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Journal articles on the topic 'Leitmotif'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Schäfer, Patrick, and Ulf Leser. "Discovering Leitmotifs in Multidimensional Time Series." Proceedings of the VLDB Endowment 18, no. 2 (2024): 377–89. https://doi.org/10.14778/3705829.3705852.

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A leitmotif is a recurring theme in literature, movies or music that carries symbolic significance for the piece it is contained in. When this piece can be represented as a multi-dimensional time series (MDTS), such as acoustic or visual observations, finding a leitmotif is equivalent to the pattern discovery problem, which is an unsupervised and complex problem in time series analytics. Compared to the univariate case, it carries additional complexity because patterns typically do not occur in all dimensions but only in a few - which are, however, unknown and must be detected by the method it

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2

Nasibulina, Nailya V. "The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges." Contemporary Musicology, no. 2 (2022): 207–17. http://dx.doi.org/10.56620/2587-9731-2022-2-207-217.

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Along with the musical leitmotifs, Sergei Prokofiev’s opera The Love for Three Oranges has important literary leitmotifs. This can be explained by the following. Prokofiev was working on music and libretto practically simultaneously (as he himself put it, “you write a phrase, and there comes a musical idea”). Musical and literary leitmotifs have a very sophisticated interaction and an equal contribution to the dramaturgy. The main literary leitmotif is laughter in all possible forms: the word “laughter”, its derivatives and synonyms in different parts of speech along with the sounds of laughte

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3

Anatone, Richard. "Kishōtenketsu as Leitmotif." Journal of Sound and Music in Games 4, no. 4 (2023): 15–53. http://dx.doi.org/10.1525/jsmg.2023.4.4.15.

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Final Fantasy VII (1997) is perhaps best known for its compelling story and memorable soundtrack. Like many of the other games within the franchise, storytelling within FF7 is heavily rooted in the Kishōtenketsu storytelling format. This four-part structure favors character development over conflict and establishes strong psychological connections between the characters. Nobuo Uematsu’s penchant for leitmotivic scoring strengthens these bonds further, creating a tripartite connection between story, music, and the audience. And while his compositional styles draw heavily from Western traditions

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4

Liu, Shuling. "Wagner's Leitmotif Technique in 20th Century Chinese Opera: A Case Study of "The White-Haired Girl"." Journal of Education, Humanities and Social Sciences 35 (July 4, 2024): 631–39. http://dx.doi.org/10.54097/7jrhm997.

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"The White-Haired Girl" stands as a classic in Chinese opera, garnering widespread attention for its profound themes, unique national style, and distinctive era-specific backdrop. Academic research on "The White-Haired Girl" often focuses on its cultural significance, artistic features, and its status in the history of Chinese opera development. However, there is a scarcity of studies examining the work from the perspective of the application of Wagner's leitmotif technique. Wagner's operatic ideas and his leitmotif technique set new standards for the integration of opera music and drama, sign

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5

Zhu, Chunshen. "Repetition and signification." Target. International Journal of Translation Studies 16, no. 2 (2004): 227–52. http://dx.doi.org/10.1075/target.16.2.03zhu.

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The paper begins with an overview of the relevance of functional/text linguistics, skopos theory, and the cultural-studies approach to the study of (literary) translation. It then examines the textual significance of leitmotifs as ‘vertical translation units’, since both are found to be related to repetitions of a rank-free text element in formulating a network of signification. In leitmotif-conscious translating, it argues, the accountability between the source and target texts can be observed at this level of textual network, while the translation, as a literary text, may induce different pe

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6

Lim, Yeonwoo, and Yoonhan Jeon. "An Analysis of the Use of Leitmotif in the Movie “Howl's Moving Castle”: Focusing on Sophie’s Theme." Korean Society of Culture and Convergence 45, no. 12 (2023): 363–75. http://dx.doi.org/10.33645/cnc.2023.12.45.12.363.

