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Journal articles on the topic 'Leopardi'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Teixeira, Fábio Rocha. "Anjo Irônico Leopardi: Leitura Benjaminiana dos Pensieri." Cadernos de Ética e Filosofia Política 2, no. 11 (2007): 159–74. https://doi.org/10.11606/issn.1517-0128.v2i11p159-174.

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This work supports Walter Benjamin's understanding, which reveals the revolutionary and practical aspects of the "ironical angel" according to Benjamin's designation, as opposed to Friedrich Nietzsche's judgement of the leopardian pessimism justified as the expression of physiologic decadence, and Leopardi identified as a "decayed romantic angel". Here a dialogue is endeavored between Benjaminian arguments, presented on his leopardian Pensieri digest [Kritiken und Resenzionen], and Leopardi's work, Canti e Zibaldone di pensieri: something necessary to enlighten the contents of his "desperate p

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2

Cauchi-Santoro, Roberta. "On Dark Laughter: Leopardi’s and Beckett’s Humour." Quaderni d'italianistica 33, no. 2 (2013): 119–31. http://dx.doi.org/10.33137/q.i..v33i2.19420.

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The desire not to desire is crucial to Samuel Beckett and Giacomo Leopardi. Beckett explores this theme in Proust where Leopardi’s poem “A Se Stesso” is thrice quoted. Before citing this poem, Beckett catalogues Leopardi as one of the philosophers who proposed the only impossible solution—the removal of desire—to living. Leopardi expresses the desire of not desiring in his posthumously-collected Manuale di Filosofia Pratica. There is thus a fundamental common terrain in Leopardi’s and Beckett’s existential enquiry. This apparently negative and pessimistic outlook in both authors is a leading t

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3

Bignardi, Ingrid, and Andréia Guerini. "“Pontos de vista de uma mulher”: Giacomo Leopardi "traduzido" por Bruna Becherucci n’O Estado de São Paulo / “A Woman’s Points of View”: Giacomo Leopardi "Translated" by Bruna Becherucci in O Estado de São Paulo." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (2019): 13. http://dx.doi.org/10.17851/2358-9787.28.3.13-40.

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Resumo: A presença do escritor italiano Giacomo Leopardi (1798-1837) na imprensa brasileira é constante desde meados do século XIX até os dias atuais. Há um vasto material produzido por escritores, intelectuais e jornalistas, que está “escondido” nas hemerotecas, bibliotecas e acervos físicos e digitais. No rastro desses materiais e com o objetivo de contribuir com o delineamento de uma história da recepção de Leopardi no Brasil, este artigo analisa o conjunto de ensaios sobre Leopardi, publicado no período de 1949 a 1967, na coluna “Pontos de vista de uma mulher”, do jornal O Estado de São Pa

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4

Masi, Leonardo. "Stanisław Brzozowski: lettore di Leopardi." Italica Wratislaviensia 13, no. 2 (2022): 61–83. http://dx.doi.org/10.15804/iw.2022.13.2.03.

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Polish philosopher Stanisław Brzozowski (1878–1911) spent the last five years of his life almost entirely in Italy (in Nervi and in Florence). The article traces back the chronology of his encounter with Italian culture, also explaining his idea of culture. In particular, his reading of Giacomo Leopardi is examined. Leopardi had been known in Poland since the 1880s, mainly through Edward Porębowicz’s translation of his poems, but Brzozowski in all probability first read him in Nervi in 1907. Subsequently, he mentioned Leopardi a few times in his own writings. These references are highly signif

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5

Paraíso, Isabel. "Dos idilios de Leopardi." Rhythmica. Revista Española de Métrica Comparada, no. 14 (January 1, 2016): 119. http://dx.doi.org/10.5944/rhythmica.18456.

