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Journal articles on the topic 'Lenore'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Savoye, Jeffrey A. "Poe's Lost “Lenore”." Edgar Allan Poe Review 22, no. 2 (2021): 384–89. http://dx.doi.org/10.5325/edgallpoerev.22.2.0384.

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2

McCoy, Svetlana G. "Lenore A. Grenoble." Journal of Pragmatics 33, no. 6 (2001): 957–63. http://dx.doi.org/10.1016/s0378-2166(01)80036-9.

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3

Fouad, Nadya A. "Lenore White Harmon:." Counseling Psychologist 25, no. 1 (1997): 96–116. http://dx.doi.org/10.1177/0011000097251011.

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4

Harsono, Khoe, Yohana, and Ekawati Marhaenny Dukut. "American Dark Romanticism Characteristics in Lenore." Celt: A Journal of Culture, English Language Teaching & Literature 20, no. 2 (2020): 288. http://dx.doi.org/10.24167/celt.v20i2.2376.

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Abstract: Analyzing the words and phrases used in Edgar Allan Poe’s Lenore can portray the characteristics of the Dark Romanticism era of the United States of America, which consist of 1) imagination, 2) nature, 3) symbolism and myth, 4) intuition and subjectivity, and 5) individualism. Through a biographical and sociological approach, it was found that there were words in Lenore that support the Dark Romanticism characteristics. The dark, creepy, gloomy, and dreary, words that hint the feeling of Poe’s uneasiness while living a dark and difficult life in the 1800s in America were “no tear… we

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5

Mangan, Kathleen Nugent, Katharine Kuh, Paul J. Smith, and Erika Billeter. "Lenore Tawney: A Retrospective." Woman's Art Journal 16, no. 1 (1995): 68. http://dx.doi.org/10.2307/1358641.

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6

Livingston, Jack, and Peter Boyce. "Lenore Tawney: Wholly Unlooked For." Journal of Modern Craft 6, no. 2 (2013): 229–34. http://dx.doi.org/10.2752/174967813x13703633981019.

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7

McRae, James A. "WALKER Lenore E., THE BATTERED WOMAN." Journal of Comparative Family Studies 17, no. 3 (1986): 409–10. http://dx.doi.org/10.3138/jcfs.17.3.409.

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8

Gaviria, Giselle, Rachel Needle, Rachael Silverman, and Lenore E. A. Walker. "Feminist Pioneer: Lenore E. A. Walker." Women & Therapy 40, no. 3-4 (2017): 442–56. http://dx.doi.org/10.1080/02703149.2017.1241586.

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9

Thompson, Denise. "A reply to Lenore Lyons‐Lee." Australian Feminist Studies 10, no. 21 (1995): 247–49. http://dx.doi.org/10.1080/08164649.1995.9994780.

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10

Snodgrass, Susan. "Lenore Tawney: Mirror of the Universe." TEXTILE 18, no. 4 (2020): 422–29. http://dx.doi.org/10.1080/14759756.2020.1749388.

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11

Piner, Kelly. "The Sacrifice." After Dinner Conversation 5, no. 12 (2024): 41–54. https://doi.org/10.5840/adc2024512124.

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What wouldn’t you do for your faith? In this work of philosophical short story fiction, Lenore, attends her final Catholic confirmation class. The class is led by Ethel and Bishop Hernandez to the church basement, who reveal that the parish has been chosen for a “great honor” - one member must sacrifice their life in exchange for the parish to gain a miracle worker. Lenore, who had earlier claimed she would give her life for God, is pressured and selected for sacrifice. The story is a dark exploration of religious fanaticism, manipulation, and the dangers of blind faith.

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12

Vicinus. "In Memory of Lenore Davidoff 1923-2014." Feminist Studies 41, no. 3 (2015): 698. http://dx.doi.org/10.15767/feministstudies.41.3.698.

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13

Vicinus, Martha. "In Memory of Lenore Davidoff 1923-2014." Feminist Studies 41, no. 3 (2015): 698. http://dx.doi.org/10.1353/fem.2015.0031.

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14

Stevenson, Deborah. "Brush of the Gods by Lenore Look." Bulletin of the Center for Children's Books 67, no. 1 (2013): 32–33. http://dx.doi.org/10.1353/bcc.2013.0616.