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The soundtrack in the movie is closely related to the movie's universe, especially the characters. This study examined the leitmotif of Studio Ghibli's “Howl's Moving Castle” and analyzed how the leitmotif related to the narrative of the film are used throughout the film. Sophie, the maini character, is cursed from an ordinary 18-year-old girl and instantly transforms into a 90-year-old grandmother. Hisaishi Joe accepts the director's order to make music consistent so that movie audiences can feel the same as Sophie, breaking the idea that the main theme should not exceed one-third of the tota

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7

Biđin, Siniša, Ivan Vujaklija, Tina Paradžik, Ana Bielen, and Dušica Vujaklija. "Leitmotif: protein motif scanning 2.0." Bioinformatics 36, no. 11 (2020): 3566–67. http://dx.doi.org/10.1093/bioinformatics/btaa133.

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Abstract Motivation Motif-HMM (mHMM) scanning has been shown to possess unique advantages over standardly used sequence-profile search methods (e.g. HMMER, PSI-BLAST) since it is particularly well-suited to discriminate proteins with variations inside conserved motifs (e.g. family subtypes) or motifs lacking essential residues (false positives, e.g. pseudoenzymes). Results In order to make mHMM widely accessible to a broader scientific community, we developed Leitmotif, an mHMM web application with many parametrization options easily accessible through intuitive interface. Substantial improvem

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8

Garcillán-Barcia, M. Pilar, and Manuel Espinosa. "The antisense leitmotif: A prelude." Plasmid 78 (March 2015): 1–3. http://dx.doi.org/10.1016/j.plasmid.2015.02.001.

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9

Nordlander, Peter. "The Ring: A Leitmotif in Plasmonics." ACS Nano 3, no. 3 (2009): 488–92. http://dx.doi.org/10.1021/nn900212a.

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10

Chonka, Tetyana, Volodymyr Banias, Nataliya Banias, Adalbert Baran, and Vasyl Siladi. "Mystical function of leitmotifs which individualize different characters in Sylvie Germain's novel "The book of nights"." Synesis 15, no. 4 (2023): 273–88. https://doi.org/10.5281/zenodo.10845186.

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The article analyzes the system of leitmotifs that individualize various characters in the novel “The Book of Nights” by the modern French writer Sylvia Germain. The research highlights the theoretical aspects of the mythologizing of the novel genre in the 20th century. The signs of a mythical novel and the role of leitmotifs in the plot and composition of the novel, their significance for characterizing personalities are highlighted. To characterize the heroes of the novel, the symbolization in nature and the environment, the combination of life and death, scream and silence, sens

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11

Shakhovskaya, Nadezhda A. "Landscape as a Leitmotif of a Film." Journal of Flm Arts and Film Studies 8, no. 1 (2016): 43–53. http://dx.doi.org/10.17816/vgik8143-53.

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The article examines the landscape as a significant element of the films plastic composition and semantic structure. Taking Andrey Konchalovskys The Postmans White Nights as an example, the author analyses the role of documentary aesthetics in describing the relationship between humanity and nature, revealing the estrangement of the two realms.

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12

Krause, Michael, Meinard Müller, and Christof Weiß. "Towards Leitmotif Activity Detection in Opera Recordings." Transactions of the International Society for Music Information Retrieval 4, no. 1 (2021): 127–40. http://dx.doi.org/10.5334/tismir.116.

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13

Ledo, Gretel. "Climate Change: a Leitmotif of Global Sustainability." Federalist Debate 29, no. 2 (2016): 34–35. http://dx.doi.org/10.1515/tfd-2016-0018.

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14

Mathlouthi, Mohamed, and Daniel Hădărugă. "WATER – The “leitmotif” of the EuroFoodWater conferences." Food Chemistry 309 (March 2020): 125744. http://dx.doi.org/10.1016/j.foodchem.2019.125744.

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15

Matiunina, Tatiana S. "The Leitmotif Organization of Jean Rhys’s Short Story “Till September Petronella"." World Literature in the Context of Culture, no. 15 (21) (2022): 33–41. http://dx.doi.org/10.17072/2304-909x-2022-15-33-41.

