Relevant bibliographies by topics / Lexical stylistics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Lexical stylistics'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Lexical stylistics"

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Marpaung, Ely Ezir, Syahron Lubis, Amrin Saragih, and Eddy Setia. "Stylistics in “Asahan Dalam Angka 2015” Translation Text." LANGUAGE LITERACY: Journal of Linguistics, Literature, and Language Teaching 2, no. 2 (December 17, 2018): 175. http://dx.doi.org/10.30743/ll.v2i2.782.

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This research deals with the role of stylistics in translation and is aimed at identifying the types of stylistics used in “Asahan Dalam Angka 2015” in the translation text, to analyze the application of how and why stylistics is applied. This study applies qualitative research method, proposed by Miles and Huberman. There are six types of stylistics applied in ASDA 2015translation text: Word Formation Variation (WFV), Lexical Choice Variation (LCV), Syntactical Order Variation (SOV), Semantic Meaning Variation (SMV), Pragmatic Contextual Variation (PCV), and Grammatical Change Variation (GCV). The application refers to the morphological process (Word Formation Variation).The words are lexically chosen to vary lexical meaning (LCV), the phrases are syntactically reconstructed SOV), the words are pragmatically and contextually varied and translated to be equivalent (PCV), and the words are grammatically changed and varied to construct appropriate meaning. The finding shows that there are two causes why stylistics is not well applied in ASDA 2015translation text. Firstly, MT (Machine Translation) used in translating the text is not equipped by sufficient linguistic devices. Secondly, ASDA 2015 translation text is not realized in stylistic variation.
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Ononye, Chuka Fred. "LEXICO-STYLISTIC CHOICES AND MEDIA IDEOLOGY IN NEWSPAPER REPORTS ON NIGER DELTA CONFLICTS." Indonesian Journal of Applied Linguistics 7, no. 1 (May 31, 2017): 167. http://dx.doi.org/10.17509/ijal.v7i1.6870.

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Media reports on Niger Delta (Henceforth, ND) conflicts have reflected a relationship between lexico-stylistic choices and media ideologies. The existing media studies on the discourse have predominantly utilised pragmatic, stylistic and discourse analytical tools in presenting and labelling discourse participants and/or their ideologies, but neglected how media ideologies can be revealed through lexico-stylistic choices made in the reports. This paper therefore examines the lexico-stylistic choices in the reports in order to establish their link to specific ideological goals of the newspapers in relaying the conflict news. Forty reports on ND conflicts, published between 2003 and 2007, sampled from two ND-based (The Tide and Pioneer) and two national (The Punch and THISDAY, labelled) newspapers, were subjected to stylistic and critical analyses, with insights from structural (relational) semantics and aspects of stylistics discourse. Two broad lexical stylistic choices are identified, including paradigmatic (61.8%—indexed by synonymous, antonymous, hyponymous, colloquial, and register items, and coinages) and syntagmatic (38.2%—marked by collocations, metaphors, pleonasms, and lexical fields) features. The features are utilised for three ideological ends; namely, picking out and framing participants as perpetrators of the violence in the discourse, evaluating specific entities and their roles in the conflicts, and reducing the impact of the activities of the news actors. Although there are overlaps, the evaluative ideology is largely associated with the national newspaper, the impact reduction ideology with the ND-based newspapers, while the framist ideology is observed in the two sets of newspapers. With these findings the study has added the lexical stylistics angle to the existing scholarship on ND conflict news discourse. Thus, the newspaper reports on ND conflicts are motivated by their ideological goals to change the reader’s outlook on the issues relating to the conflicts.
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Olomskaya, Natalia N., Regina V. Patyukova, Elena N. Luchinskaya, Marina M. Tsaturyan, and Marina V. Bezrukavaya. "Lexical features of color naming in various linguocultures." LAPLAGE EM REVISTA 7, Extra-C (June 19, 2021): 605–12. http://dx.doi.org/10.24115/s2446-622020217extra-c1050p.605-612.

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This paper focuses on studying the lexical features of color designations in English and Russian, as color vocabulary has differences in word formation, associations, the richness of meanings, and stylistic features. The methodological basis of the study comprises works of such domestic and foreign researchers as E. V. Krapivnik, V. G. Kulpina, S. G. Shafikov, G. V. Struchalina, B. Berlin, and others. The Russian and English language students will understand better the linguistic and cultural specifics of color designations in fiction texts. The outcomes of this work will help in preparing academic courses in English and Russian Stylistics, Lexicology, and Translation Studies. This work will help students and all those who study Russian and Russian languages better understand the linguistic and cultural specifics of color meanings in texts of artistic orientation. The work results will help to prepare courses on the stylistics of the English and Russian languages, Lexicology, and Translation Studies.
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Jacobs, Arthur M. "(Neuro-)Cognitive poetics and computational stylistics." Empirical Studies of Literariness 8, no. 1 (December 31, 2018): 165–208. http://dx.doi.org/10.1075/ssol.18002.jac.

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Abstract This perspective paper discusses four general desiderata of current computational stylistics and (neuro-)cognitive poetics concerning the development of (a) appropriate databases/training corpora, (b) advanced qualitative-quantitative narrative analysis (Q2NA) and machine learning tools for feature extraction, (c) ecologically valid literary test materials, and (d) open-access reader-response data banks. In six explorative computational stylistics studies, it introduces a number of tools that provide QNA indices of the foregrounding potential at the sublexical, lexical, inter- and supralexical levels for poems by Shakespeare, Blake, or Dickens. These concern lexical diversity and aesthetic potential, sentiment analysis, sublexical sonority scores or phrase structure, and topics analysis. The results illustrate the complex interplay of stylistic features and the necessity for theoretical guidance and interdisciplinary cooperation in selecting adequate training corpora, QNA tools, test texts, and response measures.
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Makhloof, Suzan. "Leech and Short’s Checklist of Lexical Features in Style in Fiction: A Theoretical Analysis." IJOHMN (International Journal online of Humanities) 6, no. 4 (August 7, 2020): 19–43. http://dx.doi.org/10.24113/ijohmn.v6i4.189.

