Dissertations / Theses on the topic 'Li, Bai'

Thesis (Ph. D.)--Ohio State University, 2004.
Title from first page of PDF file. Document formatted into pages; contains xiii, 146 p. : ill. Advisor: Loretta Robinson, School of Music. Includes bibliographical references (p. 132-136).

L'immortalite releve d'un systele de pensee philosophique et religieux, et constitue la preoccupation majeure de la vie de li taibo. Pour en parler, nos deux sources principales sont d'une part l'hagiographie de li taibo incluse dans le lishi zhenxian tidao tongjian, et d'autre part, des oeuvres de li taibo lui-meme avec les commentaires de wang qi. L'interet de son hagiographie ne reside pas seulement dans la vie de li taibo, mais aussi dans son "pares-vie", ainsi que dans les legendes et croyances populaires a travers lesquelles apparait la figure de li taibo. Mais evidemment c'est a partir de son oeuvre que l'on peut esperer comprendre le mieux la totalite de son etre. La reception du registre montre la volonte de li taibo d'officialiser sa croyance dans la religion taoiste et la recette de la transmutation du cinabre nous revele la croyance du poete en l'obtention de l'immortalite grace aux elixirs de longue vie. Mais ce a quoi il croit encore plus, c'est au controle de l'homme sur son propre destin
Belief in immortality, which is set within the framework of a philosophical and religious system, constitutes the major preoccupation in the life of li taibo (701-762). This study is based on two principle material sources : on the one hand, the hagiography of li taibo included in the lishi zhenxian tidao tongjian and on the other hand, li taibo's own works along with the commentaries of wang qi (1696-1774). Li taibo's hagiography is of interest to us not only because it speaks of his lifetime but for what it reveals of his "afterlife" and the popular legends and beliefs that spang up concerning him. Nevertheless it is clear that it is through his works that one can hope best to understand the totality of his being. His receiving the taoist register demonstrates li taibo's determination to put on official stamp on his beliefs in the taoist religion while the formulae for the transmutation of cinnabar reveal the poet's faith in obtaining immortality thanks to the elixirs of longevity. But what he believed in even more was man's control over his own destiny

Le caodaisme, ne en 1926 qui a ete le reve d'un monde ou se rejoindraient l'orient et l'occident a travers la sanctification de deux grands poetes : victor hugo et li tai po. La doctrine du caodaisme consiste a realiser un syncretisme religieux (les cultes traditionnels, le taoisme, le confucianisme, le bouddhisme et le christianisme). Parmi ses divinites d'origine asiatiques se trouvent egalement des figures occidentales : jesus christ, victor hugo. . . Le caodaisme est caracterise par une utilisation assez frequente des mediums comme moyen de propagation des idees. Pham cong tac, fondateur et unique dignitaire du caodaisme reussit a evoquer frequemment l'esprit victor hugo (chef spirituel de la mission etrangere de cette religion). La franc-maconnerie, la culture, la colonisation francaises et l'universalite des oeuvres de victor hugo sont des facteurs importants du choix de cet ecrivain. Entre les oeuvres de victor hugo et les messages mediumniques de l'esprit victor hugo il y a une grande difference en ce qui concerne la qualite litteraire. La sanctification de victor hugo dans le caodaisme revele les relations intimes et latentes de tous les temps entre la religion et la litterature, les deux facteurs qui ne cessent de modeler ce monde dans son evolution
The caodaism has been a dream about a world where east and west can meet each other. Founded in 1926, the caodaism has sanctified two great poets : li tai po and victor hugo. The doctrine of caodaism consists in realizing an original religious syncretism (the vietnamese traditional religions, confucianism, taoism, buddhism and christianism). Among asian divinities, one can find occidental figures as : jesus christ, victor hugo. . . The caodaism is characterized by its frequent use of mediums as a mean of religious propagation. Pham cong tac, the caodaist founder and the only one who was able to evoke successfully the spirit of victor hugo (spiritual chief of the foreign mission of this new religion. The franc-maconnerie, the influence of the french culture and the colonial domination, the universality of victor hugo's works contributed to the choice of this writer. Between victor hugo's work and the medium's messages there is a great difference in literature quality. The sanctification of victor hugo in the caodaism reveals close and latent relations existing from time immemorial between literature and religion, these two factors that shape our world in its evolution

