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Journal articles on the topic 'Lettering in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Khoirotun Nisa, Cahya, and Susilawati Susilawati. "BIMBINGAN KARYA SENI DUA DIMENSI (LETTERING) UNTUK ANAK SEKOLAH DASAR." BAKTIMU : Jurnal Pengabdian Kepada Masyarakat 3, no. 4 (2023): 161–68. http://dx.doi.org/10.37874/bm.v3i4.1004.

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Kegiatan bimbingan seni dua dimensi, khususnya seni lettering, di SDN 1 Paniis, Kecamatan Pasawahan, Kabupaten Kuningan menghadirkan potret keberhasilan dalam mengenalkan seni kepada siswa sekolah dasar. Tujuannya adalah mengembangkan kreativitas dan rasa percaya diri siswa melalui seni lettering. Dari 29 peserta awal, 86,2% dari mereka berhasil menyelesaikan program ini. Melalui metode pelaksanaan yang berfokus pada pengenalan teknik lettering dan praktik langsung, siswa mampu menghasilkan karya-karya terbaik yang diukur berdasarkan antusiasme, rasa percaya diri, orisinalitas, kreativitas, da

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2

Rahman, Zulfian, Ikhsanudin Ikhsanudin, and Sudarsono Sudarsono. "Lettering as an Artistic Activity to Integrate English Creative Learning with Hands-On Activity." Journal of English as a Foreign Language Education (JEFLE) 3, no. 2 (2024): 27. http://dx.doi.org/10.26418/jefle.v3i2.60903.

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The English language is challenging. Learning material is in its current state, and sometimes does not promote creativity. Students are looking for fun ways to learn the language. Lettering is one of current art activities that provides both creativity and fun. Applying lettering to the English language requires a module, to make it work. Keyword: English creative learning

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3

Priya Aji, Rizky, and Taufik Murtono. "EKSISTENSI KOMUNITAS HANDLETTERING SURAKARYA DI SURAKARTA." CITRAWIRA : Journal of Advertising and Visual Communication 1, no. 2 (2021): 87–107. http://dx.doi.org/10.33153/citrawira.v1i2.3521.

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The existence of the Surakarya Handlettering Community in Surakarta. This community is a learning group to write handlettering art in Surakarta, which was formed in 2014, where currently dozens of members have joined who have creativity and expertise in the art of handlettering. This research uses descriptive qualitative method which aims to examine how the role of the Surakarya Community in the development of handlettering in Surakarta and how to develop the style and work of handlettering in Surakarta. Data analysis was carried out by interviewing several community members, direct observatio

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Luthfia, Azmi. "EFEKTIFITAS HAND LETTERING SEBAGAI MEDIA PROMOSI KESEHATAN REMAJA MENGENAI BAHAYA ROKOK (STUDI DI SMK PGRI 4 SURABAYA)." Indonesian Journal of Public Health 13, no. 1 (2019): 26. http://dx.doi.org/10.20473/ijph.v13i1.2018.26-37.

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Indonesia is a country with largest smoker in South East Asia. According to Riset Kesehatan Dasar (RISKESDAS) (2013), there is rising trends of cigarette smooking during three periods, especially in adolescents aged ≥15 years. Therefore it is necessary to take effort to prevent existence of it. Providing health promotion media in the form of hand lettering can be an alternative in providing effective information and education. Now days, Hand lettering is a popular art design for adolescents. This research was conducted on the students of class XI TKR SMK PGRI 4 Surabaya. The purpose of this st

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5

Струмінська, Т. В., О. Ю. Михайлюк, О. С. Слітюк, Г. В. Омельченко та Т. Ю. Дегтяр. "ПРИНТИ У СТИЛІ ПОП-АРТ ЯК ТВОРЧЕ ДЖЕРЕЛО ДЛЯ ПРОЕКТУВАННЯ СУЧАСНИХ КОЛЕКЦІЙ ОДЯГУ". Art and Design, № 2 (21 вересня 2020): 104–13. http://dx.doi.org/10.30857/2617-0272.2020.2.9.

