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Journal articles on the topic 'LGBTQ humor'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Marvin, Amy. "Oppression, Subversive Humor, and Unstable Politics." Philosophy of Humor Yearbook 4, no. 1 (2023): 163–86. http://dx.doi.org/10.1515/phhumyb-2023-0007.

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Abstract This essay argues that humor can be used as an unstable weapon against oppressive language and concepts. Drawing from radical feminist Marilyn Frye, I discuss the difficulty of challenging systematic oppression from within and explore the capabilities of humor for this task. This requires expanding Cynthia Willett’s and Julie Willett’s approach to fumerism beyond affect to fully examine the work of humor in manipulating language, concepts, and imagery. For this expansion, I bring in research on feminist linguistics alongside other philosophers of political humor to consider the connec

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2

Vooris, Jessica Ann. "When Did You Know You Were Straight? Teaching with the Heterosexual Questionnaire." Radical Teacher 119 (April 17, 2021): 75–77. http://dx.doi.org/10.5195/rt.2021.819.

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This Teaching Note describes the process of forming a panel of straight students to answer questions from Martin Rochlin's Heterosexual Questionnaire. The activity highlights heterosexism and heterosexual privilege, provides an opportunity to talk about satire and queer humor, and is a useful way to engage with concepts from class readings in introductory LGBTQ Studies and Women's Studies courses.

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Schey, Ryan. "Youths’ Literacy Disidentifications in a Secondary Classroom: Contesting Transphobia through Humor in Role-Playing." Teachers College Record: The Voice of Scholarship in Education 122, no. 7 (2020): 1–42. http://dx.doi.org/10.1177/016146812012200712.

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Background Recent decades have seen an increased number of literacy education researchers attending to LGBTQ people and texts in secondary schools, frequently documenting tensions that emerge, such as conflict. However, this research tends to be limited in scope with respect to time, texts, and identities. Moreover, it shows that students tend to face challenges and constraints when attempting to challenge homophobia and transphobia. Focus of Study In this study, I sought to extend previous scholarship by exploring how students used reading and writing to work within, on, and against normative

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Tunić, Srđan. "The adventures of inspector Yoda the Wrinkled: Non-violent activism and queering the streets of Belgrade." Kultura, no. 185 (2024): 81–101. https://doi.org/10.5937/kultura2485081t.

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Inspector Yoda the Wrinkled is an artivist project which brought a distinct critical commentary and humor to the streets of Belgrade, Serbia, between 2014 and 2018. Inspector's work is closely interwoven with the LGBTQ+ history and street art interventions in the past two decades in Belgrade. Inspector playfully appropriated vernacular language, often subverting the meaning, and offering an important gender and social critique in the nationalistic and sometimes violent public space of Belgrade during the mid2010s. It is paramount to look at these interventions as situational artworks which ser

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Pitua, Ivaan, and Raafidha Raizudheen. "Short communication: Mpox memes, the gift that conceals a blade." PLOS Global Public Health 5, no. 5 (2025): e0004496. https://doi.org/10.1371/journal.pgph.0004496.

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Memes have become a popular communication tool, especially during public health crises, offering both opportunities and challenges for messaging. This short communication examines the dual role of mpox-related memes circulating since the disease’s declaration as a public health emergency in August 2024. Through a qualitative content analysis of 200 mpox memes shared across major social media platforms, we identified two primary themes: (1) Awareness and Education and (2) Misinformation and Stigma. Approximately 60% of the memes promoted awareness, using humor to increase engagement with health

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Tunic, Srdan. "Queering the Urban Space." Street Art & Urban Creativity 10, no. 1 (2024): 72–89. https://doi.org/10.25765/sauc.v10i1.920.

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Inspector Yoda the Wrinkled (Inspektor Yoda Zgužvani) is an artivist project by Nikola Herman (alias Nikša), who also involved his pug Yoda in creating a street art alter ego to bring critical commentary and humor to the streets of Belgrade, Serbia, between 2014 and 2018. Inspector’s work is closely intertwined with the LGBTQ+ history and street art interventions in Belgrade over the past two decades. It provides an example of a locally contextualized and critical appropriation of the concept and term queer (in Serbian, kvar, which literally translates to “malfunction”). In nearly 200 graffiti

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Chavez, Jason V., Daisy D. Lamorinas, and Collin C. Ceneciro. "Message patterns of online gender-based humor, discriminatory practices, biases, stereotyping, and disempowering tools through discourse analysis." Forum for Linguistic Studies 5, no. 2 (2023): 1535. http://dx.doi.org/10.59400/fls.v5i2.1535.

