Academic literature on the topic 'Leopardi, Giacomo (1798-1837) – Technique'
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Journal articles on the topic "Leopardi, Giacomo (1798-1837) – Technique"
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Thomas, H. "Giacomo Leopardi (1798-1837): L'infinito [The Infinite]." Literary Imagination 8, no. 1 (January 1, 2006): 64. http://dx.doi.org/10.1093/litimag/8.1.64.
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Guerini, Andréia. "Leopardi, Os antigos e a tradição." Aletria: Revista de Estudos de Literatura 19, no. 4 (December 31, 2009): 47. http://dx.doi.org/10.17851/2317-2096.19.4.47-53.
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Este artigo tem como objetivo analisar a relação do escritor italiano Giacomo Leopardi (1798-1837) com os antigos e de como a tradução de autores gregos e latinos foi importante para intensificar esta relação e contribuir para a formação deste que viria a ser um dos mais importantes escritores do século XIX italiano.
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Sganzerla, Erik Pietro, and Michele Augusto Riva. "The Disease of the Italian Poet Giacomo Leopardi (1798–1837)." JCR: Journal of Clinical Rheumatology 23, no. 4 (June 2017): 223–25. http://dx.doi.org/10.1097/rhu.0000000000000534.
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Bignardi, Ingrid, and Andréia Guerini. "“Pontos de vista de uma mulher”: Giacomo Leopardi "traduzido" por Bruna Becherucci n’O Estado de São Paulo / “A Woman’s Points of View”: Giacomo Leopardi "Translated" by Bruna Becherucci in O Estado de São Paulo." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 13. http://dx.doi.org/10.17851/2358-9787.28.3.13-40.
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Resumo: A presença do escritor italiano Giacomo Leopardi (1798-1837) na imprensa brasileira é constante desde meados do século XIX até os dias atuais. Há um vasto material produzido por escritores, intelectuais e jornalistas, que está “escondido” nas hemerotecas, bibliotecas e acervos físicos e digitais. No rastro desses materiais e com o objetivo de contribuir com o delineamento de uma história da recepção de Leopardi no Brasil, este artigo analisa o conjunto de ensaios sobre Leopardi, publicado no período de 1949 a 1967, na coluna “Pontos de vista de uma mulher”, do jornal O Estado de São Paulo, assinada por Bruna Becherucci. A análise parte dos conceitos de “tradução cultural” e dos polissistemas literários e conclui que Bruna Becherucci serviu de mediadora cultural na divulgação de Leopardi no Brasil, abordando temáticas mais ou menos conhecidas que permeiam a obra do escritor italiano e ainda fazendo aproximações pouco usuais de Leopardi com outros escritores. Os artigos de Bruna Becherucci, em suas “traduções culturais”, fazem com que os sistemas literários brasileiro e italiano não apenas conversem entre si, mas também constituam trocas de bens culturais que formam um rico repositório para a construção da história da recepção de Leopardi no Brasil.Palavras-chave: Leopardi; recepção; imprensa; sistema literário; tradução cultural.Abstract: Italian writer Giacomo Leopardi (1798-1837) has been regularly mentioned in the Brazilian press since the mid-nineteenth century. A vast amount of material produced by writers, intellectuals and journalists has been “hidden” in newspapers, libraries, and digital and physical collections. In an effort to contribute to the history of Leopardi’s reception in Brazil, this article analyzes a series of essays on Leopardi published in the newspaper O Estado de São Paulo between 1949 and 1967 in a column called “Pontos de vista de uma mulher” (A woman’s points of view), which was attributed to Bruna Becherucci. Based on concepts of “cultural translation” and literary polysystems, the analysis concludes that Becherucci served as cultural mediator in the dissemination of Leopardi in Brazil, addressing more or less known themes in Leopardi’s work and making unusual connections between him and other writers. Becherucci’s articles on “cultural translation” indicate that the Brazilian and Italian literary systems not only communicate with one another, but their exchange of cultural goods forms a rich repository for constructing the history of Leopardi’s reception in Brazil.Keywords: Leopardi; reception; the press; literary system; cultural translation.