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The purpose of the work is to determine the main art and compositional solutions of pop art prints of prints for further design of author's prints and the development of creative collections of modern women's clothing. To achieve this goal, special features, art and figurative features of pop art style prints were structured, a visual analytical and comparative analytical analysis of the collections of women's and men's clothing in the style of pop art for the spring-summer 2019 and 2020 seasons was carried out. Highlighted the characteristic compositional solutions of modern prints in the sty

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6

Babcock, Ellen. "Intersection:." Interdisciplinary Journal of Signage and Wayfinding 5, no. 2 (2021): 38–46. http://dx.doi.org/10.15763/issn.2470-9670.2021.v5.i2.a92.

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Old road signs, especially larger, sturdier ones whose support structures are still intact but whose vintage lettering and neon are either too decayed or too problematically specific to preserve offer public art programs an opportunity to rethink three-dimensional public artworks as sites more akin to galleries than stand-alone, immutable works of genius. Valued artworks are still assumed to be the product of unique, individual perspectives, and detractors of public art often consider the genre a lesser form because it necessarily involves legal limitations, institutional approval and revisio

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7

Petrič, Jerneja. "Comic strip as literature : Art Spiegelman's Maus in Slovenian." Acta Neophilologica 42, no. 1-2 (2009): 69–81. http://dx.doi.org/10.4312/an.42.1-2.69-81.

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Until recently comic strips were predominantly categorized as either juvenile distraction or some odd adult enthusiasts' hobby. The genre experienced a minor revolution in the 1990s when on the one hand the mass visual media began to explore its rich potential whereas on the other hand the medium's ability to offer "tremendous resources to all writers and artists" (McCloud 212) came under scrntiny, prompting authors like Art Spiegelman to wage an experiment. His biographical Holocaust graphic novel MAUS l and II (1986, 1991) became a bestseller and Pulitzer Prize winner. The paper looks into i

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8

Malkiel, David. "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy." AJS Review 37, no. 2 (2013): 333–70. http://dx.doi.org/10.1017/s0364009413000299.

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The acculturation Ashkenazic Jews in Italy is the focus of the present discussion. By 1500 Jews had been living in Padua for centuries, but their cemeteries were destroyed in the 1509. Four cemeteries remained with over 1200 inscriptions between 1530–1860. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry's occasional poetry. The art and architecture of the tombstones are part and parcel of the Renaissance ambient, with the portals and heraldry characteristic of Pa

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9

Cao, Cindy, Shanna Sullivan, and Meghan Underhill-Blazey. "Creative Art Expression: Using Hand-Lettering Techniques to Reduce Stress and Anxiety in Patients With Cancer." Clinical Journal of Oncology Nursing 25, no. 1 (2021): 97–99. http://dx.doi.org/10.1188/21.cjon.97-99.

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10

Kelly, Jerry. "The Art of Lettering: The History, Anatomy, and Aesthetics of the Roman Letter Forms. Albert Kapr." Papers of the Bibliographical Society of America 79, no. 3 (1985): 448–50. http://dx.doi.org/10.1086/pbsa.79.3.24303670.

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11

Saeed, Tariq Habib. "The Constant and the Variable in Arabic Calligraphy within Contemporary Arabic Lettering Composition." Journal Port Science Research 7, issue (2024): 67–98. http://dx.doi.org/10.36371/port.2024.special.9.

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The present study examines the consistency and variability of Arabic script in the development of modern Arabic script, as well as the Arabic script's significant role in our daily lives as a visual language of communication between ancient and modern human communities. As a result, it became essential to describe its current applications in terms of both language and art, as well as its constants and variables. The Qur'an, letters, flags, certificates, and other writings were written in Arabic calligraphy by calligraphers who followed in the footsteps of the great calligraphers who establishe

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Vera Waradya, Elda Franzia Jasjfi, and Achmad Syarief. "PENGEMBANGAN DESAIN FONT DIGITAL BERDASARKAN GAMBAR HURUF KARYA DRS SUYADI." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 6, no. 1 (2023): 33–44. http://dx.doi.org/10.25105/jsrr.v6i1.18721.