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This paper aims at investigating Leech and Short's Checklist of Lexical Features in their book Style in Fiction (2007) in order to help students of Stylistics at both undergraduate and postgraduate levels to deeply understand the application of such features. Leech and Short put these lexical features in the form of questions that should be answered by students who are conducting a stylistic lexical analysis of any literary work. In this paper, the researcher will mainly highlight how such features can operate in literary texts by providing explanation to these questions and answer them with examples.
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Islam, Aang Fatihul, and Dian Anik Cahyani. "A STYLISTIC ANALYSIS OF PERSUASIONIN WONDERFUL INDONESIA’S ADVERTISEMENT." Jo-ELT (Journal of English Language Teaching) Fakultas Pendidikan Bahasa & Seni Prodi Pendidikan Bahasa Inggris IKIP 3, no. 2 (February 28, 2020): 70. http://dx.doi.org/10.33394/jo-elt.v3i2.2427.

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Widely language is interconnected, language, for example, as a means of expression in advertising. Wonderful Indonesia conducted with the aim to analyze the linguistic aspects of the narrator's danger style in persuading from the public or the public about the greatness of Indonesia. The main purpose of this research is to remove the kind of language style features including lexical patterns and lexicon-syntax options that can be metaphorical and prosodic features in the movements of audiences or listeners that are implemented in the advertising of Wonderful Indonesia choice. This research uses a content analysis research design with stilistika approach. The findings show the narrator in the advertisement Wonderful Indonesia applies two types of stylistics with lexical patterns that become: repetition, parallelism, and numbers. The second type is the lexico-syntactic option (figurative language) which is: antithesis and personification.
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Dr. Aisha Farid, Madiha Saeed, and Dr. Muhammad Sabboor Hussain. "An Exploration of Muhammadu Bukhari’s Socio-Political Cognition through Stylistic Analysis." sjesr 4, no. 2 (May 1, 2021): 100–108. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(100-108).

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Political discourse is a recent but increasingly exciting field of study. The political discourse offers much scope for interdisciplinary research. This current study is a stylistic analysis of the Inaugural speech delivered by Nigerian President Muhammadu Bukhari in Abuja on 29th May 2015. The current study aims to signify the role of Stylistics in CDA to unleash socio-political cognition in speeches. This qualitative research owing to its interdisciplinary nature draws on stylistics and critical discourse analysis as well. Teun A. Van Dijk's socio-cognitive approach is used to analyze the mental models underlying linguistic structures made explicit through stylistic analysis. The stylistic analysis is conducted on lexical and grammatical levels, but cohesion and speech acts have also been highlighted in the findings and discussion part. The study explores how stylistic devices are used to create a rhetorical effect and how this effect qualifies for being persuasive. The stylistic analysis reconnoiters the linguistic patterns, and CDA leads to the ideologies that shape these patterns. This study strengthens the belief that both stylistics and critical discourse analysis have great scope and power in revealing discursive practices of hegemony and persuasion.
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Saragih, Ance Elsy. "THE TRANSLATION OF PHRASAL VERBS IN THIRTEEN REASONS WHY." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 4, no. 1 (June 12, 2020): 160–67. http://dx.doi.org/10.30743/ll.v4i1.2307.

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The form of a phrasal verb may be the same but they bear different meanings in accordance with the context of situation. The dynamics of language also influence the change of phrasal verb meanings. This paper presents the problems faced by the translator in translating several phrasal verbs in the novel Thirteen Reasons Why by applying the theory of Ghazala in which it is stated that phrasal verbs are linked with the lexical problems and stylistics. Lexical problems coccur when a word, a phrase or an expression is not understood clearly and directly, misunderstood, not known at all to translators, or not found in standard dictionaries, while stylistic problems, righty seen as a part of meaning strongly affect the style of source language posing problems for the translator as the styles of the ST and TT could not be easily adjusted to similarity. The data in the forms of phrasal verbs are taken from the source language and in the target language, supported by the descriptive qualitative method. The results of show that the problems in translating the phrasal verbs in the novel lie in lexical words (literal meaning, synonymy, polysemy, and idiom) and stylistics (formality and informality of language)
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Adi Martinus, Berya Kamayan, and Nova Noor Aisyah. "THE STYLE OF LANGUAGE IN 5SOS SONGS: VOODOO DOLLS AND INVISIBLE." ANAPHORA: Journal of Language, Literary and Cultural Studies 3, no. 2 (February 7, 2021): 102–11. http://dx.doi.org/10.30996/anaphora.v3i2.4636.

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This study aims to describe the figurative language and idioms which include the meaning of the figurative language and idioms that used by 5SOS on their songs: Voodoo Dolls and Invisible. To analyze the data, the stylistics approach that focuses on the lexical level of stylistics is used here. The lexical level is used to analyze the figurative language and the lexical meaning, while the theory that used in this study is following the Targian’s theory to consider the figurative language in the data. The second purposes of this study, is to understand the lexical meaning which using the theory of Chaer. Meanwhile, Parera’s theory about that there are three procedures to find the elements of the meaning of words as follows is also used here. As the result of this study, the language style of 5SOS by analyzing the data are describing youth problems, but not all of the figurative language elements as in Tarigan theory is contained in both of the song lyrics.
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Ivanenko, Iryna. "Notions “association”, “associativity” in modern linguo-stylistics." Terminological Bulletin, no. 5 (2019): 84–89. http://dx.doi.org/10.37919/2221-807-2019-5-10.

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Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood > childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.
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Dissertations / Theses on the topic "Lexical stylistics"

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Ferreira, Raphael Bessa. "Uma Amazônia poetizada: criações e inovações lexicais na obra de João de Jesus Paes Loureiro." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-13032019-093522/.

