Relevant bibliographies by topics / Leopardi

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Academic literature on the topic 'Leopardi'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 March 2023

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Journal articles on the topic "Leopardi"

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Cauchi-Santoro, Roberta. "On Dark Laughter: Leopardi’s and Beckett’s Humour." Quaderni d'italianistica 33, no. 2 (February 9, 2013): 119–31. http://dx.doi.org/10.33137/q.i..v33i2.19420.

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The desire not to desire is crucial to Samuel Beckett and Giacomo Leopardi. Beckett explores this theme in Proust where Leopardi’s poem “A Se Stesso” is thrice quoted. Before citing this poem, Beckett catalogues Leopardi as one of the philosophers who proposed the only impossible solution—the removal of desire—to living. Leopardi expresses the desire of not desiring in his posthumously-collected Manuale di Filosofia Pratica. There is thus a fundamental common terrain in Leopardi’s and Beckett’s existential enquiry. This apparently negative and pessimistic outlook in both authors is a leading thread that has received critical attention. My contention, nonetheless, is that while both Leopardi and Beckett aspire to the ablation of desire, the two authors are neither nihilists nor pessimists. It is through their humour that both Leopardi and Beckett introduce a paradoxical in-between space for desire. The humorous moment conceals repressed desire, albeit it also strives to allow that same characteristic of human fallibility- desire- to be manifested. It is in this dual act that humour in Leopardi and Beckett is inextricably linked to something unsettling, grimacing but also potentially liberating.
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Bignardi, Ingrid, and Andréia Guerini. "“Pontos de vista de uma mulher”: Giacomo Leopardi "traduzido" por Bruna Becherucci n’O Estado de São Paulo / “A Woman’s Points of View”: Giacomo Leopardi "Translated" by Bruna Becherucci in O Estado de São Paulo." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 13. http://dx.doi.org/10.17851/2358-9787.28.3.13-40.

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Resumo: A presença do escritor italiano Giacomo Leopardi (1798-1837) na imprensa brasileira é constante desde meados do século XIX até os dias atuais. Há um vasto material produzido por escritores, intelectuais e jornalistas, que está “escondido” nas hemerotecas, bibliotecas e acervos físicos e digitais. No rastro desses materiais e com o objetivo de contribuir com o delineamento de uma história da recepção de Leopardi no Brasil, este artigo analisa o conjunto de ensaios sobre Leopardi, publicado no período de 1949 a 1967, na coluna “Pontos de vista de uma mulher”, do jornal O Estado de São Paulo, assinada por Bruna Becherucci. A análise parte dos conceitos de “tradução cultural” e dos polissistemas literários e conclui que Bruna Becherucci serviu de mediadora cultural na divulgação de Leopardi no Brasil, abordando temáticas mais ou menos conhecidas que permeiam a obra do escritor italiano e ainda fazendo aproximações pouco usuais de Leopardi com outros escritores. Os artigos de Bruna Becherucci, em suas “traduções culturais”, fazem com que os sistemas literários brasileiro e italiano não apenas conversem entre si, mas também constituam trocas de bens culturais que formam um rico repositório para a construção da história da recepção de Leopardi no Brasil.Palavras-chave: Leopardi; recepção; imprensa; sistema literário; tradução cultural.Abstract: Italian writer Giacomo Leopardi (1798-1837) has been regularly mentioned in the Brazilian press since the mid-nineteenth century. A vast amount of material produced by writers, intellectuals and journalists has been “hidden” in newspapers, libraries, and digital and physical collections. In an effort to contribute to the history of Leopardi’s reception in Brazil, this article analyzes a series of essays on Leopardi published in the newspaper O Estado de São Paulo between 1949 and 1967 in a column called “Pontos de vista de uma mulher” (A woman’s points of view), which was attributed to Bruna Becherucci. Based on concepts of “cultural translation” and literary polysystems, the analysis concludes that Becherucci served as cultural mediator in the dissemination of Leopardi in Brazil, addressing more or less known themes in Leopardi’s work and making unusual connections between him and other writers. Becherucci’s articles on “cultural translation” indicate that the Brazilian and Italian literary systems not only communicate with one another, but their exchange of cultural goods forms a rich repository for constructing the history of Leopardi’s reception in Brazil.Keywords: Leopardi; reception; the press; literary system; cultural translation.
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Masi, Leonardo. "Stanisław Brzozowski: lettore di Leopardi." Italica Wratislaviensia 13, no. 2 (2022): 61–83. http://dx.doi.org/10.15804/iw.2022.13.2.03.