L'optique non linéaire est au coeur de nombreuses études pour ces applications dans les lasers continus et à impulsions accordables en fréquences. Parmi les cristaux utilisés, les niobates sont largement développés pour leur stabilité structurale et leurs coefficients non linéaire élevés. Dans cette étude, nous avons synthétisé des fibres monocristallines appartenant à cette famille (Li Nb O3, Ba2 Na Nb5 O15 et Srx Ba1-x Nb2 O6) en optimisant leurs croissance grâce à deux techniques novatrices, l'une de zone flottante par chauffage laser (LHPG) au LPCML de Lyon, l'autre dite [micro]-PD à l'université Tohoku au Japon. La structure des cristaux a été caractérisée par les voies usuelles de chimie du solide et par l'utilisation de sondes structurales luminescentes, comme Yb3+. L'analyse spectroscopique de niobates dopés a permis de mesurer les potentialités laser, à l'auto-doublage de fréquences et d'entrevoir des applications du phénomène d'hystérésis de paires d'Yb3+ aux mémoires optiques

碩士
國立雲林科技大學
漢學資料整理研究所碩士班
97
Li Bai (701-762 A.D.) is the glorious age of Tang poetry renowned writer, descendant''s person most since commended he in the poetry aspect performance, he simultaneously also has opened the Tang Song the romantic literature style. Therefore, does the comprehensive research to Li Bai''s work, has the necessity. Li Bai''s important achievement mainly displays in the poetry aspect, ancient literature style and so on tax, ancient poetry, musical conservatory, modern style poetry articles, all have the magnificent achievement, but because also his life drifts about, creates the prose scatters in each place, although at that time had when spread Li Yangbing is reorganized, formed ten volumes, but all previous dynasties all had the subjunction regarding Li Bai''s prose work, also initiated many really false arguments. This present paper named "Li Bai Word Research", planned from Li Bai''s family background and the life story, the fable, the poetry anthology edition, as well as Li Bai is an official the experience, the situation which holds an office in Chang An, explained the Li Bai work the time background, and the old view appraisal which origins by the word body “the word” this literary style developing process, continues research which origins regarding Tang Shengshi, further discusses Li Bai later period namely to have the filling in word in the glorious age of Tang poetry to make the possibility, again form of skill and the connotation thought from the Li Bai word, analyzes the Li Bai 15 words, to characteristic of and the influence, the appraisal the Li Bai word, does gives a written guarantee.

碩士
淡江大學
中國文學系碩士在職專班
96
This thesis contains eleven chapters, excepting the preface and chapter one describe Li Bai’s life roughly, the rest chapters divided into eight different styles. The orders are: the third chapter is about wife and daughter. The fourth chapter is about queens and concubines, such as Xishi, Wang ZhaoJun, Yang Guifei according to chronological style. Chapter five is about beautiful women, according to the number, such as quarry lotus woman, quarry mulberry woman, wash yarn woman, adjoin woman and fairy maiden in the east. Chapter six chants the remarkable women''s poems, in accordance with the woman''s morals value and bearing for the model, such as loyal, brave, firm and forthright. The seventh chapter is about Taoist women. Chapter eight is about elegy which divided into missing, blaming and anxiety. Chapter nine is about abandoned wife, such as queens, ladies, maids in an imperial palace and common wives. Chapter ten is about prostitutes. The finally chapter is the personal understanding and reflections. Woman takes care of her children and husband, making the whole family works smoothly and maintains family harmonious, even to the whole society, she also takes a very important position. So, the writing purpose of this thesis is to make use of people’s love to Li Bai and wish to remind people to pay close attention to women, pay attention to the family, and then reach the family and happy, the purpose of the social stability.