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The article examines the leitmotives found in the central story of Jean Rhys's collection "Tigers are Beautiful". Jean Rhys' short stories researcher and reader inevitably encounters a series of key images that largely predetermine and constitute a number of references to the subtext, elements of the author's artistic world. The problem-thematic complex of the story "Till September Petronella" consists of gender confrontation, existential crisis and war. It is revealed through elements of external psychologism (leitmotivs of the garden (tree, flowers, stone), mirrors and dresses), iconic loci

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16

Fedotkin, S. V. "Keynote Narration and Theory of Distance: Analysis of the Seasons." Journal of Flm Arts and Film Studies 9, no. 3 (2017): 70–83. http://dx.doi.org/10.17816/vgik9370-83.

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The article explores the leitmotif narration in cinema, i.e. the one based on transitions from one leitmotif to another as exemplified by Artavazd Peleshians short non-fiction film Seasons of the Year. The peculiarity of Peleshians artistic method is that he does not proceed by relations between adjoining images but between the disjoint ones which results in their repetition. The dramaturgy of Seasons of the Year is based on transitions from one leit-motif to another. The main ones here, as well as in other Peleshians films, are the themes of cosmos and chaos.

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17

Ramdhan, Gracia Nuzula, Muhammad Zamroni, and Romdhi Fatkhur Rozi. "TEKNIK LEITMOTIF SCORING SEBAGAI PENANDA PERUBAHAN SUASANA DALAM FILM THOR LOVE AND THUNDER (2022)." ROLLING 7, no. 1 (2024): 100. http://dx.doi.org/10.19184/rolling.v7i1.46377.

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Film is an audio-visual product that cannot be separated from the audio and visual elements themselves. Audio in films is something important, because audio or sound in films can provide an experience that is captured by the human listener's senses in addition to the visualization of the film. The beauty of films is captured by the visual senses, while the beauty of music is captured by the auditory senses. Apart from being an illustration of a scene, music in films can also manipulate the audience's emotions without realizing it. The interaction between visual and auditory experiences has its

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18

Goulding, IBVM, Gill. "Passion, Prophecy and Perseverance—the Leitmotif of Carmel." Toronto Journal of Theology 21, no. 2 (2005): 169–82. http://dx.doi.org/10.3138/tjt.21.2.169.

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19

Gaganova, Anna Anatol'evna. "Canonical Text Leitmotif of the Soviet Occupational Novel." Filologičeskie nauki. Voprosy teorii i praktiki, no. 6 (June 2020): 29–36. http://dx.doi.org/10.30853/filnauki.2020.6.4.

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20

Mal'tseva, Ol'ga Nikolaevna. "LEITMOTIF IN THE PERFORMANCE OF THE DRAMA THEATER." Manuscript, no. 8 (August 2018): 134–38. http://dx.doi.org/10.30853/manuscript.2018-8.29.

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21

Green, Joel B. "Good news to the poor: A Lukan leitmotif." Review & Expositor 111, no. 2 (2014): 173–79. http://dx.doi.org/10.1177/0034637314524374.

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22

Meyer, S. C. "Illustrating Transcendence: Parsifal, Franz Stassen, and the Leitmotif." Musical Quarterly 92, no. 1-2 (2009): 9–32. http://dx.doi.org/10.1093/musqtl/gdp013.

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23

Gabriel, Gottfried. "Solipsism – The Leitmotif in Wittgenstein’s Life and Philosophy." Wittgenstein-Studien 8, no. 1 (2017): 1–14. http://dx.doi.org/10.1515/witt-2017-001.

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AbstractThis paper will highlight the close relationship between Wittgenstein’s life and train of thought, using his treatment of solipsism as an example. The intensity with which Wittgenstein explored this theme hints towards an existential and cultural background that is further developed in a comparison of his works with the entries in his diaries. The treatment of solipsism will be presented as an expression of an inner wrestling for the correct view of world and life. The transition from early to late philosophical thought is paired with a revised understanding of the concept of a felicit

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24

Pimonov, V. I. "PUSHKIN AND BALLS: SOUND AND THEME IN THE NOVEL IN VERSE “EUGENE ONEGIN”." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 97 (2024): 44–50. http://dx.doi.org/10.37313/2413-9645-2024-26-97-44-50.

