Academic literature on the topic 'Lenny Bruce'

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Journal articles on the topic "Lenny Bruce"

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Marowitz, Charles. "Remembering Lenny Bruce." New Theatre Quarterly 30, no. 3 (2014): 214–17. http://dx.doi.org/10.1017/s0266464x14000451.

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On 13 October 2012, Lenny Bruce, had he not accidentally overdosed on narcotics (or committed suicide – the jury is still out on that one), would be eighty-seven years old. It is, of course, a thoroughly incredible notion – like an octogenarian Mozart, a super annuated Janis Joplin, or James Dean signing up for a senior citizen pension. Poètes maudits, doomed rock icons, and self-destructive superstars are supposed to die young. Their myth demands it, and we wouldn't have it any other way.Bruce at forty-one, perched on a toilet bowl with a spike in his right arm and his last typed words (‘cons
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Webb, Stephen H. "What Lenny Bruce Really Died For." Reviews in Religion and Theology 11, no. 1 (2004): 117–21. http://dx.doi.org/10.1111/j.1467-9418.2004.00204.x.

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Davies, Ioan. "Lenny Bruce: Hyperrealism and the Death of Jewish Tragic Humor." Social Text, no. 22 (1989): 92. http://dx.doi.org/10.2307/466522.

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Van de Gejuchte, Isabelle. "Quand la dérision va trop loin : Lenny Bruce, le comique censuré." Hermès 29, no. 1 (2001): 165. http://dx.doi.org/10.4267/2042/14501.

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ROSEN, ELIZABETH. "Lenny Bruce and his Nuclear Shadow Marvin Lundy: Don DeLillo's Apocalyptists Extraordinaires." Journal of American Studies 40, no. 1 (2006): 97–112. http://dx.doi.org/10.1017/s0021875806000764.

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In the parlance of the time he was known as a “sick comedian.” He was also called a junkie, a hipster, a satirist, a shaman, a free-speech martyr, “a disease of America,” “a nightclub Cassandra,” and a prophet. But Lenny Bruce, the caustic comedian who gained a following in the late 1950s and early 1960s, called himself something else: a deviate. “All my humor is based on destruction and despair,” he said. “If the whole world were tranquil, without disease and violence, I'd be standing on the breadline.”
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Purnama, Fahmy Farid. "SPIRITUALITAS TANPA AGAMA: POTRET PERKEMBANGAN RELIGIUSITAS DI BARAT." Al-Adabiya: Jurnal Kebudayaan dan Keagamaan 13, no. 01 (2018): 32–56. http://dx.doi.org/10.37680/adabiya.v13i01.3.

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This paper will disscuse the development of religiosity in the Westillustrated by Lenny Bruce that ‘every day people are straying away from the church and going back to God.’ The social phenomenon marked a paradigmatic shift that is very significant in religiosity awareness. The paper will also examine the development of spiritual stretching the Western secular society which is reflected in New Age Movement and New Religion Movements.
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Aarons, Debra, and Marc Mierowsky. "Public conscience of ‘the chosen people’: Sarah Silverman in the Wake of Lenny Bruce." Comedy Studies 8, no. 2 (2017): 154–66. http://dx.doi.org/10.1080/2040610x.2017.1343272.

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KAUFMAN, WILL. "What's so Funny about Richard Nixon? Vonnegut's Jailbird and the Limits of Comedy." Journal of American Studies 41, no. 3 (2007): 623–39. http://dx.doi.org/10.1017/s0021875807004021.

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This essay explores the questionable potency of satire in the light of Richard Nixon's political rehabilitation. Following a discussion of satirical treatments from the 1940s to the 1980s by, among others, the cartoonists Herbert Block (‘Herblock’) and Garry Trudeau, the comedians Mort Sahl and Lenny Bruce, and writers including Philip Roth and Robert Coover, I examine one work extensively – Kurt Vonnegut's Jailbird (1979) – as a disquisition on satiric impotence, setting that novel in the context of the comedic firepower that had been directed at Nixon since the dawn of his political career a
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Casper, Kevin. "I Didn’t Do It, Man, I Only Said It: The Asignifying Force ofThe Lenny Bruce Performance Film." Rhetoric Society Quarterly 44, no. 4 (2014): 343–62. http://dx.doi.org/10.1080/02773945.2014.938864.

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Alexander, Michael Scott. "Jewhooing the Sixties: American Celebrity and Jewish Identity—Sandy Koufax, Lenny Bruce, Bob Dylan, and Barbra Streisand by David E. Kaufman." American Jewish History 98, no. 2 (2014): 79–81. http://dx.doi.org/10.1353/ajh.2014.0015.

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Dissertations / Theses on the topic "Lenny Bruce"

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Krief, Steve. "L'humour et la représentation dans l'oeuvre de Lenny Bruce." Paris 7, 2006. http://www.theses.fr/2005PA070068.