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Guerini, Andréia, and Ingrid Bignardi. "Leopardi nas Crónicas Jornalísticas Brasileiras de 1881 a 1916." Cadernos de Literatura Comparada, no. 44 (2021): 135–51. http://dx.doi.org/10.21747/2183-2242/cad44a8.
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The crônica is a literary genre that became widespread in Brazilian newspapers and magazines pages in the 19th century. These short pieces were responsible for the circulation and insertion of foreign writers in the Brazilian cultural system, such as the Italian writer Giacomo Leopardi (1798-1837). The present article analyses, based on Cultural Translation Theory (Burke/Hsia 2009), how Leopardi was represented in Brazilian crônicas published between the end of the 19th century and the first half of the 20th century, specifically from 1881 to 1916, and available at the Brazilian Digital Newspaper Archive. The analysis of 12 crônicas shows that they were written predominantly by men, and published in Rio de Janeiro and São Paulo; these cronistas tend to show Leopardi as poet, “translating” and resignifying his “patriotism”, and, mainly, his “pessimist philosophy”, following sectors of the Italian criticism of the time. Furthermore, they exert a double function in the process of cultural translation, filling in thematic gaps and spreading Leopardi’s works.
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Guerini, Andréia, Anna Palma, and Tânia Mara Moysés. "As dominantes na tradução brasileira do Zibaldone, de Leopardi." Aletria: Revista de Estudos de Literatura 22, no. 1 (April 30, 2012): 33–43. http://dx.doi.org/10.17851/2317-2096.22.1.33-43.
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Este artigo propõe mostrar algumas das estratégias da tradução em português brasileiro do Zibaldone di pensieri (1817-1832), de Giacomo Leopardi (1798-1837). Uma das teorias que orientam a tradução é a de Peeter Torop (2010), que destaca a escolha das dominantes do texto da tradução como parte da estratégia tradutória. Tal escolha está estritamente relacionada à identificação das dominantes do original, a qual decorre de uma atenta análise, orientada a individualizar os elementos que o caracterizam e determinam a sua poética. No caso específico do Zibaldone, as dominantes da tradução brasileira podem ser consideradas como variantes que são ajustadas e revistas à medida que procede a tradução. Isso se deve à peculiaridade dessa obra de Leopardi, ao número de participantes da atividade tradutória e ao fato de que a tradução será publicada em várias etapas on-line (www.zibaldone.cce.ufsc.br), assumindo, por vários aspectos, as características de um texto “aberto” e em “movimento”.
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Armocida, E., A. Turrini, and R. Bianucci. "Genius and psychopathology of the Italian poet Giacomo Leopardi (1798–1837): Paolo Mantegazza’s (1831–1910) criticism of the Lombrosian thought." Neurological Sciences 37, no. 10 (May 14, 2016): 1751–52. http://dx.doi.org/10.1007/s10072-016-2605-y.
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Guerini, Andréia. "Leopardi, os antigos e a tradição." Aletria: Revista de Estudos de Literatura, December 31, 2009, 47–53. http://dx.doi.org/10.17851/2317-2096...47-53.
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Resumo: Este artigo tem como objetivo analisar a relação do escritor italiano Giacomo Leopardi (1798-1837) com os antigos e de como a tradução de autores gregos e latinos foi importante para intensificar esta relação e contribuir para a formação deste que viria a ser um dos mais importantes escritores do século XIX italiano.Palavras-Chave: Leopardi; tradução; Literaturas clássicas.Abstract: This article analyzes the relation between Italian writer Giacomo Leopardi (1798-1837) and authors from Classical Antiquity, as well as how his translating Greek and Roman authors contributed to his intellectual development, and helped him become one of the most important writers in nineteenth century Italy.Keywords: Leopardi; translation; Classical Antiquity Literature.
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Guerini, Andréia, Anna Palma, and Tânia Mara Moysés. "PROBLEMATICHE E STRATEGIE NEL PROCESSO DELLA TRADUZIONE BRASILIANA DELLO ZIBALDONE DI PENSIERI DI LEOPARDI." Revista Letras 86, no. 2 (December 31, 2012). http://dx.doi.org/10.5380/rel.v86i2.29782.
