Academic literature on the topic 'Les expressions figées'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Les expressions figées.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Les expressions figées"
1
Ljepavić, Danijela. "DOMAINES FOURNISSEURS DES EXPRESSIONS FIGÉES." La mémoire et ses enjeux. Balkans – France: regards croisés, X/ 2019 (December 30, 2019): 177–92. http://dx.doi.org/10.31902/fll.29.2019.13.
Full textAbstract:
ORIGINS OF IDIOMS Many idiomatic expressions, in their original use, were not figurative but had literal meaning. Also, sometimes the attribution of a literal meaning can change as the phrase becomes disconnected from its original roots, leading to a folk etymology. However, at the beginning all the have been motivated: comparison, metaphor, images or clichés, some have completely lost their first meaning, others are still addressed to the speaker’s imagination and suggest a relationship with their etymology. Key words: origin, etymology, expression, translation.
2
Ljepavic, Danijela. "La problématique de la traduction des figures de style dans les expressions figées." Káñina 42, no. 3 (February 5, 2019): 257–85. http://dx.doi.org/10.15517/rk.v42i3.36111.
Full textAbstract:
L’enjeu de cet article est d’aborder les expressions figées en français et en BCMS du point de vue de la traduction. On attire l’attention sur les figures de style et la difficulté de les rendre et de les conserver en traduisant. C’est le moment de prendre conscience des ressemblances et des dissemblances qui existent dans les deux langues, de deviner de quelle façon les langues appréhendent la réalité et l’expriment, de réaliser par conséquent que le passage d’un code linguistique à un autre est un phénomène complexe, puisqu’il implique plusieurs paramètres, non seulement linguistiques mais aussi bien pragmatiques que culturels. Le traducteur s’efforcera non seulement de trouver un équivalent mais de trouver un équivalent de même style tout en gardant les figures qui font les expressions plus vivantes et plus parlantes.
Mots clés : expression figée, figement, figure de style, traduction, transposition.
3
Haquin, Yohan. "Comment analyser sémantiquement les expressions figées ?" Revue de sémantique et pragmatique 39, no. 39 (October 1, 2016): 39–58. http://dx.doi.org/10.4000/rsp.403.
Full text
4
Blanco, Xavier. "Fossiles lexicaux dans des expressions figées." Verbum 9 (December 20, 2018): 31–40. http://dx.doi.org/10.15388/verb.2018.4.
Full text
5
Silberztein, Max. "Traitement des expressions figées avec INTEX." Lingvisticæ Investigationes. International Journal of Linguistics and Language Resources 22, no. 1-2 (December 31, 1999): 425–49. http://dx.doi.org/10.1075/li.22.1-2.26sil.
Full textAbstract:
The intex lexical parser processes linguistic units of four formal types: morphemes, simple words, compound words and frozen expressions. Frozen expressions are units spelled in the form of non-contiguous sequences of tokens (eg. take ... into account), and their recognition requires computation traditionally performed by syntactic parsers. Over 30,000 French frozen expressions have been described in the tables Cxx of the lexicon-grammar. We show how to use these tables to automatically construct FSTs that are capable of recognizing and tagging frozen expressions in texts. Representing the result as tags poses some formal problems that we discuss.
6
Gross, Maurice. "Sur les déterminants dans les expressions figées." Langages 20, no. 79 (1985): 89–117. http://dx.doi.org/10.3406/lgge.1985.2472.
Full text
7
Perrin, Laurent. "De l’analysibilité au défigement des expressions figées." Pratiques, no. 159-160 (December 15, 2013): 109–26. http://dx.doi.org/10.4000/pratiques.2860.
Full text
8
Gavriilidou, Zoé. "Figement et intensité en grec moderne." Meta 53, no. 2 (August 4, 2008): 365–77. http://dx.doi.org/10.7202/018524ar.
Full textAbstract:
Résumé Dans cet article, nous nous proposons d’étudier l’intensité repérée dans des constructions figées en grec moderne, en dégageant les caractéristiques de l’intensité. Nous mettons l’accent sur l’intensité dans a) les déterminants figés qu’ils s’agissent de modifieurs figés facultatifs (για δέσιµο‘à attacher’ [à lier]) ou obligatoires (ηράκλεια δύναµη‘force herculéenne’, µνήµη ελέφαντα ‘mémoire d’éléphant’, βλέµµα ðου σκοτώνει ‘regard qui tue’) ou bien les prédéterminants composés figés (ωκεανός δακρύων‘océan de larmes’) ; b) les suites du type NN (συναυλία-µαµούθ ‘concert mammouth’) et c) les locutions verbales (κρέµοµαι από τα χείλη του ‘se pencher de ses lèvres’ [faire très attention]). Afin de résoudre quelques problèmes de traduction liés à l’intensité, nous employons la notion théorique de représentation métalinguistique (Buvet, à paraître b), pour proposer des traductions correctes pour les expressions figées qui désignent l’intensité.
