Academic literature on the topic 'Lesbianism on television. Television and politics. Television viewers'

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Journal articles on the topic "Lesbianism on television. Television and politics. Television viewers"

1

Bainbridge, Caroline. "Television as psychical object: Mad Men and the value of psychoanalysis for television scholarship." Critical Studies in Television: The International Journal of Television Studies 14, no. 3 (2019): 289–306. http://dx.doi.org/10.1177/1749602019851714.

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Claims that Mad Men (2007–2015) is an obedient post-feminist text overlook the drama’s images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness, the drama’s representations of second-wave feminism and a psychoanalytic understanding of mourning, I suggest that a return to psychoanalytic methodo
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Taylor, J. Benjamin. "The Educative Effects of Extreme Television Media." American Politics Research 45, no. 1 (2016): 3–32. http://dx.doi.org/10.1177/1532673x15600516.

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This article investigates whether exposure to extreme television media informs citizens about politics. Using lab experiments with both student and non-student samples, I find that extreme media produce higher levels of political knowledge and that they also produce higher levels of negative affect among viewers compared with control groups. I also show that extreme media are at least as informative as traditional news. This research adds to the growing literature on media effects in a polarized media environment, showing that extreme television media can have a beneficial impact on at least o
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Entman, Robert M. "Blacks in the News: Television, Modern Racism and Cultural Change." Journalism Quarterly 69, no. 2 (1992): 341–61. http://dx.doi.org/10.1177/107769909206900209.

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Local news may be one vehicle through which television helps, inadvertently, both to preserve and to transform cultural values. Content analysis on the evening news on four Chicago television stations over a lengthy period suggests local television responds to viewing tastes of black audiences. However, data on these Chicago television news programs suggest racism still may be indirectly encouraged by normal crime and political coverage that depict blacks, in crime, as more physically threatening and, in politics, as more demanding than comparable white activists or leaders. Ironically, widesp
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Young, Michael P. "Such Schadenfreude – Unpacking The Medley of Caustic Humor and Politics in Veep." AM Journal of Art and Media Studies, no. 20 (October 15, 2019): 61. http://dx.doi.org/10.25038/am.v0i20.327.

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This paper discusses the intersection of humor and politics from a media perspective, particularly through the lens of television aesthetics. As a growing branch of television studies, television aesthetics tends to refer to stylistic analysis but also, more rarely, to an interest in philosophical aesthetics as applied to television (Butler, 2010; Cardwell, 2013). I will focus on the genre of political satire and identify the critically acclaimed television series Veep (HBO, 2012 – present) as a program which exemplifies the expression and underlying values of a contemporary strain of aestheti
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Orozco, Guillermo, and Toby Miller. "Television in Latin America Is “Everywhere”: Not Dead, Not Dying, but Converging and Thriving." Media and Communication 4, no. 3 (2016): 99–108. http://dx.doi.org/10.17645/mac.v4i3.592.

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In Latin America, the now-venerable expression “the end of television” itself looks old, tired, and flawed: markets, cultures, politics, and policies alike find television more alive than ever, albeit in its usual state of technological, institutional, and textual flux. Advertising investment in TV continues to increase, governments still use television to promote generalized propaganda as well as their daily agendas, football on screen remains wildly popular, and fiction programs, most notably <em>telenovelas</em>, dominate prime time and draw large audiences aged between 25 and 6
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Elder, Catriona. "Framing stories of national belonging: the case of an historical adventure-romance television series." Media International Australia 174, no. 1 (2019): 72–85. http://dx.doi.org/10.1177/1329878x19882021.

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This article explores the role of Australian 1970s and 1980s ‘quality’ historical television series and miniseries in engaging national audiences in discussions about their national history. These programmes – which had a corollary in the United States in the same period – were ‘blockbusters’. But the historical miniseries of this period were not designed just to make money for the television networks, rather they had ‘designs’ on their viewers. What this set of programmes have in common is a sense of their important contribution to debates about what, who and why of nations and citizens. The
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Rich, B. Ruby. "Brokering Brokeback: Jokes, Backlashes, and Other Anxieties." Film Quarterly 60, no. 3 (2007): 44–48. http://dx.doi.org/10.1525/fq.2007.60.3.44.

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ABSTRACT This essay explores the reception of Brokeback Mountain by film critics, gay viewers, female audiences, television shows, and the blogosphere. By tracing the path of controversies, jokes, and anxieties, this essay argues that hysteria came into play to mask homophobia while, in the gay community, debates etched the limits of contemporary identity politics.
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Kallioniemi, Noora, and Sami Hantula. "Bailataan ankarasti!" Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 34, no. 2-3 (2021): 74–94. http://dx.doi.org/10.23994/lk.111162.

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Tarkastelemme uutisparodiaohjelma Frank Pappa Show’ta esimerkkinä 1990-luvun alun asiaviihteen ohjelmistosta, jota määrittävät uudenlainen faktan ja fiktion suhde sekä viihteellisen poliittisen julkisuuden syntyminen. Indieyhtiö Broadcasters Oy:n tuottama televisiosarja kommentoi ajantasaisesti lama-ajan murroksia, kuten piteneviä leipäjonoja ja kasvavaa työttömyyttä. Frank Pappa Show uudisti poliittisen viihteen kenttää nostamalla viimeisen asiallisuuden linnakkeen, uutiset, viihteen käytettäväksi ja totutti katsojat tulkitsemaan ironisia, satiirisia ja parodisia viestejä.Tämän kulttuurihisto
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DELMONT, MATT. "Buses from nowhere: television and anti-busing activism in 1970s urban America." Urban History 43, no. 4 (2016): 643. http://dx.doi.org/10.1017/s0963926815000887.

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ABSTRACT‘Busing’, in which students were transported by school buses to achieve court-ordered or voluntary school desegregation, became one of the nation's most controversial civil rights issues in the decades after Brown vs. Board of Education (1954). Focusing on Florida Governor Claude Kirk and Pontiac housewife activist Irene McCabe, this essay examines how busing opponents turned the conventions of television news – its emphasis on newsworthy events and crisis; its selective use of historical context; and its nominal political neutrality – to their advantage, staging television friendly pr
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Mutugi, Kabucua John, Nyakundi Nyamboga, and Nguri Matu. "Challenges Kenyan Television Journalists Face in Spotting Fake News." Journal of Development and Communication Studies 7, no. 1-2 (2020): 46–70. http://dx.doi.org/10.4314/jdcs.v7i1-2.4.

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A fake news story can travel half way across the world as the truth puts on its socks. There are myriads of challenges facing journalists in spotting fake news hence its wide proliferation. Fake news has become a prominent subject of enquiry especially following its alleged influence of the 2016 general elections in US. Unfortunately, research on fake news has focused on social media, politics, elections, and economies. Few studies have focused on the challenges that TV journalists face in spotting fake news prompting this study. The specific research question was; what are the challenges faci
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