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Journal articles on the topic 'Les Glòries'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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1

Chiappini, María Cecilia, Kris Scheerlinck, and Yves Schoonjans. "Power practices around infrastructures in Glòries, Barcelona." Archnet-IJAR: International Journal of Architectural Research 13, no. 3 (2019): 517–39. http://dx.doi.org/10.1108/arch-03-2019-0058.

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Purpose The purpose of this paper is to investigate ways of practicing political power in public space in the interaction between central and marginal users in Glòries, an area under transformation in Barcelona. Originally conceived as the core of its extension, Glòries is now a battle field where conflictive spatial-social manifestations are strongly linked to pending conditions and partially implemented infrastructural projects. The key actors are in large majority illegal migrants, which activities and spatial strategies are particularly uncomfortable for city administrators; challenging the traditional focus on actors that are stable and institutionalized, included and previewed by the tools for urban projects implementation. Design/methodology/approach To achieve insights on urban spatial articulations of appropriations by marginal actors around infrastructures, the method deployed is to look closely at the interplays between persecuted and persecutors and their ways of practicing power in space in the frame of the illegal street markets in Glòries. This is part of an ongoing PhD research on the complexity of involved processes. The research is executed in diverse work packages: mapping of material transformations (morphology, domain, accessibility and permeability), in diverse timeframes; surrounding functions and temporal fixities, appropriations catalysts; media presences and discussions; crossed references with immersive field work and exchange with locals. Findings A broad variety of illegal street markets have been monitored in Glòries, revealing an increase in scale, frequency and levels of tension. Around them, their dynamic properties can be extracted and measured: spatial configurations, sizes, timeframes, number of traders/visitors, the relation to other elements, the strategies of displaying, displacing and dispersing used by the police. In all, the relationship with the infrastructural elements shows crucial and a better understanding of their relations constitutes a path to understand how both infrastructures and collective behavior contribute to dynamic productive and power logics in space. Originality/value This research and case study are an outstanding framework to explore the concrete spatial interactions and interplays of different power or territorialization processes, i.e. the strategies to denote presence and agency – in novel ways. Focusing on their spatial outcomes in contemporary transformation processes where infrastructures are dominant components is a way to inform the design, practice and implementation of city project and management.
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2

Ballester, Cristina Ros. "From square to park: In search of centrality for Les Glòries in Barcelona." Journal of Landscape Architecture 16, no. 1 (2021): 34–51. http://dx.doi.org/10.1080/18626033.2021.1948189.

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3

Botey i Bassols, Joan, Enric Vàzquez-Suñé, Michele Crosetto, Anna Barra, and Pierre Gerard. "D-InSAR monitoring of ground deformation related to the dewatering of construction sites. A case study of Glòries Square, Barcelona." Engineering Geology 286 (June 2021): 106041. http://dx.doi.org/10.1016/j.enggeo.2021.106041.

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4

Soler, Abel. "Ressenya a Glòria Sabaté Marín, Més enllà de la cort: els lectors potencials del «Curial e Güelfa», Alacant, Universitat d’Alacant, 2019." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 16 (December 13, 2020): 454. http://dx.doi.org/10.7203/scripta.16.19268.

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Ressenya a Glòria Sabaté i Marín, Més enllà de la cort: els lectors potencials del «Curial e Güelfa», Alacant: Universitat d’Alacant, 2019, 226 pp.,-ISBN: 978-84-09-08273-5 Review to Glòria Sabaté i Marín, Més enllà de la cort: els lectors potencials del «Curial e Güelfa», Alacant: Universitat d’Alacant, 2019, 226 pp.,-ISBN: 978-84-09-08273-5
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5

Rigobon, Patrizio. "Incerta glòria di Joan Sales tra filologia, storia e traduzione." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 5, no. 5 (2015): 281. http://dx.doi.org/10.7203/scripta.5.6395.