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AbstractDrs Suyadi, known as Pak Raden, a character from the TV series Puppet si Unyil, for more than 60 years has produced various high-quality works of art, one of which is a unique and interesting lettering image, which has received little attention. Making digital fonts based on letter images by Drs Suyadi is one of the efforts to maintain its existence. However, Drs Suyadi’s hand-lettering alphabet is not yet complete. Before the design is developed and digital fonts are made, this alphabet must be completed first. Therefore, this research is to identify the characteristics of the letter

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Malik, Moazzam Ali, Muhammad Irfan, and Muhammad Umair Ayub. "Beyond the Stage: Exploring the Transmedial Adaptation of "to be or not to be" in Hamlet on Rooftop." Global Social Sciences Review VIII, no. II (2023): 331–44. http://dx.doi.org/10.31703/gssr.2023(viii-ii).30.

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Comics blend linguistic resources and semiotic signs to represent different ideas. The rise of online platforms and the ease of digital distribution has made the production and consumption of comics a common phenomenon. In storytelling, their significance is acknowledged as an effective source of visual representation of sequential art. The present study underpins different techniques and strategies employed by Eisner for blending art and literary discourse to create an adapted comic version of "Hamlet"—named "Hamlet on a Rooftop". This comic is set in urban settings, in which Eisner highlight

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14

Delfino, Ioanna. "RENEWAL OF THE GREEK ILLUSTRATED CHILDREN’S BOOK DURING THE METAPOLITEFSI." Design/Arts/Culture 3, no. 2 (2023): 40–51. http://dx.doi.org/10.12681/dac.31359.

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With the restoration of democracy in Greece in 1974 a period of transition began, known as metapolitefsi, which saw deep political, social and economic changes. Progressive developments also occurred in art, culture and education. The rules of the new pedagogy affected the field of literature and more specifically children’s illustrated books. Thus, writers departed from the old conservative models, dominated by protectionism and superficial idealism. Instead, they introduced political, social and environmental concerns, while the language became friendlier and modern. At the same time, illust

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15

Shevchenko, Liudmyla, and Natalia Novoselchuk. "METHODS OF URBAN ENVIRONMENT DESIGN BY ART AND GRAPHIC MEANS." Urban development and spatial planning, no. 78 (October 29, 2021): 558–69. http://dx.doi.org/10.32347/2076-815x.2021.78.558-569.

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The article is devoted to the methods of urban environment design of the XXI centuries by artistic and graphic means. The process of their inclusion in the urban environment was gradual. It began with painting, graphics, sculpture, arts and crafts and monumental arts. A new wave of artistic and graphic means in the urban environment began to develop intensively in the late nineteenth - early twentieth century. It was due to social and cultural processes in specific cities and countries. The use of various techniques in design began to be introduced from this period. In particular, such as: rea

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16

Hanses, Mathias. "CONCLUSION: VITRUVIAN MAN AND VIRTUOUS WOMAN A RETROSPECTIVE ON THE HOMO BENE FIGURATUS THROUGH LEONARDO DA VINCI AND HARMONIA ROSALES." Ramus 52, no. 2 (2023): 220–41. http://dx.doi.org/10.1017/rmu.2024.9.

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On September 16, 2017, the then-thirty-three-year-old Afro-Cuban American artist Harmonia Rosales presented her oil painting Virtuous Woman at her first art gallery exhibition, called ‘Black Imaginary To Counter Hegemony (B.I.T.C.H.)’, at the Simard Bilodeau Contemporary in downtown Los Angeles. The work is based on Leonardo da Vinci's famous visualization of Vitruvius’ description of the homo bene figuratus, that is, of the ‘ideal’ or ‘well-formed’ human being on whose symmetry and proportions the construction of temples should be modeled (Vitr. De arch. 3.1; fig. 5.3). Rosales retains the pr

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17

LAUKOVÁ, Silvia, and Petra KAIZEROVÁ. "Cyrilo-Methodian tradition and its forms in some works of Slovak literature." Problems of slavonic studies 70 (2021): 156–69. http://dx.doi.org/10.30970/sls.2021.70.3744.