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O objetivo desta tese é estudar as criações neológicas de campo semântico relacionado ao contexto amazônico presentes na poesia de João de Jesus Paes Loureiro, cujo pensamento poético dialoga com os mitos, crenças e com o imaginário nativo daquela região. Por meio de seu estilo, o autor busca expressar uma relação diferenciada para com a língua portuguesa, valendo-se de neologismos que marcam uma localização geográfica e cultural, buscando subverter a língua num trabalho de artesanato que almeja a renovação da palavra, transmutando-a do seu uso cotidiano para adquirir cargas semânticas variadas, poetizando o que o autor chama de mundamazônico. A partir do diálogo entre as teorias da estilística lexical e da poética formal, além do auxílio do pensamento estético postulado pelo próprio autor em seus ensaios, a pesquisa recolhe as invenções lexicais de contexto amazônico distribuídas ao longo da produção literária de Paes Loureiro, sobretudo as criações que desenvolvem questionamentos sobre a modernização e exploração financeira do norte do Brasil. A recolha do corpus, portanto, não se pretende extensa. Busca-se analisar apenas os neologismos que expressam questões íntimas à amazonicidade e ao aspecto regional. A pesquisa almeja ainda verificar como o estilo do autor desenvolve uma linguagem-rio, palavra reveladora do trabalho da poesia enquanto encantaria da linguagem, conforme aponta o autor. Os livros analisados para a pesquisa foram Porantim; Deslendário; Altar em Chamas; Para ler como quem anda nas ruas; As Encantarias; Artesão das águas; O ser aberto; A loba; Cinco palavras à Virgem de Nazaré; Pentacantos; Epístolas e Baladas; Cantigas de Amar e de Amor; e Tarefa todos inclusos nos volumes I e II das Obras Reunidas e Água de Fonte, Romanceiro do Quem são eles e Iluminação/Iluminuras, de modo a traçar o perfil expressivo que tais criações incidem para compor o estilo do autor.
The aim of this thesis is to study the neological creations of a semantic field related to the Amazonian context present in the poetry of João de Jesus Paes Loureiro, whose poetic thought dialogues with the myths, beliefs and the native imaginary of that region. Through his style, the author seeks to express a differentiated relationship with the Portuguese language, using neologisms that mark a geographical and cultural location, seeking to subvert the language in a work of craftsmanship that seeks the renewal of the word, transmuting it of its daily use to acquire varied semantic loads, poetizing what the author calls \"mundamazônico\". From the dialogue between the theories of lexical stylistics and formal poetics, in addition to the aesthetic thought of the author himself in his essays, the research collects the lexical inventions of the Amazonian context distributed throughout the literary production of Paes Loureiro, creations that raise questions about the modernization and financial exploration of northern Brazil. The collection of the corpus, therefore, is not intended to be extensive. We seek to analyze only the neologisms that express intimate questions about amazonicity and the regional aspect. The research also seeks to verify how the author\'s style develops a \"river language\", a revealing word for the work of poetry while \"enchanting the language\", as the author points out. The books analyzed for the research were Porantim; Deslendário; Altar em Chamas; Para ler como quem anda nas ruas; As Encantarias; Artesão das águas; O ser aberto; A loba; Cinco palavras à Virgem de Nazaré; Pentacantos; Epístolas e Baladas; Cantigas de Amar e de Amor; e Tarefa all included in volumes I and II of the Obras Reunidas e Água de Fonte, Romanceiro do Quem são eles e Iluminação/Iluminuras, in order to trace the expressive profile that such creations have in order to compose the style of the author.
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Ferreira, Eliana Maria Azevedo Roda Pessoa. "Expressividade e visão de mundo: o léxico de Mário de Andrade na poesia da década de 20." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-26042010-122107/.

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O objetivo desta dissertação é estudar as escolhas e as criações lexicais de Mário de Andrade nas suas obras poéticas mais representativas da década de 20: Pauliceia desvairada; Losango cáqui e Clã do jabuti. Sob a ótica da Estilística Léxica e com auxílio da Semântica, recolhemos e analisamos as criações lexicais resultantes da necessidade estilística. Entendemos que elas foram escolhidas por Mário de Andrade para acentuar a expressividade de seu texto e procuramos demonstrar, através da sua inserção em campos-léxico-semânticos, a existência de temas reveladores da visão de mundo do autor e da época. As obras analisadas evidenciam a ampliação do território poético de Mário de Andrade que parte da cidade de São Paulo, em processo de urbanização, para abraçar o país multicultural. Através dos temas e das escolhas lexicais feitas, o poeta-enunciador, ao usar a máscara do arlequim, transfigura-se em poeta-arlequim, poeta-soldado e em poeta-antropólogo sugerindo, assim, a aproximação ou o afastamento de determinado grupo social.
The purpose of this dissertation is to study the choices and the lexical creations by Mário de Andrade in his most representative poetic works in the twenties: Pauliceia desvairada, Losango cáqui and Clã do jabuti. From the Lexical Stylistics point of view and with the Semantic\'s help, we collected and analyzed the lexical creations resulting from stylistic necessities. We understand that those were chosen by Mário to enhance the expressiveness of his text and we try to evidence, by inserting them in lexical-semantic-fields, the existence of themes revealing the poet\'s particular view of his world and time. The present work evidences the enlargement of Andrade\'s poetic territory which starts in a São Paulo city in urbanization process to embrace the whole multicultural country. Based on the themes and lexical choices made, the enunciator-poet, when uses the harlequin\'s mask, transfigures himself in a harlequin-poet, a soldier-poet and in a anthropologist-poet suggesting, in this way, the proximity or distance from specific social groups.
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Carvalho, Solange Peixe Pinheiro de. "As muitas faces de uma pedra: o universo lexical da obra em prosa de Ariano Suassuna." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-13062012-153103/.

