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1

Kornai, A. Lexical categories and x-bar features. Akade miai Kiado, 1985.

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2

Otgonsu̇rėn, D. Mongol khėlniĭ u̇giĭn sangiĭn naĭruulga zu̇ĭ =: Lexical stylistic of Mongolian language. ADMON, 1997.

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3

Vilimonovic, Larisa. Structure and Features of Anna Komnene’s Alexiad. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462980389.

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The Alexiad, written in the twelfth century by a Byzantine princess, Anna Komnene, tells the story of the Byzantine Empire during the reign of her father, offering accounts of its political and military history, including its involvement with the First Crusade. Structure and Features of Anna Komnene’s Alexiad: Emergence of a Personal History introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene’s literary expression. The book’s approach focuses mainly on the author, the subject, the structure and the inner stylistic features, as well as the gen
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4

Allon, Mark. Style and function: A study of the dominant stylistic features of the prose portions of Pāli canonical sutta texts and their mnemonic function. The International Institute for Buddhist Studies of the International College for Advanced Buddhist Studies, 1997.

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5

Pöhls, R. L. Victoria, and Mariane Utudji, eds. Powerful Prose. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458808.

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What makes a reading experience »powerful«? This volume brings together literary scholars, linguists, and empirical researchers to elucidate the effects and reader responses to investigate just that. The thirteen contributions theorize this widely-used, but to date insufficiently studied notion, and provide insights into the therefore still mysterious-seeming power of literary fiction. The collection investigates a variety of stylistic as well as readerly and psychological features responsible for short- and long-term effects - topics of great interest to those interested or specialized in lit
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6

Waller, Gary. Late Shakespeare and the English Baroque. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048563180.

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Late Shakespeare and the English Baroque focuses mainly on Shakespeare’s late (or later) works, those written from around 1607. It sets both poetry and plays within the emerging culture of the baroque, the term defined not merely by stylistic features but by the underlying ideological ‘structure of feeling’ of baroque culture in early modern England. The book extends the mode of analysis of The Female Baroque (Amsterdam University Press, 2020) and draws on theoretical work by José Antonio Maravall, Raymond Williams, and Julia Kristeva. It analyzes recurring Baroque characteristics – hyperbole
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7

Milud, Mohamed. Oil and gas terminology: the experience of linguistic description. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1894396.

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The monograph is devoted to the study of the structural and semantic features of the terminological vocabulary of the oil and gas industry. The results of the interaction of different languages in this area are considered. The term-forming processes and structural types of lexical units of this terminology are described in some detail. The question of partial belonging of terms of the oil and gas sublanguage is studied, a review of Russian-French dictionaries of oil and gas terms is conducted. Being the most unique, this terminology continues to be one of the most complex and little-studied te
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8

Mironova, Dina, Natal'ya Kalashnikova, Inna Malyhina, and Dzhamilya Godina. Hotel business: English in the professional field. Professional English in Hospitality Industry. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2122974.

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The textbook presents theoretical and practical issues of the organization of the hotel business, trends and modern concepts of its development. The combination of theoretical and practical materials, the availability of examples from the practice of the hotel business will allow you to master all professional competencies. It consists of 12 sections devoted to topics such as the features of the hospitality industry, the organizational structure of hotels, career prospects and hotel management, hotel classification, hotel services, etc. The material is selected from authentic sources, on the b
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9

Sokolova, Elena, and Aleksandra Ushakova. Old Slavonic language. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1870286.

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The textbook is devoted to theoretical and practical issues of studying the Old Slavic language, which appeared in the middle of the IX century and had a significant impact on the development of Slavic cultures in general and the emergence of book-written Slavic languages on a national basis in particular. The manual includes educational and methodological materials on the analysis of phonetics, morphology, vocabulary, syntax; texts of the Old Slavic language from glagolitic and Cyrillic monuments, tasks for the analysis of texts, a dictionary.
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10

Azova, Ol'ga, Elena D'yakova, Zhanna Antipova, and Mariya Vorob'eva. Speech therapy technologies. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1038017.

