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1

Donskis, Leonidas. "Lewis Mumford." Journal of Interdisciplinary Studies 8, no. 1 (1996): 49–68. http://dx.doi.org/10.5840/jis199681/24.

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Lewis Mumford's discursive map, uncovering the trajectories of modem consciousness and Western social philosophy, dates back to Ralph Waldo Emerson, Henry David Thoreau, and the great tradition of American Romanticism However, Mumford's discursive map of the idea of the city cannot be reduced to architecture and city planning alone. His world of ideas draws on such thinkers and concepts as Ebenezer Howard's Garden City, Benton MacKaye's Eutopian ideas, Patrick Geddes' regional planning, and Frank Lloyd Wright's organic architecture (Broadacre City), anticipated by Louis Henri Sullivan. Mumford's theoretical constructions also reflect the worldviews of Simmel, Tönnies, Spengler, and Toynbee, as well as other influential social theories of the last two centuries, Mumford was apparently the first among twentieth-century intellectuals to grasp that human creation, interaction, self-fulfillment, and the search for perfectibility all take place in the city.
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Burrows, Brian. "Lewis Mumford: the Lewis Mumford reader." Futures 28, no. 5 (June 1996): 506–8. http://dx.doi.org/10.1016/0016-3287(96)89553-x.

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Miller, Donald L. "Lewis Mumford." Journal of Urban History 18, no. 3 (May 1992): 280–307. http://dx.doi.org/10.1177/009614429201800302.

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Davis, Allen F. "Lewis Mumford." Journal of Urban History 19, no. 4 (August 1993): 123–31. http://dx.doi.org/10.1177/009614429301900407.

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5

Kovács, Gábor. "City in Modern Cultural Criticism: Lewis Mumford and István Hajnal." Acta Universitatis Sapientiae, European and Regional Studies 13, no. 1 (December 1, 2018): 11–18. http://dx.doi.org/10.2478/auseur-2018-0002.

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Abstract The critique of the city is an almost obligatory cliché of the 20thcentury cultural criticism. This paper offers a parallel critical analysis of the conceptions of American ecologist Lewis Mumford and Hungarian historian István Hajnal. They were contemporaries, and their approaches had been inspired by interwar cultural criticism. Mumford did not hate the city: it was, for him, the engine of history, a reservoir of cultural creativeness. The theory of Hajnal, from many aspects, runs parallel with Mumford’s – moreover, the Hungarian historian gives a detailed theory on the types of European city. What connects them is an ecological approach.
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6

Szymański, Kamil. "Lewis Mumford criticism of technical culture." Kultura i Wartości 21 (August 29, 2017): 61. http://dx.doi.org/10.17951/kw.2017.21.61.

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7

Molella, Arthur P., and Donald L. Miller. "The Lewis Mumford Reader." Technology and Culture 30, no. 1 (January 1989): 128. http://dx.doi.org/10.2307/3105437.

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8

Bender, Thomas, Thomas P. Hughes, and Agatha C. Hughes. "Lewis Mumford: Public Intellectual." Technology and Culture 33, no. 2 (April 1992): 388. http://dx.doi.org/10.2307/3105891.

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9

Hughes, Thomas, and Donald Miller. "Lewis Mumford: A Life." Technology and Culture 31, no. 4 (October 1990): 913. http://dx.doi.org/10.2307/3105943.

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10

Thomas, John L. "Lewis Mumford: Regionalist Historian." Reviews in American History 16, no. 1 (March 1988): 158. http://dx.doi.org/10.2307/2702081.

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Abrahams, Edward, Thomas P. Hughes, and Agatha C. Hughes. "Lewis Mumford: Public Intellectual." Journal of American History 79, no. 3 (December 1992): 1229. http://dx.doi.org/10.2307/2080924.

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12

Novak, Frank G., and Donald L. Miller. "Lewis Mumford: A Life." New England Quarterly 63, no. 2 (June 1990): 334. http://dx.doi.org/10.2307/365812.

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13

Wilson, Richard Guy, and Donald L. Miller. "Lewis Mumford: A Life." Design Issues 8, no. 1 (1991): 84. http://dx.doi.org/10.2307/1511460.