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Ofrecemos aquí la traducción de «L’Infinito», el primer idilio que escribió Leopardi (1819), y de «Il passero solitario», su último idilio (¿1819-1830?, publ. 1835). Una síntesis biográfica del poeta precede a estas traducciones, y también las líneas estéticas de sus Canti. Se examina el concepto de «idilio» y se distingue entre «piccoli» y «grandi idilli». Igualmente se aborda la métrica de L’Infinito y de Il passero solitario (respectivamente, endecasílabo suelto y canción leopardiana), así como la muy diferente semasia de ambos.We offer a translation of L’Infinito, Leopardi’s first idyll (1

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6

Mirra, Alessandra. "A threefold adaptation: Mario Martone's Leopardi." Journal of Italian Cinema & Media Studies 8, no. 1 (2020): 79–92. http://dx.doi.org/10.1386/jicms_00006_1.

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Abstract This article explores how Martone's seemingly traditional period biopic of nineteenth-century Italian poet Giacomo Leopardi challenges the conventions of the genre, and could be read, instead, as an interesting case of cinematic adaptation on at least three different levels. I propose that Il giovane favoloso (Leopardi) is a film that, as a biopic, can be understood as an adaptation of a life experience ‐ an adaptation that, in its cinematic construction, expresses an awareness of the biopic as a film genre that can only perform a representational version of a life. Secondarily, Leopa

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7

Loba, Mirosław. "Dalla condizione terrestre all’ambiente planetario nei Canti di Giacomo Leopardi." Studia Romanica Posnaniensia 49, no. 3 (2022): 5–15. http://dx.doi.org/10.14746/strop.2022.493.001.

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This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of these three elements determines the way the lyric subject inhabits the world. Leopardi’s poetic focus is on his painful experience of the environment, which remains an indifferent and destructive agent. The poet deconstructs classical and romantic models of nature and culture by appealing to the aesthetics of the sublime, which unlike Kant is not the means of

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8

Dugo, Sandra. "Felicità e infelicità nel pensiero di Giacomo Leopardi." Revista Italiano UERJ 12, no. 2 (2022): 22. http://dx.doi.org/10.12957/italianouerj.2021.67585.

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ABSTRACT: Il percorso lungo il quale vorrei condurre i lettori riguarda il tema esistenziale, per alcuni versi antropologico e metafisico, da cui emergono con particolare intensità le riflessioni filosofiche di Giacomo Leopardi sulla ricerca della felicità. L’obiettivo non è stabilire se Leopardi sia un poeta pessimista o affermare il contrario, rischieremmo di ridurre il nostro studio a una interpretazione insoddisfacente. È importante ribadire la valenza filosofica delle sue opere, considerando che è impossibile ignorare il legame imprescindibile della produzione poetica con l’evoluzione del

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9

Bini, Daniela. "Neapolitan Leopardi and the Naples of Mario Martone." Forum Italicum: A Journal of Italian Studies 52, no. 2 (2018): 552–65. http://dx.doi.org/10.1177/0014585818757494.

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To make a biopic of any writer is an effort almost inevitably doomed to failure. Filming the life of Leopardi was a hard challenge. During the study of Il giovane favoloso, however, something unexpected came up: Martone was not interested so much in the poet of Recanati, as in Leopardi's Neapolitan and final period. A great part of the film, in fact, deals with and also invents episodes of his and Antonio Ranieri’s life in Naples. Martone’s strong connection with Naples is apparent in the treatment of the city, from the camera shots to the use of colors and the intensity of the scenes. Watchin

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10

Zedda, Michele. "Il dolore nella concezione di Leopardi. Note pedagogiche." Studi sulla Formazione/Open Journal of Education 26, no. 1 (2023): 239–50. http://dx.doi.org/10.36253/ssf-14609.

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Pain is a central and recurring theme in Leopardi’s theory. The poet analyzes its causes, dynamisms and remedys. In order to face pain, Leopardi suggests patience, habit, passing of time and, in particular, illusions. Leopardi’s theory of pain is closely connected with his pedagogy of savoir vivre.