9
Ali, Mohamed Saad. "La traduction des expressions figées : langue et culture." Traduire, no. 235 (December 1, 2016): 103–23. http://dx.doi.org/10.4000/traduire.865.
Full text
10
Laporte, Éric. "Reconnaissance des expressions figées lors de l'analyse automatique." Langages 23, no. 90 (1988): 117–26. http://dx.doi.org/10.3406/lgge.1988.1994.
Full textDissertations / Theses on the topic "Les expressions figées"
1
Haquin, Yohan. "Traduire les expressions figées de l’espagnol au français." Thesis, Orléans, 2014. http://www.theses.fr/2014ORLE1143/document.
Full textAbstract:
Cette thèse a pour objet d’analyser les stratégies de traduction des expressions figées de l’espagnol vers lefrançais. Pour ce faire, un corpus contrastif d’expressions figées a été constitué, permettant d’interrogerleurs propriétés – sémantiques, syntaxiques et pragmatiques – et d’aborder, tout en les discutant, desnotions fondamentales en phraséologie comme celles de figement, d’opacité ou de non-compositionnalité.Sont notamment introduites comme outils d’analyse sémantique les distinctions entre compositionnalitélexicale et compositionnalité globale d’une part, et entre scène lexicale et scène réelle, d’autre part.Dans un deuxième temps est présentée une typologie descriptive des opérations de traduction à l’oeuvredans le corpus, qui permet de disposer d’une vue d’ensemble des stratégies adoptées par les traducteurspour traduire les expressions sources recueillies tout en préparant la réflexion sur des questions commel’équivalence ou les méthodes de traduction des expressions figées. Cette typologie révèle la largeur et lagradualité du spectre de variation et de correspondance que l’on trouve parmi les expressions figées.La dernière partie est entièrement consacrée à la dimension traductologique des expressions figées. A partirdes travaux qui traitent de cette question, et du cadre théorique introduit antérieurement, elle interroge lanotion d’équivalence sur corpus afin d’en proposer une caractérisation plus précise. Une méthodologie de latraduction, qui fait de l’étude des expressions sources elles-mêmes le moyen de mieux cerner les difficultésliées à leur traduction – que celles-ci soient ou non spécifiques à l’objet étudié – est enfin proposée afin dedisposer de critères robustes et opérationnels pour traduire ces dernières de façon satisfaisanteThis thesis aims at analyzing Spanish to French translation strategies of fixed expressions. In thisperspective, we have gathered a contrastive corpus of fixed expressions in order to question their semantic,syntactic and pragmatic properties and to discuss phraseology’s fundamental notions such as fixation,opacity or non-compositionality. We also introduce semantic analysis tools : distinctions between lexicalcompositionality and global compositionality, on one hand, and between lexical scene and real scene, onanother hand.The second part of the study proposes a descriptive typology of translation operations observed in thecorpus offering a global view of the strategies adopted by the translators that allows reflection on questionssuch as the equivalence or methods in fixed expressions translation. This typology reveals the width and thegradualism of the variation and correspondence spectrum that we find among fixed expressions.After introducing the theoretical framework and the state of art in the previous chapters, the last part of thethesis is entirely dedicated to the translation dimension of fixed expressions. We examine here theconstrative corpus in order to question the notion of equivalence and to propose a more precisecharacterization of it. In order to have strong and operational criteria for an optimal translation, we propose atranslation methodology based on the study of the source expressions as a mean to identifying translationdifficulties whether they are specific or not of the object
2
Albano, Mariangela. "Les expressions figées en didactique du français langue étrangère." Thesis, Paris 3, 2020. http://www.theses.fr/2020PA030008.
Full textAbstract:
Dans cette thèse, nous présentons les résultats d’une recherche expérimentale portant sur 150 italophones adultes qui étudient le français en milieu universitaire : à l’Université Catholique du Sacré-Cœur de Milan, à l’Université La Sapienza de Rome et à l’Université de Palerme. Elle a pour but de contribuer à l’analyse du traitement sémantique du figement linguistique et à la didactique de la phraséologie en français langue étrangère. Nous avons ainsi pu formuler et vérifier des hypothèses permettant d’expliquer les procédés de figement afin de donner, d’une part, des outils aux enseignants en vue de leur didactisation et, d’autre part, des moyens pour leur appropriation par les apprenants. Ce travail nous a permis de mieux comprendre l’identification et le traitement de différents types de phraséologies, de relever et d’analyser les traductions et les erreurs de traductions produites par les étudiants. Pour ce faire, nous avons élaboré deux questionnaires : le premier, dit d’autoévaluation, avait pour finalité de mieux connaître les sujets testés. Le second, questionnaire, celui des expressions, portait sur le traitement, la traduction et la compréhension de sept constructions phraséologiques au moyen de huit exercices inspirés de travaux en phraséodidactique et en sémantique cognitive, notamment, les grammaires de construction, les théories de la métaphore conceptuelle et de la motivationIn this PhD thesis, we present the results of an experimental research on 150 Italian-speaking adults studying French in the university context: the Catholic University of the Sacred Heart of Milan, La Sapienza University of Rome and the University of Palermo.The aim of this study was to contribute to the analysis of the semantic processing of lexicalization and to the didactics of phraseology in French as a foreign language.We have thus been able to advance and verify hypotheses explaining the process of lexicalization in order to give, on the one hand, tools to teachers for its didactisation and, on the other hand, means for learners for its appropriation. This work allowed us to better understand the identification and processing of different types of phraseologies, to identify and analyze translations and translation errors produced by students.To do this, we submitted two questionnaires: the first one, called "self-assessment" questionnaire, was intended to better understand our sample.The second questionnaire, called "Expressions", focused on the treatment, translation, and comprehension of seven phraseological constructs using eight exercises inspired by phraseodidactics and cognitive semantics, including construction grammars approach, conceptual metaphor and motivation approach
3
Oddo-Bonnet, Alexandra. "Proverbes et expressions figées dans la littérature contemporaine espagnole." Paris 10, 2002. http://www.theses.fr/2002PA100164.
