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Journal articles on the topic 'Lexical stylistics'
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1
Marpaung, Ely Ezir, Syahron Lubis, Amrin Saragih, and Eddy Setia. "Stylistics in “Asahan Dalam Angka 2015” Translation Text." LANGUAGE LITERACY: Journal of Linguistics, Literature, and Language Teaching 2, no. 2 (December 17, 2018): 175. http://dx.doi.org/10.30743/ll.v2i2.782.
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This research deals with the role of stylistics in translation and is aimed at identifying the types of stylistics used in “Asahan Dalam Angka 2015” in the translation text, to analyze the application of how and why stylistics is applied. This study applies qualitative research method, proposed by Miles and Huberman. There are six types of stylistics applied in ASDA 2015translation text: Word Formation Variation (WFV), Lexical Choice Variation (LCV), Syntactical Order Variation (SOV), Semantic Meaning Variation (SMV), Pragmatic Contextual Variation (PCV), and Grammatical Change Variation (GCV). The application refers to the morphological process (Word Formation Variation).The words are lexically chosen to vary lexical meaning (LCV), the phrases are syntactically reconstructed SOV), the words are pragmatically and contextually varied and translated to be equivalent (PCV), and the words are grammatically changed and varied to construct appropriate meaning. The finding shows that there are two causes why stylistics is not well applied in ASDA 2015translation text. Firstly, MT (Machine Translation) used in translating the text is not equipped by sufficient linguistic devices. Secondly, ASDA 2015 translation text is not realized in stylistic variation.
2
Ononye, Chuka Fred. "LEXICO-STYLISTIC CHOICES AND MEDIA IDEOLOGY IN NEWSPAPER REPORTS ON NIGER DELTA CONFLICTS." Indonesian Journal of Applied Linguistics 7, no. 1 (May 31, 2017): 167. http://dx.doi.org/10.17509/ijal.v7i1.6870.
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Media reports on Niger Delta (Henceforth, ND) conflicts have reflected a relationship between lexico-stylistic choices and media ideologies. The existing media studies on the discourse have predominantly utilised pragmatic, stylistic and discourse analytical tools in presenting and labelling discourse participants and/or their ideologies, but neglected how media ideologies can be revealed through lexico-stylistic choices made in the reports. This paper therefore examines the lexico-stylistic choices in the reports in order to establish their link to specific ideological goals of the newspapers in relaying the conflict news. Forty reports on ND conflicts, published between 2003 and 2007, sampled from two ND-based (The Tide and Pioneer) and two national (The Punch and THISDAY, labelled) newspapers, were subjected to stylistic and critical analyses, with insights from structural (relational) semantics and aspects of stylistics discourse. Two broad lexical stylistic choices are identified, including paradigmatic (61.8%—indexed by synonymous, antonymous, hyponymous, colloquial, and register items, and coinages) and syntagmatic (38.2%—marked by collocations, metaphors, pleonasms, and lexical fields) features. The features are utilised for three ideological ends; namely, picking out and framing participants as perpetrators of the violence in the discourse, evaluating specific entities and their roles in the conflicts, and reducing the impact of the activities of the news actors. Although there are overlaps, the evaluative ideology is largely associated with the national newspaper, the impact reduction ideology with the ND-based newspapers, while the framist ideology is observed in the two sets of newspapers. With these findings the study has added the lexical stylistics angle to the existing scholarship on ND conflict news discourse. Thus, the newspaper reports on ND conflicts are motivated by their ideological goals to change the reader’s outlook on the issues relating to the conflicts.
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Olomskaya, Natalia N., Regina V. Patyukova, Elena N. Luchinskaya, Marina M. Tsaturyan, and Marina V. Bezrukavaya. "Lexical features of color naming in various linguocultures." LAPLAGE EM REVISTA 7, Extra-C (June 19, 2021): 605–12. http://dx.doi.org/10.24115/s2446-622020217extra-c1050p.605-612.
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This paper focuses on studying the lexical features of color designations in English and Russian, as color vocabulary has differences in word formation, associations, the richness of meanings, and stylistic features. The methodological basis of the study comprises works of such domestic and foreign researchers as E. V. Krapivnik, V. G. Kulpina, S. G. Shafikov, G. V. Struchalina, B. Berlin, and others. The Russian and English language students will understand better the linguistic and cultural specifics of color designations in fiction texts. The outcomes of this work will help in preparing academic courses in English and Russian Stylistics, Lexicology, and Translation Studies. This work will help students and all those who study Russian and Russian languages better understand the linguistic and cultural specifics of color meanings in texts of artistic orientation. The work results will help to prepare courses on the stylistics of the English and Russian languages, Lexicology, and Translation Studies.
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Jacobs, Arthur M. "(Neuro-)Cognitive poetics and computational stylistics." Empirical Studies of Literariness 8, no. 1 (December 31, 2018): 165–208. http://dx.doi.org/10.1075/ssol.18002.jac.
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Abstract This perspective paper discusses four general desiderata of current computational stylistics and (neuro-)cognitive poetics concerning the development of (a) appropriate databases/training corpora, (b) advanced qualitative-quantitative narrative analysis (Q2NA) and machine learning tools for feature extraction, (c) ecologically valid literary test materials, and (d) open-access reader-response data banks. In six explorative computational stylistics studies, it introduces a number of tools that provide QNA indices of the foregrounding potential at the sublexical, lexical, inter- and supralexical levels for poems by Shakespeare, Blake, or Dickens. These concern lexical diversity and aesthetic potential, sentiment analysis, sublexical sonority scores or phrase structure, and topics analysis. The results illustrate the complex interplay of stylistic features and the necessity for theoretical guidance and interdisciplinary cooperation in selecting adequate training corpora, QNA tools, test texts, and response measures.
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Makhloof, Suzan. "Leech and Short’s Checklist of Lexical Features in Style in Fiction: A Theoretical Analysis." IJOHMN (International Journal online of Humanities) 6, no. 4 (August 7, 2020): 19–43. http://dx.doi.org/10.24113/ijohmn.v6i4.189.
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This paper aims at investigating Leech and Short's Checklist of Lexical Features in their book Style in Fiction (2007) in order to help students of Stylistics at both undergraduate and postgraduate levels to deeply understand the application of such features. Leech and Short put these lexical features in the form of questions that should be answered by students who are conducting a stylistic lexical analysis of any literary work. In this paper, the researcher will mainly highlight how such features can operate in literary texts by providing explanation to these questions and answer them with examples.
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Islam, Aang Fatihul, and Dian Anik Cahyani. "A STYLISTIC ANALYSIS OF PERSUASIONIN WONDERFUL INDONESIA’S ADVERTISEMENT." Jo-ELT (Journal of English Language Teaching) Fakultas Pendidikan Bahasa & Seni Prodi Pendidikan Bahasa Inggris IKIP 3, no. 2 (February 28, 2020): 70. http://dx.doi.org/10.33394/jo-elt.v3i2.2427.
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Widely language is interconnected, language, for example, as a means of expression in advertising. Wonderful Indonesia conducted with the aim to analyze the linguistic aspects of the narrator's danger style in persuading from the public or the public about the greatness of Indonesia. The main purpose of this research is to remove the kind of language style features including lexical patterns and lexicon-syntax options that can be metaphorical and prosodic features in the movements of audiences or listeners that are implemented in the advertising of Wonderful Indonesia choice. This research uses a content analysis research design with stilistika approach. The findings show the narrator in the advertisement Wonderful Indonesia applies two types of stylistics with lexical patterns that become: repetition, parallelism, and numbers. The second type is the lexico-syntactic option (figurative language) which is: antithesis and personification.
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Dr. Aisha Farid, Madiha Saeed, and Dr. Muhammad Sabboor Hussain. "An Exploration of Muhammadu Bukhari’s Socio-Political Cognition through Stylistic Analysis." sjesr 4, no. 2 (May 1, 2021): 100–108. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(100-108).
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Political discourse is a recent but increasingly exciting field of study. The political discourse offers much scope for interdisciplinary research. This current study is a stylistic analysis of the Inaugural speech delivered by Nigerian President Muhammadu Bukhari in Abuja on 29th May 2015. The current study aims to signify the role of Stylistics in CDA to unleash socio-political cognition in speeches. This qualitative research owing to its interdisciplinary nature draws on stylistics and critical discourse analysis as well. Teun A. Van Dijk's socio-cognitive approach is used to analyze the mental models underlying linguistic structures made explicit through stylistic analysis. The stylistic analysis is conducted on lexical and grammatical levels, but cohesion and speech acts have also been highlighted in the findings and discussion part. The study explores how stylistic devices are used to create a rhetorical effect and how this effect qualifies for being persuasive. The stylistic analysis reconnoiters the linguistic patterns, and CDA leads to the ideologies that shape these patterns. This study strengthens the belief that both stylistics and critical discourse analysis have great scope and power in revealing discursive practices of hegemony and persuasion.