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The textbook discusses the features of the formation of speech and motor functions in children, as well as their disorders. Technologies of examination of the pronouncing side of speech, lexical and grammatical structure of language and coherent speech, tempo-rhythmic organization of speech and motor functions in children are presented. The methods and techniques of diagnostics, criteria for assessing the violation of the formation of functions are described in detail. Meets the requirements of the federal state educational standards of higher education of the latest generation. For students o
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11

Mathieu, Éric, and Robert Truswell. Micro-change and macro-change in diachronic syntax. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.003.0001.

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This introduction discusses current trends in diachronic linguistics with a focus on syntactic change and reviews the fifteen other chapters included in the volume. In the spirit of modern diachronic syntax, the selected articles show that very general patterns of change, emergent, multigenerational diachronic phenomena, interact with small, discrete, local, intergenerational changes in the lexical specification of grammatical features. General topics include acquisition biases, cross-categorial word order generalizations, typological particularities and universals, language contact, and trans
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12

Vasiliu, Alex. Works of Richard Oschanitzky: Stylistic Features. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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13

Vasiliu, Alex. Works of Richard Oschanitzky: Stylistic Features. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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14

Vasiliu, Alex. Works of Richard Oschanitzky: Stylistic Features. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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15

Works of Richard Oschanitzky: Stylistic Features. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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16

Stylistic Features in Balisidya's Short Stories. GRIN Verlag GmbH, 2010.

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17

Hussein, Khalid Shakir, and Ali Hussein Abdul-Ameer. Corpus-Driven Approach to Stylistic Analysis of a Lexical Richness Curve. GRIN Verlag GmbH, 2017.

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18

Stylistic and Linguistic Features in Angus Wilson's Higher Standards. GRIN Verlag GmbH, 2010.

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19

Quiles, Rafael Damas. Influence of Latin to the English Language. Morphological and Lexical Features. GRIN Verlag GmbH, 2018.

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20

Et Sapienter et Eloquenter: Studies on Rhetorical and Stylistic Features of the Septuagint. Vandenhoeck & Ruprecht, 2011.

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21

Et sapienter et eloquenter: Studies on rhetorical and stylistic features of the Septuagint. Vandenhoeck & Ruprecht, 2011.

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22

Stetkevych, Jaroslav. The Modern Arabic Literary Language: Lexical And Stylistic Developments (Georgetown Classics in Arabic Language and Linguistics). Georgetown University Press, 2006.

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23

Cohesion in Literary Texts: A Study of Some Grammatical and Lexical Features of English Discourse. De Gruyter, Inc., 2011.

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24

London, University of, ed. Stylistic and lexical devices in the language of I. Il'f and E. Petrov's novels 'Twelve chairs' and 'The golden calf'. 1989.

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25

Mathieu, Eric, and Robert Truswell, eds. Micro-change and Macro-change in Diachronic Syntax. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.001.0001.

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This volume contains sixteen chapters addressing the process of syntactic change at different granularities. The language-particular component of a grammar is now usually assumed to be nothing more than the specification of the grammatical properties of a set of lexical items. Accordingly, grammar change must reduce to lexical change. And yet these micro-changes can cumulatively alter the typological character of a language (a macro-change). A central puzzle in diachronic syntax is how to relate macro-changes to micro-changes. Several chapters in this volume describe specific micro-changes: ch
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26

Jockers, Matthew L. Style. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0006.

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This chapter shows how stylistic signals can be derived from high-frequency features and how the usage, or nonusage, of those features was susceptible to influences that are external to the so-called “authorial style,” external influences such as genre, time, and gender. These aspects of style were explored using a controlled corpus of 106 British novels where genre was a key point of analysis. The chapter first provides an overview of statistical or quantitative authorship attribution before discussing the author's project, in which he analyzed the degree to which novelistic genres express a
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27

Rudd, Philip W. The Invisible Niche of AUYL. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190657543.003.0013.

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In African cities, postcolonial ambiguity and contradiction bombard speakers, who hybridize traditional values with new urban identities and successfully bridge the old to the new with African Urban Youth Language (AUYL), a term inclusive of argot, slang, and register usage. Sheng, the AUYL from Nairobi, Kenya, exemplifies the metaphorical reversal of the old colonial order, symbolizing an invisible niche binding speakers neither to the traditional ethnic role nor to the old colonial empire and providing a sense of cosmopolitanism. African youth construct this new and modern identity, but the
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28

Raschieri, Amedeo. The Fragments of Republican Orators in Quintilian’s Institutio oratoria. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788201.003.0006.