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11

Polizzi, Gaspare, and Valentina Sordoni. "Uno scritto dimenticato del giovane Leopardi: la Disputatio e il suo rapporto con le Dissertazioni filosofiche." RIVISTA DI STORIA DELLA FILOSOFIA, no. 4 (December 2009): 653–707. http://dx.doi.org/10.3280/sf2009-004001.

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- In this essay we look at the Disputatio, a forgotten document by the young Leopardi. It consists of a list of sixty questions, thirty written in Latin and thirty in Italian. These were the questions that Leopardi had to answer in his last public examination, held on the 20 July 1812. In the first part, the authors and sources used by Leopardi in the preparation of the exercise will be studied and compared with the text of the Disputatio. The second part is a comparison between the text of the Disputatio and that of the Dissertazioni filosofiche of 1811-1812. This comparison and consideration

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12

Guerini, Andréia, and Ingrid Bignardi. "Leopardi nas Crónicas Jornalísticas Brasileiras de 1881 a 1916." Cadernos de Literatura Comparada, no. 44 (2021): 135–51. http://dx.doi.org/10.21747/2183-2242/cad44a8.

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The crônica is a literary genre that became widespread in Brazilian newspapers and magazines pages in the 19th century. These short pieces were responsible for the circulation and insertion of foreign writers in the Brazilian cultural system, such as the Italian writer Giacomo Leopardi (1798-1837). The present article analyses, based on Cultural Translation Theory (Burke/Hsia 2009), how Leopardi was represented in Brazilian crônicas published between the end of the 19th century and the first half of the 20th century, specifically from 1881 to 1916, and available at the Brazilian Digital Newspa

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13

Klein, Ilona, Pietro Magno, and Margherita Pieracci-Harwell. "Leopardi." Italica 67, no. 1 (1990): 67. http://dx.doi.org/10.2307/479071.

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14

LOMBARDI, ANDREA, and SANDRO MINISINI. "LEOPARDI." Revista USP, no. 43 (November 30, 1999): 128. http://dx.doi.org/10.11606/issn.2316-9036.v0i43p128-129.

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15

SHANIDA, SYA SYA, RUHYAT PARTASASMITA, TEGUH HUSODO, PARIKESIT PARIKESIT, PUPUT FEBRIANTO, and ERRI NOVIAR MEGANTARA. "Short Communication: The existence of Javan Leopard (Panthera pardus melas Cuvier, 1809) in the non-conservation forest areas of Cisokan, Cianjur, West Java, Indonesia." Biodiversitas Journal of Biological Diversity 19, no. 1 (2018): 42–46. http://dx.doi.org/10.13057/biodiv/d190107.

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Shanidah SS, Partasasmita P, Hudoso T. Parikesit, Febriato P, Meganatara EN. 2018. Short Communication: The existence of Javan Leopard (Panthera pardus melas Cuvier, 1809) in the non-conservation forest areas of Cisokan, Cianjur, West Java, Indonesia. Biodiversitas 19: 42-46. There is no accurate data about the number of individual leopards in Java Island in both conservation and nonconservation areas. In West Java, deforestation for plantations and agriculture is widespread, although it is unknown if leopard uses these human-altered habitats. Therefore, it is important to research the existen

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16

Zedda, Michele. "Caso e formazione. Note di pedagogia leopardiana." Studi sulla Formazione/Open Journal of Education 26, no. 2 (2023): 295–303. http://dx.doi.org/10.36253/ssf-14991.

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Leopardi has examined the influence of the case on human life. Fortune and circumstances have a great influence on everything: health, genius, courses of life, study and education. Therefore, it’s not easy to foresee results of a formative programme. This Leopardi’s position completes his theory of custom and balances its theoretic importance.

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17

Caesar, Michael, and Gian Piero Barricelli. "Giacomo Leopardi." Modern Language Review 84, no. 1 (1989): 192. http://dx.doi.org/10.2307/3732017.

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18

Bosi, Ecléa. "Traduzindo Leopardi." Estudos Avançados 26, no. 76 (2012): 121–25. http://dx.doi.org/10.1590/s0103-40142012000300012.