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This study explored the message patterns of gender-based humor in social media in different layers of discriminatory practices against certain genders, language biases against women and LGBT including elements of stereotyping and disempowering tools against the personal images of subordinate genders. This research used discourse analysis based on the mapped-out online posts and comments of the fourteen (14) profiles of individuals and extracted their important testimonies based on the collected online gender-based humor to elicit the message patterns. Gender-based humor online enhanced the lan

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8

Da Silva, Wallace Matos, and Rafael Siqueira de Guimarães. "A LGBTI+fobia recreativa." Revista Periódicus 3, no. 21 (2025): 208–22. https://doi.org/10.9771/peri.v3i21.63005.

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Este artigo, que problematiza a LGBTI+fobia recreativa e seus desdobramentos, objetiva discutir como, sob o disfarce da brincadeira, a LGBTI+fobia recreativa desvela preconceitos e violências direcionados às corporalidades sexo-gênero dissidentes. Para tanto, parte de uma metodologia qualitativa, a qual inter-relaciona a pesquisa bibliográfica às narrativas de vida, tendo por corpus de análise o relato autobiográfico. Com base em um viés anticolonial e antilgbti+fóbico, a discussão evidencia que a base da LGBTI+fobia recreativa está em um conjunto de opressões sociais e de gênero, as quais exp

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Silva, Adriano da, Kathie Njaine, and Queiti Batista Moreira Oliveira. "LGBTI+fobia virtual: notas sobre uma etnografia em comunidades virtuais no Facebook." Revista Eletrônica de Comunicação, Informação & Inovação em Saúde 16, no. 3 (2022): 587–605. http://dx.doi.org/10.29397/reciis.v16i3.3161.

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O artigo discute a LGBTI+fobia em ambientes virtuais, a partir de etnografia virtual realizada em duas comunidades virtuais no Facebook, “Brasil sem ideologia de gênero” e “Não à ditadura gay”. A observação silenciosa (lurking) ocorreu no período 2018 a 2019, sendo analisadas 75 postagens. Seguiu-se um roteiro que buscou identificar as características dos membros, o perfil de interação, a arquitetura das comunidades, e também a percepção dos membros sobre expressões de sexualidade e gênero dissidentes da heteronormatividade. A LGBTI+fobia começa a ficar mais perceptível a partir de discursos d

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Mararo, Francis, Hellen Mberia, and Lillian Omoke. "INFLUENCE OF CHARACTER ROLES IN COMEDIC MOVIES ON ATTITUDES TOWARDS SEXUAL ORIENTATIONS OF UNIVERSITY STUDENTS IN KENYA." International Journal of Communication and Public Relation 6, no. 2 (2021): 54–74. http://dx.doi.org/10.47604/ijcpr.1359.

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Purpose: This research intended to determine the influence of character roles in Comedic movies on attitudes towards sexual orientations such as lesbians, gays, bisexuals and transgenders (LGBTs) of University students in Kenya. Comedic movies have exploited and portrayed various controversial topics including LGBTs using satire, irony, sarcasm, and stereotypes for humor purposes. The study used social learning theory (SLT) as the underlying proposition. Methodology: The study used mixed methods research design that further used a convergent parallel mixed method model to obtain quantita

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Jiménez Sánchez, Álvaro. "LGBT y series de animación infantil para educar en diversidad." Con A de animación, no. 20 (March 7, 2025): 98–123. https://doi.org/10.4995/caa.2025.21359.

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Este artículo recoge los resultados de una investigación educomunicativa, que pretende significar la presencia y tratamiento del colectivo LGBT en las series de dibujos animados infantiles, emitidas en España hasta 2023. Para ello, se analizaron más de 400 producciones y de las 32 que se seleccionaron relacionadas con el objeto de estudio se realizó un análisis de contenido con el objetivo de evaluarlas en base a cinco categorías: 1) evitar lenguaje, humor y estereotipos anti LGBT; 2) prueba de Vito Russo; 3) personajes LGBT memorables; 4) diversidad; 5) adecuación general para todas las edade

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Godoi, Rodolfo. "O cômico na performance artística de Ney Matogrosso." Arquivos do CMD 7, no. 2 (2020): 12–26. http://dx.doi.org/10.26512/cmd.v8i2.31149.