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Fordinálová, E., 2009. Older Slovak literature. 2nd amended edition. Trnavská univer-zita in Trnave: Trnava. (In Slovak) Keruľová, M., 2009. Value aspects of literary and spiritual heritage. In: Hodnotové aspekty staršej literatúry. Nitra: Univerzita Konštantína Filozofa in Nitra, pp.87–96. (In Slovak) Ratkoš, P., 1968. Sources to the History of Great Moravia. Bratislava: Vydavateľstvo Slovenskej akadémie vied. (In Slovak) Rúfus, M., 2013. Distant Face. In: Between duration and history. Cyril and Methodius in Slovak Literature. Nitra: Univerzita Konštantína Filozofa in Nitra. (In Slovak) Šafár

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18

Ramazza, Elena. "Ripensare i confini: l’incursione degli architetti modernisti nel «lettering» di ispirazione medievale." Locus Amoenus 20 (December 22, 2022): 117–38. http://dx.doi.org/10.5565/rev/locus.460.

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Il presente studio esplora il contatto tra architetti modernisti catalani e la produzione di libri, sotto il punto di vista specifico del lettering di ispirazione medievale. L’indagine permette di approfondire le modalità di rielaborazione delle forme medievali durante il Modernismo, condivise anche dal restauro «in stile» alla maniera di Viollet-le-Duc e argomento spesso trascurato in quanto considerato una sfortunata inflessione del gusto. Allargando invece lo sguardo al contesto generale e alle fonti d’ispirazione, vediamo che tale rielaborazione risponde a una necessità di rigenerazione so

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19

Pawłowska, Aneta Joanna. "Visual text or "words-in-freedom" from Futurism through concrete poetry to electronic literature." Text and Image: Essential Problems in Art History, no. 1 (2019): 90–101. http://dx.doi.org/10.17721/2519-4801.2019.1.06.

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The aim of the article is to present the changes which the literary text with visual values is subjected to. As the starting point of our intellectual considerations we chose the turning-point between 19th and 20th century, when as a result of artistic actions of such avant-garde artists as Guillaume Apollinaire, Stéphane Mallarmé, dramatic changes in the perception of the semantic meaning of poety occurred, which brought about the situation in which the visual structure of the text became quite essential. In the beginning of the 20th century the need for the necessary changes within the scope

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20

BURKE, C. "Peter Behrens and the German Letter: Type Design and Architectural Lettering." Journal of Design History 5, no. 1 (1992): 19–37. http://dx.doi.org/10.1093/jdh/5.1.19.

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21

Harvey, Michael. "Down with Times New Roman: lettering on buildings, memorials and coins." Sculpture Journal 18, no. 2 (2009): 223–58. http://dx.doi.org/10.3828/sj.2009.9.

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22

Grabbe. "Word Frequency Effects for LEET Lettering in Word Recognition." American Journal of Psychology 129, no. 1 (2016): 37. http://dx.doi.org/10.5406/amerjpsyc.129.1.0037.

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23

Jones, Christopher P. "The historian Philip of Pergamon." Journal of Hellenic Studies 140 (November 2020): 120–27. http://dx.doi.org/10.1017/s0075426920000051.

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Abstract:This article studies the inscription IG IV2 1.687 (FGrH 95), the only evidence for the historian Philip of Pergamon. The subjects considered include the text itself, the appearance of the stone and the layout in imitation of papyrus, the date as evidenced by the lettering, the use of the Ionic dialect and the references to ‘suffering and continuous mutual slaughter’. Finally, it is proposed that Philip may be ‘the historian Philip’ mentioned in a dialogue of Plutarch.

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24

Brown, Penny. "Manga Shakespeare and Cervantes: Trash or Reclamation?" Comparative Critical Studies 14, no. 2-3 (2017): 155–67. http://dx.doi.org/10.3366/ccs.2017.0233.