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Os estudos estilísticos, inseridos na área de estudos da língua portuguesa, têm por objetivo verificar como a escolha lexical e os neologismos literários podem causar diversos efeitos sobre os leitores de obras literárias. Entre outros autores, Alves (1990), Barbosa (1981), Lapa (1977), Mattoso Câmara Jr. (1985) e Martins (2000), discorreram a respeito do tema, salientando a importância da criação lexical em relação à expressividade e à criatividade de diferentes autores brasileiros. Tendo em vista a importância das pesquisas nessa área, escolhemos como corpus da nossa pesquisa a obra em prosa do autor teatral Ariano Suassuna, o Romance d\'A Pedra do Reino e a História d\'O Rei Degolado, caracterizada pela presença significativa de criações lexicais, as quais, além de transmitir para o leitor a visão de mundo do narrador, Dom Pedro Dinis Ferreira-Quaderna, também conferem a seu texto grande originalidade, tendendo para a subversão ou validação dos gêneros literários nos quais Suassuna se inspirou para criar sua obra, sobretudo as novelas de cavalaria e a literatura de cordel. Verificamos também como, por meio de uma cuidadosa manipulação do léxico, Quaderna procura aliciar seus leitores, mostrando uma visão de mundo única e procurando impor os valores culturais que considera importantes no campo da cultura brasileira. A partir da identificação e recolha dos neologismos suassunianos, e dada sua grande diversidade, nossa proposta é apresentar neste trabalho uma amostra dos neologismos sintagmáticos e semânticos encontrados nas duas obras, levando em conta aspectos como a afetividade das palavras e expressividade de sufixos, salientando também como, por meio de suas criações, o autor concretiza a mistura dos elementos eruditos e populares que constituem a base de seu pensamento cultural.
Stylistics studies, included in the field of research related to the Portuguese language, aim at verifying how the choice of lexicon and literary neologisms can affect readers of literature. Among other authors, Alves (1990), Barbosa (1981), Lapa (1977), Mattoso Câmara Jr. (1985), and Martins (2000) studied this subject, highlighting the importance of lexical creation in connection with the expressiveness and creativity of many Brazilian writers. Bearing in mind the relevance of research in this field, we have chosen as corpus for our study the only prose works by playwright Ariano Suassuna, Romance d\'A Pedra do Reino and História d\'O Rei Degolado, characterised by the significant amount of lexical creation, which not only conveys to the reader the worldview of their narrator, Dom Pedro Dinis Ferreira-Quaderna, but also confer the text great originality, tending either to the subversion or validation of the literary genres which inspired Suassuna to create his works, especially chivalric romance and cordel literature. We have also verified how, through careful lexical manipulation strategies, Quaderna attempts to entice his readers by showing a single worldview, and trying to impose Brazilian cultural values that he deems to be important. From the identification and collection of neologisms created by Suassuna, the main objective of this study is to present a sample of syntagmatic and semantic neologisms found in both works, taking into consideration aspects such as the affectivity of words and the expressiveness of suffixes; thus highlighting how effectively Suassuna creates and uses classical and popular elements the basis of his cultural thinking.
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Aljuhani, Hind S. "USING CORPORA IN A LEXICALIZED STYLISTICS APPROACH TO TEACHING ENGLISH-AS-A-FOREIGN-LANGUAGE LITERATURE." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/272.

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As a lingua franca across the globe, English plays a vital role in international communications. Due to rapid economic, political, and educational globalization, the English language has become a powerful means of communication. Therefore, English education is vital to the development of many countries around the world. Since 1932, the need for a lingua franca in Saudi Arabia developed as the country progressed politically, economically, and educationally. Now, English is important to Saudis’ economic, educational, and career development and success. Vocabulary is a major step in learning any language. By deepening students’ lexical knowledge, they will be able to use English accurately to express themselves. However, teaching words in isolation and through memorization is not highly effective; English-as-a-foreign-language (EFL) learners need to interact with the language and its usage in a more profound way. This can be done by integrating corpora and stylistics analysis in an EFL curriculum. The importance of stylistics analysis to literary texts in the EFL classroom lies in the way that EFL learners will be exposed to authentic language. At the same time they will get insight into how English is structured; and by accessing corpora, which provide a wide range of data for the analysis of stylistics, students will be able to compare the lexical and grammatical patterns in authentic texts. Also, it is important to introduce students to the different levels of English (i.e. semantic, lexis, morphology); this will enlarge EFL learners’ knowledge of English vocabulary and various grammatical patterns. This project offers an innovative perspective on how to teach English for EFL university-level students by using corpora in a lexicalized stylistics approach, which will enable EFL learners to acquire vocabulary by reading literary texts. This provides a rich environment of lexical items and a variety of grammatical patterns. This approach offers EFL learners analytical tools that will improve their linguistic skills as they interact with and analyze authentic examples of English and gain insight about its historical, social and cultural background.
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Larsson, Ulf. "De fyra elementen : En semantisk motivstudie i Gunnar Ekelöfs En Mölna-Elegi." Doctoral thesis, Stockholms universitet, Institutionen för nordiska språk, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-133.

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The aim of this study is to examine the semantic architecture of the motif complex the four elements, i.e. fire, air, water and earth, in the Swedish poet Gunnar Ekelöf’s poem A Mölna Elegy (1960). The poem belongs to the same polyphonic and quotative-allusive tradition as T. S. Eliot’s The Waste Land and Ezra Pound’s Cantos. The four elements may be regarded both as four separate motifs and as constituting one semantically coherent motif complex. The latter reading has to do with the fact that the phrase the four elements is not itself present in the text. Thus, the thesis includes the assumption that this motif complex, heavily suggested by items in the text but still omitted, might function as a text matrix, from which a number of themes emerge such as life–death and time. The thesis has a theoretical anchoring in ideas about semantic frames (Barsalou) when discussing semantic relations between the different element-related words in the poem, and how these words may be linked to the concepts ‘fire’, ‘air’, water’ and ‘earth’ respectively. Traditional lexical relations such as hyponymy, antonymy and meronymy only catch the more obvious relations such as fire–glow, warm–cold and tree–branch, but are unable to explain pragmatically based relations between words linked to the same conceptual domain, such as sea–jetty, water–sink, fly–air and the like. To some extent, the thesis also draws upon Riffaterre’s theories about a poem’s matrix and how meaning arises in such texts. A major finding of the study is the heavy lexical presence of the four elements in the poem, expressed and suggested by a great number of semantically heterogeneous words. This semantic pattern is analysed in detail with the aid of semantic frame theory. A further discovery is that most of the element words imply dichotomies such as motion–repose, warmth–cold, light–dark or soft–hard. The elements have most of the dichotomies in common, which strongly suggests a union of all the four elements. Such a union is also suggested by several conspicuous compounds never earlier recorded in Swedish, such as glödstänk (‘glowspray’), vindstänk (‘windspray’), eldsus (‘fire sough’) and vågsus (‘wave sough’). The meetings of element are also described at the syntactic level as an explicit amalgamation of all four elements, which suggests a theme not earlier noticed. This theme may tentatively be called the cyclical amalgamation.
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Pellén, Angelica. "The 'dark continent' : A translation study focusing on lexical gaps and style and tone in a text about the South African bush." Thesis, Linnaeus University, Linnaeus University, School of Language and Literature, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-6208.