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Saragih, Ance Elsy. "THE TRANSLATION OF PHRASAL VERBS IN THIRTEEN REASONS WHY." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 4, no. 1 (June 12, 2020): 160–67. http://dx.doi.org/10.30743/ll.v4i1.2307.
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The form of a phrasal verb may be the same but they bear different meanings in accordance with the context of situation. The dynamics of language also influence the change of phrasal verb meanings. This paper presents the problems faced by the translator in translating several phrasal verbs in the novel Thirteen Reasons Why by applying the theory of Ghazala in which it is stated that phrasal verbs are linked with the lexical problems and stylistics. Lexical problems coccur when a word, a phrase or an expression is not understood clearly and directly, misunderstood, not known at all to translators, or not found in standard dictionaries, while stylistic problems, righty seen as a part of meaning strongly affect the style of source language posing problems for the translator as the styles of the ST and TT could not be easily adjusted to similarity. The data in the forms of phrasal verbs are taken from the source language and in the target language, supported by the descriptive qualitative method. The results of show that the problems in translating the phrasal verbs in the novel lie in lexical words (literal meaning, synonymy, polysemy, and idiom) and stylistics (formality and informality of language)
9
Adi Martinus, Berya Kamayan, and Nova Noor Aisyah. "THE STYLE OF LANGUAGE IN 5SOS SONGS: VOODOO DOLLS AND INVISIBLE." ANAPHORA: Journal of Language, Literary and Cultural Studies 3, no. 2 (February 7, 2021): 102–11. http://dx.doi.org/10.30996/anaphora.v3i2.4636.
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This study aims to describe the figurative language and idioms which include the meaning of the figurative language and idioms that used by 5SOS on their songs: Voodoo Dolls and Invisible. To analyze the data, the stylistics approach that focuses on the lexical level of stylistics is used here. The lexical level is used to analyze the figurative language and the lexical meaning, while the theory that used in this study is following the Targian’s theory to consider the figurative language in the data. The second purposes of this study, is to understand the lexical meaning which using the theory of Chaer. Meanwhile, Parera’s theory about that there are three procedures to find the elements of the meaning of words as follows is also used here. As the result of this study, the language style of 5SOS by analyzing the data are describing youth problems, but not all of the figurative language elements as in Tarigan theory is contained in both of the song lyrics.
10
Ivanenko, Iryna. "Notions “association”, “associativity” in modern linguo-stylistics." Terminological Bulletin, no. 5 (2019): 84–89. http://dx.doi.org/10.37919/2221-807-2019-5-10.
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Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood > childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.
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Ivanenko, Iryna. "Notions “association”, “associativity” in modern linguo-stylistics." Terminological Bulletin, no. 5 (2019): 84–89. http://dx.doi.org/10.37919/2221-8807-2019-5-10.
Full textAbstract:
Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood - childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.
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Grabowski, Lukasz. "Interfacing corpus linguistics and computational stylistics." International Journal of Corpus Linguistics 18, no. 2 (September 27, 2013): 254–80. http://dx.doi.org/10.1075/ijcl.18.2.04gra.
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This study attempts to examine the potential of selected corpus linguistics and computational stylistics methods in the investigation of translation universals in translational literary Polish. It deals with T-universals (Chesterman 2004), with emphasis on the simplification hypothesis, as manifested in the core patterns of lexical use (Laviosa 1998) and the levelling out hypothesis (Baker 1996). To that end, the purpose-designed corpora, each with approximately 350,000 tokens, of contemporary translational and non-translational literary Polish were compiled. The results confirm the simplification and the levelling out hypotheses but only with reference to the mean sentence length and variance for the mean sentence length. On the other hand, the results of multivariate analyses (Principal Components Analysis and Cluster Analysis) confirm the levelling out hypothesis that translations are more alike as compared with native texts.
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Ponomarenko, Elena B., Gennady G. Slyshkin, Ekaterina A. Baranova, Irina G. Anikeeva, and Yelena V. Sausheva. "Linguistic and cultural analysis of the gender characteristics of British song slang." XLinguae 14, no. 2 (April 2021): 169–84. http://dx.doi.org/10.18355/xl.2021.14.02.13.
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The article establishes the linguacultural gender specifics of the British song slang. All languages are constantly changing, slang invades the vocabulary of people (male and female). Of research, interest is the definition of slang, its origin, the vital need for human communication. The purpose of the study is to identify the gender characteristics of British song slang. Slang as a language system of modern linguistics is considered. In the article, main features and gender characteristics of British slang are described. The authors analyze the song slang of female and male performers and compare the song slang of performers of both sexes. The methods of research are descriptive method, comparative analysis, definitional analysis, lexical and semantic analysis, lexical and grammatical analysis, stylistic analysis, interpretive analysis, quantitative analysis, involving a continuous sample. The material of the study was songs by modern British male and female performers. The theoretical significance of the study is to identify the features of modern British song slang. Research results contribute to the development of lexicology and stylistics of the English language, to contrastive linguistics, linguoculturology. The establishment of the gender specificity of British musical slang contributes to the development of linguistic gender studies. The practical application of the research results is revealed in the possibility of teaching courses in English lexicology, stylistics, and gender linguistics, as well as compiling a linguistic dictionary of modern musical culture.
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Saleem, Mian Muhmmad, Ayaz Ahmad, and Sana Hussain. "The Construction of Factuality in Pakistan’s Legal Discourse: A Stylistic Analysis of Logical Fallacies." Review of Economics and Development Studies 5, no. 2 (June 4, 2019): 397–404. http://dx.doi.org/10.26710/reads.v5i2.630.
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Factuality remains the highest virtue of a legal text. The paper finds how this virtue is jeopardized by the presence of logical fallacies. The stylistics analysis is performed for identification of linguistic features of logical fallacies in legal language. Two randomly selected verdicts of the Supreme Court of Pakistan are selected for analysis. Analysis of verdicts reveals that factuality is compromised by fallacies with distinctive stylistic features. These features include the fallacies of relevance, defective induction and ambiguity. Lexical choices, syntactically complicated structure and graphological markers of style contribute to the formation of these fallacies. The findings establish that stylistic aspect themselves contribute to the projection of fallacies in verdicts, therefore, the study recommends avoiding stylistic formulae of the legalese or legal registers which lead to the formation of logical fallacies in the legal language.
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Chibueze, Odoemenam Temple, Rosemary Chinyere Ordu, and Ikphemhosimhe Aslem Omoghie. "Lexico-Semantic Interpretation of Pentecostal Church Posters." English Linguistics Research 6, no. 4 (December 11, 2017): 69. http://dx.doi.org/10.5430/elr.v6n4p69.
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This paper examines the lexico-semantic choices in the Pentecostal church posters. The researcher attempts to approach the interpretation of the Christian posters from the stylistic view point. Its meaning was made explicit using the tool of linguistics. It is a known fact, that stylistics is beneficial to both the teachers and students. Using M.A.K Halliday’s Systemic Functional Grammar, as the analytical framework, this paper, examines the lexical semantic choices in the Pentecostal church posters.Pentecostal church posters happen to be one of the several media of advertisement employed by the churches to disseminate information about the churches’ events to the audience/passers-by. Previous studies on the language of advertisements are concerned with the themes of commercial and political posters while the others looked at the elements of pragmatics such as speech acts and implicature etc. This paper reveals that the construction of posters (texts) is a linguistically conscious activity.
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Rong, Jianan. "An Analysis on Stylistic Features of Donald Trump’s Speech." International Journal of English Linguistics 11, no. 3 (March 8, 2021): 11. http://dx.doi.org/10.5539/ijel.v11n3p11.
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For government or leaders, public speaking is an important way to show the statesmanship and eloquence. It is a means of attracting groups of people who come from different classes. As the president of the United States, Donald Trump’s speaking talent plays an important role in the general election. Stylistics, which uses theories of modern linguistics to solve problems, aims at studying linguistic features and revealing the effect and function of pragmatic expression. This article selected Donald Trump’s three typical speeches, which studies from the perspective of stylistics on three major aspects—language description, textual analysis and contextual analysis. The analysis yielded the following results, 1) Language description consists of lexical analysis and syntactic analysis. On lexical level, Trump tends to use more abstract nouns and first person plural pronoun to make the addresses persuasive and more acceptable. Syntactically, for the sake of expressing information effectively and attracting more support, simple sentences and declarative sentences are prevailing in the speeches; 2) On the aspect of textual analysis, Trump employs topical division, problem-solution division and chronological division in an overlapping way in main body of speeches and creates crescendo in closure; 3) Contextual analysis shows that language varies from situations and they are formal and highly-structured. In a word, to analyze Donald Trump’s speech on stylistic features is significant for us on observing the features of his speeches and word-using habits.
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Dubisz, Stanisław. "Język pism Józefa Piłsudskiego – Rok 1920." Poradnik Językowy 2020, no. 6/2020(775) (June 30, 2020): 79–96. http://dx.doi.org/10.33896/porj.2020.6.6.