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Polish philosopher Stanisław Brzozowski (1878–1911) spent the last five years of his life almost entirely in Italy (in Nervi and in Florence). The article traces back the chronology of his encounter with Italian culture, also explaining his idea of culture. In particular, his reading of Giacomo Leopardi is examined. Leopardi had been known in Poland since the 1880s, mainly through Edward Porębowicz’s translation of his poems, but Brzozowski in all probability first read him in Nervi in 1907. Subsequently, he mentioned Leopardi a few times in his own writings. These references are highly significant as they offer an original interpretation, which is not influenced by the ‘existentialist’ reading dominant at the beginning of the twentieth century. Instead, Brzozowski foregrounds other aspects of Leopardi’s philosophy, including his connection with Italian history and culture of the past (Brzozowski considered Leopardi’s demystifying urge interwoven with patriotic feelings to be a recommendable model for the moral renewal of Poland), the materialist and ‘pre-communist’ element, and the enigmatic juxtaposition of the figure of Leopardi and that of the Buddha. In the article, I compare these insights with other contemporaneous and prior readings of Leopardi (von Meysenbug, De Sanctis, Labriola, and Croce) in order to show that some of Brzozowski’s intuitions anticipated interpretations of Leopardi proposed by intellectuals in the following decades (from Rensi to Cioran). Brzozowski’s readings of Leopardi are retraced on the basis of the Polish philosopher’s correspondence, his published works, unpublished manuscripts and notes and by consulting the check-out log book of the Gabinetto di Lettura Vieusseux in Florence.
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Paraíso, Isabel. "Dos idilios de Leopardi." Rhythmica. Revista Española de Métrica Comparada, no. 14 (January 1, 2016): 119. http://dx.doi.org/10.5944/rhythmica.18456.

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Ofrecemos aquí la traducción de «L’Infinito», el primer idilio que escribió Leopardi (1819), y de «Il passero solitario», su último idilio (¿1819-1830?, publ. 1835). Una síntesis biográfica del poeta precede a estas traducciones, y también las líneas estéticas de sus Canti. Se examina el concepto de «idilio» y se distingue entre «piccoli» y «grandi idilli». Igualmente se aborda la métrica de L’Infinito y de Il passero solitario (respectivamente, endecasílabo suelto y canción leopardiana), así como la muy diferente semasia de ambos.We offer a translation of L’Infinito, Leopardi’s first idyll (1819), and of his last, Il passero solitario (1819- 1830?, published 1835). A short biography of the poet comes before these translations, and also the poetics of the Canti. We review the concept of “idyll”, distinguishing between “minor” and “great” idylls. Lastly, we examine the versification of L’Infinito and Il passero solitario (blank verse and Leopardian canzone libera, respectively), and the very different meaning of both poems.
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Loba, Mirosław. "Dalla condizione terrestre all’ambiente planetario nei Canti di Giacomo Leopardi." Studia Romanica Posnaniensia 49, no. 3 (December 2, 2022): 5–15. http://dx.doi.org/10.14746/strop.2022.493.001.

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This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of these three elements determines the way the lyric subject inhabits the world. Leopardi’s poetic focus is on his painful experience of the environment, which remains an indifferent and destructive agent. The poet deconstructs classical and romantic models of nature and culture by appealing to the aesthetics of the sublime, which unlike Kant is not the means of understanding but the way to experience the planetary character of existence.
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Mirra, Alessandra. "A threefold adaptation: Mario Martone's Leopardi." Journal of Italian Cinema & Media Studies 8, no. 1 (January 1, 2020): 79–92. http://dx.doi.org/10.1386/jicms_00006_1.

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Abstract This article explores how Martone's seemingly traditional period biopic of nineteenth-century Italian poet Giacomo Leopardi challenges the conventions of the genre, and could be read, instead, as an interesting case of cinematic adaptation on at least three different levels. I propose that Il giovane favoloso (Leopardi) is a film that, as a biopic, can be understood as an adaptation of a life experience ‐ an adaptation that, in its cinematic construction, expresses an awareness of the biopic as a film genre that can only perform a representational version of a life. Secondarily, Leopardi is a film that engages with an array of cinematic strategies to 'give body' to Leopardi's lyrical texts, turning his lines into a sensorial experience. Finally, it is a film that not only 'translates' specific literary texts in images but also expresses the overall development of Leopardi's poetics into a distinctly cinematic syntax.
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Dugo, Sandra. "Felicità e infelicità nel pensiero di Giacomo Leopardi." Revista Italiano UERJ 12, no. 2 (July 13, 2022): 22. http://dx.doi.org/10.12957/italianouerj.2021.67585.