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Object of the essay: the author's digression about balls (dance events) in the first chapter of the novel in verse by A.S. Pushkin "Eugene Onegin" (EO, 1, XXIX-XXX). Subject of the essay: sound patterning (phonetic shift, alliteration and anagrams). Purpose of research: to uncover the semantic connection between the theme and sound patterning. Results: The essay demonstrates that the love-erotic theme is the leitmotif in the author's digression about balls and is realized primarily at the lexical level. The sound patterning techniques (shift, alliteration, anagram) used in the digression are a

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25

Vitillo, Jenny G. "Magnesium-based systems for carbon dioxide capture, storage and recycling: from leaves to synthetic nanostructured materials." RSC Advances 5, no. 46 (2015): 36192–239. http://dx.doi.org/10.1039/c5ra02835c.

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26

Anderson, William H. U. "The Curse of Work in Qoheleth: An Exposé of Genesis 3:17–19 in Ecclesiastes." Evangelical Quarterly: An International Review of Bible and Theology 70, no. 2 (1998): 99–114. http://dx.doi.org/10.1163/27725472-07002002.

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The frustrations of work are a major leitmotif in Qoheleth. This paper takes an intertextual approach and applies theological criticism to Qoheleth in an attempt to see if the author was dependent upon Gn. 3:17–19 for the background to his leitmotif of work. An apology for the traditional interpretation of the universal Fall and original sin in Genesis 3 is provided on the basis of literary critical analysis. Test cases from four categories were used in an attempt to prove Qoheleth’s dependence on Gn. 3:17–19: work in general (1:311), intellectual pursuits (1:12–18), business and achievements

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27

Ilame, Veena R. "The Folk-leitmotif in the Poetry of Sarojini Naidu." International Journal of English Literature and Social Sciences 5, no. 4 (2020): 926–28. http://dx.doi.org/10.22161/ijels.54.14.

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28

Trautwein, Hans-Michael. "Taking expectations seriously: A leitmotif in Stockholm School economics." Revue d'économie politique Vol. 132, no. 3 (2021): 333–69. http://dx.doi.org/10.3917/redp.313.0015.

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29

Mishra, Seema. "‘Chargaff's Rules’ for Protein Folding: Stoichiometric Leitmotif Made Visible." Journal of Biomolecular Structure and Dynamics 28, no. 4 (2011): 649–52. http://dx.doi.org/10.1080/073911011010524977.

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30

Sultanov, K. K. "A traumatic experience and the anthropological leitmotif. Guzel Yakhina." Voprosy literatury, no. 6 (December 25, 2022): 13–31. http://dx.doi.org/10.31425/0042-8795-2022-6-13-31.

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The article takes a close look at the principles behind the work of the contemporary novelist and scriptwriter G. Yakhina, attempting analysis that goes beyond the context of modern literature and exploring the ties with 20th-c. existential philosophy, including the categories of memory, transgressive experience, ethnic identity and the anthropological leitmotif. Yakhina’s latest novel, Train to Samarkand [Eshelon na Samarkand] receives particular attention. According to Sultanov, it is written with reliance on aforementioned concepts, namely, the narration is concentrated around a core that r

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31

Moskvin, Vasily P. "O. Mandelstam’s poem “Save my speech forever…”: to the interpretation of “dark” places." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2021): 53–58. http://dx.doi.org/10.20339/phs.2-21.053.

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The dark places of O. Mandelstam’s poem “Save my speech forever…” are considered, and explanatory solutions and comments are offered for each case. The existing interpretations in the scientific literature are critically analyzed, in particular: the presence of a figurative leitmotif in the poem (the article argues for the absence of such a leitmotif); the version supported by a number of experts about the poet’s readiness to make a deal with the authorities expressed in this text (arguments are given in favor of the fact that this version is based on allegoresis that is not quite acceptable f

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32

Zondi, Siphamandla. "Strife and Strides: A Nagging Leitmotif in the African Story." International Journal of African Renaissance Studies - Multi-, Inter- and Transdisciplinarity 17, no. 1 (2022): 1–3. http://dx.doi.org/10.1080/18186874.2022.2107671.