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Rok 1920 (1920) is the most extensive text by Józef Piłsudski. The image of the author inferred from the linguistic features of the text is one of a typical user of general Polish in the interwar period, that is a representative of the Polish intelligentsia of those days. The idiolectal and regional characteristics are infrequent or occasional (in the phonetic, grammatical, and lexical layers). The stylistics of the treaty is primarily the stylistics of a realistic description and the author’s narrative, used effi ciently and displaying a great narrative talent and the knowledge of realities.
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Bolotnova, Nina S. "Lexical Structure of the Poetic Text as a Key to the Comprehension of Its Inherent Values." Russian language at school 80, no. 1 (January 24, 2019): 20–25. http://dx.doi.org/10.30515/0131-6141-2019-80-1-20-25.
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This article is aimed at presenting a methodology for the conceptual analysis of poetic texts based on their lexical structure using the theory of communicative stylistics. The lexical structure of the literary text is considered to be a means of aсquainting the reader with the values manifested therein. The study of values intertwined within written works is particularly significant for the development of an axiological approach to teaching the Russian language. This article proposes a method for a sequential analysis of the lexical structure of a poetic text, which can be used at Russian language lessons.
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Khalikovа, Natalja V. "Dictionary as a language index (Analitical review of the book “Syntactic dictionary of Russian poetry of the XVIII century”)." Philological Sciences. Scientific Essays of Higher Education, no. 6 (November 2020): 149–54. http://dx.doi.org/10.20339/phs.6-20.149.
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The collective work of the Petrozavodsk linguistic school of artistic text is reviewed. The syntax dictionary of Russian poetry of the 18th century is unparalleled in lexicographical practice. The originality of solving problems that are relevant for historical stylistics and “non-lexical” lexicography of problems is noted, the methodology for analyzing the evolution of poetic language is considered. The necessity of going beyond the lexical and morphological levels to the syntactic one in the creation of consolidated and separate author dictionaries is substantiated.
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Omar Osama Nashaat, Riyadh T. K. Al-Ameedi,. "Parallelism in Hemingway’s Old Man and the Sea: Syntactic and Semantic Study." Psychology and Education Journal 58, no. 1 (January 21, 2021): 4348–54. http://dx.doi.org/10.17762/pae.v58i1.1512.
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Parallelism are linked to the style of Ernest Hemingway’s writings. They have an origin in the natural creativity of the writer. Through parallelism, writer’s emotions, feelings, style, use, are manifested with a kind of vividness. The current paper attempts to identify stylistic elements in Ernest Hemingway’s ‘The Old Man and The Sea’. The paper attempts to focus on the syntactic and lexical elements, analyse them and figure out the writer’s purposes behind using such elements in this kind of literary text. The paper consists of two parts: an introduction on stylistics and parallelism. The latter is the analysis of Hemingway’s novel Old Man and The Sea and tackles the prominent parallel elements syntactically and semantically in an attempt to find out the purpose behind using such devices.
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Biber, Douglas. "Corpus linguistics and the study of literature." Future of Scientific Studies in Literature 1, no. 1 (May 23, 2011): 15–23. http://dx.doi.org/10.1075/ssol.1.1.02bib.
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The present paper introduces corpus-based analytical techniques and surveys some of the specific ways in which corpus analysis has been applied to the study of literature. In recent years, those research efforts have been mostly carried out under the umbrella of ‘corpus stylistics’. Most of these studies focus on the distribution of words (analyzing keywords, extended lexical phrases, or collocations) to identify textual features that are especially characteristic of an author or particular text. Corpus-based grammatical and pragmatic analyses of literary language are also briefly considered. Then, in the concluding part of the paper, I briefly survey earlier computational and statistical research on authorship attribution and literary style. While that research tradition is in some ways the precursor to more recent work in corpus stylistics, it is also complementary to recent research in its application of sophisticated statistical and computational methods.
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Ullah, Irfan, Liaqat Iqbal, and Ayaz Ahmad. "Pakistani Identity and Kamila Shamsies Novels: An Analysis in Stylistics (Thematic Parallelism)." Global Regional Review IV, no. II (June 30, 2019): 301–9. http://dx.doi.org/10.31703/grr.2019(iv-ii).32.
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This paper explored thematic parallelism in Kamila five of Shamsies novels i.e. Salt and Saffron, Cartography, Broken Verses, Burnt Shadows, and Home Fire. The paper identify here conflicts, depressions, identity fluctuations and a relentless machination of transformations by the powerful and resisting quarters of the region. The repetitive rule of military in Pakistan, the negative fallouts of engagement in Afghanistans resistance against the Soviets, the alienation of Muhajirs, the national and international catastrophe of 9/11 emerge as the strings that reflect the dilemma of the nomadism of modern times. The tyranny of destructive forces is amply reflected in the parallel desolation of places, characters and cultures. Karachi in its violence is parallel to Tokyo and New York. These parallels sublimate each other in conveying the poignancy of uprootedness and loss of identity. The lexical and syntactic parallels identifiable through corpus tools helped in identifying such parallels.
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Volova, Viktoriia Mikhailovna, and Yuliya Sergeevna Vasil'eva. "Proper names as a part of telescopic nomination in English-language publicistic texts of the modern mass media." Филология: научные исследования, no. 7 (July 2020): 1–9. http://dx.doi.org/10.7256/2454-0749.2020.7.33259.
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This article examines the telescopic nominations as a peculiar type of tropeic utilization of proper names, in which anthroponyms are used as the foundation from the perspective of the method of introduction into a publicistic text, as well as specificities of their functionality within modern English-language mass media. It is demonstrated that telescopy as a special type of abbreviation is one of the most productive means of enrichment of the mass media language, as telescopic nominations in publicistic texts combine high expressiveness and informativeness of provided material. This article analyzes the form and function of onyms as a part of telescopic nominations in modern English-language publicistic culture. It is established that in the modern English, telescopic nominations represent a rapidly growing layer of the lexicon, confirmed by the active use of this word-forming model that includes proper names. The scientific novelty of the research consists in a comprehensive lexical stylistic analysis of the process of formation and proliferation of the linguistic novelties, peculiarities of their application in speech, as well as character and dynamics of the global linguistic processes. The practical importance of the acquired results lies in the fact that they can be used within the framework of teaching such disciplines lexicology, linguoculturology, stylistics, as well as creation of textbooks on these disciplines.
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Manchurina, Lidiya Egorovna, and Sargylana Vladimirovna Ivanova. "The stylistics of verbal predicate in Yakut language: colloquial style." Филология: научные исследования, no. 3 (March 2020): 43–52. http://dx.doi.org/10.7256/2454-0749.2020.3.29609.
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This article is dedicated to the currently relevant within Yakut linguistics problem of language and speech normalization of functional styles. An attempt is made to reveal the linguistics peculiarities of the colloquial style of Yakut language through the prism of verbal predicate as one of the key components in a sentence. As a result of semantic-stylistic and statistics-linguistics analysis of verbal predicate in the colloquial style, the author identifies its qualitative and quantitative characteristics. Special attention is turned to the intercalation changes of verbal predicates in colloquial style that take place under the influence of Russian language. The article determines frequency of the use of forms of verbal predicates in literary style, which allowed to objectively assess indicators that were revealed by means of application of the semantic-stylistic method. Functionality of verbal predicates in colloquial style is defined by their lexical-semantic meanings, structural-semantic parameters and means of expression, as well as utilization and prevalence of certain verbal predicates in colloquial style is substantiated by extralinguistic specificities of this speech style. At the initial stages of normalization process of functional styles of Yakut language, it is important to give an objective assessment to the ongoing within colloquial style intercalation changes under the influence of Russian language by determining its negative and potentially positive aspects.
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Faiz, Rabia, Musarrat Azher, Ijaz Asghar, and Iqra Jabeen. "Stylistic Study of Adjectives in How to Get Filthy Rich in Rising Asia." International Journal of English Linguistics 8, no. 3 (February 24, 2018): 328. http://dx.doi.org/10.5539/ijel.v8n3p328.
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The present research explores the choice of adjectives as a lexical category in Mohsin Hamid’s novel, How to Get Filthy Rich in Rising Asia by using Leech and Short model (1981). An empirical enquiry is carried out to trace the author’s choice of adjectives and their intended functions by subjecting How to Get Filthy Rich in Rising Asia to stylistic analysis and linguistic scrutiny. The various functions of adjectives are interpreted after the text is subjected to close reading for their contextual occurrence where they are carefully engraved by the author. The resultant functions throw ample light on the life, culture, economic scenario and love and gender relations construed in the text through adjectives. The present paper, however, is limited only to the interpretation of the adjective categories based on the model suggested by Leech & Short (1981). This study is, therefore, instrumental in initiating a voyage to interpret literary language via linguistic tools and evidences contributing amply to the field of stylistics as well as literary criticism.