Full textAbstract:
L'étude linguistique des différentes formes parémiques relevées dans le roman moderne met l'accent sur les particularités structurelles associés aux proverbes et tente d'apporter des définitions en matière de syntaxe et de morphologie. La suite de l'analyse est consacrée à l'insertion littéraire des proverbes et à l'évolution du Refranero ainsi constatée. La phraséologie est une discipline récente qui ne peut pas faire l'économie d'un travail théorique et terminologique. Une analyse linguistique des grands types de phrases figées a pour objectif de relever les particularités et les caractéristiques du système phraséologique et d'offrir une vision cohérente de l'insertion de ces locutions dans le contexte littéraire. Envisagées sous un dernier aspect, celui de la stylistique, il apparaît que ces formules s'alimentent des figures de style mais aussi et surtout des composantes de la poésie ; rime et rythme. . . Ce qui facilite leur intégration dans des textes qui font appel aux proverbes et aux expressions dans un but narratif et rhétorique précisThe linguistic study of the various forms of paroemia identified in the modern novel insists on structural peculiarities associated to proverbs and tries to bring definitions related to syntax and morphology. The rest of the analysis dedicates to the integration of proverbs in literature and the evolution of the Refranero acknowledged therefore. Phraseology is a relatively young discipline which cannot be handled without a previous sound theorical and terminological research. A linguistic analysis of established types of sentences aims at the identification of peculiari6es and characteristics of the phraseologistic system offering a consistent vision of the insertion of these locutions within the literary context. If addressed to from the stylistic point of view it appears that these formulae utilise stylistic standards but also and most of all basic components of poetry as rimes and rythm. Thus making easy their integration in texts, which rely upon proverbs and set expressions to achieve precise narrative and rethorical objectives
4
Ma, Lina Lai Ling. "Le Web comme corpus et les expressions « figées » en français." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/1495.
Full textAbstract:
The objectives of this paper are twofold: the first is to illustrate the potential of the World Wide Web as a new or complementary resource for researching various linguistic phenomena, while the second objective is to apply the idea of the “Web as corpus” to a concrete example – in this case, the study of lexical variation in French idiomatic expressions.
The first part of this paper examines the idea of using the World Wide Web as an exploitable corpus for linguistic research and provides an overview of related theoretical and practical issues. The major advantages and drawbacks of using the Web as a linguistic corpus are surveyed. Two different approaches to using the Web for corpus linguistics are also described.
The latter half of the paper presents results of a small-scale study conducted to investigate lexical variation in seven selected French idiomatic expressions. An online concordancing tool called WebCorp is used to search the Web and generate concordances for analysis. The theory behind the notions of lexical frozenness and variation are also briefly discussed.
5
Svensson, Maria Helena. "Critères de figement : L’identification des expressions figées en français contemporain." Doctoral thesis, Umeå universitet, Moderna språk, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-335.
Full textAbstract:
Although there are units larger than the word in language, linguists have not been able to agree on a definition of these units. This study examines a variety of notions, relevant in the study of ”fixed” or ”frozen” expressions in contemporary French. Criteria such as memorization, unique context, non-compositionality, marked syntax, lexical blocking and grammatical blocking are analyzed in detail. A closer look at them reveals that in fact only one of them, lexical blocking, is both necessary and sufficient in the description of a fixed expression. The other criteria are, however, also important to the notion of ”fixedness”. It may well be that the criteria that have often been proposed in linguistic literature would benefit from being organized in a family resemblance rather than being used as necessary and sufficient conditions.
6
Moustaki, Argyro. "Les expressions figées être prép C W en grec moderne." Paris 8, 1995. http://www.theses.fr/1995PA081099.