博士
國立臺灣大學
中國文學研究所
102
The aims of my dissertation entitled “Poetics of Li-Bai in Qing Dynasty” are to discuss the poetics of Li-Bai independently outside of the traditional concept of “Li-Tu (李杜)”, and to discuss the reception, interpretation, and criticism of Li-Bai and Li-Bai’s poetics by Qing literati, and to delineate the perspective and limitation of Qing literati’s evolutionary commentaries on Li-Bai’s poetics. The dissertation contains six chapters: The first chapter “Introduction” revealed the background and aims of this dissertation and proposed the definition of the main theme of “Poetics of Li-Bai” based on reviewing the literature of previous studies. The research topic mainly focused on the annotations, anthologies, and the critics of poets (Shi-Hua, 詩話). The second chapter “The relationship between Qing Poetics and Li-Bai, and its implication in poetics” aimed to correlate the poetics of Li-Bai and the popular poetics by analyzing the development of poetics in different stages of Qing Dynasty. The early Qing literati textual critically studied Li-Bai’s poetics, and interplayed the imagery of drinking and “Yo-Xian (遊仙)”. In the mean while, Wang, Shi-Zhen (王士禎) highlighted that Li-Bai’s “Ye-Bo-Niu-Zhu-Huai-Gu (夜泊牛渚懷古)” as the paradigm of “Shen-Yun (神韻)”, which was considered as a transition point of the poetic discourses on Li-Bai. In the middle Qing Dynasty, the official publication “The annotated catalog of books in the imperial library”(四庫全書總目) seems not able to cover and represent the value of Li-Bai’s annotation collection. Whereas the mainstream poetics lead by Shen, De-Qian (沈德潛), Yuan-Mei (袁枚), and Wong, Fang-Gang (翁方綱), criticized Li-Bai’s poetry via the point of views of style of format and tonality (Ge-Diao, 格調), character and spirit (Xing-Ling, 性靈), and the structure (Ji-Li, 肌理), which enriched the intension of Li-Bai’s poetics. In the later Qing, the Li-Bai’s poetry criticism was marginalized due to the preference of Song poetry (宗宋詩潮). Qing literati, however, proposed new concepts different from traditional. Fang, Dong-Shu (方東樹) analyzed the grammar of Li-Bai’s poetics and indicated the way to study; Liu, Xi-Zai (劉熙載) proposed how to differentiate the inside and outside of Li poetics; Gong, Zi-Zhen (龔自珍) proposed that “Bing Zhuang Qu Yi Wei Xin (併莊、屈以為心)”, which highlighted the unrestrained spirit of Li-Bai. The third chapter “The interpretation and empty in Wang-Qi (王琦)’s “Li-Tai-Bai-Quan-Ji”《李太白全集》” discussed the only annotation of Li-Bai’s poetry in Qing Dynasty. I first sorted out the annotations of Li-Bai’s poetry before Qing Dynasty, and then discussed Wang-Chi’s aims, the contents of introduction and postscript, and the format of annotation when writing the annotation, which lead to the conclusion that the perspective view of Wang-Chi’s “Li-Tai-Bai-Quan-Ji”《李太白全集》was not the mainstream opinion in the period. However, he differentiated the different annotation ways: “Chan-Shi-Shi-Zhi (闡釋詩旨)” and “Shi-Shi-Wang-Yi (釋事忘意)”. He also manifested the characteristics of Li-Bai’s poetry by keeping blank without annotations. This study confirmed that there was no definitely correlation between number of annotations and the judgments. The fourth chapter “The collection and commentary of Li-Bai’s Poems in Tang poetry anthologies in Qing dynasty” discussed the classes and aims of the anthologist including the Qing emperor, literati, children and folks. The Qing emperor and literati were trying to establish the template of “Shi-Jiao(詩教)” by selection of specific poems whereas the selected Li-Bai’s poems are not the same. The emperor’s selection may reflect the condition of the strong empire, or promotion of the patriotism of the poets. In comparison with the emperor, the representative anthology by the Qing literati “Shen, De-Qian (沈德潛)” represented an poetic view with diversities and unaffected by the emperor’s power and influence. The anthologies for children mainly focus on collecting the simple and popular poetry, and avoid the political poetry, which showed the difference in style between the folks and literati. Beside, this chapter also interpreted the reason and when Li-Bai’s fourteen popular poems became popular by comparing the Qing anthologies and the anthologies before Qing Dynasty. The fifth chapter “Genres criticism of Li-Bai’s poetry in Qing Dynasty” analyzed how the Qing literati appreciated and criticized Li-Bai’s poetry and the significance in poetics. The Qing literati commented that Li-Bai’s “Gu-Shi(古詩)” explained Li-Bai’s “Gu-Feng (古風)” and the connotation of “Gu-Ti-Yue-Fu (古題樂府)”, which reflected the traditional style of Qing literati. The Qing literati commented that Li-Bai’s “Jui-Ju (絕句)” are the best in Tang Dynasty by showing that Li-Bai learned “Yue-Fu-Min-Ge (樂府民歌)” and showing the characteristic of “Yan-Jin-Yi-Bu-Jue(言盡意不絕)”. The Qing literati also approved that Li-Bai’s “Lu-Shi (律詩)” used the style of “Yi-Gu-Wei-Lu (以古為律)” and that Li-Bai’s style to express the content of the poem (Shi-Yi, 詩意) is better than using the complimentary style (Dui-Ou, 對偶). Overall, the Qing Literati provided an open view of poetics and also highlighted the position of Li-Bai as a traditional poet through the conversation with the poetics in previous dynasties. The sixth chapter “Perspective” summarized the findings of this study and proposed the three frameworks of poetic discourses on Li-Bai: textual criticism, moral principles, and esthetics. This chapter also provided some perspectives of the unaddressed issues that worthwhile for further study.