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19

Caesar, Michael. "Leopardi Unnamed." Romance Studies 3, no. 1 (1985): 143–48. http://dx.doi.org/10.1179/ros.1985.3.2.143.

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20

Casale, Ottavio M., and Gian Piero Barricelli. "Giacomo Leopardi." Italica 66, no. 2 (1989): 209. http://dx.doi.org/10.2307/478932.

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21

Pozzo, Giovanni Da, and Margaret Brose. "Leopardi Sublime." Italica 75, no. 3 (1998): 469. http://dx.doi.org/10.2307/480069.

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22

Perella, Nicolas J. "Translating Leopardi?" Italica 77, no. 3 (2000): 357. http://dx.doi.org/10.2307/480303.

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23

Zedda, Michele. "La concezione ginnico-fisica nel pensiero di Giacomo Leopardi." Rivista Italiana di Pedagogia dello Sport 5, no. 1 (2020): 11–17. https://doi.org/10.5281/zenodo.4007739.

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<strong>Abstract:</strong> In questo articolo l'autore esamina la concezione di Giacomo Leopardi della cultura fisica e sportiva. Leopardi pensa alle attività fisiche sotto l'influenza dei modelli della civiltà greco-romana. La sua filosofia rispecchia profondamente la condizione fisica personale e infelice della sua stessa vita. Questa condizione fa preferire al Poeta una concezione virile, vitalistica e agonistica del movimento incentrata sulla forza, l'entusiasmo e l'ardore giovanile. <strong>Abstract:</strong> In this article, the author examines Giacomo Leopa

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24

Babini, Maurizio. "II Diario del primo amore di Giacomo Leopardi: lettura dello scritto leopardiano con l´ausilio della psicoanalisi." Revista de Italianística, no. 6-7 (July 30, 2003): 97. http://dx.doi.org/10.11606/issn.2238-8281.v0i6-7p97-112.

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No Diario del primo amore Giacomo Leopardi analisa de maneira quase psicanalitica seu "innamoramento" pela prima Gertrude Cassi Lazzari. O Diario parece revelar, com riqueza de detalhe, o conflito interior que atormentou Leopardi no longínquo dezembro de 1817. Partindo da análise da relação com Gertrude e da "paixão amorosa" de Leopardi, apontaremos as implicações psicanalíticas que afloram da leitura do Diario.

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25

Janjić, Danijela. "LEOPARDIJEVA POEZIJA KAO AUTONOMNI STVARALAČKI ČIN U KONTEKSTU IDEOLOŠKIH OPTIMIZAMA 19. VEKA." Lipar XXIII, no. 78 (2022): 183–93. http://dx.doi.org/10.46793/lipar78.183j.

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/ L’eternità della poesia di Giacomo Leopardi sta nell’autonomia della sua creazione che si distacca nettamente dagli ottimismi della sua epoca e si delinea come pessimistica, però tuttavia non si deve leggere sempre e solo come frutto del pessimismo del poeta. Il presente saggio si concentra sui componimenti Canto notturno di un pastore errante dell’Asia e La ginestra o il fiore del deserto e in essi si cercano i mes- saggi che Leopardi tracciava nella bellezza della natura dove la posizione dell’uomo è incerta, senza importanza desiderata. Attraverso quei messaggi la poesia di Leopardi si cr

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26

Daria, di Stefano. "Lo scacco perpetuo. Riflessioni sul rapporto tra Giacomo e Monaldo Leopardi." Aura, no. 4 (December 15, 2021): 93–101. https://doi.org/10.5281/zenodo.11206118.

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27

Damian, Otilia-Ștefania. "“Questa siepe”. Sull’Infinito di Leopardi Tra traduzione e interpretazione." Studia Universitatis Babeș-Bolyai Philologia 67, no. 3 (2022): 257–72. http://dx.doi.org/10.24193/subbphilo.2022.3.26.

