Relevant bibliographies by topics / Lettering in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Lettering in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Lettering in art"

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Khoirotun Nisa, Cahya, and Susilawati Susilawati. "BIMBINGAN KARYA SENI DUA DIMENSI (LETTERING) UNTUK ANAK SEKOLAH DASAR." BAKTIMU : Jurnal Pengabdian Kepada Masyarakat 3, no. 4 (2023): 161–68. http://dx.doi.org/10.37874/bm.v3i4.1004.

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Kegiatan bimbingan seni dua dimensi, khususnya seni lettering, di SDN 1 Paniis, Kecamatan Pasawahan, Kabupaten Kuningan menghadirkan potret keberhasilan dalam mengenalkan seni kepada siswa sekolah dasar. Tujuannya adalah mengembangkan kreativitas dan rasa percaya diri siswa melalui seni lettering. Dari 29 peserta awal, 86,2% dari mereka berhasil menyelesaikan program ini. Melalui metode pelaksanaan yang berfokus pada pengenalan teknik lettering dan praktik langsung, siswa mampu menghasilkan karya-karya terbaik yang diukur berdasarkan antusiasme, rasa percaya diri, orisinalitas, kreativitas, da
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Rahman, Zulfian, Ikhsanudin Ikhsanudin, and Sudarsono Sudarsono. "Lettering as an Artistic Activity to Integrate English Creative Learning with Hands-On Activity." Journal of English as a Foreign Language Education (JEFLE) 3, no. 2 (2024): 27. http://dx.doi.org/10.26418/jefle.v3i2.60903.

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The English language is challenging. Learning material is in its current state, and sometimes does not promote creativity. Students are looking for fun ways to learn the language. Lettering is one of current art activities that provides both creativity and fun. Applying lettering to the English language requires a module, to make it work. Keyword: English creative learning
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Priya Aji, Rizky, and Taufik Murtono. "EKSISTENSI KOMUNITAS HANDLETTERING SURAKARYA DI SURAKARTA." CITRAWIRA : Journal of Advertising and Visual Communication 1, no. 2 (2021): 87–107. http://dx.doi.org/10.33153/citrawira.v1i2.3521.

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The existence of the Surakarya Handlettering Community in Surakarta. This community is a learning group to write handlettering art in Surakarta, which was formed in 2014, where currently dozens of members have joined who have creativity and expertise in the art of handlettering. This research uses descriptive qualitative method which aims to examine how the role of the Surakarya Community in the development of handlettering in Surakarta and how to develop the style and work of handlettering in Surakarta. Data analysis was carried out by interviewing several community members, direct observatio
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Luthfia, Azmi. "EFEKTIFITAS HAND LETTERING SEBAGAI MEDIA PROMOSI KESEHATAN REMAJA MENGENAI BAHAYA ROKOK (STUDI DI SMK PGRI 4 SURABAYA)." Indonesian Journal of Public Health 13, no. 1 (2019): 26. http://dx.doi.org/10.20473/ijph.v13i1.2018.26-37.

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Indonesia is a country with largest smoker in South East Asia. According to Riset Kesehatan Dasar (RISKESDAS) (2013), there is rising trends of cigarette smooking during three periods, especially in adolescents aged ≥15 years. Therefore it is necessary to take effort to prevent existence of it. Providing health promotion media in the form of hand lettering can be an alternative in providing effective information and education. Now days, Hand lettering is a popular art design for adolescents. This research was conducted on the students of class XI TKR SMK PGRI 4 Surabaya. The purpose of this st
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Струмінська, Т. В., О. Ю. Михайлюк, О. С. Слітюк, Г. В. Омельченко та Т. Ю. Дегтяр. "ПРИНТИ У СТИЛІ ПОП-АРТ ЯК ТВОРЧЕ ДЖЕРЕЛО ДЛЯ ПРОЕКТУВАННЯ СУЧАСНИХ КОЛЕКЦІЙ ОДЯГУ". Art and Design, № 2 (21 вересня 2020): 104–13. http://dx.doi.org/10.30857/2617-0272.2020.2.9.

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The purpose of the work is to determine the main art and compositional solutions of pop art prints of prints for further design of author's prints and the development of creative collections of modern women's clothing. To achieve this goal, special features, art and figurative features of pop art style prints were structured, a visual analytical and comparative analytical analysis of the collections of women's and men's clothing in the style of pop art for the spring-summer 2019 and 2020 seasons was carried out. Highlighted the characteristic compositional solutions of modern prints in the sty
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Babcock, Ellen. "Intersection:." Interdisciplinary Journal of Signage and Wayfinding 5, no. 2 (2021): 38–46. http://dx.doi.org/10.15763/issn.2470-9670.2021.v5.i2.a92.