碩士
臺北市立大學
中國語文學系語文教學碩士學位班
105
Abstract In Chinese classic poetry, female writing has a very long history. Since the appearance of Poetry and Sao, many literature works have been taking female as their subject. Whether female is the writing subject or female is included into the writing contents, they cannot escape from the scope of male-centered literature. Therefore, in the poetry tradition of literary excellence featuring with using metaphor and analogy (bi and xing) to express wills, female writing becomes one of the ways that scholars express their wills, which hence generates the connection between female writing and bi-xing bailment in classic poetry. The Songs of Chu is the earliest work that takes female as the subject and reposes the poet’s personal feelings and wills by adopting metaphor and analogy (bi and xing). The poetry tradition of the bi-xing bailment -- “herb and beauty” originates from here. The female writing in Li Bai poetry is greatly affected by it. In addition, there are a lot of poems written by Li Bai imitating Yue Fu poems of Han Dynasty and Wei Dynasty, and many of which are related with female writing. Therefore, the female writing in Li Bai poetry also has the tradition of “herb and beauty” and Yue Fu poem’s feature of “creating in the sense of feelings from reality and specific incident”, which is also a specific manifestation of inheriting of the poetry tradition of literary excellence with the feature of bi-xing expressing one’s will. Based on the value judgement of “the poetry expressing one’s will”, the female writing in Li Bai poetry has the significant feature of reposing the poet’s personal feelings and wills. On one hand, it is related with the historical background and personal condition of Li Bai. On the other hand, it is necessarily concerned with his creation idea of inheriting the poetry tradition of literary excellence which uses bi-xing to express one’s will. Therefore, this thesis starts from the perspective of male-centered literature when studying the female writing in Li Bai poetry. The thesis explores the subject by classifying it into the scope of the writing tradition of Chinese literature, and analyses the historical background of the female writing in Li Bai poetry as well as types of the female writing. In addition, this thesis also discusses the situation of the female writing in Li Bai poetry from 2 aspects -- the tradition of “herb and beauty” and Yu Fu poetry, and tries to understand the values. Finally, this thesis also makes an analysis of the way of representation in the female writing in Li Bai poetry from the perspective of creating arts. It can also be learned that the female writing in Li Bai Poetry is not what the poet Wang Anshi said -- just a superficial remark of “depicting female”. As a matter of fact, the results of this research are beneficial to the better understanding of Li Bai’s bailment of his personal feelings and wills in his female writing and the reflection of practical significance. Meanwhile, this research also finds that the poet’s circumstances and the spirit of literary excellence can be read from the female writing poetry. Keyword：Li Bai, female, female writing, herb and beauty, metaphor and analogy (bi and xing) expressing wills, poetry of literary excellence, male-centered literature

