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Relevant bibliographies by topics / Lenin Cult

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Academic literature on the topic 'Lenin Cult'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Lenin Cult"

1

Andreeva, Larisa. "The cult of revolutionary martyrs and the cult of V.I. Lenin." Общественные науки и современность, no. 5 (2018): 102–14. http://dx.doi.org/10.31857/s086904990000387-7.

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Garza, Thomas J. "Conservative Vanguard? The Politics of New Russia's Youth." Current History 105, no. 693 (2006): 327–33. http://dx.doi.org/10.1525/curh.2006.105.693.327.

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Platt, Jonathan Brooks. "Snow White and the Enchanted Palace." Representations 129, no. 1 (2015): 86–115. http://dx.doi.org/10.1525/rep.2015.129.1.86.

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This essay offers a chronotopic reading of V. I. Lenin’s architectural cult and its relation to Soviet sovereignty in the postrevolutionary period, as reflected in the discourse and plans surrounding the Lenin Mausoleum and the Palace of Soviets in Moscow. Central contexts include Andrei Platonov’s novella The Foundation Pit and Russian versions of the “Snow White” tale.

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4

Shelest, Vera Vladimirovna. "Travesty of the cult image of Lenin in post-Soviet cinematography on the materials of the films “Comedy of the Strict Regime” and “Village of Khlyupovo Separates from the Union”." Культура и искусство, no. 1 (January 2020): 27–42. http://dx.doi.org/10.7256/2454-0625.2020.1.30366.

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This article is written within the framework of the topic &ldquo;The Image of Lenin in Art Cinematography of Russia of the XX &ndash; XXI centuries&rdquo;. The author explores the period at the turn of eras, from collapse of the Soviet Union in 1991 until the appearance of a new state of the Russian Federation on the world map. In the focus of attention are two films made in 1992, which subject to travesty the cult image of Lenin created by the founders of artistic Leniniana on stage and screen. Since the films were made at the turn of historical eras, there are attributes of a new

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5

Barysheva, Elena V., and Dmitriy V. Morozov. "HISTORIOSOPHICAL PREREQUISITES FOR THE FORMATION OF THE CULT OF PERSONALITY IN THE BIOGRAPHIES OF V.I. LENIN 1924–1956." History and Archives, no. 3 (2021): 136–46. http://dx.doi.org/10.28995/2658-6541-2021-3-136-146.

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The authors make an attempt to analyse on the basis of Hayden White’s theory of historical narrative historiosophical prerequisites for the formation of the cult of personality in the soviet biographies of V.I. Lenin published in 1924–1956. The basis of texts is a plot structure, implying, on the one hand, the existence of immutable laws of historical development, which humanity is forced to obey, and, on the other, a person who is able to learn them through the bitterness of defeats and put them at his service. The explanation of the facts of the historical narrative takes place by using two

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6

Barysheva, Elena V., and Dmitriy V. Morozov. "HISTORIOSOPHICAL PREREQUISITES FOR THE FORMATION OF THE CULT OF PERSONALITY IN THE BIOGRAPHIES OF V.I. LENIN 1924–1956." History and Archives, no. 3 (2021): 136–46. http://dx.doi.org/10.28995/2658-6541-2021-3-136-146.

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The authors make an attempt to analyse on the basis of Hayden White’s theory of historical narrative historiosophical prerequisites for the formation of the cult of personality in the soviet biographies of V.I. Lenin published in 1924–1956. The basis of texts is a plot structure, implying, on the one hand, the existence of immutable laws of historical development, which humanity is forced to obey, and, on the other, a person who is able to learn them through the bitterness of defeats and put them at his service. The explanation of the facts of the historical narrative takes place by using two

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7

Ivanovich Kolonitskii, Boris. "The Genealogy of the “Leader of the People”: Images of Leaders and the Political Language of the Russian Revolution of 1917." Russian History 45, no. 2-3 (2018): 149–77. http://dx.doi.org/10.1163/18763316-04502002.