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ABSTRACT: Il percorso lungo il quale vorrei condurre i lettori riguarda il tema esistenziale, per alcuni versi antropologico e metafisico, da cui emergono con particolare intensità le riflessioni filosofiche di Giacomo Leopardi sulla ricerca della felicità. L’obiettivo non è stabilire se Leopardi sia un poeta pessimista o affermare il contrario, rischieremmo di ridurre il nostro studio a una interpretazione insoddisfacente. È importante ribadire la valenza filosofica delle sue opere, considerando che è impossibile ignorare il legame imprescindibile della produzione poetica con l’evoluzione del pensiero filosofico. Dall’analisi dei Canti emergono numerosi rinvii ai Pensieri e alla “teoria del piacere”, tema che compare ripetutamente nelle pagine che leggiamo e la cui evoluzione negli anni è progressiva. Il presente articolo ci conduce alle letture e agli studi della poesia e della filosofia degli antichi greci e latini. L’obiettivo di questo lavoro è l’approfondimento della teoria del piacere per comprendere come il pensiero esistenziale del filosofo aderisce alla poetica della suggestione e della memoria.Parole chiave: Giacomo Leopardi. Teoria del Piacere. Edonismo. Poetica della sugestione. Poetica della memoria. RESUMO: Quero propor um percurso de leitura sobre o tema existencial, por isso o presente trabalho comenta alguns aspectos antropológicos e metafísicos, dos quais emergem com particular intensidade as reflexões filosóficas de Giacomo Leopardi sobre a busca da felicidade. O objetivo deste artigo não é estabelecer se Leopardi é um poeta pessimista ou afirmar o contrário, correríamos o risco de limitar o nosso estudo a uma interpretação insatisfatória ou errada. É importante valorizar o significado filosófico de suas obras, considerando que é impossível ignorar a correlação essencial entre a produção poética e a evolução do pensamento filosófico. Analisando os Canti, observamos inúmeras referências e correspondências com os Pensamentos e com a “Teoria do Prazer”, tema frequente nas páginas que lemos e cuja evolução progressiva foi continua durante os anos. Este artigo nos leva às leituras e estudos da poesia e da filosofia dos antigos gregos e latinos. O objetivo deste trabalho é aprofundar a Teoria do Prazer para compreender como o pensamento existencial do filósofo adere à poética da sugestão e da memória.Palavras-chave: Giacomo Leopardi. Teoria do Prazer. Hedonismo. Poética da sugestão. Poética da memória. ABSTRACT: The path along which I would like to lead the readers concerns the existential theme, in some ways anthropological and metaphysical, from which the Giacomo Leopardi’s philosophical reflections about the theory of pleasure emerges with particular intensity. Thus, the my objective is not to establish that Leopardi is pessimistic or assert the opposite, we would risk reducing this study in a sterile and superficial interpretation. It’s important to reiterate the philosophical relevance of the Leopardi's works, considering that it’s impossible to ignore the essential relationship between the poetic production and the development of the philosophical thought. Analysing the Canti, we observe numerous references to Zibaldone “Thoughts” and to the “Theory of pleasure”; the theme appears repeatedly in the pages and whose evolution in the years is progressive. This article leads us to the readings and studies of the Greeks and Latins poetry and philosophy. The focus of this work is deepening the theory of pleasure and understanding how the Leopardi’s existential reflections adheres to the poetics of suggestion and memory.Keywords: Giacomo Leopardi. Theory of pleasure. Hedonism. Poetics of suggestion. Poetics of memory.
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Bini, Daniela. "Neapolitan Leopardi and the Naples of Mario Martone." Forum Italicum: A Journal of Italian Studies 52, no. 2 (February 15, 2018): 552–65. http://dx.doi.org/10.1177/0014585818757494.

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To make a biopic of any writer is an effort almost inevitably doomed to failure. Filming the life of Leopardi was a hard challenge. During the study of Il giovane favoloso, however, something unexpected came up: Martone was not interested so much in the poet of Recanati, as in Leopardi's Neapolitan and final period. A great part of the film, in fact, deals with and also invents episodes of his and Antonio Ranieri’s life in Naples. Martone’s strong connection with Naples is apparent in the treatment of the city, from the camera shots to the use of colors and the intensity of the scenes. Watching the movie I realized that the film the director wanted to make was on Naples, as he had done in many of his earlier works. And Leopardi’s final period gave him a perfect excuse to do this. Il giovane favoloso ends with a dramatic scene of erupting Vesuvius while the voice of the poet recites his final canto “La ginestra.” But Martone’s dialogue with Leopardi had already started years before in “La salita”, an episode in the film I vesuviani. There the director describes the climb of mount Vesuvius that the mayor of Naples, interpreted by Tony Servillo, undertakes to reflect upon the changes his city has undergone, its corruption, and the compromises he has been forced to accept. It could be interpreted as the realization of the presumption and fallibility of humankind Leopardi so well portrayed in “La ginestra,” that is, as his prophecy.
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Klein, Ilona, Pietro Magno, and Margherita Pieracci-Harwell. "Leopardi." Italica 67, no. 1 (1990): 67. http://dx.doi.org/10.2307/479071.