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The aim of this study was twofold. On the one hand, the aim was to discuss how lexical gaps can be solved or dealt with when a text about wildlife and nature different from that of the target culture is translated. On the other hand, the aim was also to discuss how the style and tone of such a text can be preserved and transferred into the target text. The study was qualitative and based on a translation into Swedish of short chapters of the book Spirit of the Bush by Peter Borchert, describing the South African wildlife and nature. The intended target reader of the translation is anyone with an interest in nature, wildlife and animals, as well as anyone with an interest in the history and culture of South Africa. Despite the fact that the terminology used in both the source text and the target text may require some previous knowledge on behalf of the reader, both texts could, nevertheless, very well be appreciated by a complete “wildlife-novice”. In order to create a theoretical base and a framework for the analysis, relevant research made in translation theory and stylistics was presented and discussed. Regarding lexical gaps, all the different strategies, apart from omission, proved to be of great help when the source text was translated into Swedish. Several examples of metaphors were discussed, such as how the wilderness is described as a stage, the animals as actors, and the visitors as making a pilgrimage. The metaphors in combination with the similes and the personifications in the source text, such as bold clouds and confident rivulets, fire the readers’ imagination and create a very vivid and capturing text. This is also something that supports the claim made that Spirit of the Bush is more than an ordinary informative text.

 

Keywords: translation, lexical gaps, style, tone, stylistics, wildlife, bush.

 

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Hammarqvist, Kristensen Johanna. "Linguistic sexism in a digitally native news outlet : A study on linguistic sexism at lexical and discourse levels in Buzzfeed News." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71404.

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In 2018, most news articles are consumed online from a digitally native news outlet and it is therefore appropriate to examine the presence of linguistic sexism in the digitally native news site Buzzfeed News. The material is made up of 159 articles collected from Buzzfeed News. Selected features at the lexical and discourse levels are analysed using a quantitative method with qualitative elements. The selected features at the lexical level include generic pronouns and nouns, focused on the affix -man- and naming practices for females and males. At the discourse level, the selected features include how females and males are described in terms of their relationships, appearance and age-related words. Linguistic sexism is found to be expressed at both the lexical and discourse levels in the material. It is mainly expressed in naming practices, the use of relationship words and age-related words.
Dagens nyhetskonsument får, enligt studier, de flesta av sina nyheter från källor online och då främst från digitalt inhemska nyhetskällor, också känt som digitally native news outlets. Detta innebär att det därför är lämpligt att undersöka närvaron av språklig sexism i den digitally native news outlet Buzzfeed News. Materialet i studien består av 159 artiklar insamlade från Buzzfeed News. Utvalda språkliga markörer på ord- och diskursnivå är analyserade med hjälp av en kvantitativ metod med kvalitativa element. De utvalda markörerna på ordnivå inkluderar generiska pronomen och substantiv med fokus på affixet -man- och hur kvinnor och män namnges. De utvalda markörerna på diskursnivå som studeras inkluderarar hur kvinnor och män beskrivs vad gäller deras relationer till andra, utseende och åldersrelaterade ord. Språklig sexism finns uttryckt både på ord- och diskursnivå i materialet och det är huvudsakligen uttryckt i hur kvinnor och män namnges, användandet av relationsord och åldersrelaterade ord.
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Alsuweed, Muhammad. "Accessing Dickens's style as an EFL learner : a corpus stylistic approach to lexical style." Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/31480/.

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This study is based on a corpus of the Charles Dickens Complete Works (the DCC), which was constructed to fulfil the aims of this research. The DCC was compiled to represent The Works of Charles Dickens in the National Edition (a set of 40 volumes, including the life of Dickens in the last two volumes, which consists of 6,202,886 tokens in total). This compilation, as the DCC, represents the first complete corpus of Dickens’s works. Employing the corpus stylistic approach was as an underpinning concept, and formed the methodology that has guided the research. The lens of focus is placed on Dickens’s lexicon, in respect to both the lexemes and their relative frequency, alongside the choices of lexis to be found in the context. The rationale for this thesis and value of its aims is primarily the facilitation of non-native English learners’ access to these works, through provision of an enhanced aesthetic appreciation of Dickens’s style with regards to his semantics and lexical choice. Additionally, the methodology aims to enable the acquisition of vocabulary, while providing learners with training in the reading of complex texts. The software tools used in the analysis are the WordSmith Tools 6.0 suite, AntConc 3.4.4w, AntWordProfiler 1.4.0w and the Range programme. The investigation of the DCC was conducted to facilitate Dickens’s works to non-native readers by focusing on the lexicon of his works. The analysis reports, amongst others, the DCC keyword list; the DCC Headword List (with 27,296 headwords); and the DCC Word Family List (approximately 102,753), which contains the family members of each headword in the DCC. These lists represent a valuable resource that can serve to facilitate the teaching of Dickens objectively, and through an evidence-based approach. In essence, the lexical knowledge gained from the DCC is intended to advance the reading and comprehension of Dickens’s works by non-native readers, and then to contribute towards the development of such learners' level of English language proficiency. Therefore, this study builds bridges between corpus stylistics and second language pedagogy. In the analysis of Dickens’s lexical selection, I demonstrate how learners can be assisted to reach the appreciation of Dickens’s style in terms of his lexicon and the semantic level of his works.
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Souza, Maria da Graça de. "As escolhas léxico-estilísticas em Vidas secas." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-15032016-150753/.