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15

Austin, Jack. "Meetings with Remarkable Women. Buddhist Teachers in America. Lenore Friedman." Buddhist Studies Review 8, no. 1-2 (1991): 244–47. http://dx.doi.org/10.1558/bsrv.v8i1-2.15743.

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16

No authorship indicated. "Distinguished professional contributions to public service: Lenore Walker." American Psychologist 43, no. 4 (1988): 243–44. http://dx.doi.org/10.1037/h0091979.

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17

Davenport, Derek A. "Review of Curiosity perfectly satisfyed: Faraday's travels in Europe 1813-1815, edited by Brian Bowers and Lenore Symons; Michael Faraday's 'Chemical notes, hints, suggestions and objects of pursuit' of 1822, edited by Ryan D. Tweney and David Gooding; Th." Bulletin for the History of Chemistry, no. 13 (1993): 66–68. https://doi.org/10.70359/bhc1993n13p066.

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Review of Curiosity Perfectly Satisfyed: Faraday's Travels in Europe 1813-1815, Edited by Brian Bowers and Lenore Symons; Michael Faraday's 'Chemical Notes, Hints, Suggestions and Objects of Pursuit' of 1822, Edited by Ryan D. Tweney and David Gooding; Th

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18

Reece, Sachiko Taki, and Christine Ford. "The Frontier of Group Sandplay." Journal of Sandplay Therapy 16, no. 2 (2007): 19–21. http://dx.doi.org/10.61711/jst.2007.16.2.662.

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The authors respond to Lenore Steinhardt's "Group Sandplay and Visual Reality," which was a response to Christine Ford's and Sachiko Taki Reece's "All the Children: Can Group Sandplay Help the Growing Need?" published in Volume 15, Number 2 of this journal.

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19

Mark, C. Kruit, A. van Buchem Mark, A. M. Hofman Paul, et al. "Migraine as a Risk Factor for Subclinical Brain Lesions." JAMA 291, no. 4 (2004): 427–34. https://doi.org/10.5281/zenodo.1038403.

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Mark C. Kruit, Mark A. van Buchem, Paul A. M. Hofman, Jacobus T. N. Bakkers, Gisela M. Terwindt, Michel D. Ferrari, Lenore J. Launer (2004): Migraine as a Risk Factor for Subclinical Brain Lesions. JAMA 291 (4): 427-434, DOI: 10.5281/zenodo.1038403

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20

Mills, Kirstin A. "Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution." Gothic Studies 23, no. 2 (2021): 132–47. http://dx.doi.org/10.3366/gothic.2021.0090.

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This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haun

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21

Constantine, Mary-Ann. "Ballads Crossing Borders: La Villemarqué and the 'Breton Lenore'." Translation and Literature 8, no. 2 (1999): 197–216. http://dx.doi.org/10.3366/tal.1999.8.2.197.

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22

Constantine, Mary-Ann. "Ballads Crossing Borders: La Villemarqué and the 'Breton Lenore'." Translation and Literature 8, Part_2 (1999): 197–216. http://dx.doi.org/10.3366/tal.1999.8.part_2.197.

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23

Brown, Nicholas. "Albert Hall: The Heart of Canberra, by Lenore Coltheart." Australian Historical Studies 46, no. 3 (2015): 492–93. http://dx.doi.org/10.1080/1031461x.2015.1078944.

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24

Wall, Diane E. "A WOMAN OF MANY FIRSTS: THE HONORABLE LENORE PRATHER." Southeastern Political Review 28, no. 3 (2008): 531–50. http://dx.doi.org/10.1111/j.1747-1346.2000.tb00118.x.

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25

Moses, Daniel David. "The Trickster's Laugh: My Meeting with Tomson and Lenore." American Indian Quarterly 28, no. 1 (2004): 107–11. http://dx.doi.org/10.1353/aiq.2005.0016.

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26

Downey, Laura. "Marian Chace Foundation Lecture: Introduction of Dr. Lenore Hervey." American Journal of Dance Therapy 37, no. 1 (2015): 2–4. http://dx.doi.org/10.1007/s10465-015-9188-7.