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LOMBARDI, ANDREA, and SANDRO MINISINI. "LEOPARDI." Revista USP, no. 43 (November 30, 1999): 128. http://dx.doi.org/10.11606/issn.2316-9036.v0i43p128-129.

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Dissertations / Theses on the topic "Leopardi"

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Grandi, Tommaso <1985&gt. ". Leopardi, l'immaginazione, l'immaginario." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10197/1/T.%20Grandi%2C%20%C2%ABPare%20un%20assurdo%2C%20e%20pure%20%C3%A8%20esattamente%20vero%C2%BB.%20Leopardi%2C%20l%27immaginazione%2C%20l%27immaginario.pdf.

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Questa ricerca è volta all’analisi dell’immaginazione nell’opera di Giacomo Leopardi secondo una prospettiva critico-interpretativa, cercando, da una parte, di comprenderne la funzione all’interno delle dinamiche complessive della teoria della conoscenza leopardiana e, dall’altra, di indagare le modalità attraverso le quali Leopardi si accosta alle figure dell’immaginario. In quest’ottica si è deciso di dividere in due parti equivalenti il lavoro, destinando la prima, all’esame della facoltà immaginativa in una prospettiva prettamente gnoseologica, intesa nell’economia generale degli atti mentali, mentre la seconda, alle sue applicazioni pragmatiche, alla ricerca, da una parte, di una categorizzazione utile all’interpretazione dell’immaginario leopardiano, dall’altra, dell’utilità pratica e morale dell’immaginazione.
La présente recherche vise à analyser le concept du imagination dans l’œuvre de Giacomo Leopardi selon une perspective critique-interprétative, en essayant, d’une part, de comprendre sa fonction dans la dynamique globale de la théorie de la connaissance de Leopardi et, de l’autre, d’étudier les modalités à travers lesquelles Leopardi aborde les figures de l’imaginaire. Dans cette perspective, on a décidé de diviser l’œuvre en deux parties équivalentes et d’allouer la première, à l’examen de la faculté imaginative dans une perspective purement gnoséologique, considérée dans l’économie générale des actes mentaux, tandis que la seconde, est dédiée à ses applications pragmatiques, à la recherche, d’une part, d’une catégorisation utile pour l’interprétation de l’imaginaire léopardien, d’autre part, de l’utilité pratique et morale de l’imagination.
This research analyses the concept of imagination in Giacomo Leopardi's works through a critical-interpretative perspective, trying, on one hand, to understand its function into Leopardi's global theory of knowledge and, on the other, to study how Leopardi approaches imaginary objects. In this perspective, the work has been divided into two parts: the first one is dedicated to the analysis of imagination through a gnoseological point of view, considered into the general scheme of mental acts. The second part is dedicated to its pragmatic applications, searching, on one side, for a category able to interpret Leopardi's imaginary and, on the other, for the practical and moral utility of imagination.
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Brungs, Karl-Hans. "Giacomo Leopardis Aenisübersetzung : die Übersetzung Leopardis in der Kritik des 19. und 20. Jahrhunderts, textkritische Ausgabe und Kommentar /." Frankfurt am Main ; Berlin ; Paris [etc.] : P. Lang, 1996. http://catalogue.bnf.fr/ark:/12148/cb39268470d.

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Natali, Andrea. "Il mito nell'opera di Giacomo Leopardi." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0063.