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14

Stunkel, Kenneth R., Thomas P. Hughes, and Agatha C. Hughes. "Lewis Mumford: Public Intellectual." Journal of Interdisciplinary History 22, no. 4 (1992): 761. http://dx.doi.org/10.2307/205264.

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15

Rubin, Joan Shelley, and Donald L. Miller. "Lewis Mumford: A Life." American Historical Review 96, no. 1 (February 1991): 275. http://dx.doi.org/10.2307/2164233.

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16

Westbrook, Robert, and Donald L. Miller. "Lewis Mumford: A Life." Journal of American History 77, no. 2 (September 1990): 716. http://dx.doi.org/10.2307/2079302.

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17

Verene, Donald Phillip. "Lewis Mumford (1896–1990)." New Vico Studies 8 (1990): 162. http://dx.doi.org/10.5840/newvico1990835.

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18

Samson, M. David. ""Unser Newyorker Mitarbeiter": Lewis Mumford, Walter Curt Behrendt, and the Modern Movement in Germany." Journal of the Society of Architectural Historians 55, no. 2 (June 1, 1996): 126–39. http://dx.doi.org/10.2307/991115.

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Lewis Mumford's advocacy of European Modernism in architecture was the result of his relationship with Walter Curt Behrendt, the editor of the German Werkbund's journal Die Form from 1925 to 1927. Before they met in 1925 Mumford and Behrendt each worked to encourage a new vernacular style, which would use rural values and regional planning to remake the industrial city. The two united in their critique of the unrestricted urban development and industrial standardization which dominated American culture in the 1920s, and which in Germany was mythologized as Amerikanismus. In 1925 Behrendt recruited Mumford to write on American architecture for Die Form from an anti-Amerikanismus point of view. Yet when Behrendt expressed a new optimism about the machine's role in architecture, in his book Der Sieg des neuen Baustils (1927), Mumford began to emphasize functionalist, standardized forms as the key to organic design. The Werkbund's "New Era" publicity campaign of 1928-1932 convinced Mumford that the Modern Movement combined a naturally evolving vernacular style with artistic vanguardism, both in the service of cultural evolution. On this basis he supported both functionalist housing and Philip Johnson's "International Style" aestheticism after 1930.
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19

Jacquier, Charles. "Lewis Mumford, philosophe de l’environnement." Agone, no. 45 (April 15, 2011): 165172. http://dx.doi.org/10.4000/revueagone.1012.

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Long, Stewart. "Lewis Mumford and Institutional Economics." Journal of Economic Issues 36, no. 1 (March 2002): 167–82. http://dx.doi.org/10.1080/00213624.2002.11506448.

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Stunkel, Kenneth. "Lewis Mumford's idea of community in an urban world." Urban History 26, no. 2 (August 1999): 249–56. http://dx.doi.org/10.1017/s0963926899000255.

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It is a daunting task to recover a usable Mumford from his vast body of writing, myriad ideas and public career over a span of seventy years. These four books make a substantial contribution to that end. Their shared virtues are clarity and thoughtfulness supported by firm scholarship. Useful perspectives are provided on modernization, social ecology, community planning and the human condition. Novak assembles and illuminates a historically important body of letters. Spann narrates an interplay of strong intellects with politics of social change in the 1920s and 1930s. Luccarelli and Wojtowicz cut an impressive swath through the entire scope of Mumford's thought and experience in the contexts of regionalism and architectural criticism. While all the books draw attention to men and women often forgotten but worth knowing about, Mumford is conspicuous for brilliance and charisma in the battle to reconcile urban growth with healthy environments and communities. His arsenal of values, shared by many supporters past and present, supplied articulate standards for change.
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22

Lybeck, Eric Royal. "The Critical Theory of Lewis Mumford." International Journal of Interdisciplinary Social Sciences: Annual Review 5, no. 1 (2010): 91–102. http://dx.doi.org/10.18848/1833-1882/cgp/v05i01/59362.

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23

Lenzi, Letícia. "LEWIS MUMFORD: UMA VOZ DE RESISTÊNCIA À CIVILIZAÇÃO TECNOCRÁTICA." Cadernos do PET Filosofia 6, no. 12 (May 2, 2016): 25–36. http://dx.doi.org/10.26694/cadpetfil.v6i12.4836.