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Este artigo tem por objetivo discutir alguns aspectos dos problemas e das estratégias que norteiam o trabalho da tradução brasileira do Zibaldone di Pensieri (1817-1832) de Giacomo Leopardi (1798-1837). O projeto, que prevê a participação de uma equipe de tradutores e revisores, tem como finalidade a publicação bilingue e online dessa imensa obra leopardiana em língua portuguesa. As estratégias, discutidas pelo grupo durante a tradução e revisão, constituem um importante momento de reflexão não somente com relação ao ato da tradução, mas também acerca dos pensamentos e da poética leopardiana presentes nessa obra definida, não por acaso, “aberta”. É um desafio que vai levar anos de pesquisa e de prática tradutória a fim de aproximar leitores lusófonos desse imenso conjunto de textos, considerado por boa parte da crítica como a “chave de leitura” de toda a produção literária de Giacomo Leopardi.
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KATSIKA, Karolina. "Representations of the Writer and his Work through the Pilgrimage, the Writer’s House and the Literary Tourism (Krüger, Leopardi, Nooteboom)." Sociopoétiques, no. 4 (November 9, 2019). http://dx.doi.org/10.52497/sociopoetiques.1003.
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Cees Nooteboom’s short story Een ontmoeting in Recanati narrates the literary pilgrimage of contemporary German poet and publisher Michael Krüger in Recanati, the birthplace of the early 19th-century Italian writer, philologist, poet and philosopher Giacomo Leopardi (1798-1837), where he visits his house. By an intertextual but also comparative approach, based on the works of Krüger and Leopardi, the article examines the representations of the writer and his work as they appear through modalities and spaces of the literary pilgrimage, of the visit to the house-museum of the writer and the of cultural tourism as well as of the "meeting" narrated by Nooteboom.
Dissertations / Theses on the topic "Leopardi, Giacomo (1798-1837) – Technique"
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Ricca, Silvia. "Théories de la compassion dans le Zibaldone. Leopardi lecteur des Lumières." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA139.
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Thème central des débats du XVIIIe siècle sur les fondements de la sociabilité humaine et sur les sources du Moi, la compassion est aussi l’un des sentiments les plus analysés par Leopardi dans son journal philosophique, le Zibaldone. Or, plus que tout autre siècle ou tradition, le XVIIIe siècle marque de son empreinte l’étude léopardienne des passions humaines. La doctrine de la compassion de Leopardi subit-elle aussi cette influence ? Quelle place occupe Leopardi dans l’histoire moderne des théories philosophiques de la compassion ? Se situe-t-il du côté des défenseurs de la compassion, exemplairement représentés par Rousseau, ou du côté de ses nombreux adversaires ? Après un premier chapitre introductif sur le contexte où prend forme le nouveau paradigme moral et lexical du XVIIIe siècle, cette recherche aborde les grandes questions rencontrées par Leopardi dans son analyse de la compassion : la nature énigmatique de ce sentiment ; ses principes et ses composantes ; les conditions psycho-physiques des différentes catégories de personnes qui sont prédisposées ou non à éprouver ce sentiment ; les objets « pitoyables » ainsi que les états d’âme et les moments de la vie qui favorisent davantage l’apparition de ce sentiment. Enfin, le dernier chapitre ouvre une perspective sur la dernière forme de compassion envisagée par Leopardi : la compassion universelle. Ce travail souhaite ainsi souligner les nuances de la théorie et de l’expérience du sentiment de la compassion chez Leopardi, en montrant la complexité d’une analyse toujours en tension entre anthropologie et morale, ontologie et phénoménologie, philosophie et poésieCompassion, at the center of the Enlightenment debate on the fundamentals of sociability and human nature, is perhaps one of the most analyzed feelings in Leopardi’s Zibaldone. Enlightenment contributed, more than any other tradition, to the shaping of Leopardi’s thought, and surely contributed to his interest in passions and human nature. Hence, can we say that it also influenced his examination of compassion ? What is the place of Leopardi within the modern history of the philosophical theories of compassion ? Does he stand with its defenders, whose main champion is Rousseau, or rather with its many opponents ?After an introductory chapter outlining the context in which the new moral and lexical paradigm of the