碩士
國立中央大學
中國文學系
102
My thesis is divided into two major parts: First, Bai Pu’s life and its connection between the social context of the period he lived in. Having witnessed the demise of Jin Dynasty, Bai Pu was never an official during Yuan Dynasty. Instead, his lifelong dedication to poems and the joys of wine drinking demonstrate his reserved, dignified and non-worldly spirits. Then, it brings us the study of Bai Pu’s script titled Pei Shaojun and Li Qianjun. Li Qianjun was the heroine and the daughter of a prominent official. As her love-at-first-sight affairs between Pei Shaojun and Li Qianjun unfold, the script honors the idea of women’s pursuit of love and marriage as a free individual, which also discloses the impact of Chinese traditional “patriarchal society” on the men and women in that period of time. The thesis attempts to look into Bai Pu’s life experience and memories, and in turn connects his life and the script Pei Shaojun and Li Qianjun, finally examines his ideas and the time’s influence over him as a scholar. Next, based on the theories of Yuan Dynasty and Ming Dynasty, as well as the formal limits of the Yuan Dynasty form of musical comedy, the paper analyses the plot deployment. It looks into the setup of the storyline, dramatic conflicts, ending and positions of the play. When commenting on comedies, the distinguished Chinese scholar, writer and poet Wang Guowei mentioned “the integrity of storyline is of little significance”, but the script's story arrangements, structure, and effects are well orchestrated and worth discussing. Also, the previous consensus held “a comedy is inevitably prone to conflicts, and thereby leads to a happy ending.” Based on this, people labeled Pei Shaojun and Li Qianjun as a comedy. However, they overlooked the emotion-inducing qualities the script owns, which happen to be much-valued indicators of Chinese traditional musical plays. The heroine experiences a great deal of ordeals in her pursuit of love, so the fact that the thesis positions the script as a comedy is subject to discretion. Last, the thesis tries to analyze the making of characters from the viewpoints of educational sociology, sociology, and family ethics. By doing so, it lends more clarity on Bai Pu’s idea, the social context of Yuan Dynasty, and finally the values of Chinese traditional beliefs. The thesis aims to render a clearer profile of Bai Pu in the context of late Jin Dynasty and early Yuan Dynasty, and most importantly, the timeless impressions and values Bai Pu himself and his works have left to generations.

博士
國立臺灣師範大學
國文學系
104
This dissertation discusses the intertextuality between Li Bai's poems and Southern Dynasties poetry (folk-poetry and palace-style poetry) via the western intertextuality theory and misreading theory and from the viewpoint of comparative literature in order to explore the impacts of Southern Dynasties poetry on Li Bai's poems and further establish the new senses of Li Bai's poems. It probes into the systematic nourishment and inspiration of Southern Dynasties poetry to Li Bai, the unmatched superstar in Chinese poetry whose poems towered over all the other poetry in all ages and became an everlasting model for the world. The dissertation consists of seven chapters such as Introduction, Conclusion and others, respectively discussing Li Bai's Poems and Qing Shang Qu Ci, Xianghe Lyrics, New Songs from the Jade Terrace in Southern Dynasties as well as the various dimensions of the elegant poetry of Li Bai after undergoing the experience of Southern Dynasties poetry and the impact of which on Li Bai's life achievements. In the end, this dissertation summarizes a total of eight implications of Li Bai' elegant poetry. (1) The elegance of Li Bai' poems comes from his absorption of the images of geography, customs, climate and plants in Southern Dynasties poetry, which is thus closely associated with Southern Dynasties poetry. (2) Li Bai's elegant poetry is embedded in his "poems of women" and "poems expressing aspirations". In addition, he developed new means of artistic expression via "fragrant flower and beautiful woman images", contributing to a new poetry model that is different from the "fragrant flower and beautiful woman images" established since Cao Zhi. (3) The creation and construction of women images in the new poetry form of "fragrant flower and beautiful woman images" by Li Bai includes the beautiful and gorgeous elements of Southern Dynasties with both rejections and innovations which differentiates it from the old traditions. (4) The women images in poetry are also associated with the daughter of concubine and intelligent and beautiful woman and even the will of poets in Chinese Han and Wei Dynasty, which is embedded in Li Bai' poems. In particular, women images of "Li Bai-style" are developed with the combination of the aforementioned women images in Han and Wei Dynasties and the concubine and fancy women images in Southern Dynasties. (5) Li Bai's Elegant poetry is composed of the aforementioned beauty images bearing "man's aspirations in women images" and an circuitous rather than straightforward expression of will. (6) The "women images" in Li Bai's poems are all dressed smartly and represented a metaphor of men having both talent and virtue. (7) The beauty images in Li Bai's poems respectively demonstrate the romance, aspiration, statesmanship and national consciousness of Li Bai as well as his strenuous faith in official career, both of which an expression of his grand and imposing will. (8) The exploration of the elegant poetry of Li Bai in this dissertation focuses on the new senses of his poems via the intertextual comparison with the palace-style poetry Qing Shang Qu Ci, Xianghe Lyrics, New Songs from the Jade Terrace in Southern Dynasties, which represents only one of the many implications of his elegant poetry.