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A fé absoluta na capacidade da tecnologia em promover melhorias sociais sofreu fortes críticas no último século. O escritor norte-americano Lewis Mumford denunciou este mito e seus prejuízos, estabelecendo-se como uma voz de reação contra os valores impostos pela sociedade industrial tecnocrática. Embora Mumford tenha destacado as denúncias sobre o poder desmedido da esfera tecnológica da vida moderna, e as razões históricas que nos legou essa cultura, suas teses sugerem um otimismo frente à possibilidade de controlarmos e reorientarmos seu desenvolvimento. Neste artigo, trazemos a aposta de Mumford para uma possível reorientação radical de atitudes que transformariam esta civilização, sempre em vistas a um desenvolvimento civilizatório mais equilibrado e orientado à emancipação humana.
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24

Khasieva, Mariya Alanovna. "Human and technology in the philosophy of Lewis Mumford." Философия и культура, no. 4 (April 2020): 11–19. http://dx.doi.org/10.7256/2454-0757.2020.4.32619.

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The subject of this research is the problem of technicalization of human nature studied in the works of an American historian, sociologists and philosopher of technology Lewis Mumford.  The Western philosophical tradition marks the existence of the traditional juxtaposition of technology and nature, technology and human. The impact of scientific and technological progress upon human mind and his corporeal nature is incontestable. However, the evolution of technology itself reflects the intentions of development of intellectual culture. Thus, technology is initially ambivalent with regards to human, producing disintegrating and organizing influence simultaneously. Technology separates human from nature and forms new subject and value systems. The article applies a descriptive method of research, gives characteristics to the most significant works of L. Mumford, as well as utilizes hermeneutic approach and method of structural analysis of his writings. The author’s main contribution consists in versatile analysis of L. Mumford’s interpretations of the philosophical problems of technology. Multiple existing research emphasize his negative evaluation of technology: he correlates process of technicalization with dehumanization, militarization and strengthening of totalitarian means of social organization. Nevertheless, it is worth mentioning that throughout his path, L. Mumford has substantially modified the context of studying technology: in his early work “Technology and Civilization (1934) Mumford optimistically determines the modern “neo-technological” type of social development. The conclusions are made on the sociocultural and socioeconomic meaning of technology, with focus on the anthropological problem of the impact of technology upon human nature.
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Guha, Ramachandra. "Lewis Mumford un écologiste nord-américain oublié." Agone, no. 45 (April 15, 2011): 185211. http://dx.doi.org/10.4000/revueagone.1016.

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Wojtowicz, Robert. "Lewis Mumford: A Life Donald L. Miller." Journal of the Society of Architectural Historians 49, no. 3 (September 1990): 351–52. http://dx.doi.org/10.2307/990535.

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van Putten, David. "Een toekomst zonder gewoonte? Over Lewis Mumford." Algemeen Nederlands Tijdschrift voor Wijsbegeerte 114, no. 3 (October 1, 2022): 281–97. http://dx.doi.org/10.5117/antw2022.3.005.putt.

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28

Hughes, Agatha C., and Frank G. Novak. "Lewis Mumford and Patrick Geddes: The Correspondence." Technology and Culture 37, no. 4 (October 1996): 828. http://dx.doi.org/10.2307/3107101.

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29

Mason, Randall. "Foreword: Whence Urban Conservation, Via Lewis Mumford." Change Over Time 4, no. 1 (2014): 2–7. http://dx.doi.org/10.1353/cot.2014.0002.

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30

Strate, Lance, and Casey Man Kong Lum. "Lewis Mumford and the ecology of technics." New Jersey Journal of Communication 8, no. 1 (March 2000): 56–78. http://dx.doi.org/10.1080/15456870009367379.

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31

Long, Stewart. "Understanding Lewis Mumford: A Guide for the Perplexed." Journal of Economic Issues 40, no. 3 (September 2006): 845–46. http://dx.doi.org/10.1080/00213624.2006.11506958.

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32

Gentile, Nélida. "A quasi-regularist view of laws." Principia: an international journal of epistemology 23, no. 3 (December 31, 2019): 445–59. http://dx.doi.org/10.5007/1808-1711.2019v23n3p445.

