Relevant bibliographies by topics / Lewis Collection (Corpus Christi College)

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Academic literature on the topic 'Lewis Collection (Corpus Christi College)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Lewis Collection (Corpus Christi College)"

1

Butcher, K. "Ian A. Carradice: Sylloge Nummorum Graecorum, Vol. VI. The Lewis Collection in Corpus Christi College, Cambridge, Part II: The Greek Imperial Coins. 24 plates. Oxford and New York: Oxford University Press/Spink (for the British Academy), 1992. £55." Classical Review 43, no. 2 (1993): 459. http://dx.doi.org/10.1017/s0009840x00288598.

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Foys, Martin K. "An unfinished mappa mundi from late-eleventh-century Worcester." Anglo-Saxon England 35 (December 2006): 271–84. http://dx.doi.org/10.1017/s0263675106000135.

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AbstractThis article discusses the unfinished mappa mundi found in Cambridge, Corpus Christi College 265, dates it to a late-eleventh-century (c. 1065–95) production in Worcester, identifying it as a nearly exact and earlier analogue of two later twelfth-century English maps of the world from the Ramsey area (Oxford, St John's College 17 and London, British Library, Harley 3667). Contained as it is in a collection of Wulfstanian materials, the Worcester map's relationship to these so-called ‘Bryhtferthian’ maps requires a rethinking of how such maps may have circulated and functioned outside o
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3

Kneepkens, C. H. "The Quaestiones grammaticales of the MS Oxford, Corpus Christi College 250: An Edition of the Second Collection." Vivarium 23, no. 2 (1985): 98–123. http://dx.doi.org/10.1163/156853485x00069.

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Gretsch, Mechthild. "Cambridge, Corpus Christi College 57: a witness to the early stages of the Benedictine reform in England?" Anglo-Saxon England 32 (December 2003): 111–46. http://dx.doi.org/10.1017/s0263675103000073.

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Manuscripts can be studied, first, and most obviously, as objects of material culture. Such study may provide valuable information concerning the parchment, the arrangement of quires, the type of script, the letter forms, the decoration, and so on. Manuscripts can also be studied as witnesses to the intellectual preoccupations of the scholars who compiled and copied them: such preoccupations are most apparent in the selection and glossing of the texts which manuscripts from various periods transmit. There is yet a third class of information to be gleaned, from some manuscripts at least, by a c
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5

CLEGG, CYNDIA SUSAN. "The 1559 Books of Common Prayer and the Elizabethan Reformation." Journal of Ecclesiastical History 67, no. 1 (2015): 94–121. http://dx.doi.org/10.1017/s0022046914002103.

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The 1559 Book of Common Prayer printed by Richard Grafton has been dismissed by bibliographers, who have suggested that Grafton printed it as ‘agent for Jugge and Cawood’ (the Queen’s Printers) and ‘improperly put his name in the imprint’. Relying on evidence from a 1559 Grafton prayer book in the collection of Corpus Christi College, Oxford, which contains the signatures of members of Elizabeth i’s Privy Council that can be dated prior to the opening of Elizabeth’s Reformation Parliament, this article argues not only that Grafton’s Book of Common Prayer was legitimate (indeed ‘authorised’), b
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Kneepkens, C. H. "The Quaestiones grammaticales of the MS Oxford, Corpus Christi College 250: An Edition of the Third Collection 1." Vivarium 27, no. 2 (1989): 103–24. http://dx.doi.org/10.1163/156853489x00065.

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7

Dmytrenko, Nataliia. "ICONOGRAPHY OF "THE LAST SUPPER" AND ITS ORIGINS IN THE MONUMENTS OF THE EARLY CHRISTIAN ERA." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 98–108. http://dx.doi.org/10.33838/naoma.28.2019.98-108.

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The article deals with the works of monumental painting, decorative and applied art and art of the book miniature of the early Christian era with the first images that refer to the prototypes of the "Last Supper". The research of iconography and the origins of the plot, namely, the influence of Roman art on the formation of iconography and artistic works of Christian art at its earliest stages of creation is the main line of the article. The main problems of identification of the plot, its symbols and use in various art forms are highlighted.In the study of the iconography of the plot "The Las
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8

Backhouse, Janet. "The Art of Matthew Paris in the Chronica Majora. By Suzanne Lewis. 30.5×23 cm. Pp. xvi+553, 235 figs., 15 col. pls. Aldershot: Scolar Press, in collaboration with Corpus Christi College, Cambridge, and University of California Press (California Studies in the History of Art, 21), 1987. ISBN 0-85967-733-8. £85.00." Antiquaries Journal 68, no. 1 (1988): 167–68. http://dx.doi.org/10.1017/s0003581500022988.

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9

Paudyal, Sushil, Mahendra Bhandari, and Lucy Huang. "79 Cross-Training Future Workforce on Data Handling and Interpretation for Precision Agriculture Systems." Journal of Animal Science 101, Supplement_1 (2023): 113–14. http://dx.doi.org/10.1093/jas/skad068.136.