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Evans, Matthew, and Lesley Jeffries. "The rise of choice as an absolute ‘good’." Journal of Language and Politics 14, no. 6 (December 31, 2015): 751–77. http://dx.doi.org/10.1075/jlp.14.6.02eva.
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In this article we report on a corpus-based study of the lexical item ‘choice’. ‘Choice’ was previously found to be a keyword in Jeffries and Walker’s (2012) study of political discourse from the New Labour years, occurring more frequently in newspaper articles during that period (1998–2007) than in those dating from the years in which John Major was Prime Minister (1990–1997). The current project investigates the use of ‘choice’ in British general election manifestos between 1900 and 2010. We first of all carry out a quantitative study of the use of ‘choice’ by the three main UK political parties across this time period, before undertaking a qualitative study of the use of the word in context. Our approach is informed by work in lexical meaning and critical stylistics, and demonstrates how ‘choice’ has taken on new semantic meanings in a political context.
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Vechorynska, Tetiana, and Alina Snisarenko. "Linguistic and cognitive peculiarities of chinese cosmetics advertising." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 22 (2020): 108–13. http://dx.doi.org/10.34079/2226-3055-2020-13-22-108-113.
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Based on the official data from Chinese Academy of Social Sciences in Beijing the present paper gives a comprehensive and clear idea of the current state of the cosmetics industry in China, thus, rising a question of advertising campaign efficiency focused on promotion of culture-oriented advertising texts. The paper explores linguistic and cognitive peculiarities of Chinese cosmetics advertising in the context of its functional specificity. By referring to such researchers as E. V. Medvedeva, U. V. Rozhdestvensky, and by tracing the etymological meaning of the word «advertising» the authors determine the influence function as the dominant one of the advertising text and conclude that influence function is performed through the following functional speech effects: clarity, emotional empathy effect, trust, dialogue and presence, i.e. all five featured in numerous verbal and non-verbal means of the language. The necessity of applying the linguistic and cognitive approach is thus determined. As part of this study, the linguistic and cognitive approach involves the analysis of lexical-semantic content, stylistic features, and cognitive, that is, national-specific, means of speech of advertising texts (slogans). The paper considers lexico-semantic features which include lexical transformations (loanwords and homonyms), wenyan vocabulary, expressive vocabulary, and the use of pronouns to address the potential consumer directly; stylistic features which include various figures of speech: parallelism and antithesis, rhyme and metaphors. The cognitive peculiarities refer to culture-specific national, philosophical and religious concepts, which emphasize the national identity and world view peculiarity of a Chinese customer. The paper presents the results of the investigation, and manifests the apparent relation between the above-mentioned features and the way a Chinese consumer percepts the advertising information. In other words, the paper determines the linguistic and cognitive peculiarities of the influence on a consumer, which is the dominant function of advertising. In conclusion, the authors outline the research prospects. It is supposed that the results of current investigation may contribute to the development of marketing strategies on promoting cosmetic products in China, as well as may be applied to designing specialized stylistics, lexicology, and cognitive linguistics courses. The data of this research may also provide some supplementary information for developing advertising and marketing courses.
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Шеваршинова, Елена Ивановна. "TV NEWS REPORT AS A SAMPLE OF THE MODERN ENGLISH LANGUAGE OF MASS MEDIA: LINGUO-STYLISTIC AND INFORMATIVE ANALYSIS (BBC 1 NEWS)." Вестник Тверского государственного университета. Серия: Филология, no. 4(67) (November 24, 2020): 154–60. http://dx.doi.org/10.26456/vtfilol/2020.4.154.
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Статья посвящена лингвостилистическим и содержательным особенностям современной английской медиа речи. В статье подробно описаны характеристики базового медиа текста - новостного репортажа - с точки зрения семантики, синтагматики, синтаксиса, лексики. Описание особенностей телевизионного медиатекста британского канала ВВС 1 подкрепляется примерами из скриптов реальных новостных репортажей, в свое время транслируемых на канале. The article touches upon the peculiarities of the language, stylistics and contents of the modern English media. In the article there are described the semantic, syntagmatic, syntax and lexical characteristics of news reports. The description is proved by the examples, taken out of the scripts of some real BBC 1 News reports.
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Xu, Daming. "Unexceptional Irregularities." Diachronica 10, no. 2 (January 1, 1993): 215–36. http://dx.doi.org/10.1075/dia.10.2.04xu.
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SUMMARY Using a sociolinguistic methodology the paper investigates the phonetic variation of Mandarin nasal deletion. The results of the analysis show that this variation is constrained by certain phonological, stylistic, social, and lexical factors. The lexical constraint points to the presence of extensive lexical irregularities in the data. Accepting the view that Mandarin nasal variation constitutes a change-in-progress, the results support the hypothesis of lexical diffusion in the implementation of sound change. However, while previous works on lexical diffusion have tended to concentrate on lexical exceptions to phonological rules, the present study discovered lexical irregularities at the level of phonetic variation rather than in the form of phonological exceptions. Its findings carry further the claim of traditional diffusionists in that it supports the argument that all sound changes, including those having a phonologically regular outcome, must go through a lexically gradual process. RÉSUMÉ Cet article examine la variation phonétique de l'élision des nasales en mandarin selon une méthodologie soicolinguistique. Les résultats de cette analyse démontrent que la variation est contrainte par certains facteurs phonologiques, stylistiques, sociaux et lexicaux. Par ailleurs, la contrainte lexicale pointe vers de vastes irrégularités lexicales dans les données. Si l'on présume que la variation des nasales en mandarin représente un changement en cours, les résultats actuels soutiennent l'hypothèse de la diffusion lexicale dans la réalisation du changement phonétique. Des ouvrages antérieures sur la diffusion lexicale ont, cependant, eu tendance à se concentrer sur les exceptions lexicales aux règles phonologiques. En contraste, l'étude présente a trouvé des irrégularités lexicales au niveau de la variation phonétique plutôt que sous formé d'exceptions phonologiques. Cette découverte appuie fortement la proposition que tout changement phonétique, qu'il génère des résultats phonologiques réguliers ou non, doit passer par un processus lexicalement graduel. ZUSAMMENFASSUNG Auf Grundlage einer soziolinguistischen Methodologie untersucht der vor-liegende Beitrag den variierenden Wegfall von Nasalen im Mandarin Das Er-gebnis der Analyse zeigt, daß dieser Wegfall durch bestimmte phonologische, stilistische, soziale und lexikalische Faktoren bewirkt wird. Eine starke lexika-lische Einwirkung zeigt sich in den lexikalischen Unregelmäßigkeiten innerhalb der Daten. Ausgehend von der Annahme, daB es sich hier um einen vor sich gehenden Wandel handle, unterstützen die Ergebnisse die Hypothese der 'lexikalischen Diffusion' im Vollzug von Lautwandel. Bisherige Arbeiten zur lexikalischen Diffusion neigten dazu, ihr Augenmerk auf die lexikalischen Aus-nahmen zu phonologischen Regeln zu richten. Im Gegensatz hierzu macht die vorliegende Untersuchung lexikalische Irregularitäten aus, die auf phonetische Variation zurückzuführen sind und nicht auf phonologische Ausnahmen. Die Untersuchung kommt zu dem SchluB, daB jeglicher Lautwandel, einschlieBlich derjenige, der zu einem phonologisch regulären Ergebnis führt, einen gradu-ellen lexikalischen Prozeß durchlaufen muß.
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Oladayo, Muniru Murana, and Hafsat AbdulWahab. "An Exploration of Adamu Kyuka Usman’s Style of Introduction in Hope in Anarchy." International Journal of English and Comparative Literary Studies 2, no. 1 (January 26, 2021): 13–23. http://dx.doi.org/10.47631/ijecls.v2i1.160.
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Every good piece of writing, fictional or otherwise is marked by a good introduction. This initial part is the primary provider of the reader’s first impression that sustains the reading. The introduction as well as the other parts of a written or spoken text is essentially realized through specially selected language. In prose fiction, special selections and patterns are the hallmarks. This paper explores the devices of style deployed by Usman in the creation of the introduction to Hope in Anarchy. It involves an intensive reading of the first chapter of the novel to unravel its artistic underpinnings for creating and sustaining the interest of the reader in the story. This thorough reading follows a general but careful reading of the entire text to establish the writer’s preoccupation and general tone. Excerpts from the introductory chapter form the data, and the analytical framework is linguistic stylistics. The analysis reveals that the novelist annexes contrastive lexical and syntactic devices, adjectives and adverbs of varied types and semantic nuances and morpho-phonological choices to introduce and delineate characters, develop events and create suspense. The paper concludes that both the novelty and typicality of the narrative derive from these stylistic constructs.
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Ilyinova, Elena, and Tamara Tsinkerman. "Pragmatics of Communicative Tonality in the Stylistics of English Educative Converse." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 1 (April 2019): 146–58. http://dx.doi.org/10.15688/jvolsu2.2019.1.12.
