Academic literature on the topic 'Lekwungen'

This paper invites the reader to consider the power and potential of art for public engagement, and its use in social movement learning and in demanding the world we want now. The authors frame social movements as important sites of scholarship and learning. They emphasize that by applying creative strategies to engage in critical thought about the nature of the world and one’s position in it, artforms have the potential to make essential contributions to social change. Inspired by literature related to critical art-based learning and learning in social movements, the authors explore representations of protest art and public art exhibitions. They contextualize their writing with stories of mobile art exhibits in Sao Paulo, the ‘maple spring’ in Montreal (Tiotia:ke in the language of the Kanien’kehá:ka), and anti–Bill C-51 protests in Lekwungen territory (Victoria, British Columbia). They present and reflect on their own experiences of using art as engagement and as a representation of voice in public demonstrations.

Indigenous peoples and settlers engaged in innumerable conflicts in the colonies of Vancouver Island and British Columbia between 1849 and 1871. The constant threat of violent Indigenous resistance to settler colonization in the Pacific Northwest—both real and imagined—produced feelings of anxiety for settlers, especially state officials, that shaped colonial strategy and statecraft. To buttress colonial security, the nascent state partnered with Christian missionaries in the hope that missionaries could use education to cultivate the goodwill of Indigenous peoples and train them to accept colonization. The state’s support for early missionary schooling in colonial British Columbia is examined in the context of settler anxieties regarding three instances of Indigenous resistance: a Lekwungen convergence at Fort Victoria in 1851, the Puget Sound War of 1855–56, and the 1864 Tsilhqot'in War. In different ways, settler anxiety over these conflicts acted as a catalyst, prodding the state to support missionary schooling as a financially expeditious way of trying to contain Indigenous resistance and safeguard colonial security. RÉSUMÉ Entre 1849 et 1871, les colonies de l’île de Vancouver et de la Colombie-Britannique sont le lieu d’innombrables con its entre les peuples autochtones et les colons. La menace constante — réelle et imaginaire — d’une résistance violente des Autochtones à la colonisation dans le nord-ouest du Pacifique a engendré un sentiment d’anxiété chez les colons, et en particulier chez les fonctionnaires de l’État, ce qui a façonné la stratégie et la gestion coloniale. Afin de renforcer la sécurité coloniale, l’État naissant s’est associé avec les missionnaires chrétiens dans l’espoir qu’ils utilisent l’éducation afin d’assurer la bienveillance des peuples autochtones et de les amener à accepter la colonisation. Cet article examine le soutien apporté par l’État aux premiers efforts d’enseignement missionnaire en Colombie-Britannique coloniale, dans le contexte des inquiétudes des colons par rapport à trois actes de résistance autochtone : un rassemblement Lekwungen au Fort Victoria en 1851, la guerre du Puget Sound de 1855–1856 et la guerre des Tsilhqot'in de 1864. À maints égards, l’inquiétude des colons alimentée par ces conflits a agi comme un catalyseur, poussant l’État à soutenir l’enseignement missionnaire dans l’espoir d’arriver à contenir la résistance autochtone et à assurer la sécurité coloniale à peu de frais.

This thesis conducted the first acoustic analysis on Lekwungen (aka Songhees, Songish) (Central Salish). It studied the acoustic correlates of stress on vowels and the effects of consonantal coarticulatory effects on vowel quality. The goals of the thesis were to provide useful and usable materials and information to Lekwungen language revitalisation efforts and to provide an acoustic study of Lekwungen vowels to expand knowledge of Salishan languages and linguistics. Duration, mean pitch, and mean amplitude were measured on vowels in various stress environments. Findings showed that there is a three-way contrast between vowels in terms of duration and only a two-way contrast in terms of pitch and amplitude. F1, F2, and F3 were measured at vowel onset (5%), midpoint (50%), and offset (95%), as well as a mean (5%-95%), in CVC sequences for four vowels: /i/, /e/, /a/, and /ə/. Out of five places of articulation of consonants in Lekwungen (alveolar, palatal, labio-velar, uvular, glottal), uvular and glottal had the most persistent effects on F1, F2, and F3 of all vowels. Of the vowels, unstressed /ə/ was the most persistently affected by all consonants. Several effects on perception were also preliminarily documented, but future work is needed to see how persistence in acoustic effects is correlated with perception. This thesis provides information and useful tips to help learners and teachers in writing and perceiving Lekwungen and for learners learning Lekwungen pronunciation, as a part of language revitalisation efforts. It also contributes to the growing body of acoustic phonetic work on Salishan languages, especially on vowels.
Graduate
0290

This thesis represents a human history of Tl’chés (Discovery and Chatham Islands) roughly between the mid-19th and mid-20th centuries. It presents Songhees and Settler life on the archipelago, as well as the dispossession of Songhees lands. Detailing processes of colonialism, as well as Songhees resistance to it, this thesis represents a microcosm of colonialism as it unfolded in the lands now called British Columbia.
Graduate