Academic literature on the topic 'Lesbianism in literature'

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Journal articles on the topic "Lesbianism in literature"

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Huneke, Samuel Clowes. "Heterogeneous Persecution: Lesbianism and the Nazi State." Central European History 54, no. 2 (June 2021): 297–325. http://dx.doi.org/10.1017/s0008938920000795.

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AbstractIn recent years scholars have shown increasing interest in lesbianism under National Socialism. But because female homosexuality was never criminalized in Nazi Germany, excluding Austria, historians have few archival sources through which to recount this past. That lack of evidence has led to strikingly different interpretations in the scholarly literature, with some historians claiming lesbians were a persecuted group and others insisting they were not. This article presents three archival case studies, each of which epitomizes a different mode in the relationship between lesbians and the Nazi state. In presenting these cases, the article contextualizes them with twenty-seven other cases from the literature, arguing that these different modes illustrate why different women met with such radically different fates. In so doing, it attempts to bridge the divide in the scholarship, putting persecution and tolerance into a single frame of reference for understanding the lives of lesbians in the Third Reich.
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Wu, H. Laura. "THROUGH THE PRISM OF MALE WRITING: REPRESENTATION OF LESBIAN LOVE IN MING-QING LITERATURE." NAN NÜ 4, no. 1 (2002): 1–34. http://dx.doi.org/10.1163/156852602100402314.

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AbstractRepresentation of lesbian relations in Ming-Qing vernacular literature is foremost a male discourse. A close look into this discourse will help gauge the contemporary social stance, especially the male stance, towards lesbianism. This paper examines textual strategies and the narrative norm of portraying lesbian love and sex in twelve Ming-Qing texts. The normative pattern extracted from these texts suggests a consensus in the male position that favors suppression of lesbianism via trivializing or heterosexualizing passions and romance between women. Male writing on lesbianism thus seems to function as containment of homosexuality for the benefit of the institutions of heterosexual sex and marriage.
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Telela, Rosalee. "Lesbianism and Religion." Agenda, no. 25 (1995): 34. http://dx.doi.org/10.2307/4065845.

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TONGSON, KAREN. "Lesbian Aesthetics, Aestheticizing Lesbianism." Nineteenth-Century Literature 60, no. 3 (December 1, 2005): 281–90. http://dx.doi.org/10.1525/ncl.2005.60.3.281.

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WALKER, J. "Before the Name: Ovid's Deformulated Lesbianism." Comparative Literature 58, no. 3 (January 1, 2006): 205–22. http://dx.doi.org/10.1215/-58-3-205.

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Smith, Paul Julian. "70s Revival: Tusquets Replays Lesbianism." Bulletin of Hispanic Studies 79, no. 3 (September 2002): 337–43. http://dx.doi.org/10.3828/bhs.79.3.6.

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Moraga, Cherrie, and Barbara Smith. "Lesbian Literature: A Third World Feminist Perspective." Radical Teacher 100 (October 9, 2014): 92–96. http://dx.doi.org/10.5195/rt.2014.163.

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"A Baseline From Which to Build a Political Understanding: The Background and Goals of the Course."Barbara Smith: I'd taught Black women's literature, interdisciplinary courses on Black women and talked about Lesbianism as an "out" lesbian in my "Introduction to Women's Studies" courses, but I really wanted to do a Lesbian lit course. Lesbian literature had never been offered by the Women's Studies program at the University of Massachusetts in Boston, although the program is almost ten years old. There was a gay literature course that had been co-taught by a gay man and a lesbian, but its orientation was quite a bit different from what I had in mind.
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Jankowski, T. A. "The Renaissance of Lesbianism in Early Modern England." Modern Language Quarterly 65, no. 4 (December 1, 2004): 612–15. http://dx.doi.org/10.1215/00267929-65-4-612.

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Reed, Kay. "Listening to Themes in a Review of Psychoanalytic Literature About Lesbianism." Psychoanalytic Inquiry 22, no. 2 (June 2002): 229–58. http://dx.doi.org/10.1080/07351692209348985.

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Ramírez Olivares, Alicia V., and Jorge Luis Gallegos Vargas. "LETRAS LENCHAS: HACIA UN RECORRIDO HISTÓRICO DE LA LITERATURA LÉSBICA EN MÉXICO." RAUDEM. Revista de Estudios de las Mujeres 2 (May 22, 2017): 271. http://dx.doi.org/10.25115/raudem.v2i0.602.

