Relevant bibliographies by topics / Lemkos, Lemko studies, ethnic identity

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Academic literature on the topic 'Lemkos, Lemko studies, ethnic identity'

Author: Grafiati
Published: 24 April 2022
Last updated: 18 July 2025

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Journal articles on the topic "Lemkos, Lemko studies, ethnic identity"

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SZYMKO, Michał. "Samotność, trwanie i zmienność. Wieś w obliczu przemian w sztuce i kulturze łemkowskiej." Studia Ucrainica Varsoviensia, no. 11 (December 4, 2023): 169–82. http://dx.doi.org/10.31338/2299-7237suv.11.11.

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Nowadays, the Lemkos are one of the four legally recognized ethnic minorities in Poland, until the period of displacement under the „Vistula” operation, living in a compact group in the area of the Low Beskids and the western part of the Bieszczady and the eastern Beskid Sądecki. The theme of the village in Lemko art and culture is not the subject of much research and scientific studies. After the „Vistula” operation, the Lemko villages were deserted. Currently, the Low Beskids is called the land of tourists, because young Lemkos go to larger agglomerations, and older generations leave. With t
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Urbanik, Amadeusz. "Tożsamość Łemków jako czynnik wpływający na skuteczność rzecznictwa i artykulacji interesów mniejszości ukraińskiej w Polsce." Wrocławskie Studia Politologiczne 27 (February 20, 2020): 138–51. http://dx.doi.org/10.19195/1643-0328.27.9.

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Identity of the Lemkos as a factor influencing the effectiveness of advocacy and articulation of the interests of the Ukrainian minority in PolandThe article is a part of studies on issues of Polish ethnic policy. Its main aim is to present to the reader the complexity of Lemko identity and show its influence on the effectiveness of advocacy and articulation of the interests of the Ukrainian minority in Poland. It consists of three parts. The first is dedicated to the Lemko minority in Poland with its origins and demographic structure. The second it specifies the complexity of their identity,
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Fabryka-Protska, Olha. "Characteristics of Socio-cultural Environment of Ethnic Groups (Ruthenians, Lemkos, and Rusnaks) in Historical Context." Issues in Cultural Studies, no. 35 (December 27, 2019): 227–38. https://doi.org/10.31866/2410-1311.35.2019.188820.

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The purpose of the article is to cover the socio-cultural environment of Ruthenians, Lemkos and Rusnaks in a historical context. The study used methods of analysis of historical sources, which reflect the main trends in the development and functioning of the socio cultural life of ethnic groups of Ukrainians. The sociocultural method made it possible to consider the Ruthenian, Rusnak and Lemko culture as an integral part of the national traditions of the Ukrainian people through the prism of the determining factor of culture. To obtain comprehensive information on the coverage of the general c
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Movna, Marianna. "Yulian Tarnovych publishing seria “Library of Lemkivshchyna” (1936–1939)." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 15(31) (2023): 279–305. http://dx.doi.org/10.37222/2524-0315-2023-15(31)-11.

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In 1934, in the publishing concern of I. Tyktor “Ukrainian Press”, the editorial board of the biweekly “Nash Lemko” was formed, the first editor of which was Yulian Tarnovych, who later founded the “Library of Lemkivshchyna” publishing seria, which published and distributed books on Lemki subjects, in which the overarching idea was the idea of historical and mental unity of the Lemki people with Ukrainians from other regions, and hence the popularization of the Lemko region and the centuries-old cultural heritage of its inhabitants as a component of Ukraine and the Ukrainian people. In the art
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Synowiec, Aleksandra, and Zybała Marcin. "Heritage Conservation, Education, Intercultural Dialogue: Functions of Lemkos, Roma and Tatars Creative Activity in Contemporary Poland." International Relations: Theory and Practical Aspects, no. 1 (May 2, 2018): 235–42. https://doi.org/10.31866/2616-745x.1.2018.142007.

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The purpose of presented study «Heritage conservation, education, intercultural dialogue: functions of Lemkos, Roma and Tatars creative activity in contemporary Poland» is to discuss contemporary functions of creativity among an ethnic minority groups on the basis of the research material collected in nationwide research project «Creative activity of ethnic minorities in Poland on the edge of XX and XXI centuries», conducted by Eastern Initiative Institute, Cracow, Poland. This paper is based on qualitative empirical data collected through individual interviews conducte
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Tyda, Arkadiusz. "The consequences of the 1989 changes in the socio-political activity of Lemkos in Poland and the United States of America." Review of Nationalities 11, no. 1 (2021): 81–91. http://dx.doi.org/10.2478/pn-2021-0007.

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Abstract During the communist period, the Lemko community did not have its own separate ethnic organization in Poland. In the USA, the Lemkos were able to conduct social and political activities without any obstacles. Even before World War II, two important organizations were established: the Russophile Lemko-Soyuz and the Ukrainophile Organization for the Defense of Lemkivshchyna in America. The social and political transformation initiated by the elections of June 1989 changed the situation of national and ethnic minorities. The period of political transformation in Poland also activated the
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Misiak, Małgorzata. "Co to znaczy być Łemkiem? W kręgu pytań tożsamościowych. Ujęcie etnolingwistyczne." Language, Mind, Culture and Society 3 (2019): 40–58. https://doi.org/10.32058/lamicus-2019-002.