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This paper considers the merit of manga versions of Shakespeare's Hamlet and Cervantes' Don Quijote de la Mancha which employ the impressionistic techniques of the Japanese comic format to create new, dynamic texts. Such multimodal texts demand different verbal and visual skills to decode the synergy between word and image and elements like the page layout, the size and shape of images and speech balloons and the style of lettering. Far from debasing the cultural authority of the originals by blurring the boundaries between high and popular culture, these versions can be seen as an act of salv

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25

Shiffman, Melvin A. "History of the American Journal of Cosmetic Surgery." American Journal of Cosmetic Surgery 13, no. 1 (1996): 7–9. http://dx.doi.org/10.1177/074880689601300103.

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The first issue of “The American Journal of Cosmetic Surgery” was published in the winter of 1984. At that time, the cover of the journal was not purple, ermine, and gold as it is now. The journal sported a cover with red lettering on a white background. Since there were no funds consigned to the journal in those days, the first Editor-in-Chief Dr. Aronsohn, bore the expense of the first two volumes himself. When Dr, Aronsohn's health began to fail in 1986, Dr. Julius Newman became Managing Editor. In 1993, Dr. Melvin A. Shiffman became Editor-in-Chief. At this time, the quantity and quality o

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Chambers, Susan. "Hopkins's Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape, by James I. Wimsatt." Victorian Studies 50, no. 2 (2008): 330–32. http://dx.doi.org/10.2979/vic.2008.50.2.330.

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27

Small, Alastair, and Carola Small. "South Italy, England and Elysium in the Eighteenth Century." Antiquaries Journal 79 (September 1999): 301–45. http://dx.doi.org/10.1017/s0003581500044553.

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In a complex of interconnecting tunnels at Avigliano in South Italy there are two inscriptions at two entrances in eighteenth century lettering referring, one to Inferno, the other to Elysium. The measurements of the spatial components of the tunnels refer to Pythagorean numerology. The complex is on land formerly belonging to the local Corbo family and was probably constructed about 1762 by Carlo Corbo for rituals of the mystical, somewhat unorthodox Neapolitan freemasonry of the time. They can be compared to the tunnels at West Wycombe, England where Sir Francis Dashwood who, like many conte

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Łubocki, Jakub Maciej. "Pismo jako obiekt muzealny (na przykładzie zbiorów Działu Sztuki Wydawniczej Muzeum Narodowego we Wrocławiu)." Z Badań nad Książką i Księgozbiorami Historycznymi 16, no. 2 (2022): 215–37. http://dx.doi.org/10.33077/uw.25448730.zbkh.2022.695.

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Writing systems and typefaces embodimented in any form (letter sketches, designs of typefaces, resources of sorts and matrices, prints and manuscripts, printing specimens, type foundries catalogues, typefaces specimens) are objects worth to become museum objects. Based on these, the museum will generate knowledge about script and lettering through: giving insight into conceptual work on designs of typefaces, acknowledging about history of development writing systems and typefaces, storaging of materials for the future correct digitization of the typeface, saving typefaces and writing systems f

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Graham, A. J. "The Woman at the Window: Observations on the ‘Stele from the Harbour’ of Thasos." Journal of Hellenic Studies 118 (November 1998): 22–40. http://dx.doi.org/10.2307/632229.

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The stele from the harbour (‘la stèle du port’) of Thasos, SEG xlii.785, has been so named because it was dredged up from the small fishing harbour on 13 June, 1984. The inscription is of the greatest importance for Thasian epigraphy and dialect as well as for its contents, and has been amply published by H. Duchêne. While the stele of Thasian marble is preserved complete, the inscribed surface has suffered much from the effects of its immersion in the sea. The lower part is well preserved, and from line 42 to the end (49) there is no problem in reading the letters on the stone. Above that, it

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Shalev, Lilach, Glyn W. Humphreys, and Carmel Mevorach. "Global processing of compound lettersin a patient with Balint's syndrome." Cognitive Neuropsychology 22, no. 6 (2005): 737–51. http://dx.doi.org/10.1080/02643290442000284.