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El discurso homoerótico en México se ha forjado en el último siglo a través de manifestaciones artísticas y medios de comunicación; en esta formulación, la literatura, a partir de los años ochenta, ha jugado un papel determinante para darle voz a aquellos que, gracias al discurso oficial, han sido silenciados. La lesboliteratura encontró en el siglo XIX, principios y mediados del XX, un espacio silenciado por prejuicios sociales, doble moral y rechazo inminente de la población que consideraba al no heterosexual como enfermo, rarito o desviado. Fue hasta los años ochenta, con la aparición de Amora (1989) de Rosamaría Roffiel, que las letras sáficas encontraron un espacio para ser contadas. El siguiente trabajo presenta sólo algunos de los libros más importantes que se han escrito de narrativa sáfica en México.Palabras clave: Lesbianismo, literatura, sáfico, homosexualidad, género. Letters Lenchas: Towards a Historical Tour of Lesbian Literature in Mexico Abstract: The homoerotic discourse in Mexico, has been built in the last century, through artistic and media events; in this formulation, literature from the eighties, has played a decisive role to give a voice to those who thanks to the official discourse have been silenced. In the nineteenth century, early and mid-twentieth century, lesboliterature found a place suffocated by social prejudice, double standards and imminent repulsion of the population, which considered the nonheterosexual as sick or deviant. It was not until the eighties, with the appearance of Amora (1989) of Rosamaría Roffiel, that the Sapphic lyrics found a place to develop. The following article introduces some of the most important books ever written in Sapphic narrative in Mexico.Key words: Lesbianism, literature, Sapphic, homosexuality, gender.
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Dissertations / Theses on the topic "Lesbianism in literature"

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Malek, Elska Ray. "Running away with the concubine, lesbianism and Larissa Lai's When fox is a thousand." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ58355.pdf.

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Steffensen, Jyanni. "Queering Freud : textual (re)configurations of lesbian desire and sexuality /." Title page, contents and abstract only, 1996. http://web4.library.adelaide.edu.au/theses/09PH/09phs8174.pdf.

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Weber, Susan G. "Undermining Heteronormativity in Kate Chopin’s The Awakening." Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1395238012.

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Rodriguez, de Rivera Itziar. "Mujeres de Papel: Figuras de la "Lesbiana" en la Literatura y Cultura Españolas, 1868-1936." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10604.

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Mujeres de papel examines the representation of female same-sex desire in Spanish literature and culture between 1868 and 1936, drawing on novels, popular sex manuals, sexological treatises, postcards, and illustrations. While scholars have productively attended to Post-Francoist literary and cinematographic expressions of non-normative sexualities, my dissertation sheds new light on its rich yet discontinuous prehistories. I argue that the figure of the “lesbian” is a convergence point for the ideas, beliefs and anxieties of Spanish modernity. From the will to know and categorize to erotic fantasies, the “lesbian” constitutes a pervasive yet unstable trope, which resists and at the same time motivates its definition and control. Chapter one analyzes Francisco de Sales Mayo’s 1869 La Condesita (Memorias de una doncella), a work halfway between a private diary, an erotic novel, and a medical treatise, which features a provocative case of female homosexuality. The next two chapters grapple with literary, (pseudo)scientific, and visual artifacts of the so-called “sicalipsis,” or erotic wave that inundated Spanish culture between the late 19th century and the 1930s. Works studied in these sections include novels by Rafael Cansinos-Assens, Álvaro Retana, Artemio Precioso, and Felipe Trigo, popular sex manuals by Vicente Suárez Casañ and Ángel Martín de Lucenay, and visual erotica. Chapter four turns to the fiction of Feminist writer Carmen de Burgos in conjunction with the theories on “intersexuality” formulated by Gregorio Marañon, Spain’s most renowned scientist and public intellectual of the 1920s.
Romance Languages and Literatures
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Waters, Sarah Ann. "Wolfskins and togas lesbian and gay historical fictions, 1870 to the present /." Thesis, Online version, 1995. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.393332.

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Wilkerson, Virginia Lee. "Vestiges of the vampire : rediscovering the monstrous in contemporary lesbian poetry." Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=201684.