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Riassunto: In questo saggio si fa una riflessione sull’opera di Joan Sales Incerta glòria e particolarmente si vede le conessione tra filologia, storia e traduzione.Parole chiave: Joan Sales, Incerta gloria, traduzione, storia, filologiaAbstract: This article makes a reflection on the work of Joan Sales, Incerta glòria, and it particularly affects the connection between philology, history and translation.Keywords: Joan Sales, Incerta gloria, philology, history translation
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6

Llinares Planells, Àlex. "Ressenya a a Rafael Roca, El sol de nostra glòria. La germanor cultural valencianocatalana a través d’un epistolari inèdit de Teodor Llorente (1865-1910), Alacant, 2018." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 14 (December 26, 2019): 389. http://dx.doi.org/10.7203/scripta.0.16382.

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Ressenya a Rafael Roca, El sol de nostra glòria. La germanor cultural valencianocatalana a través d’un epistolari inèdit de Teodor Llorente (1865-1910), Alacant, Institut Alacantí de Cultura «Juan Gil-Albert», 2018, 156 pp. ISBN: 978-84-7784-789-2 Review to Rafael Roca, El sol de nostra glòria. La germanor cultural valencianocatalana a través d’un epistolari inèdit de Teodor Llorente (1865-1910), Alacant, Institut Alacantí de Cultura «Juan Gil-Albert», 2018, 156 pp., ISBN: 978-84-7784-789-2
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7

Simbor Roig, Vicent. "Rafael Roca, «El sol de nostra glòria. La germanor cultural valencianocatalana a través d’un epistolari inèdit de Teodor Llorente (1865-1910)», Alacant, Institut Alacantí de Cultura Juan Gil-Albert, 2018, 156 p." Caplletra. Revista Internacional de Filologia, no. 69 (October 7, 2020): 273. http://dx.doi.org/10.7203/caplletra.69.17279.

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Ressenya sobre el llibre de Rafael Roca, El sol de nostra glòria. La germanor cultural valencianocatalana a través d’un epistolari inèdit de Teodor Llorente (1865-1910), Alacant, Institut Alacantí de Cultura Juan Gil-Albert, 2018, 156 p., ISBN: 978-84-7784-789-2.
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8

Picazo, Gloria. "Ediciones de artista: la edición expandida y los retos de cómo exponerla." Revista SOBRE 3 (June 29, 2017): 104–10. http://dx.doi.org/10.30827/5598.

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La difusión y presentación de ediciones de artista en museos y centros de arte es el planteamiento de Glòria Picazo en este texto. Parte de su experiencia sobre este tema, conseguida como directora del Centre d’Art la Panera de Lleida. En este trabajo se analizan exposiciones y proyectos editoriales centrados en las ediciones de artista, en su producción, exhibición y difusión, como los de Francesc Ruiz, Ana García Pineda, Fito Conesa o el proyecto La Panera on line, en el que distintos comisarios presentan en vídeo una selección de publicaciones que pertenecen a los fondos del Centro de Documentación de La Panera.
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9

Cornellà-Detrell, Jordi. "The undercurrents of history: spies, traumas, homicidal somnambulism and conspiracy theories in Joan Sales’Incerta glòria1." Journal of Iberian and Latin American Studies 15, no. 2-3 (2009): 107–24. http://dx.doi.org/10.1080/14701840903471524.

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10

Rodríguez González, María Isabel. "María Rosa López Llebot, Glòria López Llebot. Juguemos en clase: materiales para dinamizar la clase de español. Madrid: Edinumen, 2002." Estudios Humanísticos. Filología, no. 25 (December 15, 2003): 269. http://dx.doi.org/10.18002/ehf.v0i25.4606.

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11

Rodríguez González, María Isabel. "Glòria López Llebot, María Rosa López Llebot. Juguemos con palabras: actividades lúdicas para la práctica del vocabulario. Madrid: Edinumen, 2001." Estudios Humanísticos. Filología, no. 25 (December 15, 2003): 270. http://dx.doi.org/10.18002/ehf.v0i25.4607.

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12

Batllosera, Pau Cañigueral. "La sentimentalització de Dante a la poesia cortesana del segle XV: La Glòria d’amor de fra Bernat Hug de Rocabertí i l’Infierno de los enamorados del marquès de Santillana." La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 45, no. 1 (2016): 9–36. http://dx.doi.org/10.1353/cor.2016.0020.