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The article is devoted to the study of communicative tonality that is considered a dynamic linguistic-and-pragmatic characteristic of the communication style, which is actualized by the choice of language means and speech techniques, correlated with the strata-tactical and genre-stylistic features of a particular kind of discourse. The corpus of educative parent-child dialogue examples allowed to identify the main goal of this discourse type, that is the child's socialization in the course of communication based on adult status dominance, to determine four styles of educative communication that differ in patterns of functional and syntactic speech models and in language means which are a part of the communicative competence of English-speaking culture. The linguistic-and-pragmatic analysis of adults' speech utterances revealed the specificity of stratagem-tactical intentions in choosing each style of educative communication, made it possible to designate the character of illocution, aimed at explicating the intent to socialize a child through explaining, persuading, reasoning, suggesting, compelling and criticizing behavior. The analysis of pragmatic markers of the communication tonality revealed its hybrid and modulated character, that is shown in a meaningful choice of functional-syntactic models of speech, in direct or indirect forms of empathy types - from democratic, consolidating to moralizing and adversarial. According to the study, the tonality of educative communication varies from strong and soft shades of benevolent, trustful, playful, serious, and indulgent to instructive, mentor, contemptuous, ironically mocking tones, which can be expressed in different combinations of lexical, stylistic and functional-pragmatic means of English.
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Bahri, Syamsul. "The Different Types of Words Meaning in Minangkabau Proverbs: A Stylistics Approach." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 3, no. 2 (May 10, 2020): 695–705. http://dx.doi.org/10.33258/birle.v3i2.898.
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The objective of this study is to find out the description of several different types of words meaning in Minangkabau Proverbs based on a stylistic approach. This research uses descriptive qualitative method in which the description and interpretation on the real fact or object of the research done by using Minangkabau proverbs recorded from about 8 respondents of Minangkabau Natives. The library study is also done to find several sources focused on stylistic devices based on different types of word meaning in Minangkabau proverbs. This research uses the theory from (Lethsalu, Liiv, & Mut, 1973). There are two types of stylistic devices, the first types of stylistic devices based on the interaction of lexical and contextual meaning consist of metaphor, metonymy, antonomasia, and irony.The second types of stylistic devices based on different types of word meaning consist of epithet, oxymoron, hyperbole, and meiosis. The findings show that there are several types of word meaning in Minangkabau Proverbs, namely Metaphor 68%, Metonymy 6%, Irony 8%, Epithet 2%, Hyperbole 6%, and Zeugma 10%. The dominant types of word meaning in Minangkabau Proverbs is Metaphor. It shows that people in Minangkabau always use decorated language that uses nature as its object, to show the nature, characteristics or condition of something. Minangkabau people learn about life from nature, the process of something become something better.
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Mikkelsen, Hans Kristian. "Fagsprogsforskning i Sovjetunionen." HERMES - Journal of Language and Communication in Business 1, no. 1 (July 17, 2015): 197. http://dx.doi.org/10.7146/hjlcb.v1i1.21340.
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The author intends to describe main trends in Soviet special language research, which is conceived of as an integrated part of general linguistic stylistics. This style conception can be traced back to the 20'es, though its contemporary functional form mainly can be attributed to V.V. Vinogradov (late 50'es and early 60'es). The following stages can be seen in the exploration of the five functional styles (scientific, official-business, publicistic, colloquial, and artistic): 1) uncovering of special lexical, grammatical, and later, textual features from the individual styles, 2) explanation of these characteristics by means of extralinguistic factors, and 3) differentiation of microstyles within the main (macro-) styles.
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Sari, Mezia Kemala. "THE DISTINCTIVE LINGUISTIC FEATURES IN BLURBS AS FOUND IN NON FICTIONS; A STYLISTIC ANALYSIS." Jurnal KATA 2, no. 1 (May 3, 2018): 150. http://dx.doi.org/10.22216/jk.v2i1.3112.
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<p><em>This research discusses about the special language style from the comments on the book cover of non fictions based on the using of distinctive linguistic features. The style of language is analyzed from stylistics point of view and put the lexical cohesion, reference and another linguistic elements as the part of distinctive linguistic features to be the analysis focus then reflect it to the function and the effect it brings. The methods are referential and formal. Based on the analyis, it can be found that in the comments of the book cover, generally, include all of the lexical and reference elements. The most significant element that mostly occur is repetition and personal reference. While, another forms such as synonym, general word, super ordinate, collocation, demonstrative and comparative reference occur in less percentage. The purpose of using these elements is in order that the comments of the non fictions‟ book can influence the reader through the choosing features then bring the psychological effect for commercial purposes. Moreover, the effect that it caused for the reader is being influenced the readers‟ thought to be more interested to the book from its dictions or the specific distinctive linguistic features.</em></p>
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Болотнова, Нина Сергеевна. "COMMUNICATIVE STYLISTICS OF TEXT: NOTIONAL EXPLICATION OF POETIC TEXT AND ITS INTERPRETATION." Tomsk state pedagogical university bulletin, no. 4(210) (July 27, 2020): 174–82. http://dx.doi.org/10.23951/1609-624x-2020-4-174-182.
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Введение. Проблема интерпретации текста является одной из наиболее актуальных в современной филологии вообще и стилистике текста в частности. В этом плане представляет особый интерес исследование интерпретационной деятельности читателей на основе экспериментов, позволяющих судить о механизме смыслового развертывания текста в сознании адресата. Цель статьи – выявление некоторых важных для интерпретационной деятельности коллективного адресата (читателя) закономерностей на основе методологии коммуникативной стилистики текста и разрабатываемой в рамках данного направления теории его смыслового развертывания. Методика исследования. В соответствии с принятой в коммуникативной стилистике текста методологической базой использованы контекстологический и семантико-стилистический анализ, прием моделирования ассоциативного поля ключевого слова и экспериментальная методика. Она включает свободный ассоциативный эксперимент, а также рецептивный эксперимент и эксперимент по модифицированной методике шкалирования Ч. Осгуда для определения силы воздействия текста на коллективного адресата. Результаты и обсуждение. Исследование проведено на основе данных экспериментов по восприятию читателями стихотворения О. Э. Мандельштама «Дождик ласковый, мелкий и тонкий…» с опорой на теорию смыслового развертывания текста, разработанную в коммуникативной стилистике, реализующей коммуникативно-деятельностный подход к тексту. Теория смыслового развертывания текста включает исследование его лексической структуры, выявление текстовых смысловых парадигм разных типов, их взаимосвязи, анализ регулятивных средств и структур, текстового ассоциативного поля ключевого слова в сравнении с ассоциативным полем данного слова, выявленным в свободном ассоциативном эксперименте. Установлена зависимость смыслового развертывания поэтического текста от его лексической структуры дедуктивного типа и использованных автором регулятивных средств и структур; атрибутивов как регулятивной доминанты текста и контраста как основного способа регулятивности. На основе экспериментальной методики выявлена связь интерпретационной деятельности читателей (информантов) с лингвистическим и экстралингвистическим аспектами прагматического уровня текста и его подуровней: образного, эмоционального, идейного. Экспериментальные данные подтвердили связь прагматического уровня текста с информативно-смысловым уровнем. Определены факторы, влияющие на адекватную интерпретационную деятельность читателей: опора автора текста на типовые ассоциации, стимулированные ключевым словом, роль лексической регулятивности в управлении познавательной деятельностью адресата поэтического текста для выявления его глубинного смысла. Заключение. Предложенный подход к изучению интерпретационной деятельности читателя поэтического текста на основе его смыслового развертывания показал, что использование экспериментальной методики, основанной на опросе информантов, позволяет судить о некоторых закономерностях и механизмах воздействия текста и его элементов на формирование общей оценки и представления о содержании текста у читателей: роли их информационного тезауруса, способности воспринимать не только поверхностный, но и глубинный смысл. Выявлена зависимость процесса восприятия поэтического текста от его особенностей: общей регулятивной стратегии автора (эксплицитной и имплицитной) и использованных им регулятивных средств и структур, способа регулятивности. Introduction. Text interpretation problem is one of the most topical in up-to-date philology generally and in stylistics of text in particular. In this way the research of readers’ interpretative activity on the basis of experiments is of special interest, because it allows to judge steps of notional text explication in the addressee’s consciousness. The purpose of the article is to identify some patterns that are important for the interpretation activity of the collective addressee (reader) based on the methods of communicative stylistics of the text and its notional explication theory, developed in the context of this trend. Material and methods. Under the methodological base of communicative stylistics of text context and semanticstylistic analysis, a method of associative field of a key word’s modelling and experimental methodology are used in the article. It includes spare associative experiment as well as receptive experiment and modified methods of scaling by Ch. Osgud for detecting power of influence on collective addressee. Results and discussion. The research is done on the basis of experimental data on the reader’s perception of a verse “Light rain is tender, thin and delicate…” by O. E. Mandel’shtam with the use of the semantic explication theory, which is developed in the communicative stylistics of text, that realizes communicative and activity approach to the text. The theory of semantic explication of a text includes its lexical structure research, detecting of text notional paradigms of different types, their correlation, regulative means and structures analysis, textual associative field of a key word analysis versus associative field of this word, which is revealed during a spare associative experiment. Dependence of semantic explication of poetic text on its lexical structure of deductive type and author’s regulative means and structures, atributives as regulative text dominants and contrast as the main regulative method is determined in the article. Connection of interpretative readers activity (informants) with linguistic and extralinguistic aspects of pragmatic text level and its sublevels (figurative, emotional, ideal) is revealed on the basis of experimental methods. Experimental data verified the connection of the pragmatic level of the text with its informative and notional level. The factors that influence the relevant reading activities are identified. These factors are the following: author’s support to standard associations, which are stimulated by a key word, the role of lexical regulation in controlling of cognitive addressee’s of poetic text activity for revealing its deep sense. Conclusion. The introduced approach of researching interpretative readers’ of poetic text activity on the basis of its notional explication showed that the use of experimental methods with informants’ questioning makes it possible to judge about some regularities and steps of text’s and its elements’ influence on forming of common estimation and idea about text content, that readers have: the role of their informational thesaurus, ability to perceive not only deep, but also superficial sense. Dependence of a process of poetic text perception on its peculiarities – common regulative author’s strategy (explicit and implicit) and regulative means and structures and way of regulation – is detected.