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Abstract The objective of this paper is to report observations from a 10-week summer training program on Data Management in Animal and Plant Sciences. A total of six undergraduate students from three universities in the Texas A&M University System [Texas A&M University (TAMU)-College Station, TAMU-Kingsville, and TAMU-Corpus Christi] representing disciplines of Animal Science, Plant Science, and Computer Science learned handling and interpretation of sensor-based data derived from both animal sensors and UAV images of plant fields. Students attended weekly training sessions on data col
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10

Reeve, Matthew M. "ART, MIRACLES AND THE CULT OF THE VIRGIN AT THETFORD PRIORY: EVIDENCE FROM CAMBRIDGE, CORPUS CHRISTI COLLEGE MS 329." Antiquaries Journal, September 18, 2024, 1–38. http://dx.doi.org/10.1017/s000358152400012x.

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This essay explores two texts in a fifteenth-century manuscript from Thetford Priory, Norfolk (now ms 329 in the Parker Library, Corpus Christi College, Cambridge). The first is an account of Marian miracles leading to the building of the Lady Chapel in the thirteenth century, and the second is an account of the formation of its relic collection in the twelfth century, which would be housed inside a statue of the Virgin Mary. The destruction of Thetford Priory at the Dissolution lends them a special significance since they offer evidence of a minor Marian cult that would be otherwise lost to u
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Books on the topic "Lewis Collection (Corpus Christi College)"

1

Hamel, Christopher De. The Parker Library: Treasures from the collection at Corpus Christi College, Cambridge, England. Corpus Christi College, 2000.

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2

Middleton, John Henry. The Lewis Collection Of Gems And Rings, In The Possession Of Corpus Christi College, Cambridge. Kessinger Publishing, LLC, 2007.

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3

Middleton, J. Henry. Lewis Collection of Gems and Rings in the Possession of Corpus Christi College, Cambridge: With an Introductory Essay on Ancient Gems. Cambridge University Press, 2011.

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Middleton, J. Henry. Lewis Collection of Gems and Rings in the Possession of Corpus Christi College, Cambridge: With an Introductory Essay on Ancient Gems. Cambridge University Press, 2011.

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5

Carradice, Ian. Sylloge Nummorum Graecorum: Volume VI: The Lewis Collection in Corpus Christi College, Cambridge, Part II, The Greek Imperial Coins (American Numismatic Society: Sylloge Nummorum Graecorum). Oxford University Press, USA, 1992.

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6

R, James M. Sources of Archbishop Parker's Collection of Mss. at Corpus Christi College, Cambridge: With a Reprint of the Catalogue of Thomas Markaunt's Library. Cambridge University Press, 2010.

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7

James, Montague Rhodes. Sources of Archbishop Parker's Collection of Mss. at Corpus Christi College, Cambridge: With a Reprint of the Catalogue of Thomas Markaunt's Library. Cambridge Library Collection. Cambridge. Independently Published, 2019.

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8

R, James M. The Sources of Archbishop Parker's Collection of Mss. at Corpus Christi College, Cambridge: With a Reprint of the Catalogue of Thomas Markaunt's Library. Cambridge Univ Pr, 2010.

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9

Renaissance man: The reconstructed libraries of European scholars, 1450-1700. Series one, The books and manuscripts of John Dee, 1527-1608. Part 2, John Dee's manuscripts from Corpus Christi College, Oxford : a listing and guide to the microfilm collection. A. Matthew, 1992.

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Book chapters on the topic "Lewis Collection (Corpus Christi College)"

1

Almond, Maureen. "Horace on Teesside." In Living Classics. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199233731.003.0002.

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Abstract The poems I present here are from my collection, The Works (Almond 2004) which is the story of one community in working-class Teesside set against the backdrop of the end of the Second World War. Of the fifty-two poems in the collection, seventeen are recontextualizations of the Epodes of Horace. I was introduced to the work of Horace in 2003, while reading my Ovidian poems from Oyster Baby (Almond 2002) at Corpus Christi College, Oxford. It was an opportune time because I was looking for a theme for my next collection. Over the years, I had written several poems which were largely au
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Parry, Graham. "Britannia Revised." In The Trophies of Time. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198129622.003.0013.

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Abstract So diverse and industrious had the enquiry been into the antiquities of the nation in the course of the seventeenth century, that in the last decade a project was floated to bring out a new edition of Camden ‘s Britannia that would reflect the remarkable advances in antiquarian understanding in the hundred years since its first publication. The prime mover of this project was Edmund Gibson, a young Fellow of Queen ‘s College, Oxford. He himself was a precocious antiquary, whose enthusiasm and discipline qualified him to be an admirable editor of the Britannia. Born in 1669 in Westmorl
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