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Esta tese trata das escolhas léxico-estilísticas na obra Vidas secas de Graciliano Ramos. Sabemos que o texto é o lugar em que se processa o novo e para que esse novo possa ser construído é preciso que o sujeito produtor tenha competência lexical, pois o ato de textualização está relacionado com as escolhas feitas pelo sujeito produtor ao mediatizar-se com o mundo, com o universo referencial. Essa mediatização implica um recorte e a partir desse recorte o sujeito produtor reconceptualiza o referente, tendo, por conseguinte, o novo. Todavia, essa reconceptualização implica uma escolha e é essa escolha que vai determinar a visão de mundo e o estilo do sujeito produtor. Como sabemos, o estilo como objeto da estilística, ainda não foi satisfatoriamente delimitado, mas nessa pesquisa estamos entendendo-o como escolha que abrange tanto o conteúdo quanto a maneira como esse conteúdo é organizado e apresentado. Desse modo, os recursos estilísticos, a escolha de um tipo de gênero discursivo e a seleção lexical estão implicitamente relacionados ao estilo, à criatividade do sujeito produtor uma vez que a forma entrelaçada ao conteúdo determinará a seleção lexical do discurso enunciado, pois como sabemos, as experiências sócio-histórico-culturais-ideológicas e cognitivas do falante de uma determinada língua vêm marcadas pelo léxico que mostra, não só sua visão de mundo, mas também a sua criatividade em representar esse mundo. Nesse sentido, esta tese tem por tema o estudo do léxico, na obra Vidas secas, de Graciliano Ramos, buscando verificar como as escolhas lexicais dão ao contexto expressividade e revelam a visão de mundo do sujeito produtor. Os resultados obtidos apontam que o estilo conciso, enxuto e preciso na obra Vidas secas se deve, não só ao fato de o sujeito produtor procurar narrar uma história usando uma linguagem tão seca quanto o meio ambiente retratado na narrativa, mas também porque busca se colocar como porta-voz de personagens não alfabetizadas, agindo como procurador dessas personagens. As escolhas lexicais em Vidas secas apontaram que as personagens têm uma vida seca em todos os sentidos seca de água, seca de amor, seca de conhecimento letrado, seca de socialização. Essas secas vão despersonalizando as personagens, aproximando-as cada vez mais de animais para que possam sobreviver no meio hostil. É preciso ressaltar também que o estudo do campo lexical da seca apontou que esse fenômeno climático para a população pobre como a família de Fabiano simboliza a morte, sendo necessário em tempos de longas estiagens saírem em busca da sobrevivência em outras regiões a verdade é que não queria afastar-se da fazenda. A viagem parecia sem jeito, nem acreditava nela, e só resolvera partir quando estava definitivamente perdido. Podia continuar a viver num cemitério? Nada o prendia àquela terra dura, acharia um lugar menos seco para enterrar-se (RAMOS, 1985, p.117).
This thesis has for objective to treat choicess lexical-stylistics in the literary work Vidas secas by Graciliano Ramos. We know that the text is the place in where it processes the new and that the new can be built it is necessary that the producers subject has lexical competence as the textualization act is related to the choices made by the producers subject when mediates with the world, with the referential universe. This mediatization implies act of cut the experiential world, this acts producer subject reconceptualizes the referent, and he has therefore \"the new\". But, this reconceptualization implies a choice and it is this choice that will determine the worlds view and the style producers subject. As we know, the style, as stylistics object wasnt yet satisfactorily delimited, but in this research we understand it as a choice that covers so much both the content and how as that content is organized and presented. Thus, the stylisticss recourses, the choice of discursive style and the lexical selection are implicitly related to style, to creativitys producer subject once the form interlaced to content will determine the lexical selection of the utterance discourse, because as we know the speakers experiences socio-historical-cultural-ideological and cognitive that given to language have been marked by the lexicon that shows not only their view world, but also their creativity to represent this world. Thus, this thesis has for theme the lexicons study in the literary work Vidas secas, by Graciliano Ramos, it searches to investigate as the lexical choices give the expression to context and reveal the views world producers subject. The results suggest that the concise, succinct and precise style in literary work Vidas secas it dues to the fact producers subject to tell a story using a dry language as the environment depicted in the narrative, and also because it seeks to position itself as characters spokesman illiterate, acting as attorney of those characters. Lexical choices in literary work Vidas secas pointed out that the characters have a dry life in every senses drys water, drys love, drys literate knowledge, drys socialization. These \"dry\" will depersonalize the characters, approaching more and more animals so that they can survive in the hostile environment. One should also point out that the study of lexical drys field pointed out that this weather phenomenon for the poor as familys Fabiano symbolizes the death, if need be in droughts long time out in search survival in other regions, \"the truth is did not want to move away from the farm. The trip seemed embarrassed, could not believe it, and just decided to leave when was definitely lost. Could continue to live in a cemetery? Nothing held him to that hard earth, would find a less dry place to bury \"(RAMOS, 1985, p.117).
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Greenhill, Rima. "Stylistic and lexical devices in the language of I. Il'f and E. Petrov's novels 'Twelve chairs' and 'The golden calf'." Thesis, Online versionm, 1989. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.400213.

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Books on the topic "Lexical stylistics"

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Otgonsu̇rėn, D. Mongol khėlniĭ u̇giĭn sangiĭn naĭruulga zu̇ĭ =: Lexical stylistic of Mongolian language. Ulaanbaatar: ADMON, 1997.

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Stetkevych, Jaroslav. The Modern Arabic Literary Language: Lexical And Stylistic Developments (Georgetown Classics in Arabic Language and Linguistics). Georgetown University Press, 2006.

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Mathieu, Eric, and Robert Truswell, eds. Micro-change and Macro-change in Diachronic Syntax. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.001.0001.

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This volume contains sixteen chapters addressing the process of syntactic change at different granularities. The language-particular component of a grammar is now usually assumed to be nothing more than the specification of the grammatical properties of a set of lexical items. Accordingly, grammar change must reduce to lexical change. And yet these micro-changes can cumulatively alter the typological character of a language (a macro-change). A central puzzle in diachronic syntax is how to relate macro-changes to micro-changes. Several chapters in this volume describe specific micro-changes: changes in the syntactic properties of a particular lexical item or class of lexical items. Other chapters explore links between micro-change and macro-change, using devices such as grammar competition at the individual and population level, recurring diachronic pathways, and links between acquisition biases and diachronic processes. This book is therefore a great companion to the recent literature on micro- versus macro-approaches to parameters in synchronic syntax. One of its important contributions is the demonstration that we can learn a great deal about synchronic linguistics through the way languages change: the case studies included provide diachronic insight into many syntactic constructions that have been the target of extensive recent synchronic research, including tense, aspect, relative clauses, stylistic fronting, verb second, demonstratives, and negation. Languages discussed include several archaic and contemporary Romance and Germanic varieties, as well as Greek, Hungarian, and Chinese, among many others.
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Mathieu, Éric, and Robert Truswell. Micro-change and macro-change in diachronic syntax. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.003.0001.

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This introduction discusses current trends in diachronic linguistics with a focus on syntactic change and reviews the fifteen other chapters included in the volume. In the spirit of modern diachronic syntax, the selected articles show that very general patterns of change, emergent, multigenerational diachronic phenomena, interact with small, discrete, local, intergenerational changes in the lexical specification of grammatical features. General topics include acquisition biases, cross-categorial word order generalizations, typological particularities and universals, language contact, and transitional changes, while specific linguistic topics include tense and viewpoint aspect, directional/aspectual affixes, V2, V3, Stylistic Fronting, directional/aspectual prefixes, negation, accusative and dative marking, analytic passives, complementizer agreement, and control and raising verbs.
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Rudd, Philip W. The Invisible Niche of AUYL. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190657543.003.0013.