Enlightenment develops, this study explores the topics examined by Leopardi in his analysis of compassion : the enigmatic nature of this feeling, its principles and elements ; the psychophysical conditions of different categories of people who are predisposed, in different degrees, to feel compassion ; the objects that move compassion ; the different moods and stages of life in which one is more inclined to compassion. Finally, the last chapter presents the ultimate form of compassion in Leopardi : the universal compassion. The main goal of this research is therefore to illustrate the diverse facets of the theory and experience of compassion in Leopardi, and to show the complexity of his analysis, which is constantly in between anthropology and morals, ontology and phenomenology, philosophy and poetry
Al centro del dibattito illuministico sui fondamenti della sociabilità e della natura umana, la compassione è forse uno dei sentimenti più analizzati nello Zibaldone di Leopardi. Più di ogni altro secolo e di ogni altra tradizione, quella illuministica ha contribuito alla formazione del pensiero di Leopardi, influenzandone soprattutto l’interesse verso le passioni e la natura umana. Si può dire che questa tradizione abbia inciso anche sull’analisi leopardiana della compassione ? Qual è il posto di Leopardi nella storia moderna delle teorie filosofiche della compassione ? Si schiera con i suoi difensori, di cui il rappresentante principale è Rousseau, o con i suoi numerosi avversari ?Dopo un primo capitolo introduttivo sul contesto in cui prende forma il nuovo paradigma morale e lessicale dell’illuminismo, questa ricerca affronta le tematiche incontrate da Leopardi nella sua analisi della compassione : dalla natura enigmatica di questo sentimento ai princìpi e componenti ; dalle condizioni psicofisiche delle diverse categorie di persone che sono più o meno predisposte a provare compassione, agli oggetti “compassionevoli” ; dagli stati d’animo ai momenti della vita in cui si è più inclini a provare questo sentimento. Infine, l’ultimo capitolo offre uno scorcio sull’ultima forma di compassione leopardiana : la compassione universale. Questo lavoro intende così mettere in luce le numerose sfaccettature della teoria e dell’esperienza della compassione in Leopardi, mostrando la complessità di un’analisi sempre in tensione tra antropologia e morale, ontologia e fenomenologia, filosofia e poesia
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Panicara, Vittorio. "La nuova poesia di Giacomo Leopardi una lettura critica della Ginestra /." Firenze : L.S. Olschki, 1997. http://catalogue.bnf.fr/ark:/12148/cb37520959r.
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Cacciapuoti, Fabiana. "Étude sur le Zibaldone." Paris 3, 2005. http://www.theses.fr/2005PA030143.
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Dans ce travail nous analysons la structure du texte du Zibaldone en commençant par nous interroger sur sa vraie nature. Notre propos est de démontrer que le Zibaldone est un texte qui en contient d'autres parce que la composition de cette œuvre répond à un projet méthodiquement structuré. Nous essayons aussi de démontrer que la construction du texte du Zibaldone suppose des principes philosophiques, c'est-à-dire que la forme et la méthode de l'écriture pourraient se fonder sur une théorie philosophique. Par conséquent, le Zibaldone est ce qu'on est convenu d'appeler, depuis les travaux d'Umberto Eco, une " œuvre ouverte ", conçue pour fixer des principes de connaissance, c'est-à-dire dans une intention philosophique. Toutefois, le domaine philosophique comprend aussi une partie linguistique et littéraire, essentielle aux formes de cette connaissanceThe aim of this thesis is to analyse the structure of the Zibaldone starting from the main question about the real nature of this work. We intend to demonstrate that the Zibaldone is a text containing other texts, for the project underpinning it was methodically structured. We will also try to demonstrate that the making of the text implies philosophic principles, as the form and the method of the writing could be based on a philosophic theory. Consequently, the Zibaldone can be regarded, after Umberto Eco, as an “open work” devised to focus some principle of cognition, then it can be considered as conceived with philosophical means. This philosophical means also includes a literary and a linguistic parts, which are essential to the forms of the cognition
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Franzoni, Maria Giulia. "A philosophy as old as Homer : Giacomo Leopardi and Greek poetic pessimism." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/11357.