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Old road signs, especially larger, sturdier ones whose support structures are still intact but whose vintage lettering and neon are either too decayed or too prob­lematically specific to preserve offer public art programs an opportunity to rethink three-dimensional public artworks as sites more akin to galleries than stand-alone, immutable works of genius. Valued artworks are still assumed to be the product of unique, individual perspectives, and detractors of public art often consider the genre a lesser form because it necessarily involves legal limitations, institutional approval and revisio
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Petrič, Jerneja. "Comic strip as literature : Art Spiegelman's Maus in Slovenian." Acta Neophilologica 42, no. 1-2 (2009): 69–81. http://dx.doi.org/10.4312/an.42.1-2.69-81.

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Until recently comic strips were predominantly categorized as either juvenile distraction or some odd adult enthusiasts' hobby. The genre experienced a minor revolution in the 1990s when on the one hand the mass visual media began to explore its rich potential whereas on the other hand the medium's ability to offer "tremendous resources to all writers and artists" (McCloud 212) came under scrntiny, prompting authors like Art Spiegelman to wage an experiment. His biographical Holocaust graphic novel MAUS l and II (1986, 1991) became a bestseller and Pulitzer Prize winner. The paper looks into i
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Malkiel, David. "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy." AJS Review 37, no. 2 (2013): 333–70. http://dx.doi.org/10.1017/s0364009413000299.

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The acculturation Ashkenazic Jews in Italy is the focus of the present discussion. By 1500 Jews had been living in Padua for centuries, but their cemeteries were destroyed in the 1509. Four cemeteries remained with over 1200 inscriptions between 1530–1860. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry's occasional poetry. The art and architecture of the tombstones are part and parcel of the Renaissance ambient, with the portals and heraldry characteristic of Pa
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Cao, Cindy, Shanna Sullivan, and Meghan Underhill-Blazey. "Creative Art Expression: Using Hand-Lettering Techniques to Reduce Stress and Anxiety in Patients With Cancer." Clinical Journal of Oncology Nursing 25, no. 1 (2021): 97–99. http://dx.doi.org/10.1188/21.cjon.97-99.

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Kelly, Jerry. "The Art of Lettering: The History, Anatomy, and Aesthetics of the Roman Letter Forms. Albert Kapr." Papers of the Bibliographical Society of America 79, no. 3 (1985): 448–50. http://dx.doi.org/10.1086/pbsa.79.3.24303670.

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Dissertations / Theses on the topic "Lettering in art"

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D\'Elboux, Jose Roberto. "Tipografia como elemento arquitetônico no Art Déco paulistano: uma investigação acerca do papel da tipografia como elemento ornamental e comunicativo na arquitetura da cidade de São Paulo entre os anos de 1928 a 1954." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-10092013-093443/.

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Esta dissertação tem como objetivo aprofundar o conhecimento sobre o uso da tipografia como elemento arquitetônico na cidade de São Paulo, particularmente em edificações de estilo Art Déco, de 1928 a 1954, demonstrando como a tipografia arquitetônica estabeleceu uma nova relação, não apenas limitada ao edifício em si, mas também com a paisagem urbana e seus habitantes, acompanhando os avanços das relações comerciais, da indústria da informação e do entretenimento durante esse período. A partir da seleção de uma amostra significativa de exemplares de tipografias arquitetônicas nominativas, foi
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Lewis, Mark E. "Color theory as applied to typographic letterforms /." Online version of thesis, 1988. http://hdl.handle.net/1850/11515.

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Laterza, Lucia. "The Presence of Words in Visual Art from Surrealism to Conceptualism." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7377/.

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Without a doubt, one of the biggest changes that affected XXth century art is the introduction of words into paintings and, in more recent years, in installations. For centuries, if words were part of a visual composition, they functioned as reference; strictly speaking, they were used as a guideline for a better perception of the subject represented. With the developments of the XXth century, words became a very important part of the visual composition, and sometimes embodied the composition itself. About this topic, American art critic and collector Russell Bowman wrote an interesting artic
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Viana, Wagner Leite. "Tipotretaletra: sobre arapucas, pesquisa, mukambus ou suportes." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21102016-094218/.