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In African cities, postcolonial ambiguity and contradiction bombard speakers, who hybridize traditional values with new urban identities and successfully bridge the old to the new with African Urban Youth Language (AUYL), a term inclusive of argot, slang, and register usage. Sheng, the AUYL from Nairobi, Kenya, exemplifies the metaphorical reversal of the old colonial order, symbolizing an invisible niche binding speakers neither to the traditional ethnic role nor to the old colonial empire and providing a sense of cosmopolitanism. African youth construct this new and modern identity, but the elites, seeing only fragmented nonstandard usage, treat the AUYL as illegitimate in order to render it nonexistent. This sociocultural chapter explores grammatical tendencies and lexical manipulations to disclose how AUYL is a “stylistic practice” (Eckert 2008) or bricolage (Hebdige 1979) that empowers speakers to construct a more complex, and meaningful, postcolonial social world.
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Raschieri, Amedeo. The Fragments of Republican Orators in Quintilian’s Institutio oratoria. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788201.003.0006.

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This chapter analyses the quotations from the orators of the Republican period in Quintilian’s Institutio oratoria. The method of quotation is extremely varied and the author shows a good first-hand knowledge of many speeches, especially those of more recent writers including Caelius Rufus, Asinius Pollio, and Messala Corvinus. Regardless of Cicero’s excellence, these orators fit well within the large educational project proposed by Quintilian. They are used as moral models, as well as lexical, rhetorical, and stylistic examples, often accepted but sometimes rejected, and always included in a more general literary, historical, and cultural framework. In addition to the most important Greek authors, Cicero, and more recent Latin authors, Roman orators of the Republican period are fundamental models both for orators in training and those already practising, in an emulative and anti-dogmatic vision, aware of the new linguistic and social needs, but eager to find solid roots in the past.
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Book chapters on the topic "Lexical stylistics"

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Polak, Frank. "VERBS OF MOTION IN BIBLICAL HEBREW: LEXICAL SHIFTS AND SYNTACTIC STRUCTURE." In A Palimpsest: Rhetoric, Ideology, Stylistics, and Language Relating to Persian Israel, edited by Ehud Ben Zvi, Diana V. Edelman, Frank Polak, Francesca Stavrakopoulou, Philippe Guillaume, Dalit Rom-Shiloni, Robert Rezetko, Jean-Daniel Macchi, and Ian Young, 161–98. Piscataway, NJ, USA: Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216740-010.

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Novakova, Iva, and Dirk Siepmann. "Literary Style, Corpus Stylistic, and Lexico-Grammatical Narrative Patterns: Toward the Concept of Literary Motifs." In Phraseology and Style in Subgenres of the Novel, 1–15. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23744-8_1.

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"Starting with the Texts: Corpora, Clusters, and Lexical Bundles." In Corpus Stylistics and Dickens's Fiction, 56–75. Routledge, 2013. http://dx.doi.org/10.4324/9780203076088-9.

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"‘A Tale of Two Cities’: Lexical Bundles as Indicators of Linguistic Choices and Socio-cultural Traces." In Stylistics and Social Cognition, 217–35. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789401200646_015.

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Telegina, Olga Vladimirovna. "Teaching Ways of Emphasizing and Neutralizing of Connotation While Using Lexical Transformations in Translation of Fiction." In Education and Pedagogy: Current Trends, 85–98. Publishing house Sreda, 2020. http://dx.doi.org/10.31483/r-75872.

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The scientific work includes wide theoretical and practical material about the study of necessity to use and teach students-future interpreters how to emphasize and neutralize connotations during fiction translation. Use of fiction as translation teaching aids is substantiated from the point of view of possible worlds theory and mental space of a language. Frequently used lexical, stylistics and combinatory transformations are recognized in translation of connotations from English into Russian on the example of the novel “Harry Potter and the Order of the Phoenix” by J.K. Rowling. The scientific work deals with the study of using different transformations due to which there is an effect of emphasizing and neutralizing. Difficulties of connotation translation are observed and ways to overcome the difficulties are given.
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Savchenko, Aleksandr. "PHRASEOLOGICAL IDEOLOGEMES AS AN INTERTEXTUAL MARKER: STYLISTIC, PRAGMATIC ASPECT AND THE PROBLEM OF TRANSLATION (BASED ON THE WORKS OF VEN. EROFEEV AND J. ŠKVORECKÝ)." In Czech Linguistics in Russia in the new Millennium : Collection of articles dedicated to the memory of the honoured professor of the Lomonosov Moscow State University Alexandra Grigoryevna Shirokova, 37–48. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1495.978-5-317-06484-6/37-48.

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The article examines stable lexical units that can be considered as phraseological by their nature; such units contain in their semantics certain notional and stylistic features that reflect the socio-political realities of the time. These units can be attributed to phraseological ideologemes, the stylistic and pragmatic function of which is analyzed by the example of their use in a literary text.
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Semak, Ludmila. "THE LINGUISTIC AND STYLISTIC ASPECT OF THE LEXICAL SYNONYMICS (ON THE MATERIAL OF MODERN UKRAINIAN FEMALE PROSE)." In Factors of cross- and intercultural communication in the higher educational process of Ukraine. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-051-3-7.

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This paper is the first complex research of lexical synonyms as components of the artistic discourse of modern Ukrainian female prose introduced into the field of semantic, linguistic and stylistic analysis. The scientific novelty of the paper is that for the first time in linguistic and Ukrainian studies the lexical synonymy in modern Ukrainian female prose is comprehensively explored, as a result of which the semantic, linguistic and stylistic features of synonyms are clarified. The study proves that in the analyzed works lexical synonyms, which express the idiolects of modern Ukrainian female prose writers and constitute a set of expressive and imaging marking means of their language creation, represent a number of semantic, linguistic-stylistic, categories. Which allows interpreting them not only in the functional-semantic context but also within linguostylistics. Modern Ukrainian female prose in Ukrainian literature is the latest holistic socio-cultural phenomenon is represented by the works of such authors as Emma Andiievska, Sophiia Andrukhovych, Nina Bichui, Liuko Dashvar, Oksana Zabuzhko, Kateryna Kalytko, Irena Karpa, Yevhenii Kononenko, Maria Matios and others. In the paper it is proved that word convergences appear in the literary text because of the special purpose, the purpose set by the authors, therefore they become striking representatives of idiolects of separate masters of prose. In the paper a detailed analysis of lexical synonyms is carried out, which in the artistic discourse of modern Ukrainian female prose perform a number of basic and additional functions, among which are: functions of differentiation, substitution, aesthetics, synonymic opposition, etc. Using lexical synonyms in different contexts, prose female writers always carefully weigh the semantic nuances of each word, thus achieving the expressiveness, sophistication and high aesthetic value of their literature.
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"The Royal Psalter and the Rule: lexical and stylistic links." In The Intellectual Foundations of the English Benedictine Reform, 89–131. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511483295.005.