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The majority of this thesis consists of my creative work in poetry, accompanied by researched information and concepts that serve to contextualize and illuminate the poems themselves and my creative process. Key areas of scholarship that underlie my poetry include the tropes and motifs of Gothic literature from the Romantic era to the present; the progression of women’s writing, particularly writing by women identifying as lesbian; and the conflation of female writers and characters with the concept of the ‘monstrous’ and transgressive. Also informing the two research chapters are some of the basic concepts about abjection and depression developed by philosopher and theorist Julia Kristeva. The collection of my poems contains both narrative and lyric poems. The final chapter, following on from my collection of sixty-eight poems, outlines my creative progress as I developed my particular poetic aesthetic. It is heavily informed by my growing acquaintance and comfort level with my own darkness and depression reflected in Gothic tropes, lesbian fiction, and aspects of Kristevan theory. The progression of my craft as a writer led me to strive for an effective expressive balance between the abstractions of the French Symbolists and Surrealists and a more ‘Imagistic’ focus on accurate, concrete imagery.
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Ashton, Kristina Anne Everton. "Willa Cather : male roles and self-definition in My Ántonia, The professor's house, and "Neighbor Rosicky" /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1597.pdf.

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Jerome, Collin. "Queer Melayu : queer sexualities and the politics of Malay identity and nationalism in contemporary Malaysian literature and culture." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39644/.

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This thesis examines Malay identity construction by focusing on the complex processes of self-identification among queer-identified Malays living in Malaysia and beyond. By analysing representations of queer Malays in the works of contemporary Malaysian Malay writers, scholars, and filmmakers, as well as queer Malays on the internet and in the diaspora, the thesis demonstrates how self-identifying gay, lesbian, bisexual, and transgendered Malays create and express their identities, and the ways in which hegemonic Malay culture, religion, and the state affect their creation and expression. This is especially true when queer-identified Malays are officially conflated with being “un-Malay” and “un-Islamic” because queer sexualities contravene Malay cultural and religious values. This thesis begins by discussing the politics of Malay identity, particularly the tension between “authority-defined” and “everyday-defined” notions of being Malay that opens up a space for queer-identified Malays to formulate narratives of Malayness marked by sexual difference. The thesis then discusses how queer-identified Malays specifically construct their identities via various strategies, including strategic renegotiations of ethnicity, religiosity, and queer sexuality, and selective reappropriations of local and western forms of queerness. The ways in which “gay Melayu” identity is a hybrid cultural construction, produced through transnational and transcultural interactions between local and western forms of gayness under current conditions of globalization is also examined, as well as the material articulation of queer narratives of Malayness and its diverse implications on queer-identified Malays' everyday lives and sense of belonging. The thesis concludes with a critical reflection on the possibilities and limitations of queerness in the context of queer Malay identity creation. Such reflection is crucial in thinking about the future directions for research on queerness and the politics of queer Malay identity. It is hoped that this study will show that queer-identified Malays reshape and transform received ideas about “Malayness” and “queerness” through their own invention of new and more nuanced ways of being “queer” and “Malay.” This study also fills up the lacunae in the scholarship on Malay identity and queer Malays by addressing the productions of Malay ethnicity and sexual identity among queer-identified Malays within and beyond Malaysia's borders.
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Malmberg, Sara. ""Det finns liksom lagar för vad man får tänka och känna." : Om lesbiskhet som problem och identitet i tre svenska ungdomsromaner." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37480.

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My intention with this essay is to analyze how lesbianism is described in Swedish youth literature. I have done a queer reading of three books written in the 2000’s to find out if lesbian love is described as a problem, and if it isn’t: what it causing problems in the novels? When reading the novels I have also observed how the environment and the characters themselves perceive lesbian identity. The novels I have chosen are Det händer nu by Sofia Nordin (2010), Som eld by Sara Lövestam (2015) and Du och jag, Marie Curie by Annika Ruth Persson (2003). To apply queer theory I have used several concepts, such as heteronormativity, coming out, shame and internalized homophobia, when analyzing the texts. The conclusion of my analysis is that one of the novels describes the lesbian love itself as a problem, while the other two are wider in their descriptions. Some characters are comfortable in their lesbian identity, while some are struggling with shame and coming out-issues. My final conclusion is that it is heteronormativity that is causing problems in the novels, not lesbianism.
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Nogueira, Nadia Cristina. "Lota Macedo e Elizabeth Bishop : amores e desencontros no Rio dos anos 1950-1960." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280584.