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The aim of this thesis is twofold: it explores Giacomo Leopardi's (1798-1837) interpretation of, and engagement with, Greek pessimistic thought and, through him, it investigates the complex and elusive phenomenon of Greek pessimistic thought itself. This thesis contends that Greek pessimistic thought – epitomised by but not limited to the famous wisdom of Silenus, the µὴ φῦναι topos – is an important element of Greek thought, a fundamental part of some of Greece's greatest literary works, and a vital element in the understanding of Greek culture in general. Yet this aspect of ancient thought has not yet received the attention it deserves, and in the history of its interpretation it has often been forgotten, denied, or purposefully obliterated. Furthermore, the pessimistic side of Greek thought plays a crucial role in both the modern history of the interpretation of antiquity and the intellectual history of Europe; I argue that this history is fundamentally incomplete without the appreciation of Leopardi's role in it. By his study of and engagement with ancient sources Leopardi contributed to the 19th century rediscovery of Greek pessimistic wisdom, alongside, though chronologically before, the likes of Arthur Schopenhauer, Friedrich Nietzsche, and Jacob Burckhardt. Having outlined some fundamental steps in the history of the reception of Greek pessimism, this thesis examines the cardinal components of Leopardi's reception of it: his use of Greek conceptions of humanity to undermine modernity's anthropocentric fallacy, his reinterpretation of the Homeric simile of the leaves and its pessimistic undertones, and his views on the idea that it would be best for man not to be born.
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Feo, Nicola. "L'innaturale convivenza : antropologia e società nel penserio di Leopardi." Thesis, Dijon, 2011. http://www.theses.fr/2011DIJOL027.
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L’argument de ma thèse correspond à la conception de la société de Leopardi. Dans la première partie, on a affronté la question au travers de l’analyse des régimes politiques qui se sont succédés dans l’histoire: monarchie primitive, république, despotisme. Dans la deuxième partie on a pris en considération la théorie générale de la société, en vérifiant comment elle se déroule dans différents contextes d’écriture: Zibaldone, Operette morali, Pensieri, Palinodia, La ginestraThe argument of my thesis corresponds to the Leopardi’s conception of society. In the first part I have faced the problem through the analysis of the political systems that have followed each other in time: primitive monarchy, republic, despotism. In the second part I have considered the general theory of society, verifying the way it develops in different contexts of writing: Zibaldone, Operette morali, Pensieri, Palinodia, La ginestra
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Natali, Andrea. "Il mito nell'opera di Giacomo Leopardi." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0063.
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À partir de la constatation de l’absence du mot mito dans les écrits de Leopardi on a essayé de reconstruire le rapport changeant de Leopardi avec le mythe en en mettant en lumière la cohérence substantielle. De l’approche érudite et démystifiant propre à la rédaction du Saggio sopra gli errori popolari degli antichi on est passé à la lecture du Discorso di un italiano intorno alla poesia romantica. Du Discorso on a analysé la défense de la valeur poétique des fables anciennes et la démarcation des conditions de possibilité de l’usage des fables anciennes par les poètes modernes. Les pages du Zibaldone ont nous permis de comprendre le motif du recours au favoloso biblique et le motif de la non-réalisation du projet des Inni cristiani. Si à cause du changement des opinioni popolari les fables grecques ne sont plus capables de susciter la persuasion dont la fiction littéraire a besoin, le favoloso tiré par la tradition biblique se démontre être moins indiqué par rapport à celui païen à l’emploi en littérature. Alla Primavera et l’Inno ai patriarchi semblent prendre congé des fables anciennes or pendant les ans successifs Leopardi émancipe le statut de la mythologie de la religion en créant les bases pour un approche diffèrent à la réécriture des matériaux mythologiques. Le Operette morali et la catabase de Leccafondi dans les Paralipomeni constituent le résultat de l’émancipation des figures de la mythologie grecque de leur propre sfondo di senso : le cosmos. La création d’un sfondo di senso capable de mener au langage ce que de la nature des hommes et des choses est changé pendant les siècles jette les bases pour un emploi moderne des matériaux mythologiquesThe myth in the work of Giacomo Leopardi
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Valle, Suzanne. "Giacomo Leopardi et la pensée française du dix-huitième siècle." Paris 3, 1994. http://www.theses.fr/1994PA030162.