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O artigo aborda a comicidade na performance do cantor Ney Matogrosso, em especial em uma de suas músicas de maior sucesso, Homem com H (autoria de Antônio de Barros, composta nos anos 1970). Desenvolvem-se reflexões sobre como a performance artística em questão pode provocar uma inquietação crítica quanto aos padrões sociais de gênero e da heteronormatividade através do humor, mobilizando uma disputa simbólica e se tornando uma referência Ã memória cultural de grupos LGBTs no país.

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Godoi, Rodolfo. "O cômico na performance artística de Ney Matogrosso." Arquivos do CMD 7, no. 2 (2020): 12–26. http://dx.doi.org/10.26512/cmd.v7i2.31149.

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O artigo aborda a comicidade na performance do cantor Ney Matogrosso, em especial em uma de suas músicas de maior sucesso, Homem com H (autoria de Antônio de Barros, composta nos anos 1970). Desenvolvem-se reflexões sobre como a performance artística em questão pode provocar uma inquietação crítica quanto aos padrões sociais de gênero e da heteronormatividade através do humor, mobilizando uma disputa simbólica e se tornando uma referência Ã memória cultural de grupos LGBTs no país.

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14

Silva, Cláudia, and Paula Carvalho. "When Can Compliments and Humour Be Considered Hate Speech? A Perspective From Target Groups in Portugal." Comunicação e Sociedade 43 (May 9, 2023): e023006. http://dx.doi.org/10.17231/comsoc.43(2023).4135.

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This article presents a qualitative study that examines hate speech (HS) from the perspectives of the most representative minority communities in Portugal, namely Afro-descendants, Roma, and LGBTQ+. The empirical research employed three focus groups, each with a representation of these communities (n=17), with the primary goal of investigating how members of these groups perceive and experience HS within the Portuguese social and geopolitical context. The results indicate that covert HS can be more detrimental than overt HS since the targeted individuals are often caught off guard and unsure h

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Oliva, Thiago Dias. "MEMES DE NATUREZA CÔMICA COMO ESTRATÉGIA DE RESISTÊNCIA A DISCURSOS HEGEMÔNICOS: ANÁLISE DAS REAÇÕES À CAMPANHA #GAYSNOMERECENMEDALLAS NO TWITTER." Linguagem em (Dis)curso 18, no. 3 (2018): 583–601. http://dx.doi.org/10.1590/1982-4017-180308-13217.

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Resumo Em agosto de 2016, em meio aos Jogos Olímpicos do Rio de Janeiro, a hashtag #GaysNoMerecenMedallas, ou Gays não merecem medalhas, tornou-se trending topic do Twitter. Este trabalho propõe a análise do uso do humor como estratégia para ressignificar termos, imagens e símbolos historicamente empregados na representação social negativa de LGBT para mostrar como a estratégia pode ser efetiva ao desarticular ataques a esse grupo social na internet, esvaziando-os de sentido por meio do riso. O artigo propõe, como objetivo específico, a análise de cinco memes que foram postados em meio à campa

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16

Calleja Jiménez, José Alberto. "Importancia de las dinámicas de integración y del “juego” en los grupos de pares y en el aula docente." Materiales Avanzados, no. 40 (February 15, 2024): 170–76. https://doi.org/10.22201/iim.rma.2024.40.45.

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Una de las deudas pendientes de la academia y de las universidades es la falta de inclusión hacia la diversidad humana [1]. Personas con discapacidad, población indígena, LGBTI+, personas con VIH, personas que reportan uso problemático de sustancias psicoactivas y muchas otras poblaciones vulneradas son algunas de las más segregadas dentro de las ciencias naturales y exactas, ingenierías, desarrollo tecnológico y dentro de los Recursos Humanos Ocupados en Ciencia y Tecnología. Para esto, ya existen metodologías y reportes exitosos de incidencia social en nuestro país y programas de inclusión [

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17

Piñeiro Otero, Teresa, Ruth De Frutos García, and Paloma López Villafranca. "Capítulo 7. Escenarios sonoros feministas." Espejo de Monografías de Comunicación Social, no. 16 (June 7, 2023): 189–213. http://dx.doi.org/10.52495/c7.emcs.16.cyg1.