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"“Questa siepe”. On Leopardi’s Infinity between Translation and Interpretation. This study aims to analyse the translation of Giacomo Leopardi’s Infinito in Romanian made by Eta Boeriu (1923-1984) and of some other modern translations of this poem in Romanian. The author demonstrates that the translation of Eta Boeriu is still the most refined one, so we will compare it especially with the variants of Lascăr Sebastian and Vasile Romanciuc. Using the concepts of Eugen Coșeriu’s translation theory (Coșeriu 2009), especially his references to meaning, designation and sense (Coșeriu 1991, 220-21),

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28

Koman, Aleksandra. "With rhymes about the human fate. Philosophy in the poetry of Giacomo Leopardi." Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, no. 4 (2020): 101–14. http://dx.doi.org/10.18778/1505-9057.59.06.

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Giacomo Leopardi is one of those authors whose texts oscillate on the border between literature and philosophy. It is true that Leopardi does not use traditional forms of philosophical expression, but the fact is that most of the considerations of the Italian thinker are expressed by the simultaneous conduct of two discourses: literary and philosophical. Leopardi experimented almost every form of literary expression, but he went down in history mainly as a poet, who contained a significant part of his highest beliefs in poetry. The practice of philosophizing through poetry is nothing new in li

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29

Senardi, Fulvio. "Dante e Leopardi." Verbum 3, no. 1 (2001): 151–78. http://dx.doi.org/10.1556/verb.3.2001.1.12.

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30

Cummings, Robert. "Margaret Oliphant's Leopardi." Translation and Literature 7, no. 1 (1998): 75–98. http://dx.doi.org/10.3366/tal.1998.7.1.75.

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31

Cummings, Robert. "Margaret Oliphant's Leopardi." Translation and Literature 7, Part_1 (1998): 75–98. http://dx.doi.org/10.3366/tal.1998.7.part_1.75.

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32

Press, Lynne, and Elio Gioanola. "Leopardi, la malinconia." Modern Language Review 94, no. 1 (1999): 216. http://dx.doi.org/10.2307/3736063.

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33

Caesar, Michael, Alvaro Valentini, and Neuro Bonifazi. "Leopardi: L'io poetante." Modern Language Review 81, no. 3 (1986): 756. http://dx.doi.org/10.2307/3729241.

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34

Neumeister, Sebastian. "Leopardi in California." Babel, no. 32 (July 1, 2015): 177–94. http://dx.doi.org/10.4000/babel.4284.

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35

Bernari, Carlo. "LEOPARDI E NAPOLI." Forum Italicum: A Journal of Italian Studies 21, no. 2 (1987): 240–44. http://dx.doi.org/10.1177/001458588702100207.

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36

Pelosi, Pietro. "Review: Giacomo Leopardi." Forum Italicum: A Journal of Italian Studies 22, no. 1 (1988): 138–39. http://dx.doi.org/10.1177/001458588802200130.

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37

MOULIN, NILSON. "LEOPARDI SEMPRE ATUAL." Revista USP, no. 31 (November 30, 1996): 242. http://dx.doi.org/10.11606/issn.2316-9036.v0i31p242-244.

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38

Castronuovo, David. "Leopardi and Prayer." Italian Culture 14, no. 1 (1996): 187–97. http://dx.doi.org/10.1179/itc.1996.14.1.187.

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39

Costa, Luca. "Leopardi in latino." Italianist 44, no. 3 (2024): 559–79. https://doi.org/10.1080/02614340.2025.2504781.

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40

Buzzard, Paul J., Xueyou Li, and William V. Bleisch. "The status of snow leopards Panthera uncia, and high altitude use by common leopards P. pardus, in north-west Yunnan, China." Oryx 51, no. 4 (2017): 587–89. http://dx.doi.org/10.1017/s0030605317000825.