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Boris Kolonitskii continues his studies of the cult of Alexander Kerensky in 1917 and the larger issues of the vocabulary used to describe leaders and the nature of cults and their relationship to authoritarianism in Russian and Soviet history. He reviews the linguistic fields surrounding such revolutionary figures as Miliukov, Rodzianko, Chernov, Plekhanov and Lenin and shows how politicians may become hostages of their own rhetoric. Hero image terminology can sanctify the leader. But even negative publicity or criticism can lead to the strengthening of the cult image. The construction of cul

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8

Kolonitskii, B. I., and M. G. Matskevich. "LENIN AS A “SITE OF MEMORY” OF POST-SOVIET RUSSIA. MEMORY ABOUT POLITICS AND MEMORY ABOUT THE MEMORIAL PROJECT." Вестник Пермского университета. История, no. 3(58) (2022): 125–37. http://dx.doi.org/10.17072/2219-3111-2022-3-125-137.

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The article discusses the history of the communist memorial project, with Vladimir Lenin at its core. A theoretical framework is based on the concepts by Pierre Nora (‘sites of memory’) and Jan Assmann (‘cultural memory’ and ‘communicative memory’). The data sources are public opinion polls, transcripts of state officials' speeches, media coverage, and expert interviews conducted by the authors themselves. The cult of Lenin, which was important for the formation of Soviet identity, was sometimes an outcome of conflicts and compromises, employed in the most unpredictable ways. Opponents and ope

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9

Ciesielski, Stanisław. "The Bolshevik myth of October 1917." Wrocławskie Studia Wschodnie 24 (May 17, 2021): 25–43. http://dx.doi.org/10.19195/1429-4168.24.2.

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Bolshevik mythology presented the events of October 1917 as an effect of the operating laws of history, i.e. a necessary phenomenon through which the sense of history manifested, and, at the same time, as an effect of the activity of the masses led by the Bolshevik Party, an act in the power struggle. The Bolshevik myth of October 1917 was a founding myth; it created an impression that there had come a “new era in the history of humankind”, ending “all forms of exploitation”. It legitimised the government established at the time as one rooted in the revolution opening this new era and represen

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10

Smith, Trevor J. "The Collapse of the Lenin Personality Cult in Soviet Russia, 1985–1995." Historian 60, no. 2 (1997): 325–43. http://dx.doi.org/10.1111/j.1540-6563.1998.tb01397.x.

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Dissertations / Theses on the topic "Lenin Cult"

1

Smith, Trevor J. (Trevor Joachim) Carleton University Dissertation History. "Lenin for sale; the rise and fall of the personality cult of V.I. Lenin in Soviet Russia." Ottawa, 1995.

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2

Dreeze, Jonathon Randall. "On the Creation of Gods: Lenin’s Image in Stalin’s Cult of Personality." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366129547.

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Books on the topic "Lenin Cult"

1

Tumarkin, Nina. Lenin lives!: The Lenin cult in Soviet Russia. Harvard University Press, 1997.

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2

Velikanova, Olga. Making of an idol: On uses of Lenin. Muster-Schmidt, 1996.

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3

Kotelenet︠s︡, E. A. (Elena Anatolʹevna), author, ред. Lenin: Kulʹt i antikulʹt v prostranstvakh pami︠a︡ti, istorii i kulʹtury. AIRO-XXI, 2020.

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4

R, Kontorovich, Torgovet︠s︡ D, Orlova R та Shprint︠s︡, L. D. (Lev Davidovich), ред. Deti doshkolʹniki o Lenine: Sbornik. Krasnyĭ matros, 2007.

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5

Prokovʹeva, S. Deti doshkolʹniki o Lenine: Sbornik. Krasnyĭ matros, 2007.

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6

Lenin lives!: The Lenin cult inSoviet Russia. Harvard University Press, 1997.

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7

The public perception of the cult of Lenin based on archival materials. Edwin Mellen Press, 2001.

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8

Fedor, Julie. Russia and the Cult of State Security: The Chekist Tradition, from Lenin to Putin. Taylor & Francis Group, 2013.

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9

Russia and the Cult of State Security: The Chekist Tradition, from Lenin to Putin. Routledge, 2013.

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Fedor, Julie. Russia and the Cult of State Security: The Chekist Tradition, from Lenin to Putin. Taylor & Francis Group, 2017.

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Book chapters on the topic "Lenin Cult"

1

Ennker, Benno. "The Origins and Intentions of the Lenin Cult." In Regime and Society in Twentieth-Century Russia. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27185-6_8.