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This chapter analyses the quotations from the orators of the Republican period in Quintilian’s Institutio oratoria. The method of quotation is extremely varied and the author shows a good first-hand knowledge of many speeches, especially those of more recent writers including Caelius Rufus, Asinius Pollio, and Messala Corvinus. Regardless of Cicero’s excellence, these orators fit well within the large educational project proposed by Quintilian. They are used as moral models, as well as lexical, rhetorical, and stylistic examples, often accepted but sometimes rejected, and always included in a
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29

Phillips, Tom. Words and the Musician. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0004.

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The central claim advanced in this chapter is that significant connections between rhythm and semantic content form an important and under-examined stylistic feature of Pindar’s dactylo-epitrite epincians. In particular, the chapter focuses on passages in which sonic and rhythmical features express or imitate aspects of what the texts refer to, and that this ‘imitation’ could assume various degrees of complexity and abstraction depending on the nature of the linguistic referents of a given passage. The final part of the chapter examines how strophic responsion creates semantic and thematic con
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30

Aboh, Enoch. Information Structure. Edited by Caroline Féry and Shinichiro Ishihara. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199642670.013.004.

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This chapter discusses the cartographic approach to clause structure according to which information structure directly relates to syntactic heads that project within the clausal left periphery. This view is supported by data from languages in which information-structure-sensitive notions (e.g. topic, focus) are encoded by means of discourse markers that trigger various constituent displacement rules. Such empirical facts are compatible with the cartographic view in which lexical choices condition information packaging and clause structure. Put together, the cross-linguistic data presented in t
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31

Dworkin, Steven N. Anthology of texts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199687312.003.0006.

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This short anthology contains extracts from three Castilian prose texts, one from the second half of the thirteenth century (General estoria IV of Alfonso X the Wise), one from the first half of the fourteenth century (El conde Lucanor of don Juan Manuel), and one from near the mid-point of the fifteenth century (Atalaya de las corónicas of Alfonso Martínez de Toledo, Arcipreste de Talavera). These passages illustrate in context many of the phonological, orthographic, morphological, syntactic, and lexical features of medieval Hispano-Romance described in the body of this book. A linguistic com
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32

Temperley, David. Rock in Broader Context. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0011.

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This chapter zooms out to examine the broader historical and stylistic context of rock. The roots of rock—especially in common-practice music, the blues, and Tin Pan Alley / jazz—have been widely discussed, but this chapter attempts to identify more systematically the features that rock shares with these previous styles, as well as its unique features. A historical survey of rock itself and its various subgenres finds that it underwent major changes in the early 1960s but remained rather stable over the next three decades, and in some respects rather homogenous. The chapter then considers some
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33

Eden, Kathy. Montaigne on Style. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.45.

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This article explores Montaigne’s assumptions, expectations, and judgments regarding style, especially as they demonstrate an Erasmian pedigree. This pedigree is predicated on a broad definition of style that takes into account word choice, phrasing, rhythm, and figures as elements of elocution (the third branch of rhetoric) and extends itself to disposition (the second branch, which attends to the arrangement of the parts of the discourse). It also includes a number of key metaphors for style that Montaigne applies in unique combinations; and it features the stylistic virtues of variety and s
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34

Temperley, David. The Musical Language of Rock. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.001.0001.

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A theory of the structure of rock music is presented, addressing aspects such as tonality/key, harmony, rhythm/meter, melody, phrase structure, timbre/instrumentation, form, and emotional expression. The book brings together ideas from the author’s previous articles but also contains substantial new material. Rock is defined broadly (as it often is) to include a wide range of late twentieth-century Anglo-American popular styles, including 1950s rock & roll, Motown, soul, “British invasion” rock, soft rock, heavy metal, disco, new wave, and alternative rock. The study largely employs the in
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35

Cefalu, Paul. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0001.

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The introductory chapter argues that, during the early modern period in England, the Fourth Gospel and First Epistle of Saint John the Evangelist were as influential as Pauline theology and, in many respects, more influential than the Synoptic Gospels of Matthew, Mark, and Luke. The chapter outlines several features of a distinctive, post-Reformed, English Johannine devotionalism: a high Christology that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology accor
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36

Coleman, Julie. The Language of The Pilgrim’s Progress. Edited by Michael Davies and W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.23.