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À partir de la constatation de l’absence du mot mito dans les écrits de Leopardi on a essayé de reconstruire le rapport changeant de Leopardi avec le mythe en en mettant en lumière la cohérence substantielle. De l’approche érudite et démystifiant propre à la rédaction du Saggio sopra gli errori popolari degli antichi on est passé à la lecture du Discorso di un italiano intorno alla poesia romantica. Du Discorso on a analysé la défense de la valeur poétique des fables anciennes et la démarcation des conditions de possibilité de l’usage des fables anciennes par les poètes modernes. Les pages du Zibaldone ont nous permis de comprendre le motif du recours au favoloso biblique et le motif de la non-réalisation du projet des Inni cristiani. Si à cause du changement des opinioni popolari les fables grecques ne sont plus capables de susciter la persuasion dont la fiction littéraire a besoin, le favoloso tiré par la tradition biblique se démontre être moins indiqué par rapport à celui païen à l’emploi en littérature. Alla Primavera et l’Inno ai patriarchi semblent prendre congé des fables anciennes or pendant les ans successifs Leopardi émancipe le statut de la mythologie de la religion en créant les bases pour un approche diffèrent à la réécriture des matériaux mythologiques. Le Operette morali et la catabase de Leccafondi dans les Paralipomeni constituent le résultat de l’émancipation des figures de la mythologie grecque de leur propre sfondo di senso : le cosmos. La création d’un sfondo di senso capable de mener au langage ce que de la nature des hommes et des choses est changé pendant les siècles jette les bases pour un emploi moderne des matériaux mythologiques
The myth in the work of Giacomo Leopardi
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Belletti, Roberta Regina Cristiane. "A poesia de Giacomo Leopardi e suas traduções brasileiras: temas e problemas." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-06102010-112855/.

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A presente pesquisa tem como finalidade apresentar uma leitura da obra poética de Giacomo Leopardi, com um olhar atinente à estilística. A fim de abrir horizontes, no sentido de novas pesquisas e perspectivas da poética leopardiana, escolheu-se fazer um cotejo entre poemas selecionados e as suas traduções em língua portuguesa do Brasil, paralelamente, de modo que a análise estilística, feita em etapas, contribua para mostrar o sentido presente no texto poético, sentido esse que pode estar alterado na versão traduzida. Quatro foram os poemas escolhidos: Il passero solitario, Linfinito, Canto notturno di un pastore errante dellAsia e La ginestra, o il fiore del deserto, representando um conceito que circula há tempo, mas que se acredita manter a sua importância, referente às fases do pessimismo leopardiano: individual, histórico, cósmico e heroico.
The present study is to present a reading of the poetry of Giacomo Leopardi, with a look regards on the stylistic. In order to open horizons to new research and perspectives of Leopardi´s poetry we chose to make a comparison between the selected poems and their translations into Portuguese of Brazil, in parallel, so that the stylistic analysis, done in stages contributes to show the sense in this poetic text, meaning that it can be altered in the translation. Four poems were chosen: Il passero solitario, Linfinito, Canto notturno di un pastore errante dellAsia e La ginestra, o il fiore del deserto, representing a concept that circulate for some time, but believed to remain important, on stages of Leopardi´s pessimism: individual, historical, cosmic and heroic.
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Panicara, Vittorio. "La nuova poesia di Giacomo Leopardi una lettura critica della Ginestra /." Firenze : L.S. Olschki, 1997. http://catalogue.bnf.fr/ark:/12148/cb37520959r.

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Steinert, Holm. "Giacomo Leopardis Sprachansichten : seine Aufzeichnungen zum Italienischen und der "Parallelo delle cinque lingue" (1817 - 1829)." Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2635166&prov=M&dokv̲ar=1&doke̲xt=htm.

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Feo, Nicola. "L'innaturale convivenza : antropologia e società nel penserio di Leopardi." Thesis, Dijon, 2011. http://www.theses.fr/2011DIJOL027.

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L’argument de ma thèse correspond à la conception de la société de Leopardi. Dans la première partie, on a affronté la question au travers de l’analyse des régimes politiques qui se sont succédés dans l’histoire: monarchie primitive, république, despotisme. Dans la deuxième partie on a pris en considération la théorie générale de la société, en vérifiant comment elle se déroule dans différents contextes d’écriture: Zibaldone, Operette morali, Pensieri, Palinodia, La ginestra
The argument of my thesis corresponds to the Leopardi’s conception of society. In the first part I have faced the problem through the analysis of the political systems that have followed each other in time: primitive monarchy, republic, despotism. In the second part I have considered the general theory of society, verifying the way it develops in different contexts of writing: Zibaldone, Operette morali, Pensieri, Palinodia, La ginestra
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Gallo, Giulia <1996&gt. "Metamorfosi del mito nella scrittura di Leopardi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20427.