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Cette these est consacree a l'influence de la pensee francaise des lumieres sur le poete italien giacomo leopardi (1798-1837). Elle s'articule autour de l'idee de nature, idee-force de la philosophie du dix-huitisme siele, aussi bien que lde l'oeuvre leopardien. Elle aborde successivement le theme de la natureharmonie, avec laquelle l'homme moderne se trouve en contradiction par l'effet destructeur de sa raison, l'analyse de la societe moderne par opposition a l'etat de nature, la conception sensualiste de l'homme, la vision materialiste de l'univers et l'image de la nature comme force aveugle qui caracterise la derniere phase de la production leopardienne. La premiere partie du travail expose la pensee de leopardi telle qu'elle se developpe notamment dans le zibaldone, sorte de journal ou s'elabore ce que leopardi appelle son "systeme" philosophique, mais aussi dans les chants (canti) et dans les petites pieces morales (operette morali) ainsi que dans les oeuvres mineures. La seconde partie etudie les sources des themes leopardiens dans l'oeuvre, notamment, de montesquieu, voltaire, rousseau, buffon, diderot et condillacThis thesis deals with the influence of french enlightenment on the italian poet giacomo leopardi (1798-1837). It is organised around the idea of nature, a key-element of eighteenth century philosophy as well as of leopardi's work. The following questions are successively dealt with : nature as harmony, with which modern man feels in contradiction because of the disruptive effect of reason, the analysis of modern society as opposed to the state of nature, the idea of man in sensualist philosophy, the materialistic interpretatioin of the universe, the image of nature as a blind force which characterizes the last phase of leopardi's work. Part i presents the evolution of leopardi's thought. It covers mainly the zibalone, a sort of diary which shows the developments of what leopardi calls his philosophical "system", but also his poems (canti) and philosophical dialogues (operette morali) as well as minor writings. Part ii studies the sources of leopardi's major themes in the work of montesquieu, voltaire, rousseau, buffon, dierot and condillac
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De, Poli Fabrice. "Le maître caché : étude sur le leopardisme de Montale." Besançon, 2005. http://www.theses.fr/2005BESA1024.
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Cette étude vise à approfondir les travaux sur l'influence de Leopardi dans la poésie de Montale et à confirmer les hypothèses avancées par la critique sur le rôle fondamental de cette influence non avouée et ‘cachée' dans les mailles des textes. L'étude met à jour, à travers cinq grandes thématiques (l'aridité, le temps, le mal, la connaissance, l'affect), les traces de cette filiation. Elle montre que Montale puise une part essentielle de son inspiration dans toutes les facettes de l'œuvre leopardienne (poétique, narrative ou philosophique) et que cette influence concerne aussi bien les aspects thématiques et conceptuels que les différents aspects formels de la poésie (du lexique, de la versification et du rythme jusqu'à la structure des poèmes voire l'organisation des recueils). L'étude fait ressortir l'importance idéologique du modèle leopardien en soulignant la profonde communauté de pensée qui lie les deux esprits mais aussi la manière dont Montale, tout en s'inspirant du pessimisme de son aîné, cherche à dépasser la révolte et la colère qui caractérisaient celui-ciThe aim of this study is to corroborate the work on the influence of Leopardi in the poetry of Montale and to confirm the hypotheses about the fundamental role of this unacknowledged influence “hidden” within the texts. The filiation is traced through five major themes (aridity, time, evil, knowledge, affect). The study focuses particularly on the way this influence concerns the different formal aspects of poetry (vocabulary, versification, rhythm, but also the structure of poems and even the organisation of volumes) and on how Montale's inspiration largely stems from all facets of Leopardi's work (poetical, narrative or philosophical). The ideological importance of the Leopardian model is also made clear, by showing the deep community of thought uniting the two minds but also the way in which Montale, while inspired by the older artist's pessimism, sought to go further than the revolt and anger which characterised the latter
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Lami, Claudia. "L'ultraphilosophie de Giacomo Leopardi et ses rapports avec Blaise Pascal dans le contexte de la littérature et de la philosophie moderne." Poitiers, 2010. http://www.theses.fr/2010POIT5031.