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2

Kelly, Catriona. "Grandpa Lenin and Uncle Stalin: Soviet Leader Cult for Little Children." In The Leader Cult in Communist Dictatorships. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230518216_6.

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3

Knight, Claire. "Introduction." In Stalin's Final Films. Cornell University Press, 2024. http://dx.doi.org/10.7591/cornell/9781501776175.003.0001.

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This introductory chapter provides an overview of the postwar Soviet film industry. Joseph Stalin had always been invested in cinema, but his involvement in the medium intensified after the war. In these years, the development of the cinema industry was marked by a cultural purge that he instigated, dramatic policy reversals that he supported, and a tightening of censorship and centralization that ensured that all roads in the production process led to him, culminating in private screenings at the Kremlin or his dacha. Stalin's presence on screen was likewise magnified in these years, as the S

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4

Knight, Claire. "Responding to The Fall of Berlin." In Stalin's Final Films. Cornell University Press, 2024. http://dx.doi.org/10.7591/cornell/9781501776175.003.0006.

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This chapter focuses on the most infamous of the Stalin films, Mikhail Chiaureli's The Fall of Berlin (1950), paying particular attention to its contemporary reception. The Fall of Berlin presents the clearest depiction of the postwar incarnation of Stalin as the apotheosized Wise Father, Military Genius, and Visionary Leader who no longer needs the presence of Lenin or the Politburo to shore up his leadership. However, a different leader emerges among viewer responses: one who is not alone but is instead defined by his partnership with and reliance on the matured Soviet people, who in turn ar

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5

"Onwards and Upwards!: the origins of the Lenin cult in Soviet cinema IS Rashit Yangirov." In Stalinism and Soviet Cinema. Routledge, 2013. http://dx.doi.org/10.4324/9781315003078-11.

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6

Belorusets, Yevgenia. "We’re losing him! On monuments to Lenin, and the cult of demolition in present-day Ukraine." In Re-Centring the City. UCL Press, 2020. http://dx.doi.org/10.2307/j.ctvhn085m.27.

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7

"Fred Newman: Lenin as Therapist." In On the Edge: Political Cults Right and Left. Routledge, 2015. http://dx.doi.org/10.4324/9781315702032-17.

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8

Crowley, Terry. "Language Contact since 1865." In Beach-la-Mar to Bislama. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198248934.003.0003.

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Abstract The first acquisition of land by Europeans from ni-Vanuatu for plantation purposes was on Tanna in 1867, when Henry Ross Lewin purchased 324 hectares to establish a cotton plantation. This was a good time to grow cotton as the American Civil War of the 1860s had caused cotton shortages and driven up the world price. Not only did Lewin set himself up as a cotton planter, but he had also been involved in the earlier recruitment of Tannese labourers to other islands, presumably to cut sandalwood and later to work on other plantations (Scarr 196T 16). He employed 120 Efate labourers on hi

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9

Born, Erik. "Cinema Panopticum: Wax, Work, Waxworks." In ReFocus: The Films of Paul Leni. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474454513.003.0004.

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“Cinema Panopticum” explores the central conceit of Waxworks—wax figures that come to life and threaten their creator—in the context of popular wax displays in the Weimar Republic. Commonly credited as a cult classic horror film, Waxworks is better understood in the period’s terminology as an “Episodenfilm,” a popular form of early narrative cinema that presented distinct episodes within a unifying frame narrative. Like other early German anthology films, Waxworks participates in the Weimar critique of historicism, foregoing the particularities of historical periods in favour of universal driv

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10

Hammond, Kenneth R. "Distal Focussing of Perception: Size Constancy in a Representative Sample of Situations [1944]." In The Essential Brunswik. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195130133.003.0005.

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Abstract This is the most important methodological paper that Brunswik ever wrote. It did not contain any new theoretical ideas of importance, but without it, there never would have been a clear-cut, obvious demonstration of what he meant by “representative design” and how it should be carried out. Up to this point, he had never provided a full-scale explication and empirical application of representative design, at least in his papers in English. Despite the lack of such a demonstration, he had made much of this idea, the formation of which was evident in his days in Vienna, and he made much

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