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Ulusoy, Noyan, and Zeynep Onur. "Visual Signs at Sociable Place Entrances: User Perceptions and Preferences." SAGE Open 13, no. 2 (2023): 215824402311744. http://dx.doi.org/10.1177/21582440231174418.

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This study aims to determine which signs are cognitively sufficient to convince the viewer to enter a social place, through the integration of semiotics and design. Photographs of 6 social places were obtained through personal photographs. A semiotic model of entrances was created and qualitative data were analyzed. An online survey was used to find out the perceived effectiveness of signs influencing customer decisions. A total of 595 respondents from all over the world responded to the questionnaire. Chi-square analysis was used for statistical analysis for differences between countries and

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Petrovic, Andrej. "General." Greece and Rome 68, no. 1 (2021): 165–72. http://dx.doi.org/10.1017/s0017383520000340.

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Materiality of ancient text – written, painted, scratched, or carved – is a topic dear to my heart, and I find the visual dimension of ancient writing fascinating for many reasons. Like many Classicists, I also find a great joy in puzzling out the meanings of the lettered lines, arched like dancing serpents, on archaic Greek vases. If one pauses in front of an interesting pot in a museum, it is very easy to forget the time and the rest of the exhibition, as the somersaulting shapes of the continuous script reveal first their letters, then words, rewarding the reader's patience with a short sen

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Ecker, Avner, Benjamin Arubas, Michael Heinzelmann, and David Mevorah. "(ii) Interim report on the inscriptions from the aedes of the fort near Tel Shalem." Journal of Roman Archaeology 32 (2019): 214–22. http://dx.doi.org/10.1017/s1047759419000126.

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Ever since the discovery of a building inscription of a vexillatio of the legio VI Ferrata near Tel Shalem,1 it was clear that the area was a locus of Roman military activity. In the following years the vicinity of the Tel yielded the inscription of a Hadrianic arch whose letter-size is surpassed only by the lettering on the Pantheon and the Arch of Titus in Rome.2 Most recently, the headquarters complex of the fort (principia), and in particular the regimental shrine (aedes or sacellum), have been uncovered (see above). Within and in front of the aedes were found three inscriptions:3 a dedica

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O'Donnell, Rod. "The Genesis of the Only Diagram in the General Theory." Journal of the History of Economic Thought 21, no. 1 (1999): 27–37. http://dx.doi.org/10.1017/s1053837200002819.

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It is well known that the General Theory contains only one diagram, this occurring in chapter 14 criticising the orthodox theory of the rate of interest. Attached to the diagram is a footnote containing an acknowledgement: “This diagram was suggested to me by Mr. R.F. Harrod” (CW VII, p. 180). The impression conveyed by this remark is that Harrod drew the diagram and offered it to Keynes, who then accepted and used it. Further enquiry into the diagram's origins reveals the existence of an initial version which grew out of correspondence between Keynes and Harrod in August-September 1935 (CW XI

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Blumenfeld-Kosinski, Renate. "Katherine Kong, Lettering the Self in Medieval and Early Modern France. (Gallica, 17.) Woodbridge, Eng., and Rochester, N.Y.: Boydell and Brewer, 2010. Pp. vii, 275. $105." Speculum 86, no. 3 (2011): 777–78. http://dx.doi.org/10.1017/s003871341100193x.

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Creelman, Valerie. "Katherine Kong. Lettering the Self in Medieval and Early Modern France. Gallica 17. Cambridge: D. S. Brewer, 2010. viii + 275 pp. index. bibl. $105. ISBN: 978–1–84384–231–6." Renaissance Quarterly 64, no. 1 (2011): 246–47. http://dx.doi.org/10.1086/660425.

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Subotic, Gojko. "The third chrysobull of Zica." Zograf, no. 31 (2006): 51–58. http://dx.doi.org/10.2298/zog0731051s.