碩士
逢甲大學
建築與都市計畫所
91
ABSTRACT The discipline of Feng Shui, including the School of Luan Tou, the School of Li Chi, and traditional Feng Shui taboos, has much influence on Chinese concepts of space and their application. The study explores Chinese philosophy as shown in Zi Bai Fei Xing method advocated by the School of Li Chi, such as Yin Yang, Wu Xing, Ba Gua, He Luo Li Shu. Models for further application and practice are built. Based on practical use of the models, we can conclude that Feng Shui is a system that combines both theories and application. By adapting Zi Bai Fei Xing method to designing procedures, architects who are unfamiliar with Feng Shui can come across less conflicts resulted from different concepts of Feng Shui.

碩士
國立臺南藝術大學
鋼琴合作藝術研究所
105
In the performance of art songs, the piano plays an essential role, which is no less important than the vocal part. In this thesis, by studying Wut Man-chung’s Four Poems by Li Bai, written in 1976, the author attempts to find out how literary elements can be applied to the interpretation of art songs in collaborative piano. The thesis starts with the literature review on the Four Poems by Li Bai, the composer Wut Man-chung, the poet and information about the four poems. The next section consistsof the harmonic and formal analysis of each piece. Then, the findings in theprevious two sections are combined to see how poetry and music can be integrated. In the last part, the author, as a professional performer, discusses how poetry and music can be woven together to reach a perfect integration. Based on the discussion, suggestions for interpretation of the pieces are also provided, so that both theory and practice are covered in this thesis.

碩士
東吳大學
音樂學系
104
Since the May Fourth Movement in 1919, Chinese composers have attempted to find a new way for the new music in China. They created Chinese harmonic techniques in the hope of infusing into their music an ethnic atmosphere. In the meantime, they have also been pondering the following questions when learning Western composing techniques. Where Chinese music should head for? What breakthrough can there possibly be? It is exactly this mindset that determined the development of music afterwards. In the context of choral tradition and modern music composition, Wut Man-chung’s song cycle Four Poems by Li Bai (op. 17) is particularly significant in that it inherits the tradition of creating an ethnic atmosphere and on the other hand, reveals the efforts Wut made to gain new ground and find new direction for the new music in China. His work indeed shows the trajectory of the development of music in the Chinese world. This song cycle is one of the first that Wut wrote after he moved to Hong Kong. Its music matches the poems perfectly and deeply embodies the Chinese culture, thereby making the work such an exemplar of unification of music and poetry that it is still widely performed till this day. This thesis aims to analyze and explore the choral version of Wut’s Four Poems by Li Bai (op. 17). It begins by mapping out the tradition of music and poetry. Then it proceeds to a thorough analysis of how Wut creates poetic imagery through music idioms and composing techniques from the angle of the unification of music and poetry and that of music and literature. It is followed by a discussion of the researcher’s interpretation in conducting. There are five chapters in this thesis. Chapter one deals with the inheritance and development of modern-day choral music and poetry. Chapter two taps into Wut’s music idioms and Li Bai’s style in poetry. Chapter three contains an analysis of the song cycle and a discussion of the unification of music and poetry. Chapter four details how Wut’s work should be conducted. Chapter five is the conclusion of the thesis. Concert program： Te Deum (for the Empress Marie Therese) / Franz Joseph Haydn (1732-1809) Dark Night of the Soul / Ola Gjeilo(1978-) Four Poems by Li Bai (op. 17) / Wut Man-chung(1942-1992) First Suite in E flat for Military Band / Gustav Holst(1874-1934) The Hounds of Spring / Alfred Reed(1921-2005) Sovereign Variants / James Curnow(1943-) The Fairest of the Fair / John Philip Sousa (1854-1932)