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27

Clarke, Liz. "“No Accident of Good Fortune”." Feminist Media Histories 2, no. 1 (2016): 45–60. http://dx.doi.org/10.1525/fmh.2016.2.1.45.

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This article addresses the benefits of using women's memoirs as historical sources. Employing a critical framework—the concept of creative labor—taken from recent screenwriting studies scholarship, the author analyzes the way that Frederica Sagar Maas and Lenore Coffee represent their roles in the bureaucratic structure of the Hollywood studio system.

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28

Liu, Siyan. "Melancholy Created by Symbols in the Poem “The Raven”." International Journal of Education and Humanities 7, no. 1 (2023): 58–59. http://dx.doi.org/10.54097/ijeh.v7i1.4923.

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The article delves into melancholy created by symbols in Edgar Allen Poe’s poem “The Raven”. Poe is good at using symbols to create feelings in his poems. This article will analyze how the four symbols, Lenore, the raven, the time setting “midnight in the December” and the space setting “chamber” create a melancholy mood in the poem “The Raven”.

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29

Grieser, Helmut. "Lenore Lobeck: Die Schwarzenberg-Legende. Geschichte und Mythos im Niemandsland." Das Historisch-Politische Buch 67, no. 2 (2019): 220–21. http://dx.doi.org/10.3790/hpb.67.2.220.

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30

Anderson, Warwick. "Lenore Layman Gail PhillipsAsbestos in Australia: From Boom to Dust." Health and History 22, no. 1 (2020): 160–62. http://dx.doi.org/10.1353/hah.2020.0033.

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31

Beder, Joan. "Great myths of aging, by Joan Erber and Lenore Szuchman." Journal of Women & Aging 28, no. 6 (2016): 565. http://dx.doi.org/10.1080/08952841.2016.1152859.

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32

Ibrahim, Eman. "New Frontiers in Middle East Security: Lenore G. Martin, editor." Digest of Middle East Studies 8, no. 2 (1999): 41–45. http://dx.doi.org/10.1111/j.1949-3606.1999.tb00808.x.

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33

Parkes, Simon. "Cultural Transfer, Wartime Anxiety and the Lenore Translations of 1796." Romanticism 17, no. 2 (2011): 175–85. http://dx.doi.org/10.3366/rom.2011.0022.

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34

Newman, Lenore. "The CFS Choux Questionnaire." Canadian Food Studies / La Revue canadienne des études sur l'alimentation 11, no. 3 (2024): 145–48. https://doi.org/10.15353/cfs-rcea.v11i3.715.

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A riff on the well-riffed Proust Questionnaire, the CFS Choux Questionnaire is meant to elicit a tasty and perhaps surprising experience, framed within a seemingly humble exterior. (And yes, some questions have a bit more craquelin than others.) Straightforward on their own, the queries combined start to form a celebratory pyramid of extravagance. How that composite croquembouche is assembled and taken apart, however, is up to the respondents and readers to determine. Respondents are invited to answer as many questions as they choose. The final question posed—What question would you add to thi

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35

Wanna, John. "Shitstorm: Inside Labor's Darkest Days by Lenore Taylor and David Uren." Australian Journal of Public Administration 69, no. 3 (2010): 336–38. http://dx.doi.org/10.1111/j.1467-8500.2010.00688_3.x.

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36

Desjardins, Ellen. "Speaking in Cod Tongues: A Canadian Culinary Journey by Lenore Newman." Canadian Food Studies / La Revue canadienne des études sur l'alimentation 4, no. 1 (2017): 164–66. http://dx.doi.org/10.15353/cfs-rcea.v4i1.223.

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37

А.И., Трофимова-Герман. "«ДАР МУДРЫХ ПЧЕЛ» Ф. СОЛОГУБА: ТЕКСТ И ПРЕТЕКСТ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 86 (2018): 228–37. https://doi.org/10.5281/zenodo.1146288.

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The article analyzes the pretext of F. Sologub’s tragedy “The Gift of Wise Bees”. The article by F. Zelinskiy “Ancient Lenore” contained analysis of various developments of the “Lenore’s motif” in ancient and new literature. It was the scientist’s retelling of various interpretations that became the source of the idea for the tragedy by F. Sologub. He took advantage not only of the most stable motives of the works by his predecessors – the motif of the return of the dead groom, the motif of the statue, the motif of Protesilaus’

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38

Ford, Heather. "Great myths of aging, by Joan T. Erber and Lenore T. Szuchman." Educational Gerontology 42, no. 7 (2016): 530–31. http://dx.doi.org/10.1080/03601277.2016.1156369.

