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1

Guzārish-i zādgāh-i Zartusht va tārīkh-i asāṭīrī-i Īrān. Tihrān: Nagīn, 1996.

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2

Guzārish-i zādgāh-i Zartusht va tārīkh-i asāṭīrī-i Īrān. Tihrān: Intishārāt-i Nagīn, 1996.

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3

Rak, I. V. Mify drevnego Irana. Ekaterinburg: U-Faktorii︠a︡, 2006.

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4

ʻAfīfī, Raḥīm. Asāṭīr va farhang-i Īrānī dar nivishtahʹhā-yi Pahlavī. Tihrān: Tūs, 1995.

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5

Pizhūhishī dar tārīkh-i usṭūrahʹī-i Īrān: Bar asās-i muṭālaʻāt-i taṭbīqī dar asāṭīr-i Īrān va Hind. [Tihrān]: Intishārāt-i Nīkʹpindār, 2008.

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6

Pizhūhishī dar asāṭīr-i Īrān. [Tehran]: Āgāh, 1996.

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7

Farhang-i ʻāmmah-i qawm-i Lak: Laki tribal culture. Yāsūj: Intishārāt-i Chavīl, 2013.

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8

Mehrdad, Bahar, Dūstkhvāh, Jalīl, 1933 or 4-, and Coyajee J. C. 1875-, eds. Bunyādʹhā-yi usṭūrah va ḥamāsah-yi Īrān: Shānzdah guftār dar usṭūrahʹshināsī va ḥamāsahʹpizhūhī-yi sanjishī. [Tihrān]: Nashr-i Āgāh, 2001.

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9

Miṣrī, Ḥusayn Mujīb. al- Usṭūrah bayna al-ʻArab wa-al-Furs wa-al-Turk. al-Qāhirah: al-Dār al-Thaqāfīyah lil-Nashr, 2000.

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10

Ḧesen, Mewlud Îbrahîm. Ger̄an be dway nemirîyda: Lêkołîneweyekî tiyorîy mêjûyî berawirdkarîye le nêwan efsaney (Kurdî w Farsî)da. Hewlêr, Kurdistan [Iraq]: Dezgay Çap u Biławkirdinewey Aras, 2002.

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11

A, Malcor Linda, ed. From Scythia to Camelot: A radical reassessment of the legends of King Arthur, the Knights of the Round Table, and the Holy Grail. New York: Garland, 2000.

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12

A, Malcor Linda, ed. From Scythia to Camelot: A radical reassessment of the legends of King Arthur, the Knights of the Round Table, and the Holy Grail. New York: Garland, 1994.

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13

Shah Abbas: The ruthless king who became an Iranian legend. London: I.B. Tauris, 2009.

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14

Blow, David. Shah Abbas: The ruthless king who became an Iranian legend. London: I.B. Tauris, 2009.

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15

Sattārī, Jalāl. Payvandʹhā-yi Īrānī va Islāmī-i usṭūrah-ʼi Pārzīfāl. [Tihrān]: Nashr-i S̲ālis̲, 2007.

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16

Lakhnavī, G̲h̲ālib. The adventures of Amir Hamza: Lord of the auspicious planetary conjunction. New York: Modern Library, 2007.

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17

1960-, Astare Kemal, ed. Volksmärchen aus Kurdistan: Hauptsächlich aus Dersim. Winterthur: Ararat, 1995.

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18

Misri, Husayn Mujib. al-Usturah bayna al-Arab wa-al-Furs wa-al-Turk. al-Dar al-Thaqafiyah lil-Nashr, 2000.

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19

Katouzian, Homa. Sadeq Hedayat: The Life and Legend of an Iranian Writer. I. B. Tauris, 2000.

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20

Malcor, Linda A., and C. Scott Littleton. From Scythia to Camelot: A Radical Reassessment of the Legends of King Arthur, the Knights of the Round Table, and the Holy Grail (Arthurian Characters and Themes). 2nd ed. Routledge, 2000.

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21

Agostini, Domenico, Samuel Thrope, Shaul Shaked, and Guy Stroumsa. The Bundahišn. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190879044.001.0001.

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Abstract:
The Bundahišn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology and one of the most important of the surviving testaments to Zoroastrian literature and pre-Islamic Iranian culture. Touching on geography, cosmogony, anthropology, zoology, astronomy, medicine, legend, and myth, the Bundahišn can be considered a concise compendium of Zoroastrian knowledge. The Bundahišn is well known in the field as an essential primary source for the study of ancient Iranian history, religions, literature, and languages. It is one of the most important texts composed in Zoroastrian Middle Persian, also known as Zoroastrian Book Pahlavi, in the centuries after the fall of the Sasanian Empire to the invading Arab and Islamic forces in the mid seventh century. The Bundahišn provides scholars with a particularly profitable window on Zoroastrianism’s intellectual and religious history at a crucial transitional moment: centuries after the composition of the Avesta, the Zoroastrian sacred scriptures, and before the transformation of Zoroastrianism into a minority religion within Iran and adherents’ dispersion throughout Central and South Asia. However, the Bundahišn is not only a scholarly tract. It is also a great work of literature in its own right and ranks alongside the creation myths of other ancient traditions: Genesis, the Babylonian Emunah Elish, Hesiod’s Theogony, and others. Informed by the latest research in Iranian Studies, this translation aims to bring to the fore the aesthetic quality, literary style, and complexity of this important work.
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22

Lakhnavi, Ghalib, and Abdullah Bilgrami. The Adventures of Amir Hamza (Modern Library). Modern Library, 2007.

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