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The chrysobulls of King Stefan the First Crowned, and his son, Radoslav, to the monastery of Zica, written on the walls of the passage beneath the bell-tower of the Church of the Holy Saviour, were already observed in the 1820s and were published several times, on the basis of various transcriptions. However, no one noticed that beside them, on the surfaces beneath the figures of the saint apostles, Peter and Paul, in the soffit of the arch on the western side, there were severely damaged texts, inscribed in small script, the traces of which allow us to recognise yet another deed of gift of Ki

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Yakovenko, Iryna. "Women’s voices of protest: Sonia Sanchez and Nikki Giovanni’s poetry." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 130–39. http://dx.doi.org/10.34079/2226-3055-2020-13-23-130-139.

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The paper explores contemporary African American women’s protest poetry in the light of the liberation movements of the mid-20th century – Black Power, Black Arts Movement, Second Wave Feminism. The research focuses on political, social, cultural and aesthetic aspects of the Black women’s resistance poetry, its spirited dialogue with the feminist struggle, and undertakes its critical interpretation using the methodological tools of Cultural Studies. The poetics and style of protest poetry by Sonia Sanchez and Nikki Giovanni, whose literary works have received little scholarly attention literar

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Dillon, John. "(J.) Opsomer In Search of the Truth: Academic Tendencies in Middle Platonism. (Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Letteren, Jaargang 60, Nr. 163.) Brussels: Paleis der Academiën, 1998. Pp. 332. 9065696660." Journal of Hellenic Studies 120 (November 2000): 171–72. http://dx.doi.org/10.2307/632514.

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Wolfthal, Diane. "Stephen H. Goddard. The Master of Frankfurt and his Shop. (Verhandelingen van de Koninkhjke Academie voor Wetenschappen, Letteren en Schöne Kunsten van België. Klasse der Schöne Kunsten, Jaargang 46, Number 38.) Brussels: Koninkhjke Academie voor Wetenschappen, Letteren en Schone Kunsten, 1984. 43 figs. + 192 pp. BF800." Renaissance Quarterly 42, no. 2 (1989): 328–30. http://dx.doi.org/10.2307/2861643.

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van der Ploeg, Frank. "Handelingen van de Koninklijke Kring voor Oudheidkunde, Letteren en Kunst van Mechelen, 96 (2-e afl. 1992), 'Michel Coxcie, pictor regis (1499-1592)', Mechelen 1993." Oud Holland - Quarterly for Dutch Art History 110, no. 1 (1996): 47–51. http://dx.doi.org/10.1163/18750176-90000186.

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Witt, Nathan. "Images Taken Not for Their Images." ARTMargins 6, no. 1 (2017): 83–97. http://dx.doi.org/10.1162/artm_a_00167.

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This project is part of my practice of resisting aspects of visual culture and deconstructing images that is partly indebted to 1960s conceptual text-based artists, letterism, and Situationists, but also correlated to orthodox attitudes towards the image. It examines restrictions that Israel places upon Palestinian telecommunications in the West Bank, such as the locations of radio masts placed within Israel, the height Palestinian networks are permitted to build their masts, and that illegal Israeli settlers living illegally inside Palestine enjoy 3/4G coverage while Palestinians receive 2G.

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Hellinga, L. "Als die Lettern laufen lernten: Medienwandel im 15. Jahrhundert. Inkunabeln aus der Bayerischen Staatsbibliothek Munchen. Ed. by BETTINA WAGNER." Library 11, no. 2 (2010): 234–35. http://dx.doi.org/10.1093/library/11.2.234.

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Dobrovoljc, Helena. "Brand names between the rule of orthography and rule of law: to break the law or thwart language norms?" Linguistica 53, no. 2 (2013): 173–84. http://dx.doi.org/10.4312/linguistica.53.2.173-184.