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El podcast feminista es una herramienta que aglutina todas las ventajas del ciberfeminismo, sin sufrir restricciones ni condicionamientos por parte del sistema heteropatriarcal. Sirve de altavoz para denunciar situaciones y violencias que impiden el crecimiento de las mujeres y el colectivo LGBTIQ+ en la sociedad, en el mundo laboral y en ámbitos tanto públicos como privados, al margen de la censura impuesta por los grupos empresariales o las normas de los medios tradicionales. El humor, la crítica y autocrítica, la denuncia social y el activismo que se ejerce en estos espacios generan empatía

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18

Zeng, Burong. "Street to screen carnivalesque: Labour, identity and resistance at the 2023 Shanghai Halloween Parade." Journal of Contemporary Chinese Art 11, no. 2 (2024): 369–85. https://doi.org/10.1386/jcca_00112_1.

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The 2023 Shanghai Halloween Parade marked a significant shift from previous years, transforming from a modest festivity into a carnivalesque spectacle that served as a platform for cultural resistance and collective expression. This study examines the parade’s evolution in the context of post-COVID-19 China, exploring its manifestation both on the streets and in digital spaces. Drawing on Mikhail Bakhtin’s concept of the ‘carnivalesque’, Franco Berardi’s notion of the ‘cognitariat’ and Judith Butler’s analysis of the potentiality of gender parody, the research investigates how the parade refle

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19

Antosik-Parsons, Kate. "‘Stop Ruining Everything’: Array Collective's Disruptive Encounters with Art, Irishness and Nation." Irish University Review 55, no. 1 (2025): 113–27. https://doi.org/10.3366/iur.2025.0712.

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The socially engaged art of Belfast-based Array Collective is concerned with socio-political issues in Northern Ireland such as abortion, LGBTQ+ rights, climate change and language rights. In 2021, Array Collective won the coveted Turner Prize – a British art prize awarded to British contemporary artists – for their immersive installation The Druthaib's Ball (2021). The Druthaib's Ball is a síbín, a ‘pub without permission’, comprised of over 250 artworks, material objects and protest banners; and a 35-minute performance film Wake the Centenary that picks apart ideologies, political institutio

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Gomes, Mayara Victor, and Marcio Antonio Gatti. "Análise de um objeto editorial como possibilidade de resistência aos discursos de ódio e de enfrentamento à desinformação." Miguilim - Revista Eletrônica do Netlli 13, no. 2 (2024): 310–31. http://dx.doi.org/10.47295/mgren.v13i2.1311.

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Este artigo tem por objetivo analisar a publicação do livro KIT GAY: Atividades lúdicas para toda a família!, de Kael Vitorelo, em relação às desinformações contra o projeto Escola Sem Homofobia (ESH), iniciadas, em 2004, pela Frente Parlamentar Evangélica (FPE) e retomadas, em 2018, pelo então candidato à presidência Jair Messias Bolsonaro. Diante do recente cenário brasileiro, que se apresenta saturado de conflitos entre movimentos sociais progressistas e conservadores, especialmente quanto às pautas identitárias referentes ao gênero e à sexualidade, buscamos verificar se a publicação consti

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Shrodes, Addie. "Humor as Political Possibility: Critical Media Literacy in LGBTQ+ Participatory Cultures." Reading Research Quarterly, October 23, 2020. http://dx.doi.org/10.1002/rrq.328.

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Kelly da Silva Pereira, Ane, Marcela Côrtes Salgueiro dos Santos, and Lucas Alves Amaral. "As microagressões a pessoas LGBTQ+ na mídia e seu impacto na saúde mental de estudantes universitários LGBTQ+." Programa de Iniciação Científica - PIC/UniCEUB - Relatórios de Pesquisa, February 11, 2022. http://dx.doi.org/10.5102/pic.n0.2020.8181.