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Con l’avvento dell’Ottocento in Europa si assiste ad una svolta di rilevante portata: è il secolo delle grandi trasformazioni. Questo arco temporale, infatti, vede cambiare l’assetto politico, economico e sociale del territorio europeo, rivelandosi poi una tappa fondamentale per lo sviluppo della modernità. I cambiamenti che investono questi campi hanno ripercussioni anche in ambito artistico e culturale, dove si assiste alla diffusione del Romanticismo: una nuova sensibilità che tende a focalizzare l’attenzione sull’individuo, sul suo rapporto con la natura, sulle emozioni e i sentimenti che ne agitano l’animo e sugli aspetti propri della sfera irrazionale. In questo contesto ricco di nuovi stimoli, anche il dibattito culturale acquista vitalità e assume respiro europeo; in Italia tali sviluppi portano all’opposizione tra classicisti e romantici. Un ruolo singolare è occupato da Leopardi che, pur rimanendo ai margini del dibattito, affronta questioni in esso centrali come il rapporto uomo-natura, il mito, l’immaginazione, l’antico. Questo lavoro mira ad evidenziare come le tematiche già presenti nella prima produzione leopardiana si modificheranno nel corso del tempo, con particolare attenzione all’evoluzione del tema del mito. La mia analisi prenderà in esame le diverse attuazioni letterarie che il motivo trova a partire dagli scritti giovanili in prosa, passando per i Canti, fino ad arrivare alle Operette morali, con costante riferimento allo Zibaldone.
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Cerretani, Gianni. "John Keats and Giacomo Leopardi : a comparative study." Thesis, University of Liverpool, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416103.

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Cori, Paola. "'Paragonarmi meco medesimo' : immagine e memoria in Leopardi." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/487/.

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The aim of this thesis is to show the importance of memory in Giacomo Leopardi’s Canti and Zibaldone, not only as a theme for his poems and a source of theoretical speculation, but as a modelling structure of his writing. Following the first chapter on Leopardi and the philosophy of memory from Locke to the first half of the nineteenth century, chapter II investigates the self-referential perspective implicit in the recurrence of certain images in the Canti, and its consequences for the structure of the book, both in the Piatti and the Starita editions. Chapter III, focusing on the concept of clarity, demonstrates the importance and effect of Leopardi’s reading and re-reading of the Zibaldone, and shows the constant presence of a habit memory which acts through repetition, binds together demonstrative thoughts, and is responsible for their expansion. The second part of this chapter highlights Leopardi’s search for perfect images and their mnemonic power, as well as their general influence on the text. Leopardi’s knowledge of the phenomenology of memory is reflected in the text and offers an insight into the strong links in his works between thinking and writing as a whole.
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Books on the topic "Leopardi"

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Levi, Giulio Augusto. Leopardi. Bologna: Centro nazionale di studi leopardiani, 1991.

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Levi, Giulio Augusto. Leopardi. 2nd ed. Bologna: Centro nazionale di studi leopardiani, 1997.

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Traduction, Ojetti Paola, ed. Leopardi. Milano: Rizzoli, 1994.

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Leopardi. Roma: Salerno, 2001.

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Leopardi. 2nd ed. Roma: Laterza, 1990.

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Leopardi. Milano: Mondadori, 2010.

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Binni, Walter. Leopardi. Firenze: Il ponte, 2014.

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Magno, Pietro. Leopardi. Fasano, Br, Italia: Schena, 1987.

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Balaci, Alexandru. Leopardi. 2nd ed. București: Editura 100+1 Gramar, 1998.

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Roberto, Federico De. Leopardi. Roma: Lucarini, 1987.

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Book chapters on the topic "Leopardi"

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Barnes, John C. "INTRODUCTION. TO GIACOMO LEOPARDI." In Leopardi, xi—xvi. Princeton: Princeton University Press, 1997. http://dx.doi.org/10.1515/9781400884100-002.

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Wild, Gerhard. "Leopardi, Giacomo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4219-1.

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Kemp, Friedhelm. "Leopardi, Giacomo: Canti." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4223-1.

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Cesaroni, Ilaria, and Gioele Marozzi. "La mappa dei testi. Per una visualizzazione geografica delle lettere inviate da Monaldo e Giacomo Leopardi." In Studi e ricerche del Dipartimento di Lettere e Filosofia, 47–71. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.05.

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Il contributo intende offrire una presentazione di possibili modalità con cui applicare i principi della data visualization agli studi umanistici per realizzare una mappatura digitale delle lettere spedite da Monaldo e Giacomo Leopardi. Uno sguardo particolare viene poi riservato, rispettivamente, alla costituzione della Biblioteca di Casa Leopardi e al carteggio con Antonio Fortunato Stella.
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Strauß, Manfred. "Leopardi, Giacomo: Diario d'amore." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4220-1.