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Orientador: Luzia Margareth Rago
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-05T19:23:59Z (GMT). No. of bitstreams: 1 Nogueira_NadiaCristina_D.pdf: 1661949 bytes, checksum: d384fb2db77ad8270c93975efe941dff (MD5) Previous issue date: 2005
Resumo: Esta tese reflete sobre as condições subjetivas relativas à relação amorosa entre Lota Macedo Soares e Elizabeth Bishop, entendendo que elas foram capazes de inventar vínculos afetivos e sexuais fora dos espaços institucionais, como a família e a maternidade. No contexto dessa experiência, elas assumiram novas maneiras de relacionarem-se consigo mesmas e com o meio social no qual estavam inseridas. Considerado perversão, doença, associado à criminalidade, assim o homoerotismo feminino foi nomeado pelos discursos médico-legais. Neste trabalho, resgato a discussão sobre essas práticas, sublinhando a importância da sua desconstrução, por entender que esse pensamento conservador discriminou as mulheres envolvidas nessas relações. Ademais, aproximo-me dos estudos que tornaram visíveis a diversidade das experiências femininas, atentando para a divisão binária da sociedade sob a qual o sexo tornou-se uma evidência inquestionável apagando as múltiplas formas de manifestação do humano.
Abstract: This thesis reflects upon the subjective conditions regarding Lota Macedo Soares and Elizabeth Bishop?s love relationship, understanding that they were able to create affective and sexual ties outside institutionalized spaces such as family and maternity. Within this experience, they assumed new ways to relate with themselves as well as with the social environment in which they were inserted. Considered perversion, sickness, associated to criminality, so was the female homoerotism referred to by the legal-medical discourses. In this work, I rescue a discussion on these practices, underlining the importance of deconstruction, understanding that this conservative thinking discriminated women involved in this kind of relationship. Furthermore, I approach the studies that rescued the diversity of the female experience, noticing the social binary division under which sex became unquestionable evidence that erased the multiple forms of human manifestations.
Doutorado
Historia Cultural
Doutor em História
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Books on the topic "Lesbianism in literature"

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Björklund, Jenny. Lesbianism in Swedish Literature. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137364968.

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Terry, Castle, ed. The literature of lesbianism: A historical anthology from Ariosto to Stonewall. New York: Columbia University Press, 2003.

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Saphira, Miriam. New lesbian literature 1980-88. Auckland, N.Z: Papers Inc., 1988.

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Günther, Renate, and Wendy Michallat. Lesbian inscriptions in Francophone society and culture. Manchester, UK: Manchester University Press, 2011.

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Coffman, Christine E. Insane passions: Lesbianism and psychosis in literature and film. Middletown, CT: Wesleyan University Press, 2005.

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Bonnet, Marie-Jo. Qu'est-ce qu'une femme désire quand elle désire une femme? Paris: Odile Jacob, 2004.

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Gabriele, Griffin, ed. Outwrite: Lesbianism and popular culture. London: Pluto Press, 1993.

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Hoogland, Renée C. Lesbian configurations. New York: Columbia University Press, 1997.

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Tratnik, Suzana. Lezbična zgodba: Literarna konstrukcija seksualnosti. Ljubljana: Škuc, 2004.

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Maggiore, Dolores J. Lesbianism: An annotated bibliography and guide to the literature, 1976-1991. Metuchen, N.J: Scarecrow Press, 1992.

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Book chapters on the topic "Lesbianism in literature"

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Björklund, Jenny. "Introduction." In Lesbianism in Swedish Literature, 1–11. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137364968_1.

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Björklund, Jenny. "The Political Scene of Love." In Lesbianism in Swedish Literature, 13–55. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137364968_2.

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Björklund, Jenny. "Sexual Revolution?" In Lesbianism in Swedish Literature, 57–105. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137364968_3.

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Björklund, Jenny. "Challenging the Image of Sweden." In Lesbianism in Swedish Literature, 107–65. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137364968_4.

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Björklund, Jenny. "Conclusion: The Literary Discourse on Lesbianism." In Lesbianism in Swedish Literature, 167–74. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137364968_5.

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Gilhuly, Kate. "Lesbians are not from Lesbos 1." In Erotic Geographies in Ancient Greek Literature and Culture, 91–116. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315182667-6.

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Velasco, Sherry. "Listening to Lesbians in Early Modern Spain." In The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture, 584–600. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351108713-43.

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Danna, Daniela. "Beauty and the Beast: Lesbians in Literature and Sexual Science from the Nineteenth to the Twentieth Centuries." In Queer Italia, 117–32. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403982599_8.