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It will be analyzed some views about laws and highlight certain aspects in each of them that, in our opinion, are to the detriment of their plausibility. The views that we will analyze are the standard regularist conception and the most sophisticated variant known as the Mill-Ramsey-Lewis (MRL) approach, on the one hand, and the necessitarianist versions of David Armstrong and Stephen Mumford, on the other. Finally, we present an alternative proposal that is intermediate between the regularist conception and Mumford’s nomological anti-realism. We believe that our proposal successfully avoids the reviewed difficulties and opens a new theoretical space within the dispute over the laws of nature.
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33

MAKEHAM, PAUL. "Performing the City." Theatre Research International 30, no. 2 (July 2005): 150–60. http://dx.doi.org/10.1017/s030788330500115x.

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Lewis Mumford, writing in the 1930s, understood the city as a ‘theater of social action’. Mumford's ideas remain important in the context of the contemporary post-industrial city, in which theatricality and performativity are key drivers of so-called ‘experience economies’. Increasingly, urban planners are attuned to such theatrical notions as the ‘urban scene’ and ‘urban drama’ in framing policy. Adopting interpretive strategies enabled by Performance Studies, this paper gives an account of some of the ways in which theatre and performance are made manifest in cities. It considers some of the implications of urban performativity, arguing that good city planning demands an ethics of performance, whereby citizens become spectators and co-performers in the urban drama.
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34

Casillo, Robert. "Lewis Mumford and the Organicist Concept in Social Thought." Journal of the History of Ideas 53, no. 1 (January 1992): 91. http://dx.doi.org/10.2307/2709912.

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35

Forman, Paul. "How Lewis Mumford saw science, and art, and himself." Historical Studies in the Physical and Biological Sciences 37, no. 2 (March 1, 2007): 271–336. http://dx.doi.org/10.1525/hsps.2007.37.2.271.

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Jász, Borbála. "MENTAL MAP OF THE CITY: ELEMENTS OF VISUAL ARGUMENTATION AND CREATIVITY IN MODERN CITY PLANNING." Creativity Studies 11, no. 2 (December 5, 2018): 284–93. http://dx.doi.org/10.3846/cs.2018.6901.