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33

Worsdorfer, Manuel. "The "Societal Crisis of the Present" as a Neoliberal Leitmotif." HISTORY OF ECONOMIC THOUGHT AND POLICY, no. 2 (November 2014): 77–109. http://dx.doi.org/10.3280/spe2014-002004.

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34

Köhler, Horst. "Global Partnership: Thoughts on a new leitmotif for international politics." Development 56, no. 3 (2013): 299–307. http://dx.doi.org/10.1057/dev.2014.8.

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35

Slunecko, Thomas. "Tracking One’s Own Path – a Methodological Leitmotif of Cultural Psychology." Integrative Psychological and Behavioral Science 54, no. 1 (2019): 196–214. http://dx.doi.org/10.1007/s12124-019-09479-2.

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36

Stobbe, Heinz-Günther. "Changes in the form and structure of Catholic peace-making." Russian Journal of Church History 4, no. 4 (2023): 55–63. http://dx.doi.org/10.15829/2686-973x-2023-144.

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This contribution outlines catholic peace work in Weimar Republic and after the Second World War. It analyses how spirituality and political engagement connect and how the conviction that peace includes more than cease-fire — but requires a commitment to social justice — becomes a leitmotif.

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37

Zaslavskii (Zaslavsky), Oleg B. "POSTPONED DUEL IN “THE SHOT” AS A FACTOR OF STRUCTURE OF TEXT." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 2 (2020): 87–103. http://dx.doi.org/10.18522/2415-8852-2020-2-87-103.

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The postponed shot and doubling the duel are central points of the plot of this tale and its leitmotifs. We show that in a series of episodes this circumstance serves a structural generator, each time reproducing the key leitmotif anew. It includes 1) structural correspondence between the abnormal card game and the abnormal duel, 2) ability to stick a bullet into a bullet, twice demonstrated by Silvio. In addition, the relevance of a duel in the structure of the text reveals itself in relation between numbers 2 and 3. Also, there is a correlation with doubled war motif: it follows from the inn

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38

Zholkovsky, A. K. "On the main-meta-song by Bulat Okudzhava." Voprosy literatury, no. 5 (November 29, 2021): 126–50. http://dx.doi.org/10.31425/0042-8795-2021-5-126-150.

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The article analyses Bulat Okudzhava’s ‘The Main Song’ [‘Glavnaya pesenka’] (1962). The poem’s metapoetic leitmotif and expressive structure are examined in a broader context of corresponding common literary motifs, Okudzhava’s poetic invariants, and immediately contemporary subtexts, including in song lyrics. The intertextual ﬁeld comprises poems of the same metric structure, namely, three-foot amphibrachs. M. Gasparov speciﬁed themetre’s appropriate halos: suggestions of a drinking song ( ‘zazdravnaya,’ sung to toast someone’s health); a ballad; an allusion to Heine’s manner (memory, dreams,

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39

Hidalgo, Melissa M. "“He Was a Sissy, Really”." Aztlán: A Journal of Chicano Studies 40, no. 1 (2015): 7–36. http://dx.doi.org/10.1525/azt.2015.40.1.7.

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This essay argues for a queer rereading of José Antonio Villarreal’s classic Chicano novel, Pocho, by highlighting the role of “books” as a leitmotif that functions as a queering mechanism for protagonist Richard Rubio. In Pocho, books and all they signify code a spectrum of queer (“soft,” “ruined”) masculinity, from male effeminacy and emasculation to homosexuality and other non-heteronormative desires. I analyze how the narrative places Richard Rubio in a lineage of two queer masculine characters in the novel, René Soto and Joe Pete Manõel, demonstrating the queer continuities symbolized by

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40

Rivier, Estelle, and Anne-Marie Santin-Guettier. "If? What if? Hypothesis as a Leitmotif in Measure for Measure." Anglophonia, no. 17 (34) (October 1, 2013): 88–103. http://dx.doi.org/10.4000/anglophonia.113.