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As palavras no titulo desta tese \"Tipotretaletra\", se referem ao lugar da letra na pesquisa em poéticas na forma do trabalho escrito de cárater acadêmico. A treta por um lado é tensão; de outro são as estratégias necessárias para conviver a produção artística e produção acadêmica. O tipo pode ser uma maneira, um jeito ou o suporte físico para a impressão da letra, a treta como estratégia e método, a letra como letreiramento, a letra desenho e projeto; e o letramento, a letra como alfabetização, habilidade com o código desenvolvida por meio da educação. Todas as três palavras se relacionam de
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Pihalskaya, Ala. "Формы репрезентации повседневности в белорусском плакате 1966-1980 годов". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130627_103154-50380.

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В исследовании Формы репрезентации повседневности в белорусском плакате 1966-1980 годов Пигальской Аллы, ставится цель выявить формы репрезентации повседневности в белорусских плакатах, в период наиболее массового их выпуска на территории Беларуси. Исследование базируется на антрополого-социологической трактовке повседневности Мишеля де Серто; анализе визуальной репрезентации, согласно конструктивистскому подходу визуальных исследований Стюарта Холла с элементами семиотического анализа фигуративного и пластического уровней визуального сообщения. Исследование культуры повседневности М. де Се
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Leonard, Charles C. "Paul Renner and Futura: The Effects of Culture, Technology, and Social Continuity on the Design of Type for Printing." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/art_design_theses/2.

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This thesis reviews the circumstances that led to what Paul Renner called “the inflation of historicism,” places his response to that problem in the context of the Weimar Republic, details how the German attributes with which he began the project were displaced from the typeface that emerged in 1927, demonstrates that Futura belongs to a new category of serif-less roman fonts rooted in Arts and Crafts lettering, and considers why the specifically German aspects of the project have gone unrecognized for over seventy years. Renner’s writing is compared to ideas prevalent in early twentieth-centu
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De, Klerck Abraham Rudolph. "Giulio, Antonio & Vicenzo Campi. schilderkunst en devotie in het zestiende-eeuwse Lombardije : een wetenschappelijke proeve op het gebied van de Letteren /." Nijmegen : Nijmegen university press, 1997. http://catalogue.bnf.fr/ark:/12148/cb36964739x.

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Dijk, Nel van. "De politiek van de literatuurkritiek : de reputatie-opbouw van Menno ter Braak in de Nederlandse letteren /." Delft : Eburon, 1994. http://catalogue.bnf.fr/ark:/12148/cb376924929.

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Stegeman, Saskia. "Patronage en dienstverlening : het netwerk van Theodorus Janssonius van Almeloveen (1657-1712) in de Republiek der Letteren /." Nijmegen : [s. n.], 1996. http://catalogue.bnf.fr/ark:/12148/cb39029032t.

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Eijt, José. "Religieuze vrouwen : bruid, moeder, zuster : geschiedenis van twee Nederlandse zustercongregaties, 1820-1940 : een wetenschappelijke proeve op het gebied van de Letteren /." Hilversum ; Nijmegen : Verloren, 1995. http://catalogue.bnf.fr/ark:/12148/cb37179008w.

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Books on the topic "Lettering in art"

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Ferraro, Cari. The art of calligraphy & lettering. Walter Foster Pub., 2011.

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Bergling, J. M. Art monograms and lettering: An encyclopedia of art monograms for the use of engravers, designers and all lovers of art. 2nd ed. Bergling Productions & Pub., 2000.

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Patricia, Seligman, ed. The art of illuminated letters. Headline, 1994.

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Lauren, Scheuer, ed. Letter art 2. Pleasant Co. Publications, 2005.

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Coffin, Price Valerie, and Crawford Centre for the Arts., eds. Presence & absence: Lettering exhibition. Crawford Arts Centre, 2003.

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Lewery, A. J. Signwritten art. David & Charles, 1989.

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Calderhead, Christopher. Calligraphy studio: The ultimate introduction to the art of hand lettering. Sterling Pub. Co., 2011.

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Bergling, J. M. Art alphabets and lettering: An encyclopedia of lettering including the most important standard alphabets and such classics as are in most demand for the use of engravers, designers, and all lovers of art. Bergling Productions & Publ., 2000.

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Reaves, Marilyn. Brush lettering: An instructional manual in western brush calligraphy. Design Books, 1994.