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Janssen, Diederik F. "BOY." Boyhood Studies 1, no. 1 (March 1, 2007): 43–67. http://dx.doi.org/10.3149/thy.0101.43.
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This article proposes a linguistic anthropological approach to the notion BOY, drawing attention to diverse research methods including etymology, onomasiology, corpus analysis, semantics, discourse analysis, sociolinguistics, and comparative ethnolinguistics. As a popular and flexible lexical device, BOY may function as an operator on the received nature of manhood (by rendering it contingent on the discourse and narrative of development), but also as a possible aid in its ever-imminent bankruptcy by disengaging its stylistics from essentialist understandings of both gender and life phase. BOY, thus, lies at the heart of discussions about masculinity as it relates to performativity, language, and discourse, but, in important ways, it also exceeds and contests the confinements of gender/masculinity research.
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Zahoor Hussain, Samiullah Khan, and Muhammad Ajmal. "A Corpus Stylistic Analysis of Abulhawa's the Blue between Sky and Water." Research Journal of Social Sciences and Economics Review (RJSSER) 1, no. 4 (December 26, 2020): 83–93. http://dx.doi.org/10.36902/rjsser-vol1-iss4-2020(83-93).
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Palestinian literature received significance after Nakba (1948 Palestine-Israel war) and Naksa (1967 Arab-Israel war) and it laid an impact on Palestinian writers and there emerged a new form of literature called Palestinian American literature which got recognition in the 1990s internationally. After Nakba and Naksa many Palestinian families migrated to America. These Palestinians wrote literature in English that is called Palestinian-American literature. The aim of the stylistic analysis of Abulhawa's work to trace out how the writer constructs reality through lexical categories. This thesis also analyzes the work of Palestinian-American writer Abulhawa's novel, The Blue between Sky and Water, and focuses specifically on how the writer achieves her aims. At the same time, this stylistic analysis of The Blue between Sky and Water shed light on the use of Arabic words in English fiction which represent the culture and identity of the Palestinian nation. It explores the dilemma of Palestine that they become a foreigner in their native land. The researcher employed a mixed-method approach to conduct the present study. The researcher used Corpus stylistics tools to analyze the novel. The researcher traced around 6288 concrete nouns and 1634 abstract nouns from the sample respectively. The extensive use of concrete nouns showed that the main purpose of the writer was to get homeland and this piece of writing was not only art for art sake rather art for life's sake. The researcher traced out around 1400 adjectives from the sample of study.
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Braga, Guilherme Da Silva. "CORPUS STYLISTICS IN TRANSLATION-ORIENTED TEXT ANALYSIS: APPROACHING THE WORK OF DENTON WELCH FROM A FUNCTIONALIST PERSPECTIVE." Diacrítica 32, no. 3 (March 20, 2020): 227–48. http://dx.doi.org/10.21814/diacritica.580.
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!is article is an e"ort towards interpreting the #ndings of a corpus-based stylisticanalysis of the short narrative “Sickert at St Peter’s” (1942), written by the Englishwriter and painter Denton Welch (1915–1948), within the larger framework fortranslation-oriented text analysis presented by Christiane Nord in Textanalyseund Übersetzen (2009). !e aim is to explore both the theoretical possibilities andthe practical applications of a corpus-based approach to the lexical analysis phaseof Nord’s model from a literary translation perspective, in which style and wordchoice play a critical role. Once the statistical #ndings of the corpus-based analysisare presented, the 25 highest-ranking keywords in the text are analyzed in context.Translation briefs and literary translation in general are discussed, and a globalpre-translational strategy for translating “Sickert at St Peter’s” is presented. By wayof conclusion, it is argued that the method described promotes valuable insights forliterary interpretation and serves as a practical aid in developing a pre-translationalstrategy for translating individual texts.
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Bybyk, Svitlana. "Linguosophy “slavery – freedom” in drama of Lesia Ukrainka “in the catacombs”." Culture of the Word, no. 93 (2020): 48–62. http://dx.doi.org/10.37919/0201-419x-2020.93.4.
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The article offers a stylistic analysis of Lesia Ukrainka’s drama “In the Catacombs”. The basis of the research methodology is the linguosophical approach, ie the projection of the topic – the main idea – issues, features of social and ideological conflicts on the linguistic basis of the work. Emphasis is placed on the lexical and grammatical manifestations of the interaction of rhetoric of “high”, “neutral” and “low” registers for the advantages of the first two. In this regard, communication with theological, evangelical and everyday topics is differentiated. Emphasis is placed on the stylistics of the antithesis, the symbolism of the text, the textual interpretation of precedent names. It is established that the first helps to stylize the debatability, polylogical communication of the characters, the second – to express the philosophy of the boundaries of earthly and spiritual being. It is emphasized that the interpretation of precedent phenomena in Lesia Ukrainka corresponds to the author’s strategy of expressing the socio-political position of the intellectual in imperial Russia of the late XIX – early XX centuries. Changes in the textual semantics of the tokens slave, will have been traced. It is noted on the role of the text of the drama “In the Catacombs” in the development of the literary Ukrainian literary language as a means of glorifying the ability of the Ukrainian nation to compete.
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Rajkhowa, Baishalee. "Multimodal Stylistics in Graphic Novel: Understanding the Visual Language Syntax in Art Spiegelman’s Maus." International Journal of Linguistics, Literature and Translation 4, no. 1 (January 30, 2021): 45–51. http://dx.doi.org/10.32996/ijllt.2021.4.1.5.
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Maus (2003) by Art Spiegelman is a graphic novel of unfolding his father, Vladek's, World War II ordeal and how he survived the holocaust. It is a gripping story of Spiegelman's own parents' experience in Poland during 1930s when Nazis invaded and persecuted the Jews. With a broken language, gaps in communication and visual strategy, Maus takes the readers across Europe unravelling the experiences of World War II and the Nazi Concentration camps. The characters are depicted as anthromorphic animals; the Nazis as cats, the Jews as mice and the Polish as pigs. It can be named as an autobiography or a memoir featuring a metareferential frame story with an author as narrator (Art) who tells his father (Vladek) that he wishes to write a comic book and so incited him to tell about " his life in Poland and the war" (Spiegelman, 2003). A graphic novel is written in a comic strip format which uses a combination of text and illustration in order to tell a story. The linguistic elements in a graphic narration are important as words and images cannot be analysed in similar terms. Multimodal stylistics represents this in the light of lexical and grammatical aspects of the verbal language. Maus (2003) represents a story of the holocaust and the traumatic experiences of Vladek. It is a heteroglossic text with the presence of foreign languages and an authorial voice. The novel not only gives a different meaning but also an altogether different perspective to the verbal and visual significance.
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Karachun, Yuliia, Yuliia Haidenko, and Inna Borkovska. "Compound Term-nouns in Electrical Engineering Texts: Structural, Semantic and Functional Peculiarities." Arab World English Journal, no. 3 (November 15, 2020): 142–60. http://dx.doi.org/10.24093/awej/elt3.13.
