Chinese literature, changing the literary and cultural landscape of mainland China in the 21st century. This essay takes The Legend in Pavilion (小樓傳說) and A Devil Sold for One Coin per Pound (一銀幣一磅的 惡魔) as examples to explore how Chinese internet novel expands the dynamic between author, text, and reader by offering a space for readers to influence and shape the texts the author is creating on certain websites. Through hyperlinks, comments, and polls, the readers of The Legend in Pavilion can actually take part in the creation of this novel. A Devil Sol
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Lian, Thomas. "Reinventing Chinese Legend in the Age of Global Hollywood." In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.024.

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Jia, He. "EXPLORATION OF IDEOLOGICAL AND POLITICAL CONSTRUCTION OF FOREIGN LANGUAGE CURRICULUM FROM PERSPECTIVE OF CHINESE CULTURAL IDENTITY." In Chinese Studies in the 21st Century. Buryat State University Publishing Department, 2022. http://dx.doi.org/10.18101/978-5-9793-1802-8-2022-235-238.

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From the perspective of Chinese cultural identity, the essay focuses on histori-cal mission of the ideological and political construction of foreign language courses in col-leges to help college students correctly establish the value identity of Chinese excellent traditional culture. This paper will explore the path of constructing the ideological and po-litical construction of foreign language courses in colleges from three aspects: establishing the identity of cultural masters, establishing the awareness of cultural value identity, and improving behavioral ability.
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Fitzpatrick, Ben G., Li Liu, and Yun Wang. "The Legendre transform and max-plus finite elements." In 2011 23rd Chinese Control and Decision Conference (CCDC). IEEE, 2011. http://dx.doi.org/10.1109/ccdc.2011.5968548.

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Xu, Yaoqun, Zhenhua Yang, and Xinxin Zhen. "Simulated Annealing Strategy in Chaotic Neural Network with Legendre Function." In 2021 33rd Chinese Control and Decision Conference (CCDC). IEEE, 2021. http://dx.doi.org/10.1109/ccdc52312.2021.9602688.

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Xu, Guangyan, Dan Zhao, Peichong Liao, and Guangpu Shi. "Optimal control of UAV elastic formation based on Legendre Pseudospectral Method." In 2016 Chinese Control and Decision Conference (CCDC). IEEE, 2016. http://dx.doi.org/10.1109/ccdc.2016.7532148.

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Zifeng, Gong, Zhang Hexin, Hu Xiaoxiang, Wu Yubin, and Song Rui. "Reentry tracking control of hypersonic glider based on Legendre pseudospectral method." In 2018 Chinese Control And Decision Conference (CCDC). IEEE, 2018. http://dx.doi.org/10.1109/ccdc.2018.8407429.

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Xu, Guangyan, Pengfei Liu, and Hongmei zhang. "Landing Path Planning for General Aircraft Based on Legendre Pseudo Spectral Method." In 2019 Chinese Control And Decision Conference (CCDC). IEEE, 2019. http://dx.doi.org/10.1109/ccdc.2019.8832895.

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