Full textAbstract:
Nous traitons dans cette etude des expressions figees avec le verbe support etre en grec moderne. Nous nous placons dans le modele theorique de la grammaire transformationnelle de z. S. Harris, dont le cadre methodologique a ete elabore pour le francais par m. Gross. Les structures etudiees sont prepositionnelles sauf dans le cas ou le substantif autour duquel est construite la phrase est au genitif ou au datif. Apres avoir decrit la structure globale et la composition lexicale de ces expressions, nous les classons dans des tables selon leur structure syntaxique. Dans les 9 tables que nous avons constituees, description est faite a l'aide de matrices binaires, des proprietes distributionnelles et transformationnelles des 2200 expressions figees recensees. Les variantes et operateurs entrant dans ces structures y sont egalement representes : cet ensemble represente le lexique-grammaire de ces expressions dont les entrees ne sont pas des mots, mais des phrases. Notre etude est morphologique car elle decrit le comportement des parties du discours, et syntaxique dans la mesure ou ces relations morphologiques sont traitees syntaxiquementThis study presents "frozen" expressions related to the support verb to be in modern greek. Our approach is based on z. S. Harris'transformational grammar whose methodological frame has been worked out in french by m. Gross. We have mainly studied prepositional structures, but also structures in which the predicate noun is in the genitive or dative case. After having described the global structures and lexical composition of those expressions, we classify them according to their syntactical structure. A description of the distributional and transformational properties of the 2200 collected idioms is given in the 9 binary matrices (tables) that we have worked out. The variables and the operators entailed in the structures are also represented : it thus constitutes the lexicon-grammar of those expressions whoses entries are not words, but whole sentences. Our study is morphological as far as it describes the morphological behaviour of parts of speech ; the study is also syntactical as those morphological relations are treated syntactically
7
Omar, Hameed. "Expressions figées en français et en arabe : étude linguistique comparée." Besançon, 2004. http://www.theses.fr/2004BESA1002.
Full textAbstract:
Parmi les composantes essentielles de la langue qu'on doit acquérir pour s'exprimer, outre les mots (simples, composés ou dérivés), on trouve des blocs de mots fixes avec un sens imprédictible, appelés communément expressions figées. Pour rendre compte des faits de langue ressortissant au figement, la linguistique contemporaine a surtout privilégié deux approches fondamentales (parfois d'une façon complémentaire). La première est fondée sur des considérations essentiellement sémantiques et la seconde procède d'un parti pris syntaxique. L'objectif principal de cette étude est de combiner les deux approches et d'illustrer l'idée selon laquelle le figement est à la fois sémantique et syntaxique. Ainsi, nous allons étudier les propriétés sémantiques et syntaxiques (transformationnelles, distributionnelles) des expressions figées, relatives au corps humain, en français et en arabe, afin de démontrer que malgré l'universalité du phénomène de figement, chaque langue possède ses propres mécanismes de figement, et que leur nature et leur degré varient d'une langue à l'autreAmong the main components of the language which one must acquire to express oneself, in addition to the (single, compound or derived) words, one can find blocs of fixed words with non predictable meaning, commonly known as frozen expressions. To account for the facts of language in connection with frozenness, contemporary linguistics gives particular importance to two fundamental approaches (sometimes in a complementary way). The first is founded on semantic considerations and the second on syntactic ones. Alternatively, the principal objective of this work is to combine the two approaches, while it will further illustrate the idea that frozenness, at the same time, is also a matter of semantic and syntactic aspects. Thus, we will study the semantic and syntactic (transformational, distributional) properties of frozen expressions related to human body, in French and in Arabic. Yet, it will argue that in spite of the universality of the phenomenon of frozenness, each language has its own mechanisms of frozenness and that their nature and their degree vary from one language to another
8
Ljepavic, Danijela. "Les expressions figées en français et en BCMS : traduction, comparaison." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC013.
Full textAbstract:
Cette thèse procède à une comparaison des expressions figées entre les langues BCMS (bosniaque/bosnien, croate, monténégrin, serbe) et le français en vue de la traduction. Dans la première partie, l'étude commence par la définition des expressions figées et des critères de figement. Après avoir fait le point sur la question des langues BCMS, on présente le corpus des expressions figées en BCMS et en français, avec leur répartition dans différents domaines culturels et la distinction de trois types d'expressions : calques, expressions transparentes, expressions opaques. La seconde partie est consacrée à l'analyse comparative des expressions figées en BCMS et en français. Elle commence par un parcours de leurs différentes origines, puis on examine les fondements culturels des expressions figées, en fonction de différents domaines fournisseurs. On développe ensuite une analyse linguistique comparée des expressions figées, en détaillant les noms composés et les différentes locutions (verbales, adjectivales etc.) et en intégrant la dimension rhétorique, notamment les métaphores. Pour finir, après une mise au point générale sur la traduction, on examine les problèmes d'interprétation et les différentes solutions de traduction des expressions figées dans les deux sens, entre français et BCMSThis thesis makes a comparison between the idioms of the BCMS languages (Bosnian, Croatian, Montenegrin, Serbian) on the one side, and the French language on the other, in the domain of translation.In the first segment, the study begins with the definition of idioms and the criteria for fixation. After the explanation of differences among BCMS languages, we present the corpus of idioms in BCMS and in French, with their distribution within different cultural domains, while distinguishing among three types of idiomatic expressions: literal, transparent, and opaque.The second part is devoted to the comparative analysis of idioms in BCMS and French. It begins with a record of their different origins, after which we examine the cultural foundations of expressions, depending on different domains. We develop a comparative linguistic analysis of idioms, giving details on various compound names and phrases (verbal, adjectival, etc.), and integrating the rhetorical dimension, including metaphors. Finally, after an overall focus on translating, we examine issues found in interpretation and translation solutions for different idioms between French and BCMS
9
AL, Smadi Adnan. "La polysémie des expressions figées : étude traductologique du français à l'arabe." Caen, 2007. http://www.theses.fr/2007CAEN1483.
