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1

Great meals Dutch oven style. Caxton Press, 2004.

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2

Lauren, Lesmeister, and Evenson Jeffrey W, eds. The Lewis & Clark cookbook: With contemporary recipes. Whisper'n Waters, Inc., 2000.

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Roe, Lisa Schassberger. Status review of Aquilegia brevistyla, U.S.D.A. Forest Service, Region 1 ; Lewis & Clark National Forest, Montana. Montana Natural Heritage Program, 1992.

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4

The Lewis & Clark cookbook: Historic recipes from the Corps of Discovery & Jefferson's America. Celestial Arts, 2002.

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5

The food journal of Lewis & Clark: Recipes for an expedition. History Cooks, 2003.

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6

Roe, Lisa Schassberger. Status review of Cirsium longistylum, U.S.D.A. Forest Service, Region 1 Lewis and Clark National Forest, Montana. Montana Natural Heritage Program, 1991.

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7

Aristotle on Language and Style: The Concept of Lexis. Cambridge University Press, 2020.

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8

Lewis, Edna. The Edna Lewis cookbook. Axios Press, 2016.

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9

Evenson, Teri, Lauren Lesmeister, and Jeff Evenson. The Lewis & Clark Cookbook: With Contemporary Recipes (Lewis & Clark Expedition). Whisper'n Waters, 2003.

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10

Edna Lewis: At the table with an American original. 2018.

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11

Marovich, Robert M. “Someday, Somewhere”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0005.

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This chapter examines the roles played by Thomas A. Dorsey, Mahalia Jackson, Sallie Martin, Theodore R. Frye, and Magnolia Lewis Butts in the development of gospel music in Chicago. During the late 1920s and early 1930s, Dorsey, Jackson, Martin, Frye, and Butts formed an informal nexus that spread the new gospel songs and gospel music style throughout Chicago and, ultimately, across the country. Dorsey was a versatile pianist, composer, arranger, singer, and bandleader who helped incorporate jazz and blues styles into gospel. He met Jackson around 1928 and offered her to demonstrate his songs.
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12

Mansfield, Leslie. The Lewis & Clark Cookbook: Historic Recipes from the Corps of Discoveryand Jefferson's America (Lewis & Clark Expedition). Celestial Arts, 2003.

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13

In the Shadow of Rattlesnake Mountain: A Treasury of Recipes, Photos, and Memories : From Lewis and Clark Through the Great Depression. Donning Company Publishers, 2004.

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14

Peterson, Michael L. C. S. Lewis and the Christian Worldview. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190201111.001.0001.

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C. S. Lewis is one of the most influential and beloved Christian writers of the past century, and interest in him grows as books about his fantasy, fiction, and biography continue to appear. Although Lewis’s personal journey was a deeply philosophical search for the most adequate worldview, the few extant books about his Christian philosophy focus on specific topics rather than his worldview as a whole. In this book, Michael Peterson develops a comprehensive, coherent framework for understanding Lewis’s Christian worldview—from his arguments from reason, morality, and desire to his ideas about
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15

Gunderson, Mary. The Food Journal of Lewis & Clark: Recipes for an Expedition. History Cooks, 2002.

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16

Lewis, Hannah. Surrealist Sounds. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0003.

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This chapter focuses on the controversial early sound films directed by avant-garde filmmakers Jean Cocteau and Luis Buñuel: Le Sang d’un poète (1930) by Cocteau and L’Age d’or (1930) by Buñuel. They were the first surrealist sound films, and both filmmakers used music to create strange audiovisual juxtapositions and to shock their audiences. Although music’s role in the surrealist movement was contested, Lewis demonstrates through her analysis of these two films that music was crucial for a surrealist audiovisual cinematic conception. While experiments this audacious were short-lived, these t
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17

Wade, Stephen. Bozie Sturdivant. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0007.