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Carroll, Amy Sara. "Lesbianism-Poetry//Poetry-Lesbianism." In The Cambridge Companion to Lesbian Literature, 188–203. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781107284333.014.

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"‘As Purple to Lavender’: Alice Walker’s Womanist Representation of Lesbianism." In Literature and Homosexuality, 111–34. BRILL, 2000. http://dx.doi.org/10.1163/9789004483460_009.

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Conference papers on the topic "Lesbianism in literature"

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Ings, Welby. "Más allá de la Torre de Marfil: Investigación dirigida por la práctica e investigación posdisciplinaria." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.171.g319.

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Esta dirección considera las relaciones entre las prácticas profesionales y posdisciplinarias en lo que respecta a la investigación de diseño dirigida por la práctica. Cuando se ven a través de lentes territoriales, los artefactos y sistemas que desarrollan muchos diseñadores en las universidades pueden argumentarse como híbridos, porque atraen en su composición y contextos diversos campos disciplinarios. Desde el punto de vista procedimental, el discurso se mueve hacia afuera de una discusión sobre la manera en que las designaciones disciplinarias, que se originaron en la secularización de las universidades alemanas a principios del siglo XIX, se convirtieron en el modelo de cuanto conocimiento se procesa actualmente dentro de la academia. Luego, el artículo examina cómo estas demarcaciones de pensamiento, que incluían lenguas y literaturas no clásicas, ciencias sociales y naturales y tecnología, fueron interrumpidas en las décadas de 1970 y 1980 por disciplinas basadas en la identidad que crecieron dentro de las universidades. Estas incluían estudios de mujeres, lesbianas, gays y estudios étnicos. Sin embargo, de igual importancia durante este período fue la llegada de disciplinas profesionales como el diseño, el periodismo, la enfermería, la gestión empresarial y la hotelería. Es significativo que muchas de estas profesiones hayan traído consigo valores y procesos asociados con la investigación centrada en el usuario. Moldeados por la necesidad de responder rápida y eficazmente a las oportunidades, los profesionales estaban acostumbrados a aprovechar e integrar el conocimiento sin restricciones por la demarcación disciplinaria o profesional. Por ejemplo, si un estudio de diseño requería el aporte de un legislador gubernamental, un abogado de patentes y un ingeniero, estaba acostumbrado a trabajar de manera flexible con diversos ámbitos de conocimiento en la búsqueda de un resultado efectivo. Además, estas profesiones también empleaban diversas formas de indagación guiada por la práctica. Basados en altos niveles de experimentación situada, reflexión activa y conocimiento profesional aplicado, estos enfoques desafiaron muchas investigaciones y convenciones disciplinarias dentro de la academia. Aunque la investigación guiada por la práctica, argumentada como una forma de práctica posdisciplinar, es un concepto relativamente nuevo (Ings, 2019), puede asociarse con la observación de Wright, Embrick y Henke (2015, p. 271) de que “surgen estudios posdisciplinarios cuando los académicos se olvidan de las disciplinas y, si las ideas se pueden identificar con alguna en particular, se identifican con el aprendizaje más que con las disciplinas”. Darbellay va más allá. Para él, la posdisciplinariedad es un replanteamiento esencial del concepto de disciplina. Sugiere que, cuando los académicos se posicionan fuera de la idea de disciplinas, son capaces de “construir un nuevo espacio cognitivo en el que ya no se trata simplemente de abrir fronteras disciplinarias a través de grados de interacción/integración, sino de desafiar fundamentalmente el hecho evidente de la disciplina” (2016, p. 367). Estos autores sostienen que la posdisciplinariedad propone un replanteamiento profundo no solo del conocimiento, sino también de las estructuras que lo rodean y sustentan en las universidades. En el campo del diseño estos enfoques no son desconocidos. Para ilustrar cómo la investigación basada en la práctica en diseño puede operar como una investigación posdisciplinaria, este artículo emplea un estudio de caso del cortometraje Sparrow (2017). Al hacerlo, desvela la forma en que se recopiló, interpretó y sintetizó creativamente el conocimiento de dentro y más allá de los campos disciplinarios demarcados convencionalmente. Aquí, sin restricciones por demarcaciones disciplinarias, surgió un artefacto diseñado a través de una fusión de investigación que integró historia, medicina, desarrollo de software, políticas públicas, poesía, tipografía, ilustración y producción cinematográfica.
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