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AbstractThe Endangered snow leopard Panthera uncia is a flagship species of mountainous Asia and a conservation priority. China is the most important country for the species’ conservation because it has the most potential habitat and the largest population of snow leopards. North-west Yunnan province in south-west China is at the edge of the snow leopard's range, and a biodiversity hotspot, where three major Asian rivers, the Yangtze, Mekong and Salween, flow off the Tibetan plateau and cut deep valleys through the Hengduan Mountains. The snow leopard's status in north-west Yunnan is uncertain

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41

Guerini, Andréia. "Foscolo e Leopardi: poetiche a confronto." Revista de Italianística, no. 14 (December 30, 2006): 11. http://dx.doi.org/10.11606/issn.2238-8281.v0i14p11-33.

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Após analisar e comparar alguns aspectos da poética de Foscolo e Leopardi, é possível afirmar que a poética de Leopardi é mais universal, porque se preocupa mais com aspectos estéticos, que ultrapassam o seu tempo. ]á a poética de Foscolo é mais nacional, porque mais preocupada com aspectos políticos e sociais de sua época.

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42

Guerini, Andréia. "Leopardi e o “Laboratório” da Crítica Literária." Revista de Italianística, no. 19-20 (December 30, 2010): 31. http://dx.doi.org/10.11606/issn.2238-8281.v0i19-20p31-41.

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Leopardi (1798-1837), poeta e prosador, e também grande ensaísta, foi, ao longo do seu Zibaldone di Pensieri (1817-1832), um grandeteórico, crítico e historiador da literatura. Este artigo procura analisar as contribuições de Leopardi para a crítica literária presentes nas primeiras páginas do Zibaldone di Pensieri, mais especificamente, as escritas entre 1817 e 1820.

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43

Possiedi, Paolo. "Leopardi e la musica." Quaderni d'italianistica 11, no. 2 (1990): 197–214. http://dx.doi.org/10.33137/q.i..v11i2.10580.

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44

Santoro (book editor), Mario, and Antonio Franceschetti (review author). "Leopardi nella critica internazionale." Quaderni d'italianistica 11, no. 1 (1990): 167. http://dx.doi.org/10.33137/q.i..v11i1.10573.

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45

Turi, Gabriele. "Il tempo di Leopardi." PASSATO E PRESENTE, no. 112 (March 2021): 101–18. http://dx.doi.org/10.3280/pass2021-112007.

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46

Zaccaria, Gino. "Das Nichts denken (Leopardi)." Heidegger Studies 19 (2003): 159–78. http://dx.doi.org/10.5840/heideggerstud2003199.

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47

Dugo, Sandra. "Leopardi il filosofo poetante." Revista Italiano UERJ 11, no. 2 (2021): 29. http://dx.doi.org/10.12957/italianouerj.2020.58073.

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Proponiamo uno studio interpretativo del pensiero poetante di Giacomo Leopardi, approfondendo l’analisi filologica di alcuni versi poetici e di alcune riflessioni estratte da Pensieri di varia filosofia e di bella letteratura, conosciuti come Zibaldone. Il nostro Recanatese ha creato un’originale teoria di filosofia sull’esistenza umana, sulla vita, e sul metodo più adatto per intraprendere la ricerca della felicità, desiderio inarrestabile dell’uomo di ogni epoca. Non c’è alcun dubbio nel definire Leopardi filosofo esistenzialista. Anticipatore del nichilismo di Friedrich Nietzsche, riesce a

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48

Barzanti, Roberto. "Il veggente. Leopardi cinematografico." HISTORIA MAGISTRA, no. 17 (June 2015): 161–73. http://dx.doi.org/10.3280/hm2015-017016.

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49

Williams, Pamela, and Ghan Shyam Singh. "Leopardi filosofo anti-filosofo." Modern Language Review 94, no. 3 (1999): 845. http://dx.doi.org/10.2307/3737061.

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50

Sangirardi, Giuseppe. "Profilo di Leopardi prosatore." Italies, no. 7 (October 1, 2003): 61–88. http://dx.doi.org/10.4000/italies.1269.

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