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41

Heffelfinger, Katie M. "From Bane to Blessing: The Food Leitmotif in Genesis 37–50." Journal for the Study of the Old Testament 40, no. 3 (2016): 297–320. http://dx.doi.org/10.1177/0309089215622364.

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42

Fahy, Thomas. "The cultivation of incompatibility: Music as a Leitmotif in Dorothy Richardson'sPilgrimage." Women's Studies 29, no. 2 (2000): 131–47. http://dx.doi.org/10.1080/00497878.2000.9979305.

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43

Reardon, Colleen. "Music as Leitmotif in Louisa May Alcott's Little Women." Children's Literature 24, no. 1 (1996): 74–85. http://dx.doi.org/10.1353/chl.0.0477.

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44

Töpper, Jörn, and Stephan Schwan. "James Bond in Angst?" Journal of Media Psychology 20, no. 4 (2008): 131–40. http://dx.doi.org/10.1027/1864-1105.20.4.131.

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Current cognitive accounts of film understanding emphasize the role of processing narrative content in an elaborative manner, including the development of an appropriate situational model that relies on inferences about protagonists emotional states. The present study investigates such inferences while watching a narrative film and aims at clarifying the role of the musical leitmotif in supporting this process. Participants watched short segments from James Bond movies, which depicted situations that were likely to elicit a particular emotion in the main protagonist. The emotional reaction wa

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45

Llambi, Luis. "Emergence of Capitalized Family Farms in Latin America." Comparative Studies in Society and History 31, no. 4 (1989): 745–74. http://dx.doi.org/10.1017/s0010417500016182.

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The mechanized grain farm of the American Midwest and the Canadian prairies has been the ideological leitmotif of most attempts to modernize agrarian structures during the last century in Latin America. Not only held up as the archetype of efficient farming, the family-sized enterprise has also been taken as model for an egalitarian rural society.

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46

Makarova, Karina. "Anti-age Cosmetology in Older Age and Aging Scenarios of Russian Women in the Perspective of the Life Course." Inter 17, no. 2 (2025): 111–29. https://doi.org/10.19181/inter.2025.17.2.6.

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The article is devoted to studying aging scenarios for women in a modern Russian megapolis who regularly undergo anti-age cosmetology. Theoretically, the article focuses on developing a scenario approach and research debate on diversifying older women’s ways of living. Empirically, the article is based on thirteen biographical leitmotif interviews that were developed and conducted within the life course approach. The theme of care for appearance at different stages of life was chosen as a leitmotif of the interviews. The interviewees were women over 60 years old, living in Saint Petersburg and

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47

Belova, Tamara D. "M. Gorky. A Sky-blue Life: ‘Grey’ and ‘blue’ in the story." Izvestiya of Saratov University. Philology. Journalism 21, no. 4 (2021): 439–45. http://dx.doi.org/10.18500/1817-7115-2021-21-4-439-445.

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The article discusses some issues of creative history and the conceptual meaning of M. Gorky’s understudied short story A Sky-blue Life, the last one written in the landmark cycle Stories of 1922-1924. Relying on new documents from the writer’s biography, his correspondence and available scientific comments allow us to clarify the leitmotif of the work, its place in the writer’s creative biography.

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48

Wagner, Wolfgang, and Rosanne Anholt. "Resilience as the EU Global Strategy’s new leitmotif: pragmatic, problematic or promising?" Contemporary Security Policy 37, no. 3 (2016): 414–30. http://dx.doi.org/10.1080/13523260.2016.1228034.

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49

Matsugo, Seiichi, Kan Kanamori, Hironori Sugiyama, Hirofumi Misu, and Toshinari Takamura. "Physiological roles of peroxido-vanadium complexes: Leitmotif as their signal transduction pathway." Journal of Inorganic Biochemistry 147 (June 2015): 93–98. http://dx.doi.org/10.1016/j.jinorgbio.2015.02.008.

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50

Halloran, Vivian N. "Returning to the Repressed: Caribbean Slavery as a Leitmotif in Naipaul's Narratives." South Asian Review 26, no. 1 (2005): 153–68. http://dx.doi.org/10.1080/02759527.2005.11932378.

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