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O presente estudo teve como objetivo identificar e analisar os diferentes tipos de microagressões LBGTQ+ em filmes e séries de grande alcance, bem como analisar o impacto das mesmas à saúde mental de pessoas LGBTQ+ que assistem a esses conteúdos. Em termos teóricos, a pesquisa ancorou-se nas bases da Psicologia Cultural, especialmente, na literatura internacional sobre microagressões, microinvalidações, microinsultos e microataques e fez ponte com as interfaces entre Psicologia e Ciências Sociais no debate sobre as interrelações entre sexo, gênero e sexualidade, a população LGBTQ+ e sua saúde

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23

Chen, Li-Chi. "‘Smash this sissy boy’s mouth, Cuiguo!’: Framing and humor in gay Taiwanese YouTubers’ self-disclosures about being bullied." Discourse & Communication, November 4, 2022, 175048132211329. http://dx.doi.org/10.1177/17504813221132978.

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Sharing one’s past experience of being bullied is expected to be painful, but gay Taiwanese YouTubers’ self-disclosures about how they became victims of homophobic bullying are frequently accompanied by humor and shared laughter. Their interactions are also presented multimodally with other visual and audible semiotic resources. Adopting a multimodal social semiotic approach and a framing approach, this study analyzes three YouTube videos about homophobic bullying. Findings suggest that the gay Taiwanese YouTubers frequently shifted between the sociable frame and the audience-targeted frame wh

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Ruberg, Bonnie. "Straight-washing "Undertale": Video games and the limits of LGBTQ representation." Transformative Works and Cultures 28 (September 15, 2018). http://dx.doi.org/10.3983/twc.2018.1516.

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A widely beloved video game, Undertale (Toby Fox, 2015) has proven popular with players, reviewers, and commentators from across sectors of games culture that often hold conflicting views. What makes Undertale's broad appeal particularly surprising is its queer content, which can be found in both the game's representational and interactive elements. As many have observed, homophobic attitudes have long characterized reactionary gamer subcultures, which are often explicitly hostile toward diversity. Yet these subcultures are also among those most vocal in their appreciation of Undertale. What e

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Aguilera Martínez, Paula. "Rap al Caudillo Trend: TikTok’s Queer Subversion of Spanish National Imagery." Musicologica Austriaca: Journal for Austrian Music Studies, SI (December 12, 2024). https://doi.org/10.71045/musau.2025.si.22.

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After its peak in popularity, TikTok has become one of the preferred platforms for users of all ages and cultural backgrounds. Due to its extremely accurate and personalized algorithm, the application has generated a phenomenon that allows us to explore new horizons in the formation of online communities. With the implementation of sounds, users can find profiles of other users with whom they share more than a single interest. By using someone else’s voice in a lip-sync or an acting scenario, users can connect on the basis of broader life experiences, shared feelings, or other references. Cons

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Silva, Marcos Aurélio da. "Tatuagem, deboche e carnaval: algumas reflexões sobre a política LGBT contemporânea a partir de uma antropologia do cinema e de uma festa que não existe mais." Teoria e Cultura 12, no. 2 (2017). http://dx.doi.org/10.34019/2318-101x.2017.v12.12310.

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Este artigo pretende a realização de uma antropologia do cinema a partir do filme Tatuagem (dir. Hilton Lacerda, Brasil, 2013) para pensar temas caros às discussões políticas LGBTs contemporâneas como a luta por direitos civis e a dicotomia entre carnaval e política que ronda essas manifestações nas últimas décadas. Tatuagem traz à tona antigas possibilidades do estar junto para os “modos de vida”, como a amizade, num tempo como o atual em que os moldes da família e do casamento tradicional passaram a compor os mais caros ideais coletivos LGBTs. O filme também aponta a possibilidade de se pens

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Meneses, Kristine C. "Deaf Beki Humor: A pastoral-theological articulation of Pagbabangong-Dangal—Resurrection." Critical Research on Religion, September 24, 2024. http://dx.doi.org/10.1177/20503032241277496.

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Humor is underexplored in theology. Thus, this study re-examines the Christian concept of resurrection through the lens of dignity, grounded in the lived experiences of select Filipino Deaf LGBT individuals. An exploration of their beki (queer) humor can enrich our orthodoxic pastoral-theological approach with this group whose location is pegged in the margins. In probing their beki humor experiences and expressions, this article rethinks the Christian core concept of resurrection as pagbabangong-dangal (uplifting one’s dignity) where its point of departure is hiyâ (generally accepted as “sham

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O'Rourke, Anne‐Maree, Alex Belli, Frank Mathmann, and Felix Septianto. "Rainbows and laughter: How humor boosts e‐Word‐of‐Mouth for LGBT+ brands on social media." Psychology & Marketing, October 15, 2024. http://dx.doi.org/10.1002/mar.22131.