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Dans "Histoire de l'Astronomie des origines jusqu'à MDCCCXI", rédigée en 1813 à l'âge de 15 ans, Leopardi analyse les principales théories scientifiques qui constituent l'histoire de l'astronomie. Le jeune érudit donne un rôle d'importance à la théorie copernicienne ; en effet, la théorie de Copernic efface l'ancienne vision ptolémaïque en chassant la terre, et l'homme, de sa position privilégiée au centre de l'univers. .In "Storia dell' Astronomia", written in 1813 at the age of 15, Leopardi analysed the scientific theories that constitute the history of astronomy. The young schoar attrbuted an important role to the Copernican theory ; in fact, the Copernican theoryrepudiated the ancient Ptolemaic theory of the universe, deposing The Earth and Man from their place at its center. .
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Lanfranchi, Stéphanie. "La recherche des précurseurs : lectures critiques et scolaires de Vittorio Alfieri, Ugo Foscolo et Giacomo Leopardi dans l'Italie fasciste." Phd thesis, Université Paris VIII Vincennes-Saint Denis, 2008. http://tel.archives-ouvertes.fr/tel-00372189.
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La thèse porte sur le traitement de trois classiques de la littérature italienne durant les vingt-deux années du régime fasciste italien. Ces trois classiques sont : Vittorio Alfieri (1749-1803), Ugo Foscolo (1778-1827) et Giacomo Leopardi (1798-1837). Elle analyse d'une part la place qui est réservée à ces trois poètes dans les histoires littéraires de l'époque, en la comparant avec la production analogue précédente, et les questions esthétiques et thématiques qu'abordent le plus souvent les critiques littéraires, qu'ils soient d'inspiration fasciste ou antifasciste. Elle étudie d'autre part la spécificité du régime totalitaire, et sa vocation à s'approprier le culte de ces trois poètes et à en contrôler les lectures, principalement par le biais de l'enseignement - via les manuels et les programmes scolaires - et des institutions officielles qu'il crée de toute pièce ou qu'il « phagocyte ». En s'appuyant sur un corpus très varié, comportant les textes critiques méconnus ou oubliés des années 1920 et 1930 ainsi que des documents scolaires, des textes officiels, des lettres et différentes formes de témoignage, cette étude pose la question plus générale de l'instrumentalisation de la littérature dans le totalitarisme et du caractère particulier du fascisme italien.
Books on the topic "Leopardi, Giacomo (1798-1837) – Technique"
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Leopardi, Giacomo. The letters of Giacomo Leopardi, 1817-1837. Leeds: Northern University Press, 1998.
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Press, Lynne. Women and feminine images in Giacomo Leopardi, 1798-1837: Bicentenary essays. Lewiston, N.Y: Edwin Mellen Press, 1999.
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Giacomo Leopardis "Zibaldone": Von der Kritik der Aufklärung zu einer "Philosophie des Scheins". Frankfurt-am-Main: P. Lang, 1991.
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Giacomo Leopardi's search for a common life through poetry: A different nobility, a different love. Madison [NJ]: Fairleigh Dickinson University Press, 2012.
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Gaetano, Raffaele. Giacomo Leopardi e il sublime: Archeologia e percorsi di una idea estetica. Soveria Mannelli (Catanzaro): Rubbettino, 2002.
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"Giacomo Leopardi (1798–1837; Italian)." In Romanticism: 100 Poems, 119–20. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.034.
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