Full textAbstract:
Ce travail est une réflexion sur les problèmes liés à la traduction des expressions figées. La présence de la polysémie, ou son absence, est un inconstestable baromètre de l'ouverture ou de la fermeture des interprétations, par conséquent de la richesse ou de la pauvreté des compréhensions. Notre travail est organisé en deux parties complémentaires : l'une théorique, l'autre pratique. Après avoir fait un tour d'horizon du phénomène de la polysémie, du figement des expressions figées, et des théories de la traduction (humaine), nous avons dégagé les problèmes inhérents à ces domaines. Pour ce faire, une synthèse des travaux entrepris, en rapport avec le phénomène (portant sur la polysémie ou les notions qui lui sont apparentées) et l'étude de son économie dans les mécanismes sémantiques, générant le sens et la description de son traitement lexicographique, sont nécessaires pour mettre au premier plan ses propriétés et dresser une typologie de ses configurations. Une recherche spécifique dans le domaine de la phraséologie et du matériel lexicographique disponible, ainsi qu'une mise au point conceptuelle et terminologique du domaine linguistique étudié, et notamment de la notion d'expression figée, est indispensable. Différentes positions théoriques sur la traduction des expressions figées font également l'objet de l'analyse, l'accent étant mis sur les concepts fondamentaux de la traduction : forme, sens , effet, équivalence. La seconde partie de la thèse est conscrée à l'étude de la traduction de notre corpus d'expressions figées, sous l'angle, notamment, de la différence entre corpus lexicographique( les expressions du corpus, telles qu'elles se trouvent dans les sources lexicographiques dépouillées), et corpus textuel (les expressions dans leur usage effectif dans la parole). La comparaison entre les propositions des différents dictionnaires s'est avérée fructueuse. Nous nous sommes particulièrement attachés à examiner le rôle du contexte dans la traduction des expressions figées. Cela nous a amené à considérer les énoncés journalistiques sélectionnés en fonction des deux rôles joués par le contexte, a savoir : le contexte comme filtre, le contexte comme membrane.
10
Kajo, Koussay. "Les expressions figées en arabe et en français dans une perspective traductologique." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2033.
Full textAbstract:
L’expression figée représente une entité problématique aussi bien au niveau notionnel et phraséologique qu’au niveau traductologique. La présente étude, qui porte sur le français et sa traduction en arabe, a pour objectif de mieux définir cette entité en essayant d’en tracer les limites et d’en identifier les caractéristiques inhérentes.Ainsi, dans un premier temps, nous abordons la question de deux points de vue, sémanticosyntaxique et cognitif, tout en soumettant les axiomes de base de nos définitions à un examen approfondi pour en vérifier la pertinence. Puis, nous tentons de proposer, au vu des résultats obtenus, une définition pertinente autant que faire se peut.Nous traitons ensuite du figement sous un angle traductologique, en nous fixant comme objectif d’élaborer une méthode de traduction des expressions figées œuvrant sur les deux niveaux sémantique et stylistique, méthode qui pourrait servir de support éclaircissant les points capitaux à prendre en considération dans l’opération traduisante et tiendrait compte des inconvénients et défauts qui peuvent s’y manifesterFixed expressions are a problematic entity at both levels: at notional-phraseological level and at translatological level. The purpose of this study, which focuses on French and its translation into Arabic, is to delimit this entity by attempting to delimit its boundaries and to attribute to its inherent defining characteristics.Thus, at first, we approach the question from two points of view, semantico-syntactical and cognitive while subjecting the basic axioms of our definitions to an in-depth examination in order to verify its relevance.Then, we will deal with set expressions from a translatological point of view, with the aim of developing a method of translating fixed expressions working on both semantic and stylistic levels.This method could serve as a support clarifying the crucial points to be taken into consideration in the translating operation and would take into account the disadvantages and defects that can be manifested therein
Books on the topic "Les expressions figées"
1
Gross, Gaston. Les expressions figées en français: Noms composés et autres locutions. Paris: Ophrys, 1996.
Find full text
2
Trokhimenko, Olga V. Wie ein Elefant im Porzellanladen: Zur Weltgeschichte einer Redensart. Burlington, Vt: University of Vermont, 1999.