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AbstractLGBT+ brands, i.e., those supporting and catering for the LGBT+ community and primarily owned and operated by members of this community, have been standing out for their authenticity in a marketplace where brands are regularly accused of “rainbow‐washing.” Yet, despite the recent media spotlight these brands are still struggling to grow and gain visibility among the general public. This study aims to explore how LGBT+ brands can leverage their content to increase e‐Word‐of‐Mouth (eWOM) on social media. Specifically, we focus on humorous content because its impact on eWOM has been mixed

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Chen, Li-Chi. "Humour and teasing in gay Taiwanese men’s mediatised interaction on an LGBTQ-oriented YouTube entertainment variety show." Gender and Language 16, no. 4 (2023). http://dx.doi.org/10.1558/genl.18746.

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This study illustrates and discusses how young gay Taiwanese men interact with straight and nonstraight people through humour and teasing on an LGBTQ-oriented YouTube entertainment variety show in Taiwan. The analytical framework of the study is informed by multimodal discourse analysis and interactional sociolinguistics. Four strategies used to create humour are identified: performing wúlítóu ‘nonsense’, using quadrisyllabic (non)formulaic expressions, using gender subversion and using indirect insults (towards close female friends). The analysis suggests that all four strategies rely on inde

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González Montero, Álvaro, and Richard Cleminson. "Mariquitas on the March in San Pedro de Alcántara, 22 January 1969: An Unlikely, Rural Stonewall." Journal of Contemporary History, April 24, 2025. https://doi.org/10.1177/00220094251335285.

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A Spanish Civil Guard report is to be found in the Historical Provincial Archive of Malaga, where a number of signs proclaiming the ‘day of the liberation of the queer’ in the small town of San Pedro de Alcántara in January 1969 are transcribed. This article analyses the historical ramifications of this multi-layered report, arguing that the contents of the document, its explicit articulation of gay identity and its demand for emancipation came at a crucial time during the Spanish Francoist dictatorship (1939–75). By examining the connections between tourism, the policy of ‘opening-up’ in the

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Lizurej, Marzena. "Barbie Girls Cabaret: An Introduction." interalia: a journal of queer studies, 2010. http://dx.doi.org/10.51897/interalia/dsyz2719.

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A lesbian cabaret would be an extraordinary phenomenon anywhere; it is all the more so in Poland, where public expressions of the LGBT movement - let alone lesbian culture - are rare. Most male and female artists who might be included in the category of LGBT culture claim to be independent and avoid identifying with the movement. By contrast, Barbie Girls Cabaret overtly defines itself as lesbian. The group mainly jokes about lesbian lives, but it also performs skits on other queer folk. Established in 2005, the group initially appeared very seldom, but it has lately been performing more regul

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Acevedo, Mariela Alejandra. "Autoras de cómics e investigadoras de historieta. Una alianza para forjar genealogías feministas en América Latina." Revista Estudios Psicosociales Latinoamericanos 3, no. 1 (2020). http://dx.doi.org/10.25054/26196077.2612.

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El artículo presenta una reflexión en torno a la forma en la que se construye el campo de los estudios de historieta y humor gráfico feminista en América Latina. La especificidad delinea fronteras y señala algunos problemas que nos proponemos recorrer. En primer lugar, la posibilidad de darle entidad a una línea de estudios al interior del campo de los estudios de lo que ampliamente reconocemos como narrativas dibujadas. Nos interesa pensar allí cómo se distinguen líneas de investigación que apuntan al análisis de contenidos sexistas en la producción de autores y autoras, a la recuperación de

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Yadav, Komal, and Dr Nipun Kalia. "LGBT Themes in Children’s Media and Literature: Mirroring the Contemporary Culture and Society." Rupkatha Journal on Interdisciplinary Studies in Humanities 14, no. 2 (2022). http://dx.doi.org/10.21659/rupkatha.v14n2.08.