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This chapter describes the recordings of second-tenor quartet singer Bozie Sturdivant, who held down a job as a yard boy in Clarksdale, Mississippi, among other domestic chores. In July 1942, during a service at Clarksdale's Silent Grove Baptist Church, Bozie made nine recordings with his group, including a spiritual called “Ain't No Grave Can Hold My Body Down.” Bozie's approach to the song reflected a traditional style of religious singing and an emerging sound in quartet performance. Like the jukeboxes that Lewis Jones cataloged, Bozie's impassioned performance brought together the local wi
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18

Stevenson, Jane. Streams of Consciousness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0006.

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A number of modernist writers are profoundly engaged with the classical tradition (or traditions) and the relevance of the past to the present. Writers singled out include Djuna Barnes, expressing a modern sensibility through a fantastical neo-Elizabethan prose style, and the way Woolf in Orlando also patched the Elizabethan era onto the present: in both cases, the obliquity of their narrative relates to the problem of expressing a lesbian viewpoint without provoking censorship. The chapter examines the camp streak in interwar literature and its debt to Saki and Ronald Firbank. Also explored i
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19

Cooking on the Lewis and Clark Expedition (Exploring History Through Simple Recipes). Capstone Press, 1999.

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20

Gunderson, Mary. Cooking on the Lewis and Clark Expedition (Exploring History Through Simple Recipes). Blue Earth Books, 2000.

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21

Finnegan, Cara A. Appropriating the Healthy Child. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0004.

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This chapter examines a type of viewer response to visual narratives about child labor produced by Lewis Hine and others: Thomas Robinson Dawley Jr.'s 1912 book The Child That Toileth Not: The Story of a Government Investigation. Dawley's 490-page polemic, which contains more than 100 photographs, was based on field investigations of child labor that he conducted in Southern cotton mills while working for the U.S. Bureau of Labor. Dawley combines text and image to build a detailed refutation of Albert Beveridge and his ilk. In The Child That Toileth Not Dawley avoids picturing children actuall
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22

Holland, Leandra Zim. Feasting and Fasting with Lewis & Clark: A Food and Social History of the Early 1800s. Old Yellowstone Publishing, Inc, 2003.

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23

Holland, Leandra Zim. Feasting and Fasting with Lewis & Clark: A Food and Social History of the Early 1800s. Old Yellowstone Publishing, 2003.

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24

Association, Carmel Art, ed. Six early women artists: A diversity of style : Rowena Meeks Abdy, Jeannette Maxfield Lewis, Eunice Cashion MacLennan, Laura Wasson Maxwell, M. Evelyn McCormick, Mary DeNeale Morgan : a special exhibition. The Association, 1991.

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25

Bick, Sally. Unsettled Scores. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042812.001.0001.

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Unsettled Scores treats the Hollywood activities of Aaron Copland and Hanns Eisler, who were among the earliest modernist composers to negotiate the collision of the high/low dichotomy within these two cultural realms. The social and political crises provoked by capitalism and war profoundly affected these ideals and, in turn, the men’s cultural and aesthetic thinking. Confronting and living through social crisis (Eisler during the instability of Weimar Germany and Copland through America’s Depression years), both composers experimented with new artistic forms and values, shaping their musical
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26

Boyd Maunsell, Jerome. Portraits from Life. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789369.001.0001.

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Portraits from Life examines the ways in which a group of major Modernist writers—Joseph Conrad, Ford Madox Ford, Henry James, Wyndham Lewis, Gertrude Stein, H. G. Wells, and Edith Wharton—depicted themselves and each other in their memoirs and autobiographies, rather than in their fiction. In a series of reconstructions of biographical contexts, it reveals how each of these novelists approached the task of writing their own lives, and how they experimented with the form and style of autobiography. Memoirs and autobiographies, as this book argues, are often just as artful as novels. Showing ho
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27

Lewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.

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French Musical Culture and the Coming of Sound Cinema examines film music practices in France during a period of widespread artistic and creative experimentation: the transition from silent to synchronized sound film. While this period in Hollywood has been examined from a range of scholarly perspectives, the transition to sound in France—and the unique interactions between French sound cinema and French musical discourses—remains underexplored. In France, debates about sound cinema were fierce and widespread, and many filmmakers addressed theoretical questions about the potential of the new t
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