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Lewis Mumford in The City in History (first edition in 1961) emphasises that the structure of modern cities is partially responsible for many social problems seen in Western society. Urban planning should concentrate on an organic relationship between people and their living spaces. The city is a product of Earth, a fact of nature, man’s method of expression, Mumford writes in his The Culture of Cities (first edition in 1938). This also means that both the designer and the user must have a high degree of creativity in order to design and utilise the built environment. By analysing the definition of the city Mumford examines its changes during history from ancient times to recent planning method. He criticises the most dominant design processes of the 20th century: the functionalist and mechanical urban design. He is an advocate of the organic method in planning and understanding cities. The organic approach requires an active and creative approach as opposed to mere passive reception.This organic approach by Mumford to understanding cities is based on the theory of Kevin A. Lynch. We may distinguish 3 normative ways of city planning theory: (1) the cosmic, (2) the mechanic and (3) the organic model.In my paper I will first apply the onion model of culture developed by Geert Hofstede for the city and its analysis, and also for the appearance of creativity in them. After that I am going to examine the city with a special, architectural based mind map theory: the five elements by Lynch. Lynch suggests that these five elements (paths, edges, districts, nodes, landmarks) create the mental map for readability. Finally, I will investigate a usage of mental map in modern city planning (Le Corbusier) and works on the process of “debabelisation” (Otto Neurath). Santrauka Lewisas Mumfordas Mieste istorijoje (pirmasis leidimas – 1961 m.) pabrėžia, kad šiuolaikinių miestų struktūrai tenka dalis atsakomybės dėl daugelio socialinių problemų, regimų Vakarų visuomenėje. Miesto planavimas turėtų būti koncentruojamas į organišką ryšį tarp žmonių ir jų gyvenamųjų erdvių. Miestų kultūroje (pirmasis leidimas – 1938) Mumfordas rašo, kad miestas – tai Žemės produktas, gamtos įvykis, žmogiškosios išraiškos metodas. Tai taip pat reiškia, kad tiek projektuotojas, tiek vartotojas turi būti itin kūrybiškas, idant suprojektuotų ir panaudotų sukurtą aplinką. Analizuodamas miesto apibrėžimą, Mumfordas nagrinėja jo kaitą istorijoje nuo antikos laikų iki dabartinio planavimo metodo. Jis kritikuoja XX a. labiausiai įsivyravusius projektavimo procesus: funkcionalistinį ir mechaninį miesto projektavimą. Jis yra organinio metodo, taikomo miestams planuoti ir suprasti, šalininkas. Organiškas požiūris reikalauja aktyvaus ir kūrybiško požiūrio, priešpriešinamo grynai pasyviam suvokimui.Šis organiškas Mumfordo požiūris, suprantant miestus, grindžiamas Kevino A. Lyncho teorija. Galime išskirti tris normatyvinius miesto planavimo teorijos būdus: 1) kosminį; 2) mechaninį; 3) organinį modelį.Straipsnyje pirmiausia taikomas svogūninis kultūros modelis, kurį miestui ir jo analizei, taip pat jų kūrybiškumo pasireiškimui sukūrė Geertas Hofstede. Paskui nagrinėjamas miestas, pasitelkiant ypatingą, architektūra grindžiamą proto žemėlapio teoriją – penkis Lyncho elementus. Lynchas teigia, kad šie penki elementai (takai, pakraščiai, rajonai, susikirtimo taškai, peizažai) kuria mentalinį reglamentavimo žemėlapį. Galiausiai tyrinėjama, kaip proto žemėlapis naudojamas šiuolaikiniam miestui planuoti (Le Corbusier) ir kokią įtaką daro „debabilizacijos“ procesui (Otto Neurathas).
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Richard, Bryan, and Josephine Roosandriantini. "PENERAPAN CRITICAL REGIONALISME PADA BANGUNAN MASJID PADANG DAN SYDNEY OPERA HOUSE." Jurnal Arsitektur Kolaborasi 2, no. 2 (November 1, 2022): 24–33. http://dx.doi.org/10.54325/kolaborasi.v2i2.31.

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Critical regionalisme merupakan aliran arsitektur yang menentang arsitektur regionalism yang dinilai terlalu tradisional dan kurang sesuai dengan perkembangan jaman,critical regionalism sendiri awalnya dimunculkan oleh Alexander Tzonis yang kemudian dikembangkan oleh tokoh-tokoh lain salah satunya Lewis Mumford.Tujuan penelitian ini sendiri untuk menganalisa bangunan Masjid Padang dan Sydney Opera House dengan teori critical regionalism dari Alexander Tzonis dan leiws Mumford. Penellitian ini akan berfokus pada lingkungan sekitar,regions in memory dan rejection of absolute historicism dengan menggunakan metoder literature. Berdasarkan studi literature dan analisa dapat diambil kesimpulan bahwa masjid Padang dan Sydney Opera House termasuk ke dalam critical regionalisme mulai dari lingkungan sekitarnya,ornamen pada bangunan serta adanya modifikasi dari elemen-elemen tradisional.
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Haëntjens, Jean. "Lewis Mumford, un auteur majeur pour penser le XXIe siècle." Futuribles N° 430, no. 3 (2019): 87. http://dx.doi.org/10.3917/futur.430.0087.

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Hines, Thomas S., and Donald L. Miller. "Nine and a Half Decades: The Achievement of Lewis Mumford." Reviews in American History 18, no. 4 (December 1990): 536. http://dx.doi.org/10.2307/2703051.

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Gold, John R., and Mark Luccarelli. "Lewis Mumford and the Ecological Region: The Politics of Planning." Geographical Journal 164, no. 2 (July 1998): 221. http://dx.doi.org/10.2307/3060382.

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Bianco, Martha J., and Mark Luccarelli. "Lewis Mumford and the Ecological Region: The Politics of Planning." Technology and Culture 38, no. 4 (October 1997): 990. http://dx.doi.org/10.2307/3106976.

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Anderson, Larry, and Mark Luccarelli. "Lewis Mumford and the Ecological Region: The Politics of Planning." Environmental History 2, no. 1 (January 1997): 110. http://dx.doi.org/10.2307/3985574.