Find full text
6
Germa, Pierre. Dictionnaire des expressions toutes faites. Montréal: Libre expression, 1987.
Find full text
10
Ranganath, Rangi. American humor, slang and expressions. Bedforshire, England: Authors OnLine Ltd, 2010.
Find full textBook chapters on the topic "Les expressions figées"
1
Klein, Jean René, and Béatrice Lamiroy. "Les expressions figées du français de Belgique." In Lingvisticæ Investigationes Supplementa, 37. Amsterdam: John Benjamins Publishing Company, 1995. http://dx.doi.org/10.1075/lis.17.04kle.
Full text
2
Sabban, Annette. "14. Le traducteur face aux expressions figées." In Manuel de traductologie, edited by Jörn Albrecht and René Métrich, 295–315. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783110313550-016.
Full text
3
Seghour, Ahlem. "Les expressions figées, entre mobilité et brassage des cultures." In Fraseología, Diatopía y Traducción / Phraseology, Diatopic Variation and Translation, 229–42. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/ivitra.17.12seg.
Full text
4
Schönfeld, Christiane, and Ulf Strohmayer. "Bridging Gaps; Building Bridges: Figures of Speech, Symbolic Expression, and Pedagogy." In Spatiality and Symbolic Expression, 59–86. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137488510_4.
Full text
5
Schapira, Charlotte. "Les locutions expressives figées en français et en roumain." In Actas del XXVI Congreso Internacional de Lingüística y Filología Románica, edited by Emili Casanova and Cesáreo Calvo, 363–74. Berlin, Boston: DE GRUYTER, 2013. http://dx.doi.org/10.1515/9783110299939.363.
Full text
6
Achour Benallegue, Amel, Jérôme Pelletier, and Gwenaël Kaminski. "Aesthetic Impact of Anthropomorphic Figures in Art: The Case of Facial Expressions." In Aesthetics and Neuroscience, 55–80. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46233-2_5.
Full text
7
Marmo, Costantino. "De virtute sermonis/verborum. L’autonomie du texte dans le traitement des expressions figurées ou multiples." In Le pouvoir des mots au Moyen Âge, 49–69. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.bhcma_eb.1.101895.
Full text
8
Esperança-Rodier, Emmanuelle. "Analyse de la qualité des traductions automatiques du français vers l’anglais, d’Expressions Poly-Lexicales (EPL) à partir d’un corpus parallèle." In Lexique(s) et genre(s) textuel(s) : approches sur corpus, 311–24. Editions des archives contemporaines, 2020. http://dx.doi.org/10.17184/eac.2926.
Full textAbstract:
Cette étude s’attache à évaluer la qualité d’un système de traduction probabiliste état de l’art, LIG-Moses (Potet, 2010), du français vers l’anglais, de la traduction d’expressions poly-lexicales, décrites selon Tutin et al. (2015), dans un document technique, à l’aide de la typologie d’erreurs de Vilar et al. (2006). Nous nous attachons à montrer si l’outil est utilisable par des apprenants pour la traduction d’EPL. De plus, les travaux de Hamilton (2015) ont montré que sur un corpus d’apprenants de L2, pour les erreurs d’acceptabilité textuelle, les erreurs de mise en phrase (i.e locutions figées, expressions idiomatiques, locutions semi-figée, collocations et unités multi-mots, ce qui correspond à la notion d’EPL que nous adoptons dans cet article) ont la plus haute fréquence soit 25,58%. Il s’agit donc d’étudier les types d’erreurs commis par l’outil de Traduction Automatique lors de la traduction d’EPL afin de guider les apprenants sur le choix de l’outil étudié pour la traduction d’EPL en fonction de leur niveau de connaissance de la langue. Après avoir décrit les différents éléments de notre étude, nous montrons que bien que traduites correctement à hauteur de 80%, les EPL qui n’ont pas été traduites correctement ne peuvent être corrigées que par des apprenants ayant un bon niveau de compétence dans la langue cible et une bonne connaissance du domaine du document.
9
"List of figures." In German Expressionism. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526121639.00004.
Full text
10
"Figures and Tables." In Expressing Islam, vii—viii. ISEAS Publishing, 2008. http://dx.doi.org/10.1355/9789812308528-001.
Full textConference papers on the topic "Les expressions figées"
1
Ishihara, Yoshihisa, Kazuki Kobayashi, and Seiji Yamada. "Behavioral Expression Design onto Manufactured Figures." In HAI '16: The Fourth International Conference on Human Agent Interaction. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2974804.2980484.
Full text
2
Ishihara, Yoshihisa, and Kazuki Kobayashi. "Projection mapping of behavioral expressions onto manufactured figures for speech interaction." In 2017 26th IEEE International Symposium on Robot and Human Interactive Communication (RO-MAN). IEEE, 2017. http://dx.doi.org/10.1109/roman.2017.8172273.