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This article aims to analyze, systematize, and unify compound term-nouns in electrical engineering by several classifications. The report's significance draws on the modern linguistic trends towards research on the structural, semantic, and functional peculiarities of compound terminological units. Moreover, it is relevant to study compound term-nouns as specific lexical content of English electrical engineering texts. The article's scientific novelty is in integrated and systematic research of compound term-nouns in electrical engineering because of semantics, stylistics, and lexicology. The study used a continuous sampling method and drew on a collection of English scientific and technical texts with 10296 pages. Compound term-nouns have been systematized according to their semantics. In electrical engineering, they consist of seven micro fields. According to the degree of abstraction, compound term-nouns have been classified into abstract and concrete. We revealed that in the texts on electrical engineering, abstract compound term-nouns dominate. Concerning the degree of stylistic features, we have arranged compound term-nouns into stylistically colored and stylistically neutral. As to usage frequency, we have researched that science textbook is the primary source of functioning compound term-nouns in electrical engineering. In respect to functional coloring, compound term-nouns have been classified into neologisms, obsolete vocabulary, archaisms, occasionalisms, and borrowings. We have found that in texts on electrical engineering borrowings, prevail. The results of the study have been summarized in the concluding section.
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Kostadinova, Viktorija, Nuria Yáñez-Bouza, Gea Dreschler, Sune Gregersen, Beáta Gyuris, Kathryn Allan, Maggie Scott, et al. "I English Language." Year's Work in English Studies 98, no. 1 (2019): 1–166. http://dx.doi.org/10.1093/ywes/maz004.
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Abstract This chapter has fourteen sections: 1. General; 2. History of English Linguistics; 3. Phonetics and Phonology (not covered this year); 4. Morphology; 5. Syntax; 6. Semantics; 7. Lexicography, Lexicology, and Lexical Semantics; 8. Onomastics; 9. Dialectology and Sociolinguistics; 10. New Englishes and Creolistics; 11. Second Language Acquisition. 12. English as a Lingua Franca; 13. Pragmatics and Discourse. 14. Stylistics. Section 1 is by Viktorija Kostadinova; section 2 is by Nuria Yáñez-Bouza; sections 4 and 5 are by Gea Dreschler and Sune Gregersen; section 6 is by Beáta Gyuris; section 7 is by Kathryn Allan; section 8 is by Maggie Scott; section 9 is by Lieselotte Anderwald; section 10 is by Sven Leuckert; section 11 is by Tihana Kraš; section 12 is by Tian Gan, Ida Parise, Sum Pok Ting, Juliana Souza da Silva and Alessia Cogo; section 13 is by Beke Hansen; section 14 is by Jessica Norledge.
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Ptashkin, Alexander. "THE SEMANTIC CATEGORY OF ANOMALY IN THE NOVEL “THE MAN WHO MISTOOK HIS WIFE FOR A HAT” BY OLIVER SACKS." Humanities & Social Sciences Reviews 8, no. 2 (March 18, 2020): 205–12. http://dx.doi.org/10.18510/hssr.2020.8224.
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Purpose of the study: This research was conducted with the aim of considering the linguistic means of expressing the core of the semantic field (SF) of the mental component of the category of an anomaly in the literary work “The man who mistook his wife for a hat” by Oliver Sacks in the English language.
Methodology: The method of conceptual analysis of the means of expressing the core of the SF of the mental component of the category of the anomaly was used. Lexical units were also analyzed from the point of view of a method of analysis of vocabulary definitions and a contextual method.
Main Findings: The category of an anomaly in the novel under study includes mental and physiological components. This mental unit is a semantic field with a core, near and distant peripheries. The core of the SF of the mental component within the novel under study includes lexical units representing neutral bookish style and medical terms in accordance with the International Classification of Diseases.
Applications of this study: The results of this paper will be helpful for lecturers of cognitive linguistics, lexicology, lexicography, stylistics, sociolinguistics, psycholinguistics, country study. The information given in this article can be useful for the preparation and correction of the information about lexical units in the dictionaries or it can function as a basis for further analysis and creation of special corpora.
Novelty/Originality of this study: The linguistic means of expressing the SF of the mental component of the category of an anomaly in this novel were analyzed in terms of cognitive linguistics and lexicography. Lexemes and collocations in a special context reflecting different sides of the mental anomaly from the point of medicine in English were considered.
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Gurienko, Marina Aleksandrovna. "Syntactic emphatic constructions in teaching foreign languages." Vestnik of Astrakhan State Technical University 2020, no. 2 (November 11, 2020): 76–80. http://dx.doi.org/10.24143/1812-9498-2020-2-76-80.
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The article considers the use of syntactic emphatic constructions that become a matter of rising interest not only for the science fiction translators, but also for the teachers of foreign languages and the methodologists. Special attention is paid to the communicative method of teaching, since this method has accumulated the greatest experience in introducing fiction into the field of teaching foreign languages. There has been analyzed the descriptive-analytical method which makes it possible to process the selected lexical material, and the classification method which allows determining the specifics of phenomena and their properties. The material for the study was a series of satirical novels by P. G. Wodehouse, whose characters are a British aristocrat Worcester and his servant Jeeves. In addition to the wide range of stylistic tools used in the novels the author described many realities of early twentieth-century Britain that can be used as a basis for linguoculturological study. There have been analyzed the syntactic emphatic constructions and their main models based on the classification of L. A. Sokolova, E. P. Trofimova and N. A. Kalevich and the examples from the novel. It has been inferred that using fiction literature at the lessons of foreign languages is promising and recommended for further study by specialists in the field of teaching foreign languages. The results of the study can be used in the students’ research works when writing essays, final qualifying papers, preparing creative projects in linguistics and stylistics of English language, the theory and practice of translation
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John, Fredrick Friday. "Discourse Representation of Consumerism in Mobile Telecommunication Television Advertisements." Randwick International of Education and Linguistics Science Journal 1, no. 2 (September 30, 2020): 171–85. http://dx.doi.org/10.47175/rielsj.v1i2.84.
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Telecommunication advertisements have bifurcating relations, functioning as a buoyant part of the capitalist market, and as instruments indexing consumerism, which bridges the gap between service providers and subscribers. Previous linguistic studies on the subject have focused on speech acts, mainly locutionary and illocutionary acts, and the lexical and stylistic resources in telecommunication advertisements. This study focuses on the representations of consumerism in MTN and GLO advertisements. The study adopts a model labeled as conceptual-textual meaning in advertisements, which annexes the principles of critical stylistics, pragmatic acts, and multimodality to analyse both textual and multimodal excerpts from ten (10) MTN and GLO television advertisements. These were downloaded from youtube, where they are streamed to reach a vast majority of internet users after they had been aired on mainstream television and cable stations. The study reveals that consumerism is the most pivotal feature projected in the advertisements of MTN and GLO. Advertisements and services are principally designed to condition choice of the subscribers to expand their consumptions. Consumerism is metaphorised, using food substances and materials co-opted from the socio-cultural milieus that condition the advertisements. Conceptual-textual functions like naming and describing, enumerating and exemplifying and prioritising, and direct acts, indirect acts, conversation, emotional and psychological acts, as well as the textual resources of inference, metaphor, reference, relevance, and metapragmatic joker are used extensively to show consumerism. The study concludes every service option is aimed at expanding consumerism, while the cost of services, interest, and use of the services are the shades of consumption of telecommunication services
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Kinash, L. Y. "Ways of coining reduplicated idioms." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (341) (2021): 20–26. http://dx.doi.org/10.12958/2227-2844-2021-3(341)-20-26.
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The article focuses on the phenomenon of reduplication on the idiomatic level. Reduplicated idioms are characterized by emotional coloring, expressiveness and peculiar rhythmic melodies, they serve as a means of creating emotional expressions by giving some stylistic coloring to the context in which they are used. The groups of reduplicated idioms have been chosen from lexicographical sources, created by means of onomatopoeia, lexical repetitions in singular and plural, with linking elements (conjunctions, particles) or without them. Their belonging to the morphological class of nouns, verbs, adjectives in the comparative and superlative degree of comparison, numerals, pronouns and exclamations has been established. Their inherent positive and negative connotations, the correlation with various spheres of human activity have been proved. The way of creating reduplicated idioms has been demonstrated to be productive – the alternation of vowels and consonants at the beginning and at the end of the repetition. Such word-forming processes as conversion, affixation and reduplication have taken an active part in the creation of reduplicated idioms, and in most cases transformations of forms are accompanied by semantic derivation. It has been confirmed that the practical value of the study is, first of all, that the selected examples of reduplicated idioms can be used in classes on lexicology, stylistics and serve as material for further research. We see the prospect of further research in the study of the effectiveness of the affix potential for the creation of reduplicated idioms, particularly the use of ablaut reduplication, rhyming compounds, fully reduplicated echoic expressions in different discourses.
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Podoprigora, Anastasija. "LEXICAL AND GRAMMATICAL FEATURES OF FINAL ETIQUETTE FORMULAS IN RUSSIAN LETTERS OF THE XVIII CENTURY." Problems of General and Slavic Linguistics, no. 3 (July 1, 2019): 117–24. http://dx.doi.org/10.15421/251915.