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The aim of this article is to reconstruct the self-image of Lemkos – an ethnic group, originally from Transcarpathia, deported from their homeland after World War II. The data come from 34 ethnographic interviews conducted either in Lemko ethnolect (N=17) or in Polish (N=17). The analysis employed the methodology developed by Lublin School of Ethnolinguistics. It showed that there are four predominant profiles of Lemko identity: (1) Lemko – a victim of history, (2) Lemko – an exile, (3) An ethnic and cultural Lemko, (4) Lemko – a peasant.
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Drozd, Roman. "MUSEUM OF LEMKO CULTURE AT ZYNDRANOWA." Muzealnictwo 64 (March 2, 2023): 15–22. http://dx.doi.org/10.5604/01.3001.0016.2878.

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In 1947, as the result of the Vistula Operation,Lemkos were resettled to the Western and NorthernTerritories of Poland, this making them abandon their materialpossessions which remained at their former domicile proneto devastation. Certain Lemkos resented those developmentsto the extent that following 1956 some returned to theirnative land, determined to save their tangible and intangibleculture. Amateur artistic projects were revived, and itwas decided that traces of Lemko tangible heritage wereto be taken care of. This led to the concept of creating anethnographic Lemko museum. In 1968, usin
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Misiak, Małgorzata. "Na kołpaku gór — rzecz o łemkowskiej tożsamości." Góry, Literatura, Kultura 11 (July 17, 2018): 291–304. http://dx.doi.org/10.19195/2084-4107.11.19.

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ON THE CALPACK OF THE MOUNTAINS - OR LEMKO IDENTITYThe paper refers to the bilingual, Polish-Lemko, collection of poems by Władysław Graban,Na kołpaku gór On the Calpack on the Mountains, published in 1991. The mountains, the Beskids, the Lemkos’ homeland, are presented as the exotic calpack, a type of cap made of several pieces of fabric sewn together. The analysis is based on the assumption that the Lemkos’ identity has been shaped like a calpack, sewn together from various cultural, religious and linguistic elements as a result of cultural transgressions — complex in their course and stretc
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Cieśliński, Ryszard, and Ernest Szum. "Fun and Games as a Form of Physical Culture in the Traditional Religious and Social Rituals of the Lemkos. the Ethnomethodological Approach." Polish Journal of Sport and Tourism 20, no. 1 (2013): 44–50. http://dx.doi.org/10.2478/pjst-2013-0005.

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Abstract This article presents the Lemkos games and fun as popular forms of physical culture of the Lemko community living in former areas of south-eastern Poland. It presents them as part of the intangible culture of the vanishing ethnic group. The traditional elements of physical culture of the Lemko community, especially fun and games have been presented on the basis of the general characteristics of this ethnic group, and the entire history of the presence of the Lemkos in Poland. Folk fun and games, as a form of physical activity are presented in the broad sense of physical and cultural s
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Book chapters on the topic "Lemkos, Lemko studies, ethnic identity"

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Duć-Fajfer, Helena. "Przestrzeń rosyjskości w literaturze łemkowskiej." In Tożsamość (w) przestrzeni: Studia dedykowane Profesorowi Wasilijowi Szczukinowi. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387316.14.

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The study attempts to identity the imaginary constructs presented in Lemko literature referred to Russia and Russianness. Social and geopolitical conditions of the formation of the Lemko ethnic identity played a key role in their creation. In the text the hypostases of Russianness, concretizing themselves in the Lemko identity discourse, are singled out: the myth of the righteous tsar – the defender of persecuted Ruthenians and the vision of Russia as a land of prosperity. Personal and textual examples of the impact of these myths are presented. Social utopias built on their basis are described. The consequences of the political interpretation of these mythical and cultural images for the fate of the entire Lemko community are indicated.
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Mieczkowski, Janusz. "Ukrainians and Lemkos displaced from the Vistula Operation and Their Descendants in Cemeteries in North-Western Poland." In Migrations in the Slavic Cultural Space. From the Middle Ages to the Present Day. Wydawnictwo Uniwersytetu Łódzkiego, 2022. https://doi.org/10.18778/8331-033-6.15.

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In 1947, the Ukrainian and Lemko minorities were forcibly resettled in Poland and dispersed from south-eastern Poland to the north-west of the country. The displaced persons were subject to various exclusionary restrictions, which even concerned funeral practices/funeral rituals. Cemeteries are treated in the article as a specific place of ethnic and cultural manifestation of groups living in a given area. National identity is understood by the author as a certain lifestyle observed from the outside, creating a “cultural pattern” referring to a specific set of values. The way the dead are remembered is a kind of confirmation of the possibility of maintaining one’s own identity and the prevailing intergroup relations – ethnic and social. The author looks for answers to questions about what possibilities existed to commemorate the deceased after the Vistula operation, identifying them as Ukrainian or Lemko, what favored them and what constituted a barrier.
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Journal articles
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