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The article presents the divergence between legal norms and rules of orthography with regard to respect for industrial property. In line with international guidelines, the Slovene Industrial Property Act (ZIL-1) endows the owner of industrial property or a brand name with the exclusive right to its use, thus enabling the owner to prohibit its inappropriate use or demand its unmodified use. On the other hand, industrial product names are also linguistic entities, facts submitted to the rules of language use, changeand transformation. Frequently used names begin to be used in forms that differ f

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Walbank, F. W. "(M.) Vercruysse Het thema van de waarheidsverdraaiing in de Griekse geschiedschrijving: een onderzoek van Polybius en zijn voorgangers. (Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, klasse der letteren, 46, 115.) [With English summary.] Brussels: Paleis der Academiën. 1984. Pp. 170. Fr. b. 700." Journal of Hellenic Studies 107 (November 1987): 209. http://dx.doi.org/10.2307/630107.

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Walbank, Michael B. "(M. J.) Osborne Naturalization in Athens. 3. The testimonia for grants of citizenship. 4. The law and practice of naturalization in Athens from the origins to the Roman period. (Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, klasse der letteren, jg 45, 109.) 2 vols in one. Brussels: Paleis der Academiën. 1983. Pp. 249. Fr. b. 800." Journal of Hellenic Studies 106 (November 1986): 240. http://dx.doi.org/10.2307/629708.

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Fusco, Nicola, Elham Sajjadi, Konstantinos Venetis, et al. "Abstract P4-10-23: Combined analysis of PTEN and routinely assessed biomarkers reveals new high-risk subgroups of HR- or HER2+ breast cancers." Cancer Research 82, no. 4_Supplement (2022): P4–10–23—P4–10–23. http://dx.doi.org/10.1158/1538-7445.sabcs21-p4-10-23.

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Abstract Background: The activity impairment of Phosphatase and tensin homolog (PTEN), a tumor suppressor and negative regulator of the PI3K/Akt pathway, is associated with tumorigenesis, tumor progression, and therapy resistance in breast cancer. However, the clinical value of PTEN as a biomarker in these patients is controversial. We sought to determine whether the benefit of traditional biomarkers testing for the identification of high-risk breast cancer is improved by the analysis of PTEN status.Methods: The study group consisted of 608 breast cancers (group A) extracted from our tissue mi

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Schneider, John R. "Animal Suffering and the Darwinian Problem of Evil." Perspectives on Science and Christian Faith 73, no. 1 (2021): 60–62. http://dx.doi.org/10.56315/pscf3-21schneider.

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ANIMAL SUFFERING AND THE DARWINIAN PROBLEM OF EVIL by John R. Schneider. Cambridge, UK: Cambridge University Press, 2020. xii + 287 pages. Hardcover; $99.99. ISBN: 9781108487603. Kindle; $60.49. ISBN: 9781108767439. *In Animal Suffering and the Darwinian Problem of Evil, John Schneider seeks to tackle four interconnected difficulties of reconciling evolution with a Christian understanding of God's creation: (1) deep evolutionary time and the startling reality that there have been hundreds of millions of years of violence; (2) the "plurality of worlds," the masses of now-extinct life that once

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Fleischman, Katja. "Lettering and Signage in the Urban Environment of North Queensland’s Capital: Tropical Flair or Univernacular?" eTropic: electronic journal of studies in the tropics 10 (August 8, 2016). http://dx.doi.org/10.25120/etropic.10.0.2011.3409.

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Many typefaces possess next to stylistic qualities also cultural and connotative properties. This paper describes an exploration of signage and lettering in the capital of North Queensland in the quest for a tropical typographic resonance. Is the vernacular typography alive or a vanishing art form?

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Mohammed Alashari, Duaa. "The Aesthetics of Contemporary Arabic Calligraphy in the Paintings of Nja Mahdaoui." KnE Social Sciences, August 11, 2022, 185–91. http://dx.doi.org/10.18502/kss.v7i13.11659.

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Contemporary Arabic calligraphy art is related to the practice of handwriting or lettering. Traditional Arabic calligraphy art was used as a way of expression that delivered the aesthetic spirit of the Arabic language. The use of contemporary Arabic calligraphy art by the artist Nja Mahdaoui raises a question dealing with the aesthetic quality of Arabic calligraphy in terms of form and theme. This study discusses the visual characteristics illustrated in contemporary Arabic calligraphy paintings created by Nja Mahdaoui. The visual analysis approach by Feldman was chosen and highlighted through

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