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Caso, Sebastiano. "Leopardi, Giacomo: Operette morali." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4221-1.

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Rosato, Morena. "«Diligenza» ed «esattezza» della correzione. La punteggiatura nell’evoluzione e nella trasmissione dei testi leopardiani a partire dall’Epistolario." In Studi e ricerche del Dipartimento di Lettere e Filosofia, 351–74. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.20.

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La presente proposta mira a ricostruire il metodo compositivo leopardiano nel processo di creazione e di trasmissione del testo attraverso le correzioni riguardanti la punteggiatura. Si cerca infatti di illustrare il modus operandi di Leopardi a partire dai suoi interventi sulla punteggiatura e dalle raccomandazioni contenute in una delle opere da cui più chiaramente si può cogliere l’attitudine di Leopardi verso la chiarezza e l’accuratezza stilistica: l’Epistolario.
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Piparo, Franco Lo. "Matérialisme et linguistique chez Leopardi." In The History of Linguistics in Italy, 147. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.08pip.

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Di Vito, Emilio. "Materialistic and Poetic Humanism in G. Leopardi." In Life the Human Quest for an Ideal, 221–37. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1604-3_17.

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Greco, Pietro. "Leopardi, »dimmi, o Luna: a che vale?«." In L’astro narrante, 213–42. Milano: Springer Milan, 2009. http://dx.doi.org/10.1007/978-88-470-1099-4_8.

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Conference papers on the topic "Leopardi"

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Balaeva, S. V. "ALEXANDER PUSHKIN AND GIACOMO LEOPARDI: REFLECTIONS ON THE WAYS OF LITERATURE DEVELOPMENT." In АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН: ПРОБЛЕМЫ, ПОДХОДЫ, ИНТЕРПРЕТАЦИИ. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604831045_20.

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Ricca, Silvia. "« Et cet état fragile et vil » : Fragilité et caring attitude chez Giacomo Leopardi." In Pour une littérature du care. Fabula, 2022. http://dx.doi.org/10.58282/colloques.8234.

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Chang, Jih Jie, and Bela Julesz. "New phenomena show effects of luminance motion on stereoscopic motion and on color motion." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1988. http://dx.doi.org/10.1364/oam.1988.thee1.

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Stereoscopic motion involves binocular disparity and luminance. In general, binocular and luminance contours of objects move in synchrony, thus sending identical direction signals to binocular disparity and luminance channels. It is possible, using random-dot stereograms, to generate independent directions of motion for luminance dots and cyclopean surfaces. To help illustrate our point, we refer to Ramachandran and Anstis (1986), who raised the question of what would happen if the leopard and the spots on the leopard’s body were to move in opposite directions. Would we still be able to see where the leopard is going? The phenomena we have observed showed that smooth coherent cyclopean movement, in both the frontoparallel and the toward-away direction, can be seen only if luminance motion exists. This suggests that stereoscopic motion is processed by separate binocular disparity and luminance motion units. In the case of color motion, we investigated if motion direction, that is defined solely by color, can be seen under equi-luminant conditions. Instead of using the isoluminant values for different colored dots, we randomized the luminance of the red and green dots in a random-dot cinnematograms to achieve equiluminance. Under these conditions, motion direction which is based solely on color correspondence cannot be perceived. Therefore, like stereoscopic motion, color motion is processed by separate color and luminance motion channels.
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Réquilé-Romanczuk, Annya, Christine Mingins, Brian Yap, and Olivier Constant. "LEOPARD." In the second international joint conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/860575.860819.

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Uvarova, M. A. "ECOTOURISM OF THE LEOPARD LAND NATIONAL PARK." In Prirodopol'zovanie i ohrana prirody: Ohrana pamjatnikov prirody, biologicheskogo i landshaftnogo raznoobrazija Tomskogo Priob'ja i drugih regionov Rossii. Izdatel'stvo Tomskogo gosudarstvennogo universiteta, 2020. http://dx.doi.org/10.17223/978-5-94621-954-9-2020-25.

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The article analyzes the ecological tourism of the Leopard Land National Park. In the course of research, various materials were studied. Particular attention in the article is drawn to the education of tourists in the course of ecological tourism in the territory of «Land of the Leopard».
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Koroleva, E. S. "DESCRIPTION OF A CLINICAL CASE OF DISTANCE IN EUBLEPHARIS MACULARIUS FEMALE." In DIGEST OF ARTICLES ALL-RUSSIAN (NATIONAL) SCIENTIFIC AND PRACTICAL CONFERENCE "CURRENT ISSUES OF VETERINARY MEDICINE: EDUCATION, SCIENCE, PRACTICE", DEDICATED TO THE 190TH ANNIVERSARY FROM THE BIRTH OF A.P. Stepanova. Publishing house of RGAU - MSHA, 2021. http://dx.doi.org/10.26897/978-5-9675-1853-9-2021-40.