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39

Krummel, Donald William. "Music, Libraries, and the Academy: Essays in Honor of Lenore Coral (review)." Notes 64, no. 3 (2008): 477–78. http://dx.doi.org/10.1353/not.2008.0029.

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40

Kafer, Alison. "Surface Tensions: Surgery, Bodily Boundaries, and the Social Self by Lenore Manderson." Biography 36, no. 2 (2013): 412–14. http://dx.doi.org/10.1353/bio.2013.0026.

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41

González Aguado, María. "Book Review: Lenore Manderson (ed.), Technologies of Sexuality, Identity and Sexual Health." Sociology 47, no. 5 (2013): 1041–43. http://dx.doi.org/10.1177/0038038513504651.

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42

Cagas-Mangga, AC Lhyn, and Carousel Tagaylo. "Unveiling Death and Desire: A Psychoanalytic Criticism of Edgar Allan Poe’s Lenore." Asian Journal of Language, Literature and Culture Studies 8, no. 2 (2025): 440–49. https://doi.org/10.9734/ajl2c/2025/v8i2253.

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43

Von Mering, Sabine. "Dalia Ofer and Lenore J. Weitzman (eds.), Women in the Holocaust." Polin: Studies in Polish Jewry 15, no. 1 (2002): 506–8. http://dx.doi.org/10.3828/polin.2002.15.506.

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44

Yamamoto, Akira Y. "Endangered Languages: Language Loss and Community Response. Lenore A. Grenoble , Lindsay J. Whaley." International Journal of American Linguistics 65, no. 2 (1999): 233–40. http://dx.doi.org/10.1086/466384.

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45

LUECKE, CHRIS, and ARNI H. LITT. "Effects of predation by Chaoborus flavicans on crustacean zooplankton of Lake Lenore, Washington." Freshwater Biology 18, no. 1 (1987): 185–92. http://dx.doi.org/10.1111/j.1365-2427.1987.tb01306.x.

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46

Gora, L. Sasha. "Review: Lost Feast: Culinary Extinction and the Future of Food, by Lenore Newman." Gastronomica 20, no. 4 (2020): 109–10. http://dx.doi.org/10.1525/gfc.2020.20.4.109.

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47

Schmidt, Ina. "Geschlechterpolitik, Religion, Nationalismus und Antisemitismus im Leben der Publizistin und Philosophin Lenore Kühn." Recherches germaniques 32, no. 1 (2002): 69–93. http://dx.doi.org/10.3406/reger.2002.1258.

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48

Lott, Marie Sumner. "Symphonie Nr. 5 in E major (“Lenore”), Op. 177 by Joachim Raff (review)." Notes 80, no. 4 (2024): 731–34. http://dx.doi.org/10.1353/not.2024.a928795.

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49

Lentz, François. "Arnberg, Lenore. Raising Children Bilingually: The Pre-school Years. Clevedon- Philadelphia: Multilingual Matters Ltd., 1987Arnberg, Lenore. Raising Children Bilingually: The Pre-school Years. Clevedon- Philadelphia: Multilingual Matters Ltd., 1987. Pp. 168." Canadian Modern Language Review 44, no. 4 (1988): 760–61. http://dx.doi.org/10.3138/cmlr.44.4.760.

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50

Johnson, Jr. Michael. ""Just Getting Off": The Inseparability of Ejaculation and Hegemonic Masculinity." Journal of Men's Studies 18, no. 3 (2010): 238–48. https://doi.org/10.3149/jms.1803.238.

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This paper offers the notion of the “ejaculation imperative” to describe the theoretical and pragmatic processes by which physiological ejaculation becomes intrinsically inseparable from discourses of time, sexual performance and social expectations. By applying theories about male bodies originated by Susan Bordo and Lenore Tiefer and while expanding on Judith Halberstam’s concept of “queering” repronormative time, I illustrate the complex negotiations social actors play in the development of hegemonic notions of masculinity through the ejaculation response. By offering this critique, this pa

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