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Queer theory in the context of cultural studies looks at a variety of cultural structures of the gay or lesbian as divergent, and prompts us to question the traditions in which an entire variety of sexuality has been omitted by the ‘politics of identity’, a politics that informs and polices popular cultural representations of the Queer. Moreover, it focuses on the limiting nature of identity and has primarily functioned as denaturalizing discourses. Culture is related to questions of collective social connotations, i.e., the many ways we make meaning of the ways of the world. However, meanings

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Hamley, Logan. "“My Poppa, He Was One of My Biggest Role Models: How Young Maori Men Negotiate Racism and Identity in the City”." Journal of Global Indigeneity 9, no. 3 (2025). https://doi.org/10.54760/001c.124490.

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In this article I explore how some young Māori men makes sense of Māori masculinities. In particular, I explore the complications and contradictions young Māori men negotiate within a sociocultural context shaped by colonisation, racialisation and marginality (alongside sexism, ableism and other forms of structural marginalisation). Taking a Kaupapa Māori approach, I constructed data poems as a form of pūrākau (Māori storywork) from interviews with twenty-two young Māori men between the ages of 16 and 24. These data poems, Māori men and Role models, explore young Māori men accounts of how Māor

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DeCook, Julia Rose. "Trust Me, I’m Trolling: Irony and the Alt-Right’s Political Aesthetic." M/C Journal 23, no. 3 (2020). http://dx.doi.org/10.5204/mcj.1655.

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In August 2017, a white supremacist rally marketed as “Unite the Right” was held in Charlottesville, Virginia. In participation were members of the alt-right, including neo-nazis, white nationalists, neo-confederates, and other hate groups (Atkinson). The rally swiftly erupted in violence between white supremacists and counter protestors, culminating in the death of a counter-protester named Heather Heyer, who was struck by a car driven by white supremacist James Alex Fields, and leaving dozens injured. Terry McQuliffe, the Governor of Virginia, declared a state of emergency on August 12, and

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Duncan, Pansy Kathleen. "The Uses of Hate: On Hate as a Political Category." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1194.

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I. First Brexit, then Trump: Has the past year or so ushered in a “wave” (Weisberg), a “barrage” (Desmond-Harris) or a “deluge” (Sidahmed) of that notoriously noxious affect, hate? It certainly feels that way to those of us identified with progressive social and political causes—those of us troubled, not just by Trump’s recent electoral victory, but by the far-right forces to which that victory has given voice. And yet the questions still hanging over efforts to quantify emotional or affective states leaves the claim that there has been a clear spike in hate moot (Ngai 26; Massumi 136-7; Ahmed

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Zienkiewicz, Joanna. "“The Right Can’t Meme”: Transgression and Dissimulation in the Left Unity Memeolution of PixelCanvas." M/C Journal 23, no. 3 (2020). http://dx.doi.org/10.5204/mcj.1661.

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Disclaimer: The situation on PixelCanvas is constantly changing due to raids from both sides. The figures in this article represent the state as of April 2020. In the politicized digital environment, the superiority of the alt-right’s weaponization of memes is often taken for granted. As summarized in the buzzword-phrase “the left can’t meme”, the digital engagements of self-identified leftist activists are usually seen as less effective than the ones of the right: their attempts at utilizing Internet culture described as too “politically correct” and “devoid of humour”. This supposedly “immut

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Hackett, Lisa J., and Jo Coghlan. "The History Bubble." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2752.

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Introduction Many people’s knowledge of history is gleaned through popular culture. As a result there is likely a blurring of history with myth. This is one of the criticisms of historical romance novels, which blur historical details with fictional representations. As a result of this the genre is often dismissed from serious academic scholarship. The other reason for its disregard may be that it is largely seen as women’s fiction. As ‘women’s fiction’ it is largely relegated to that of ‘low culture’ and considered to have little literary value. Yet the romance genre remains popular and lucra

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Baird, Barbara. "Before the Bride Really Wore Pink." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.584.

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Introduction For some time now there has been a strong critical framework that identifies a significant shift in the politics of homosexuality in the Anglo-oriented West over the last fifteen to twenty years. In this article I draw on this framework to describe the current moment in the Australian cultural politics of homosexuality. I focus on the issue of same-sex marriage as a key indicator of the currently emerging era. I then turn to two Australian texts about marriage that were produced in “the period before” this time, with the aim of recovering what has been partially lost from current

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