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Eduard, Mader, ed. Authentic art nouveau lettering and design in full color. Dover Publications, 1989.

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Book chapters on the topic "Lettering in art"

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Crabtree, Susan, and Peter Beudert. "Signs and Lettering." In Scenic Art for the Theatre. Elsevier, 2012. http://dx.doi.org/10.1016/b978-0-240-81290-8.00012-6.

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Crabtree, Susan, and Peter Beudert. "Signs and Lettering." In Scenic Art for the Theatre. Routledge, 2012. http://dx.doi.org/10.4324/9780240812892-15.

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"Cartooning, Layout, and Lettering." In Scenic Art for the Theatre. Routledge, 2012. http://dx.doi.org/10.4324/9780080489681-16.

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"Lettering and Inscriptions." In Art and Architecture of Ireland Volume III: Sculpture 1600-2000. Royal Irish Academy, 2014. http://dx.doi.org/10.3318/978-1-908996-64-0.lettering.

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Story, Joanna. "Aachen and the Art of the Court." In Charlemagne and Rome. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199206346.003.0008.

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Abstract This chapter draws together comparative evidence deriving from people and places associated with Charlemagne’s court that provide parallels to the script, verse, design, and materials of Hadrian’s epitaph. Charlemagne’s chapel was being constructed in Aachen at the same time as the epitaph was made, and this chapter argues that the epitaph is part of the same aesthetic impulse and cultural energy. Three court poems, composed by Alcuin, Theodulf, and Angilbert in the period between late 794 and late 796 are analysed, alongside manuscripts from the ‘Court School’, especially Godesscalc’s Evengelistary and Dagulf’s Psalter, arguing that the latter was made as a gift for Hadrian only a couple of years before his death. The use of display scripts in these and related manuscripts, such as the Abbeville Gospels (which is linked to Angilbert’s patronage), is analysed, arguing that scribes were aware of earlier epigraphic scripts of types that could be seen in Rome. Parallels are drawn between the use of painted lettering in manuscripts and on the walls of palace sites (surviving especially at Paderborn). The meaning of the painted inscription for the dedication of the Aachen chapel is discussed, in the context of modifications to one of Prosper’s epigrams and Einhard’s intertextual references to it in his description of Charlemagne’s last days. The eschatological aspects of the Aachen dedication verses are reinforced by the number symbolism encoded in the architectural design of the chapel itself.
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Jeffery, L. H. "Letter-forms as Evidence for Dating Inscriptions." In The Local Scripts of Archaic Greece. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198140610.003.0006.

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Abstract In archaic Greek lettering no less than in other scripts there is a distinction between the formal and the informal or cursive style. It is not a conspicuous difference, like that between a formal inscription on stone from Pompeii and a contemporary graffito on one of the house-walls; and for that reason it is apt to be overlooked in modern commentaries on the chronological development of the Greek alphabet. But it is essential to remember that caution must be used when we compare the lettering of any inscription on stone or bronze with that of any painted inscription. The letter-forms used by the vase-painter will almost certainly be considerably more developed than those cut by a contemporary mason.
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Story, Joanna. "Writing on the Walls." In Charlemagne and Rome. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199206346.003.0006.

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Abstract The chapter provides the detailed physical description of Hadrian’s epitaph, including layout, decoration, and script. Epigraphic parallels and the use of capitalis lettering in earlier inscriptions and manuscripts are discussed, drawing attention especially to the lettering devised for inscriptions commissioned by Pope Damasus I in the late fourth century by Filocalus. The development of capital scripts used for inscriptions set up in Rome in the fifth, sixth, and seventh centuries is analysed, marking both the religious and political choices made by patrons in the use of particular script types as well as the content and location of the texts. Eighth-century inscriptions, from the pontificates of John VII, Gregory II, and Gregory III are discussed, as well as a group from the mid-eighth century, commissioned by noblemen, stressing that the meaning of such inscriptions often lay in the intersection between text, script, medium, and location.
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Chebanov, Sergei. "COGNITIVE GRAPHICS AS A WAY OF REPRESENTING IDEAS." In METOD. INION RAN, 2020. http://dx.doi.org/10.31249/metod/2020.10.16.