Full text
3
Goonko, A. V., D. P. Belykh, and G. V. Seroklinov. "The program for calculation of the areas of any form figures with possibility of input and editing of arithmetic expressions." In 2014 12th International Conference on Actual Problems of Electronics Instrument Engineering (APEIE). IEEE, 2014. http://dx.doi.org/10.1109/apeie.2014.7040808.
Full text
4
Taylor, Stephen. "From Program Music to Sonification: Representation and the Evolution of Music and Language." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.060.
Full textAbstract:
Research into the origins of music and language can shed new light on musical representation, including program music and more recent incarnations such as data sonification. Although sonification and program music have different aims — one scientific explication, the other artistic expression — similar techniques, relying on human and animal biology, cognition, and culture, underlie both. Examples include Western composers such as Beethoven and Berlioz, to more recent figures like Messiaen, Stockhausen and Tom Johnson, as well as music theory, semiotics, biology, and data sonifications by myself and others. The common thread connecting these diverse examples is the use of human musicality, in the bio- musicological sense, for representation. Links between musicality and representation — dimensions like high/low, long/short, near/far, etc., bridging the real and abstract — can prove useful for researchers, sound designers, and composers.
5
Tian, Xiao, Hong Zhang, Qingquan Duan, and Yafeng Ji. "Establishment and Application of Fatigue Life Prediction Models for Coiled Tubing." In ASME 2015 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/pvp2015-45130.
Full textAbstract:
Coiled tubing (CT) technology has been developing in recent years. Analyzing the factors that affect CT fatigue life and getting a more accurate life prediction are of great significance. The work process of CT is one that goes through large deformation and multi-axial low-cycle fatigue, which suggests that the strain-life method should be used. Considering tri-axial strain state, this paper uses finite element software to fit the expression of strains in three directions so as to get equivalent strain. This paper also carries out tensile and fatigue experiments to get necessary fatigue parameters for calculating CT life. Comparing to the experiment results, the error is within 10%, which is considered to be acceptable. Based on the life prediction model above and field information, the software for predicting CT life is developed, through which the operators can store and recall data as well as export and print figures and tables. Besides, one can predict CT residual life before each operation and it shows the distribution of damage along the tube, providing basis for CT removal and repair.
6
Furukawa, Masao. "Thermal Design Analysis of a Space Solar Power System Module." In ASME 7th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2004. http://dx.doi.org/10.1115/esda2004-58026.
Full textAbstract:
A theoretical analysis has been made to examine feasibilities of a proposed Space Solar Power System module in thermal aspects. Analyzed first is the system thermal balance. Obtained analysis results are normalized by the electromagnetic transmitting power to express the specific cold plate area, the specific radiator area, and the specific heat rejection. Equations for the cold plate design are derived from relations describing the boiling heat transfer and the two-phase heat transport in a modeled evaporator. Solutions are arranged to determine the equivalent hydraulic diameter and the heat transfer surface are density. Equations governing the radial heat transfer, the axial heat transport, and the heat rejection are solved to give the total condenser length and the dimensionless active surface area of a condensing radiator. A fluid loop pressure loss model and a system mass breakdown model are also presented. All the expressions and models are coded to form a computer program available to parametric design studies. Computations have been done with the solar concentration ratio and the cell base plate temperature as main parameters of interest. Numerical results are graphically shown in the figures to contribute to design practices of a 100 kW power module composed of equally sized seven submodules.
7
Mukai, Hibiki. "An Interactive and Digital Puppeteering Interface for new musical expression (IDPI)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.115.
Full textAbstract:
Puppetry is the oldest form of the virtual reality and has a strong tradition as a theatrical art. The aim of this research project is to create digital puppeteering system which translates gestural acts into live and expressive control of virtual 3D models including in real-time 3D sound. I will devise a model of practice that extends our understanding and notion of the digital puppet. It seeks to establish new practical and conceptual relations between the puppet and new technologies in the framework of puppet theatre. The practical aim is to focus on the special spirit of animated 3D models and silhouettes and to contribute to cultural preservation and fixing of the tradition(s) of puppet theatre. This project will explore the potential of puppetry as a musical expressive medium by new media, including the sensor, 3D sound system, digital projection, and 3D simulation. The conceptual aim of the project is to integrate traditional and new forms of puppetry through different interfaces that will advance traditional forms of cultural expressions. This project focuses on analogies and differences between different puppet theatre traditions. A key aspect is the relationship between the Western puppetry and the Eastern puppetry traditions, and the impact of the resulting cross- cultural dialogue in dramatic performances with figures. In seeking to identify the potential effects of digital puppetry, I will obtain a new vocabulary for gestural musical performance and can develop guidelines that can be used for future creative theatrical practice in the field of digital puppetry. The aim of my research project is to design an interactive digital puppetry system which is sensitive to gestural acts of puppeteers and enriches the performances as a musical expressive medium on its own right. Such a system will serve creative possibilities using digitalisations of old forms by puppet restoration and preserving its instructions. Through analyses of European and Japanese traditional puppet theatres, I will achieve a new cross-cultural form of puppetry. Thus, I investigate how acts and music of puppetry can be restored from not only actual traditional. puppet theatre, but also archives and documents, then performed and remediated with digital performance technology. Furthermore, my investigation includes in transitioning layers between old and new media — objects of puppet theatre and digital simulation – alternative action and transformation. I believe that the digital re-presentation of traditional puppetry is one of the most efficient and effective ways to impart to later generations and also to revitalise the arts of puppet theatres. An orientation toward new medias will enable me to explore 'tradition' and the puppet as a technological media object. Through my digital practice and an encounter with old, lost, forgotten puppet theatre, I set out to create something new.