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Shaw, David P. "Lewis Mumford and the ecological region: The politics of planning." Journal of Rural Studies 14, no. 3 (July 1998): 387. http://dx.doi.org/10.1016/s0743-0167(98)00007-2.

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Guha, Ramachandra. "Lewis Mumford: The forgotten American environmentalist: An essay in rehabilitation∗." Capitalism Nature Socialism 2, no. 3 (October 1991): 67–91. http://dx.doi.org/10.1080/10455759109358458.

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Chwałczyk, Franciszek. "Techniczna konstrukcja/odkrywanie prawd (2): martyngał Kartezjusza i miary SI (metr)." Humaniora. Czasopismo Internetowe 26, no. 2 (June 15, 2019): 57–74. http://dx.doi.org/10.14746/h.2019.2.5.

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This is the second part of the two-part text based on the works of Martin Hei-degger, Lewis Mumford and Michel Serres. In the first part I analyzed the foundations or the birth itself (the Thales’ discovery – Serres, the ancient myth of the machine – Mumford) of a certain way of producing truths or conditions for recognizing something as true (the Truth). Here, in the second part, I show the discovery of how this Truth works and its development (the Descartes’ discovery, the modern myth of the machine), and thus a significant increase in the ability to produce truths. Continuing recognition made in the first part that – the figure of the essence of technology can be identified with figure of the Truth in this text and that its essence has been a ge-stell – I indicate martingale (Serres) and the myth of balance (Mumford) as ge-stell counterparts. A practical example on which I test the content of both parts of this text are Witold Kula’s research on old measures (part 1) and those from the SI system (in this part).
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Wojtowicz, Robert. "A Model House and a House's Model: Reexamining Frank Lloyd Wright's House on the Mesa Project." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 522–51. http://dx.doi.org/10.2307/25068203.

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This article examines Frank Lloyd Wright's House on the Mesa project, which, despite its familiarity to most historians of twentieth-century architecture, has never been thoroughly studied within the general context of Wright's expansive oeuvre and the specific circumstances of the Museum of Modern Art's 1932 Modern Architecture: International Exhibition. Numerous drawings for the project survive in the Frank Lloyd Wright Archives at Taliesin West, although only photographic evidence survives of the original model. Scattered references to the project appear in Wright's writings, most notably his correspondence with wealthy Denver businessman George Cranmer, whose family served as a kind of inspirational muse for the architect. Of special importance is a letter from Wright to critic Lewis Mumford recently discovered in the Lewis Mumford Papers at the University of Pennsylvania. Handwritten on the back of a photograph of the project's model, Wright's letter sheds new light on some of the project's technical innovations, which included textile-block walls, cantilevered roofs, and stepped casements. Less a response to the International Style, as is commonly held, the project was Wright's model of individualized, machine-age luxury for a merit-based democracy.
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Kohnen, Angela M., and E. Wendy Saul. "Literacy instruction for life online." Phi Delta Kappan 99, no. 6 (February 26, 2018): 33–38. http://dx.doi.org/10.1177/0031721718762420.

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As information is becoming easier to access and harder to evaluate, literacy teachers face new challenges in helping students become astute independent readers. Building on the ideas of Lewis Mumford, the authors argue for embracing the role of the generalist — or “expert information seeker” who is able to identify and evaluate different types of sources and who trusts experts’ knowledge without accepting every statement they make as absolute truth.
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Brindley, Thomas, and Lewis Mumford. "Sketches from Life: The Autobiography of Lewis Mumford, the Early Years." Technology and Culture 26, no. 2 (April 1985): 317. http://dx.doi.org/10.2307/3104366.

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49

Baigent, Elizabeth. "Patrick Geddes, Lewis Mumford and Jean Gottmann: divisions over ‘megalopol is’." Progress in Human Geography 28, no. 6 (December 2004): 687–700. http://dx.doi.org/10.1191/0309132504ph514oa.

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Stunkel, Kenneth R. "Vital Standard and Life Economy: The Economic Thought of Lewis Mumford." Journal of Economic Issues 40, no. 1 (March 2006): 113–33. http://dx.doi.org/10.1080/00213624.2006.11506885.

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