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Ideas, concepts, perceptions, dreams cannot be seen by eyes or recorded instrumentally (with the help of photo or filming), they can only be the subject of speculation, which is purely individual. Therefore, a long range of images that can be qualified as cognitive graphics is used for their visualization. The most diverse visual means, such as letters of different alphabets and headsets, numbers, mathematical, chemical, biological, astrological, etc. signs and formulas, maps and cartoids, diagrams, schemes, tables, pictograms, etc. can be the components of cognitive graphics. Such components are included in the lettering text or generate extended cognitive-graphic texts that can duplicate (or be duplicated by) lettering texts, exist in unity with the lettering texts or autonomously. Collections of the latter make atlases of cognitive graphics. As an alternative to letter texts, cognitive graphics are the means of facilitating or even creating an opportunity for communication for those who are uncomfortable or inaccessible with letter texts (children, persons of an artistic and intuitive type, introverts, etc.). Cognitive graphics are optionally used in everyday communication, are used much wider in the education process at all levels, and are obligatory used in certain types of professional communication (mathematics, chemistry, geology, etc.). In the latter case, both hard-coded versions and the author’s idiostyles exist, although the most common are usual group patterns. Depending on the type of cognitive graphics, cognitive-graphic texts are created using a pen and pencil (pencils), drawing accessories, paints and brushes, special equipment (drawing apparatus, stereoscope, pinhole camera, printing equipment), or a computer. In the latter case, we are talking about computer cognitive graphics.
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Mazur, Joseph. "Vowels and Consonants." In Enlightening Symbols. Princeton University Press, 2016. http://dx.doi.org/10.23943/princeton/9780691173375.003.0015.

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This chapter focuses on the evolution of the vowel–consonant notation. In particular, it discusses François Viète's contribution to algebra through his use of vowels to represent unknowns and consonants to represent known quantities. Viète, a French mathematician, expressed his famous computation for π‎ in proposition II of his Isagoge. Even Christoff Rudolff and Nicolas Chuquet had no proper notation for expressing such an infinite sum of nested square roots. Viète was showing us an intimate link between Greek geometry and algebra, a link from the mathematics of lines, figures, and solids to the underlying channels of symbolic algebra. The chapter also considers Viète's work on what are now called “homogeneous equations” as well as the significance of his lettering system to symbolic algebra.
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Clayton, Ewan. "John Baskerville the Writing Master." In John Baskerville. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940643.003.0007.

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Baskerville was, originally, both a teacher of writing and a carver of headstones, the main evidence for his skills is a slate that hangs in the Library of Birmingham advertising Baskerville’s services in writing and letter-carving. In the archives there are also examples of Baskerville’s handwriting, which survive in letters to friends and acquaintances. These letters have previously been examined simply for the light they shed on his relationships and business. Baskerville’s hand, however, has neither been scrutinised for its style nor assessed in regard to his typeface. This chapter considers both Baskerville’s handwriting and his lettering and presents the evidence for his relationship with the writing masters of the seventeenth and eighteenth centuries. In doing so, it sheds new light on the antecedents of Baskerville’s typeface and demonstrates, in particular, how his handwriting influenced the design of his printing type.
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Conference papers on the topic "Lettering in art"

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Fu, Guicai, Pengfei Fu, and Wenjie Ma. "Study on the Factors Influencing the Effect of Modern Lettering Works*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.230.

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Farn Max Liang, Sheau, Kai Xuan Luo, Ren Ming Zhang, and Tu Sheng Lee. "Combination of tall-man lettering and symbol prefixing to improve drug identification by pharmacists." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003450.

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Similar drug names can confuse pharmacists and lead to dispensing errors. A well-accepted solution to the problem is tall-man lettering, a typographic alteration to drug names. However, studies of its effectiveness have yielded mixed results. Furthermore, the potential of orthographic alterations to drug names has not been explored. Therefore, this study aims to examine the usefulness of the combination of tall-man lettering and a simple but new orthographic alteration, symbol prefixing. Twenty-six outpatient pharmacists were recruited to participate in an experiment on drug identification. Th
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Sari, Ledy Dian, and Amalia Winda Prada. "The Essence of Hand Lettering in the Design Industry." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008556301550158.

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AFRIWAN, Hendra, Dini FAISAL, and San AHDI. "The Function and Meaning of Hand-Lettering at Cafés in Padang." In Sixth International Conference on Languages and Arts (ICLA 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.24.

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Delfino, Regina, Pedro Matos, Inês Serrano, and Anabela Moreira. "Lettering Design in Raul Lino’s Work: Humanism, Nature and Tradition in Architecture, Graphic Arts and Design." In – The European Conference on Arts, Design and Education 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2758-0989.2022.29.

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