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13

Ortiz García, José A. "La poètica de la mort en la poesia catalana dels segles XVII i XVIII." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 10 (December 6, 2017): 171. http://dx.doi.org/10.7203/scripta.10.11080.

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Resum: L’objectiu d’aquest estudi és proposar una visió sobre el tòpic de la mort en la poesia catalana pels segles XVII i XVIII. El punt central és la projecció pública de les composicions poètiques, tot apropant-nos a la literatura des d’un punt de vista cultural per presentar certs aspectes d’un tema clau en l’art barroc: el final de la vida. La primera part del text introdueix dos dels escriptors del barroc català, Francesc Fontanella i Agustí Eura. La segona secció recerca l’ús de la poesia catalana en les exèquies reials al voltant de la figura del monarca hispànic Carles II. Un cop presentades públicament les poesies en 1701, les edicions impreses són les que ens permeten una lectura contemporània. Publicacions d’altres gèneres poètics són la darrera part de l’article. Els Desenganys de l’Apocalipsi és una coneguda obra barrejant poesia i imatges amb una vessant didàctica per explicar el purgatori, l’infern, la glòria i el paradís als fidels lectors. Paraules clau: mort, poesia, barroc, exèquies Abstract: The aim of this study is a global vision about the topic of death in Catalan poetry throughout the 17th and 18th centuries. Focusing on the public use of poetical compositions, we want to approach literature from a cultural point of view in order to present some aspects about a typical subject in baroque art: the end of life. The first part of the text introduces two main Catalan baroque writers, Francesc Fontanella and Agustí Eura. Moving to the second section, the paper researches the use of poetry in royal obsequies around the figure of the Spanish monarch Charles the Second. After the public presentation of the texts in 1701, the printed publication of them is how we can still read them. The printed copies for other kind of poetry creations is the last part of this article. Desenganys de l’Apocalipsi is a well-known text mixing poetry and images with a didactical purpose: to explain the Purgatory, the Hell, the Glory and the Heaven to faithful readers. Keywords: death, poetry, baroque, obsequies
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14

Ollé, Candela. "Las Glorias, un espacio en construcción." COMeIN, no. 40 (January 15, 2015). http://dx.doi.org/10.7238/c.n40.1501.

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Cultura e innovación se dan de la mano en la plaza de las Glòries de Barcelona. El Teatre Nacional de Catalunya (TNC), la torre Agbar, el Auditori, la Farinera del Clot, el nuevo mercado Encants, el distrito tecnológico 22@, la Biblioteca Josep Benet y recientemente el Museu del Disseny. Una parte de la ciudad que está en pleno proceso de transformación, con edificios que no te dejan indiferente por su arquitectura y otros por ser relevantes en la agenda cultural.
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15

Kaiponen, Pälvi, and Jarmo Saarti. "KIRJASTOT VÄYLÄNÄ KOHTI AVOINTA JA TASA-ARVOISTA TIEDETTÄ: Terveisiä LIBER- ja IFLA-konferensseista." Signum 51, no. 3 (2019). http://dx.doi.org/10.25033/sig.86981.

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LIBER piti vuosikokouksensa kesäkuussa Dublinissa ja IFLA kutsui kirjastoalan elokuussa helteiseen Ateenaan. Molemmissa teemoina toistuivat avoin tiede sekä totuutta ja tietoa vaarantavat uhat. Esillä oli myös tarve uskaltaa: Teemaa tiivisti osuvasti IFLA:n puheenjohtaja Glòria Pérez-Salmerónin sanat: ”Älkää arastelko, olkaa rohkeita”.
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16

Gregori Soldevila, Carme. "Els fonaments de la ironia caldersiana: «La Glòria del doctor Larén»." Caplletra. Revista Internacional de Filologia, no. 60 (May 25, 2016). http://dx.doi.org/10.7203/caplletra.60.7939.

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17

García Morales, Verónica Yazmín. "Reseña de: Poyatos, Glòria, Maleno, Helena, Carrión, Lydiette, Simón, Patricia y García, Mónica. TODAS. Crónicas de la violencia contra las mujeres. Libros.com, 2018." Feminismo/s, no. 31 (2018). http://dx.doi.org/10.14198/fem.2018.31.13.

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