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This analysis of John Bunyan’s language demonstrates that although he wrote The Pilgrim’s Progress (1678; 1684) in a simple style for uneducated readers, his control of the English language was far from unsophisticated. His vocabulary, eschewing recent and learned loans, ensured that the literal level of his narrative was accessible even to inexperienced readers and listeners. Disentangling normal features of contemporary language from stylistic archaism reveals how the Bible speaks through Bunyan’s work. Using biblical language not only raised the tone of The Pilgrim’s Progress, but also allo
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37

Jany, Carmen. The Northern Hokan Area. Edited by Michael Fortescue, Marianne Mithun, and Nicholas Evans. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199683208.013.34.

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A number of languages indigenous to Northern California display structural similarities which raise interesting questions about possible contact effects on features of polysynthesis. In particular, the coding of grammatical relations and patterns of verbal compounding and lexical affixation reveal an undeniable areal distribution. The presence of these same features also defines the languages examined in this chapter (Chimariko, Shastan, Karuk, Yana, Atsugewi, Achumawi, and Pomoan) as polysynthetic. While other chapters in this volume are based on a single language family, the present chapter
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38

Axel-Tober, Katrin. Origins of verb-second in Old High German. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813545.003.0003.

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This chapter investigates the characteristics of the left sentence periphery in Old High German. In the earlier OHG prose texts we still find some archaic characteristics of a non- or pre-verb-second grammar. These include residual and partly productive features of a non-conflated C-domain arguably inherited from Proto-Germanic or even Proto-Indo-European. On the other hand, there is ample evidence that the precursor of the so-called prefield position already existed in OHG and that it was already a target for both operator movement and Stylistic Fronting. All these phenomena shed interesting
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39

Mauranen, Anna. Second-Order Language Contact. Edited by Markku Filppula, Juhani Klemola, and Devyani Sharma. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199777716.013.010.

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This chapter discusses the nature of English as a lingua franca (ELF) as uniquely complex ‘second order language contact’, which arises from contact between ‘similects’ of speakers from given first language backgrounds. The data is drawn from speech in academic communities. ELF is best understood as operating on three levels: the macro-social, the micro-social, and the cognitive. English as a lingua franca is largely similar to English as a native language in comparable social circumstances, but it also manifests lexico-grammatical features that are clearly different: nonstandard grammatical a
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40

Braae, Nick. Rock and Rhapsodies. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.001.0001.

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Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group’s songs and illuminates the varied stylistic and historical contexts in which Queen’s music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen’s idiolect, the book further explores the nature of specific musical char
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41

Watson, Janet. South Arabian and Arabic dialects. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198701378.003.0011.

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This chapter examines phonological, morphological, lexical, and syntactic data from a number of contemporary Arabic varieties spoken within historical Yemen—i.e. within the borders of current Yemen and up into southern ˁAsīr in Saudi Arabia—with (a) data from the Ancient South Arabian language, Sabaic; (b) what has been called ‘Ḥimyaritic’, as spoken during the early centuries of Islam; and (c) the Modern South Arabian languages, Mehri and Śḥerɛ̄t. These comparisons show a significant number of shared features. The density of shared features and the nature of sharing exhibited lead to the tent
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42

Braunmuller, A. R. Shakespeare’s Late Style. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0025.

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‘Shakespeare’s Late Style’ explores stylistic aspects of Shakespeare’s dramatic verse (and a little of the prose) in plays composed after Hamlet. It suggests that Dryden was among the first to recognize that Shakespeare’s style changed over time and seems to have thought that the style became less ‘pestered’ with ‘figurative expressions’ as the career advanced. Like most early commentators, however, Dryden left little detailed analysis to support his larger, often metaphorical, claims. The purpose of this chapter is to identify the features of Shakespeare’s style in the second half of his prof
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43

Bánffy, Eszter. Neolithic Eastern and Central Europe. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.035.

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Contrasted with the vast majority of Neolithic finds, thousands of Neolithic figurines, anthropomorphic vessels, and house models were vested with both a special typological and an artistic value, often divorcing them from their original contexts and removing any clues about their roles within the community. This was aggravated by interpretations that considered these sixth and fifth millennum bc southeast and Central European figurines as forerunners of the deities and goddesses of classical antiquity. What positive interpretation do these representations allow, given that some sites have occ
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44

Russi, Cinzia. Sicilian Elements in Andrea Camilleri's Narrative Language. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781683934912.