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"Semi-Automated Identification of Leopard Frogs." In International Conference on Pattern Recognition Applications and Methods. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004828706790686.

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Stoyanova, Silvia, and Ben Johnston. "Remediating Giacomo Leopardi's Zibaldone." In the Third AIUCD Annual Conference. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2802612.2802634.

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Miguel, Agnieszka C., Rana Bayrakçismith, Eddy Ferre, Chleo Bales-Heisterkamp, Joshua Beard, Matt Dioso, David Grob, Ross Hartley, Tim Nguyen, and Noah Weller. "Identifying individual snow leopards from camera trap images." In Tenth International Conference on Signal Processing Systems, edited by Kezhi Mao and Xudong Jiang. SPIE, 2019. http://dx.doi.org/10.1117/12.2521856.

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Tabeti-Bentahar, CF, and F. Bouzouina. "Carcinome épidermoïde sur syndrome LEOPARD : présentation d’un cas." In 57ème Congrès de la SFMBCB. Les Ulis, France: EDP Sciences, 2011. http://dx.doi.org/10.1051/sfmbcb/20115703003.

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Reports on the topic "Leopardi"

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Alexander Braczkowski Jnr, Alexander Braczkowski Jnr. Monitoring the Endangered Sri Lankan leopard. Experiment, April 2016. http://dx.doi.org/10.18258/7000.

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Abts, Marvin. Thermal Ecology and Movement in the Leopard Lizard, Gambelia Wislizeni, Baird and Girard. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2401.

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Yadav Ghimirey, Yadav Ghimirey. Working out the first occupancy and population estimate of clouded leopards in Annapurna Conservation Area, Nepal. Experiment, June 2016. http://dx.doi.org/10.18258/7254.

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Natalie Schmitt, Natalie Schmitt. Identifying Snow Leopards, Tigers and other Endangered Species by developing a low-cost DNA field test kit. Experiment, April 2016. http://dx.doi.org/10.18258/7009.

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Natalie Schmitt, Natalie Schmitt. Identifying Snow Leopards, Tigers and other Endangered Species by developing a low-cost DNA field test kit - Part 2. Experiment, July 2017. http://dx.doi.org/10.18258/9670.

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Lucherini, Mauro, Griet An Erica Cuyckens, Miriam M. Morales, and Juan I. Reppucci. Leopardus colocolo. Categorización 2019 de los mamíferos de Argentina según su riesgo de extinción. Ciudad Autónoma de Buenos aires: Lista Roja de los mamíferos de Argentina, November 2019. http://dx.doi.org/10.31687/saremlr.19.142.

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Pereira, Javier A., Mauro Lucherini, Griet An Erica Cuyckens, Diego Varela, and Norberto Muzzachiodi. Leopardus geoffroyi. Categorización 2019 de los mamíferos de Argentina según su riesgo de extinción. Ciudad Autónoma de Buenos aires: Lista Roja de los mamíferos de Argentina, November 2019. http://dx.doi.org/10.31687/saremlr.19.143.

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Monteverde, Martín, Miriam M. Morales, Griet An Erica Cuyckens, and Mauro Lucherini. Leopardus guigna. Categorización 2019 de los mamíferos de Argentina según su riesgo de extinción. Ciudad Autónoma de Buenos aires: Lista Roja de los mamíferos de Argentina, November 2019. http://dx.doi.org/10.31687/saremlr.19.144.

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Cruz, Paula, Mario S. Di Bitetti, Agustin Paviolo, and Diego Varela. Leopardus guttulus. Categorización 2019 de los mamíferos de Argentina según su riesgo de extinción. Ciudad Autónoma de Buenos aires: Lista Roja de los mamíferos de Argentina, November 2019. http://dx.doi.org/10.31687/saremlr.19.145.

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Palacios, Rocío, Mauro Lucherini, Juan I. Reppucci, Cintia G. Tellaeche, and María José Bolgeri. Leopardus jacobita. Categorización 2019 de los mamíferos de Argentina según su riesgo de extinción. Ciudad Autónoma de Buenos aires: Lista Roja de los mamíferos de Argentina, November 2019. http://dx.doi.org/10.31687/saremlr.19.146.

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