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The purpose of the study is to define the lexical and grammatical features of the final etiquette formulas in Russian letters of the 18th century, to describe the functional and semantic types of formulas, to characterize their syntactic structure. The object of study is letters addressed to different persons by the outstanding Russian commander A. V. Suvorov and Princess E. R. Dashkova. The research material is 120 enclosed etiquette formulas extracted from letters with a continuous sampling method. The descriptive method of research has been used in the article. Practical application is possible in the process of teaching the stylistics of the Russian language. Conclusions: The final etiquette formulas are an important structural element of the ending of a letter, usually preceding the signature of the addressee. We have identified the following functional-semantic types of final etiquette formulas in Russian letters of the 18th century: 1) formulas of forgiveness; 2) formulas of wishes (wishes of physical and mental health, God's help and blessing); 3) parakinesthetic final etiquette formulas (verbal transmission of a gesture or an action); 4) honorific final etiquette formulas (direct or indirect indication by the addressor the addressee's positive qualities). The basis of the construction of the final etiquette formulas often lies in one or another speech cliche, however these cliches are spread by dependent syntactic components, as a result of which the final etiquette formulas in the letters under study are diverse in their syntactic structure. The perspective of the present study is in the research of the dynamics of the final etiquette formulas of writing in the epistolary of the 18th – 20th centuries, as well as in a more detailed explanation of the pragmatics and functioning of the etiquette formulas depending on the nature of the communicative situation.
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Varlamova, Anna-Saidyyna Vasil'evna. "The role of interlinear in literary translation: syntactic aspect (on the example of the novel by E. P. Neimokhov)." Litera, no. 12 (December 2020): 192–202. http://dx.doi.org/10.25136/2409-8698.2020.12.34275.
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The language of fiction literature, language of the classics of national literature, prominent prose writers is the primary source for studying literary language. This article examines the role of interlinear in literary translation and the translation equivalents of complex sentences in the Yakut and Russian languages on the example of the novel “Alampa” by Egor Petrovich Neimokhov in two volumes. The subject of this research is complex sentences in the Yakut and Russian languages. Special attention is given to finding equivalents in translation of complex sentences in the Yakut and Russian languages on the syntactic level language, as well as to determination of the role of interlinear in fiction literature. Yakut linguistics has started to study the stylistics of Yakut language, while the lexical, morphological, and syntactic stylistics is in its inception stage. The works of researchers dedicated to the syntax of Yakut language cover the questions of syntactic transformations using the example of attributive constructions (Vasilieva, 2002) and syntactic transformations of one-member sentences (Atakova, 2007). There are no special works dedicated to the analysis of complex sentences in fiction texts in the Yakut-Russian translation. This raises the need for studying the equivalents of complex sentences in interlinear translation, and its role in literary translation. The following conclusions were made: 1) the content of complex sentences in the Russian language usually correspond to the such in the Yakut language, although they differ significantly in structure; 2) in both languages, the semantic meanings of complex sentences are expressed through various means that reflect the peculiarities of non-cognate languages, however, separate equivalents are determined among such constructions; 3) in interlinear and literary translation, complex sentences of the Yakut text are preserved in the Russian language for the most part. Thus, interlinear translation plays the role of intermediary translation and directly affects the translation result.
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Khan, Shaukat, Sumaira Jehanzeb, Irfan Ulah, and Muhammad Irfan. "A STYLISTIC ANALYSIS OF “THE RIME OF THE ANCIENT MARINER”." English Review: Journal of English Education 5, no. 1 (December 12, 2016): 37. http://dx.doi.org/10.25134/erjee.v5i1.387.
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If a specimen of literary art is seen as a fine tapestry of words made by the skilled seamstress—the poet, then the lexis and structure of a language are the raw materials—the fabric and the thread—by weaving which into specific patterns the finished product is achieved. The choice of materials and their arrangement into unique patterns always bear an image of their creator, or the artist; thus, a close view of them reveals the artist’s identity and brings out the meaningful message that underlies the ornate running threads. Mostly, the students of literary studies cannot appreciate the beauty of the literary classics on their own. Consequently, they simply mimic the ideas, and sometimes even the words, of famous professional critics when asked to give their own critical judgment on the aesthetic merit or the thematic quality of a literary work in the shape of a home assignment, classroom presentation or an annual assessment test. Now, the researcher has got the inspiration for carrying out this study from an idea expounded in Widdowson (1975) that this mimicry can be replaced by genuine individual opinion if the students, or even those people who have non-academic concerns with literature, are brought to a standpoint from where they can have a closer view of the raw materials, the language resources, which are involved in the making of a literary product. And, if the product in its finished form cannot elicit a desired response from them then making them sensitive to the process of its making can be quite effective in this regard. Through the present study, an attempt has been made to show an easy access to the outlandish world of verse by means of the linguistic route which is laid with the familiar flagstones of grammar and vocabulary. Meaning thereby that in this study the elusiveness of poetry will be dealt with the precision of a social scientist, the linguist. The approach which serves as the basis of this study is not an invention of the researcher; rather, it is a well-known twentieth century approach known as stylistics (Jeffries & McIntyre, 2010, p. 30). Samuel Taylor Coleridge’s famous ballad, “The Rime of the Ancient Mariner”, being a widely read poem and bearing various stylistics features, offered itself as an ideal object for this study. The poet’s aesthetic message is explored by analyzing the finest details of his linguistic expression. And, careful considerations have been made throughout the study to prevent the overlooking of any instance of deviant linguistic units or recurring patterns for interpretation because such elements contribute largely to the meaning of any literary product. The study is descriptive in its nature therefore qualitative data has been integrated with and substantiated by the quantitative one. Keywords: stylistics, literature, lexical, semantic and graphological deviations
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[Yadav Raj Upadhyay], यादवराज उपाध्याय. "भाषा र पारिभाषिक शब्दावलीको कोशीय प्रारूपः एक विश्लेषण [Lexical Structures of Language and Linguistic Semantics: An Analysis]." Prithvi Journal of Research and Innovation 3, no. 1 (June 2, 2021): 94–111. http://dx.doi.org/10.3126/pjri.v3i1.37438.
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यस शोधन आलेखमा भाषा, भाषा विज्ञानको परिचय तथा शाखाहरूबारे चिनारी प्रस्तुत गर्दै पारिभाषिक शब्दावली र कोशीय प्रारूपबारे खोज विश्लेषण गरिएको छ । भावाभिव्यक्तिको संस्कृति विचार विनिमयको आधार भाषाका बारेमा वैज्ञानिक ढङ्गले अध्ययन गर्ने ज्ञानको शाखा नै भाषा विज्ञान हो । व्याकरण, भाषाशास्त्र हुँदै विकसित भाषा विज्ञानको संरचक पक्षका आधारमा ध्वनि विज्ञान, वणर् विज्ञान, व्याकरण (रूप, रूप सन्धि र वाक्य) र अर्थ विज्ञान प्रमुख शाखाहरू हुन् । अध्ययन विश्लेषणको पद्धतिका आधारमा भाषा विज्ञानका ऐतिहासिक, तुलनात्मक र वणर्नात्मक प्रमुख तिन शाखाहरू छन् । सिद्धान्तकेन्द्री र प्रयोगकेन्द्री आधारमा भाषा विज्ञान सैद्धान्तिक र प्रायोगिक दुई प्रकारका हुन्छन् । भाषा शिक्षण, कोश विज्ञान, शैली विज्ञान, सामाजिक भाषा विज्ञान, मनोभाषा विज्ञान, अनुवाद विज्ञान, कम्प्युटर विज्ञान, व्यतिरेकी भाषा विज्ञान, सङ्कथन विश्लेषण आदि प्रायोगिक भाषा विज्ञानका प्रकारहरू हुन् । भाषाविज्ञानका यी शाखाहरूमा प्रयुक्त परिभाषाका माध्यमबाट बुझ्नु पर्ने सयांै पारिभाषिक तथा प्राविधिक शब्दावलीहरू छन् । यस्ता शब्दावलीहरूलाई शब्दकोशीय ढाँचामा पेस गर्न सकिने कोशीय प्रारूपको सीमित नमुना समेत यहाँ प्रस्तुत गरिएको छ । [Linguistic semantics and lexical structures have been discussed in this paper, introducing language, linguistics and its forms. Linguistics is the scientific study of language and its structure that is associated with the knowledge systems while communicating across cultures. It is a developed form of grammar, including other aspects of language such as sound system, letters, words, sentences and meanings. It has three main branches such as historical linguistics, comparative linguistics and descriptive linguistics. It can also be categorized into two types: theoretical linguistics and applied linguistics. There are other types of linguistics as well that include language teaching, lexicology, stylistics, sociolinguistics, psycholinguistics, translation studies, computational linguistics and narratology are some examples of applied linguistics. Based on these branches of linguistics, there are hundreds of linguistic semantics to be leant in the study of language and its structure. In this paper, they are exemplified as lexical structures of language and linguistic semantics.]