8
Furukawa, Masao. "Specific Performance Calculations of Two Types of Space Solar Power Systems." In ASME 8th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2006. http://dx.doi.org/10.1115/esda2006-95107.
Full textAbstract:
Space solar power systems (SSPSs) lately planned in Japan are introduced with a result of conceptual design studies. Solar energy collected in orbit is converted into electrical energy and is transmitted to the Earth by way of microwaves or lasers. Systems of our concern are thereby Microwave-based SSPS (MSSPS) and Laser-based SSPS (LSSPS). The MSSPS basically consists of solar concentrators and a disk-like power module with I- or Y-shaped radiator. The power module is one-sidedly coated with solar cells and is internally loaded with magnetrons. The LSSPS is composed of a sun-oriented parabolic mirror and a planar radiator put on the focal line, where an array of laser devices are set up. For any of the two, system feasibilities critically depend on possibilities of size/mass reduction and heat rejection. Radiative heat transfer/exchange analyses are made considering the system thermal balance. Analysis results are written in fractional form upon the specified transmission power P. The required area A and the resulted mass M are thus simply calculated from the specific area a and the specific mass m, respectively defined as A/P and M/P. All such performance indices concerning the concentrator/mirror, the generator, the radiator, and the system are expressed in algebraic form suited to numerical computations. Empirically obtained polynomial expressions are presented to determine the cell/magnetron/laser efficiencies from the specified temperature because the system size may be highly temperature-dependent. Performance calculations have been parametrically done with various combinations of the reference temperature and the concentration ratio. Obtained numerical results are graphically shown in the figures to indicate specific system/subsystem area/mass values. Such specific values are submitted to quantitative discussion in two demonstrative design cases. Design objects are then a low-earth orbiting MSSPS of 100 kW class and a geostationary-orbiting LSSPS of 1 MW class. System feasibilities of the two are mainly examined from thermal and configurational points of view.
9
De Marco, Paolo, and Antonino Margagliotta. "La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà. *** The construction of language in the Sciacca popular Theatre by Giuseppe and Alberto Samonà." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7580.
Full textAbstract:
El Teatro popular de Sciacca de Giuseppe Samonà y su hijo Alberto –dos importantes guras de la arquitectura italiana– es una de las más significativas obras italianas de la segunda mitad del siglo XX. Inaugurado en 2015, después de una larga construcción de cuarenta años, el teatro tiene una original implantación con doble sala; está compuesto por tres grandes volúmenes (un paralelepípedo, un cono y una pirámide) y expresa una arquitectura de la imagen, una idea de un espacio determinado por formas puras y del uso de un único material (el hormigón visto). El uso de tres formas arquetípicas es una vuelta a los orígenes, una idea casi clásica y racional de la arquitectura; al mismo tiempo es la evocación de una perfección arcaica. Para esta idea es fundamental el empleo del hormigón, conceptualmente entendido como material primordial, que participa en la expresión de estabilidad y duración. El edificio se convierte en icono y se inserta en el paisaje como un monumento. En este sentido, esta arquitectura es un homenaje a Le Corbusier, construida a través de la interpretación del lenguaje del gran maestro. El Teatro de Sciacca representa, probablemente, el más notable ejemplo de arquitectura le corbuseriana en Italia.***The Sciacca Popular Theatre by Giuseppe Samonà and his son Alberto - two important figures of Italian architecture - is one of the most significant Italian building of the second half of the 20th century. Inaugurated in 2015, after a forty years long construction, the building has an original layout with two auditoriums; composed by three big volumes (a parallelepiped, a cone and a pyramid) and expresses an architecture of image, an idea of space determined by pure forms and using a single material (the raw concrete). The use of three archetypal forms is a return to the origin, an idea al- most classical and rational of architecture; at the same time is the evocation of an archaic perfection. Within this context, the use of raw concrete is also fundamental. Understood as primitive material, it participates to the expression of stability and durability across the building. As a result, the building is converted to an icon that sits in the landscape like a monument. In this sense, this architecture is a tribute to Le Corbusier, built through the interpretation of the great master language. The Sciacca Theatre represents, probably, the most remarkable example of architecture by Le Corbusier in Italy.
Reports on the topic "Les expressions figées"
1
Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
Full textAbstract:
The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.