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Peut-on rire de tout ? Lenny Bruce (1925-1966) est le premier humoriste à parler de religion, de drogue, de racisme et de sexualité sur scène. Le premier également à être traîné devant les tribunaux pour ses propos. Bruce, Bedos et Desproges répondent par l'affirmative, sans jamais oublier leur nez rouge, en s'efforçant de faire monter le public sur scène et non de caresser ses instincts. Bruce sert dans la marine américaine pendant la Seconde Guerre mondiale et voit les corps flotter près du bateau et les soldats plus souvent atteints par les morpions que par les balles. Il fait partie de la
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Prussing-Hollowell, Andrea Shannon. "Standup comedy as artistic expression : Lenny Bruce, the 1950s, and American humor/." Saarbrücken, Germany : VDM Verlag Dr. Müller, 2008. http://etd.gsu.edu/theses/available/etd-04192007-125027/.

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Prussing-Hollowell, Andrea Shannon. "Standup comedy as artistic expression Lenny Bruce, the 1950s, and American humor/." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04192007-125027/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from file title page. Michelle Brattain, committee chair; Larry Youngs, committee member. Electronic text (111 p.) : digital, PDF file. Description based on contents viewed Nov. 7, 2007. Includes bibliographical references (p. 109-111).
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Meier, Matthew R. "Laughing at American Democracy: Citizenship and the Rhetoric of Stand-Up Satire." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1404219407.

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Taylor, John Matthew. "Outside Looking In: Stand-Up Comedy, Rebellion, and Jewish Identity in Early Post-World War II America." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2104.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on February 26, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jason M. Kelly, Annie Gilbert Coleman, Monroe H. Little. Includes vitae. Includes bibliographical references (leaves 120-125).
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Beyer, Victoria [Verfasser]. "Limits and laughter : the comedy of Lenny Bruce and Andy Kaufman / vorgelegt von Victoria Beyer." 2008. http://d-nb.info/989427935/34.

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Books on the topic "Lenny Bruce"

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John, Cohen, ed. The essential Lenny Bruce. Papermac, 1987.

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Lawrence, Schiller, ed. Ladies and gentlemen--Lenny Bruce!! Penguin Books, 1991.

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Lenny Bruce is dead: A novel. Counterpoint, 2006.

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Thomas, William Karl. Lenny Bruce: The making of a prophet. Archon Books, 1989.

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Society, language, and the university: From Lenny Bruce to Noam Chomsky. Vantage Press, 1994.

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1951-, Skover David M., and Bruce Lenny, eds. The trials of Lenny Bruce: The fall and rise of an American icon. Sourcebooks MediaFusion, 2002.

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Jewhooing the sixties: American celebrity and Jewish identity; Sandy Koufax, Lenny Bruce, Bob Dylan, and Barbra Streisand. Brandeis University Press, 2012.

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Guse, Joe. The tragic clowns: An analysis of the short lives of John Belushi, Lenny Bruce, and Chris Farley. Aardvark Pub., 2007.

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The Awakener: A Memoir of Kerouac and the Fifties. City Lights Books, 2009.

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Goldstein, Jonathan. Lenny Bruce Is Dead. Coach House Books, 2001.

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Book chapters on the topic "Lenny Bruce"

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"Lenny Bruce." In Der jüdische Witz. Wilhelm Fink Verlag, 2015. http://dx.doi.org/10.30965/9783846758922_017.

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"LENNY BRUCE." In Jewhooing the Sixties. Brandeis University Press, 2012. http://dx.doi.org/10.2307/j.ctv102bfjf.6.

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"6. Lenny Bruce And The Intimacy Of Play." In Living with Hate in American Politics and Religion. Columbia University Press, 2019. http://dx.doi.org/10.7312/isra19016-009.

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Friedman, Amy L. "When the Beat in Beat Studies is the Beat in Offbeat Comedy." In The Beats. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979954.003.0019.

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Amy Friedman discusses Beat comedy and its raw linguistic Anglo-American legacies in the then-burgeoning underground club scene and on television. She sketches ludic Beat voices from Kerouac to Kyger, connecting these to comedian such as the British Beyond the Fringe of the early 1960s, Monty Python, Lenny Bruce, George Carline, Richard Pryor, and Phyllis Diller. The essay includes sample online resources for classroom use.
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Silberman, Tomás. "Los orígenes del stand-up comedy: del vodevil a Lenny Bruce." In Micro abierto: Textos sobre stand-up comedy. UAM Ediciones, 2017. http://dx.doi.org/10.15366/microabierto2017.004.

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Whitfield, Stephen J. "The American Jewish Intelligentsia, the Claims of Humor—and the Case of Lenny Bruce." In No Small Matter. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577301.003.0014.

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Several major American Jewish scholars and intellectuals have addressed the vitality and the pertinence of Jewish humor, seeing in it an entrée not only into key characteristics of communal life but also into the texture of reality itself. These academicians and critics have exposed the encounter between stand-up comedy and the social and political peculiarities of Jewish life in the United States. No comedian attracted more sustained attention than Lenny Bruce, whose career enlarged the contours of what could explored in night clubs and on long-playing records. Perhaps no satirist took greater risks, or exposed himself to greater legal danger, in both subject matter and in language. No predecessor was more willing to flaunt his own Jewish sensibility, or to present with such cynicism the hypocrisies inherent in the codes of conduct by which respectable America professed to live—which is what made Bruce the object of serious interest.
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"1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up." In Stand-up Comedy in Theory, or, Abjection in America. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822380504-002.

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