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Sicilian Elements in Andrea Camilleri’s Narrative Language examines Camilleri’s unique linguistic repertoire and techniques over his career as a novelist. It focuses on the intensification of Sicilian linguistic features in Camilleri’s narrative works, in particular features pertaining to the domains of sounds and grammar, since these have been marginalized in linguistic-centered research on the evolution of Camilleri’s narrative language and remain overall understudied. Through a systematic comparative analysis of the distribution patterns of selected Sicilian features in a selection of Camil
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45

Andersson, Samuel, Oliver Sayeed, and Bert Vaux. The Phonology of Language Contact. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935345.013.55.

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This chapter surveys the impact of language contact on phonological systems. The phonology of one language may influence that of another in several ways, including lexical borrowing, rule borrowing, Sprachbund features, and interlanguage effects. Illustrations of these phenomena are drawn from interactions between English and French, Hawaiian, and Japanese at different historical periods; from Quichean languages; from Slavic-influenced dialects of Albanian; from Dravidian influences on Sanskrit; and from South African English, among other examples. The evidence indicates that language contact
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46

Lott, Marie Sumner. The Diversity of Dvořák’s String Quartet Audiences. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039225.003.0007.

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This concluding chapter analyzes how the diversity of Antonín Dvořák's audiences affected his string quartets. The strain of satisfying the disparate expectations of diverse audiences while attempting to establish himself as a composer of “universal” music in the tradition of German Classicism is most evident in Dvořák's string quartets. These works demonstrate his shrewdness in reading the musical climate and responding to it with appropriate stylistic choices that address not only the desire for exotic signifiers or their absence but also the types of engagement that listeners and performers
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47

d'Hubert, Thibaut. New Beginnings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190860332.003.0004.

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Chapter 3 looks at Ālāol’s early literary career and the evolution of his concerns and style during a period that stretches over ten years, between 1651 and 1661. It is the occasion to highlight connections between themes treated in his poems and contemporary events that marked the end of the Golden Age of Arakan. To keep track of his aesthetic and poetic choices, I translate and analyze short lyric poems inserted in his otherwise narrative texts. This allows us to follow the themes and stylistic features that characterize each period of his literary career to offer both textual and contextual
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48

Weidle, Roland. Comprehensive Guide to Shakespeare’s Sonnets. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350382862.

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This book provides readers with the tools to unravel the complexities of one of the most difficult sonnet sequences, introducing them to the literary tradition, themes, stylistic features and cultural contexts of the genre and the collection, and offering close readings of more than 100 sonnets. This combined approach enables readers not only to disentangle the complex relationships of the poems’ characters but also to appreciate their philosophical, sensual, topical and subversive qualities. Of the book’s two sections, the first, ‘Contexts and Forms’, includes chapters on the sonnet tradition
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49

Grätz, Sebastian. The Literary and Ideological Character of the Letters in Ezra 4–7. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804208.003.0009.

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At first glance, the Aramaic letters embedded in the biblical book of Ezra look like authentic documents issued in favour of the Judaeans by the Achaemenid chanceries. This chapter shows that the letters display formulaic and stylistic features differing from authentic imperial Persian royal correspondence, that the contents of these letters are influenced by other biblical texts, chiefly Deutero-Isaiah and the books of Chronicles, and that the image of the king in these letters comprises aspects of the euergetism characteristic of Hellenistic monarchs. Grätz therefore suggests that the letter
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50

Grekova, Olga. Essays on Modern Russian Functional Aspectology. Book one. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m3020.978-5-317-06861-5.

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Modern Russian Aspectual Senses are presented here as a system with a zero starting point. The monograph has resulted from lifelong teaching Russian as a Foreign Language (RFL) for multilingual students and it figures out the procedure of choosing the Aspect, Aspect-Temporal form in discourse. Essays provide short guidelines starting from the position of a viewer, observing a certain situation, up to Discourse Activities of a speaking person, reflecting the situation in an adequate way. The monograph takes into account the necessary mental processes: awareness of the Aspectual Senses involved
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