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Mosiyevych, L. V. "Lexical and stylistic peculiarities of American political news during 2019–2020 years." In CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES, 66–80. Izdevnieciba “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-027-8-22.

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Lobanova, Svitlana, Valentyna Tryndiuk, and Alla Martyniuk. "LEXICO-GRAMMATICAL AND STYLISTIC FEATURES OF ENGLISH ADVERTISING SLOGANS." In European vector of development of the modern scientific researches. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-077-3-16.

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The aim of the article is to generalize and present the lexico-grammatical and stylistic features of English-language advertising slogans. The study allows us to determine the need of society to understand and conceptualize advertising, the mechanisms of verbal influence of advertising texts, analysis of language tools on which are based logical and emotional argumentation in advertising to persuade and motivate the audience to action, ensuring the ability of advertising text to remember . Methodology. The survey is conducted on the basis of a comparison of the data of the respondents (using the same questionnaire) on the impact of advertising slogans on the consumer, both popularity and brand. The survey also covered the family of students, which made it possible to compare these options for answering the survey questions. The results of the survey showed that younger respondents adopted English-language advertising slogans to choose about the benefits of the product and its brand. However, the older generation was more likely to be driven by savings and proven brands. Advertising for them is a show and does not deserve trust but carries the impetus for further study. Practical consequences. As the younger generation is effectively influenced by advertising slogans, modern advertising compositions take into account the characteristics of this audience. What do they aim for their income, exclusivity, price variations. As for the senior respondents, they demonstrated time-tested thrift and a scrupulous approach to pricing strategies for advertising slogans. Thus, the experimental study showed a multi-vector feature of the respondents' attitude to advertising slogans.
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Conference papers on the topic "Lexical stylistics"

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GROKHOVSKAYA, I. A. "LEXICAL AND SEMANTIC FEATURES OF PERSONAL WEB PAGE OF A.L. KUDRIN IN INTERNET COMMUNITY TWITTER." In The main issues of linguistics, lingvodidactics and intercultural communications. Astrakhan State University, 2020. http://dx.doi.org/10.21672/978-5-9926-1237-0-034-038.

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The article considers lexical and semantic peculiarities of A. L. Kudrin 's publications on the pages of the Internet community Twitter. Lexical and stylistic techniques used by the politician in the texts of messages are analyzed, characteristic features of personal blog of A.L. Kudrin on Twitter are highlighted.
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Niu, Xing, and Marine Carpuat. "Discovering Stylistic Variations in Distributional Vector Space Models via Lexical Paraphrases." In Proceedings of the Workshop on Stylistic Variation. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-4903.

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Evtushenko, Valeriya. "REALIZATION OF THE STRUGGLE FOR POWER STRATIGIES IN THE AMERICAN POLITICIANS' CAMPAIGHN SPEECHES(BASED ON H. CLINTON'S PUBLIC STATEMENTS)." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.11.

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The article is devoted to the study of the implementation of the struggle for power strategies, as well as the stylistic devices of the American political discourse based on of H. Clinton's public statements. It gives the definition of strategy, tactics of political discourse. The author points out the most frequently used tactics of the struggle for power strategies during the pre-election race by H. Clinton, as well as the lexical stylistic devices embodying these tactics.
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Alexandrova, Galina Nikolaevna, and Darya Vladimirovna Trofimova. "SPECIFIC FEATURES OF INTERFERENCE IN TRANSLATION FROM ENGLISH TO RUSSIAN." In Russian science: actual researches and developments. Samara State University of Economics, 2020. http://dx.doi.org/10.46554/russian.science-2020.03-1-389/392.

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The article is devoted to the study of the specific features of interference errors and the reason for their occurrence when translating from English to Russian. The analysis of interference errors on morphological, lexical and stylistic levels is given.
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Singh, Hrituraj, Gaurav Verma, and Balaji Vasan Srinivasan. "Incorporating Stylistic Lexical Preferences in Generative Language Models." In Findings of the Association for Computational Linguistics: EMNLP 2020. Stroudsburg, PA, USA: Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.findings-emnlp.96.

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Lee, Chee How, Min-Yen Kan, and Sandra Lai. "Stylistic and lexical co-training for web block classification." In the 6th annual ACM international workshop. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1031453.1031478.

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Матвеева, Ирина Владимировна, and Сергей Николаевич Саможенов. "EXPRESSION OF ADMIRATION IN DIFFERENT GENRE TEXTS IN GERMAN LANGUAGE." In Научные исследования в современном мире. Теория и практика: сборник избранных статей Всероссийской (национальной) научно-практической конференции (Санкт-Петербург, Май 2021). Crossref, 2021. http://dx.doi.org/10.37539/nitp316.2021.38.96.014.

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В статье осуществлено исследование лексических, стилистических и синтаксических средств, при помощи которых выражается чувство восхищения на письме в современном немецком языке. Лингвистические средства выражения восхищения зависят от принадлежности эмотивного текста к тому или иному жанру. In the article, a study of lexical, stylistic, and syntactic means was carried out, with the help of which a sense of admiration is expressed on writing in modern German. Linguistic means of expressing admiration depend on the belonging of the emotive text to a particular genre.
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Geim, Ekaterina. "Lexical And Stylistic Features Of Newspaper Headlines Of Modern Italian Press." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.32.

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Buraia, E. A. "Stylistic and lexical-syntactic figurative means of representation positions M.Yu. Lermontov in the Masquerade." In НАУКА РОССИИ: ЦЕЛИ И ЗАДАЧИ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/sr-10-06-2018-28.

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Vishneveckaya, V. V. "Stylistic techniques and lexical synonymy as a conceptual aspect organization of literary text (based on the works of Thomas Mine Reed)." In Scientific achievements of the third millennium. LJournal, 2019. http://dx.doi.org/10.18411/scienceconf-05-2019-36.

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Reports on the topic "Lexical stylistics"

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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