張惠玲.
"二〇〇八年十一月".
"2008 nian 11 yue".
Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 97-105).
Abstracts in Chinese and English.
Zhang Huiling.
Chapter 第一章 --- 引言 --- p.1
Chapter 第一節 --- 選題意義 --- p.1
Chapter 第二節 --- 前人硏究成果 --- p.2
Chapter 第三節 --- 本文硏究範圍及方法 --- p.2
Chapter 第二章 --- 現存元明清李白戲作品敘錄 --- p.4
Chapter 第一節 --- 王伯成《李太白眨夜郎》 --- p.8
Chapter 第二節 --- 屠隆《綵毫記》 --- p.9
Chapter 第三節 --- 尤侗《清平調》 --- p.10
Chapter 第四節 --- 張韜《李翰林醉草清平調》 --- p.11
Chapter 第五節 --- 楊潮觀《賀蘭山謫仙贈帶》 --- p.12
Chapter 第六節 --- 蔣士銓《采石磯》 --- p.13
Chapter 第三章 --- 元明清李白戲中相同關目之源流及發展梳理 --- p.15
Chapter 第一節 --- 生應長庚 --- p.16
Chapter 第二節 --- 謫仙人 --- p.18
Chapter 第三節 --- 醉草〈清平調〉 --- p.24
Chapter 第四節 --- 力士脫靴 --- p.26
Chapter 第五節 --- 貴妃捧硯 --- p.28
Chapter 第六節 --- 起草「嚇蠻書」 --- p.34
Chapter 第七節 --- 賞識郭子儀 --- p.36
Chapter 第八節 --- 逝世 --- p.38
Chapter 第九節 --- 小結 --- p.39
Chapter 第四章 --- 元明清李白戲中李白形象硏究 --- p.40
Chapter 第一節 --- 李白戲中李白形象之共性分析 --- p.40
Chapter 甲、 --- 歷劫紅塵的仙人形象 --- p.40
Chapter 乙、 --- 傲岸疏狂的才子形象 --- p.42
Chapter 丙、 --- 深識遠慮的忠臣形象 --- p.46
Chapter 丁、 --- 飄然出世的隱士形象 --- p.49
Chapter 第二節 --- 李白戲中李白形象之殊性分析 --- p.52
Chapter 甲、 --- 元代李白戲 --- p.52
Chapter 乙、 --- 明代李白戲 --- p.54
Chapter 丙、 --- 清代李白戲 --- p.55
Chapter 丁、 --- 小結 --- p.62
Chapter 第五章 --- 元明清李白戲之鋪演與作家、時代之關係 --- p.64
Chapter 第一節 --- 高壓政治下的王伯成 --- p.64
Chapter 第二節 --- 自況雪冤的屠隆 --- p.66
Chapter 第三節 --- 蹭蹬場屋的尤侗 --- p.71
Chapter 第四節 --- 無限牢騷的張韜 --- p.79
Chapter 第五節 --- 以古賢自期的楊潮觀 --- p.80
Chapter 第六節 --- 以曲爲教化的蔣士銓 --- p.83
Chapter 第七節 --- 小結 --- p.88
Chapter 第六章 --- 餘論：現存唯一能演出之崑劇李白戲´ؤ´ؤ〈太白醉寫〉 --- p.91
Chapter 第七章 --- 結論 --- p.96
參考書目 --- p.97

Borate glasses and glass-nano/microcrystal composite fabrication and investigations into their physical properties, have been interesting from their multifunctionalities view point. Certain borate structural units possess high hyperpolarizabilities and give rise to high nonlinear optical effects. High refractive index materials are important for photonic applications. Heavy metal oxide (Bi2O3) containing compounds have high refractive indices. Glasses embedded with wide band-gap semiconducting oxide crystals such as TiO2 received much attention due to their easy processing, stability and promising physical properties. Though TiO2 is used as nucleating agent to fabricate glass-ceramics of various phases, crystallization of TiO2 in glass matrices is difficult and the data are scarce in the literature. Therefore it was worth attempting to find glass compositions in which one can obtain TiO2 crystallization in large volume fractions. Towards this TiO2 crystallization was accomplished in BaO-TiO2-B2O3 glass matrix over wide composition ranges by tuning the concentration of BaO-TiO2 content in B2O3 network. The physical properties of these glasses of various compositions and glass-nanocrystal composites of TiO2 phase (anatase) were investigated. Interestingly BaO-TiO2-B2O3 glasses found to be hydrophobic in nature. The results obtained in the present research work are classified into five chapters apart from the Introduction, Materials and Methods chapters. Chapter 1 constitutes preface to oxide glasses, principles of glass formation and structural criteria followed by crystallization kinetics. In addition, principles of dielectric, optical and mechanical phenomena in glasses are discussed, since the present thesis focuses on the aforesaid physical properties. This chapter concludes with scope of the present thesis. Chapter 2 includes the detailed description concerning the fabrication techniques of materials under study and various characterization methods that have been employed at various stages of the present research work. The principles and experimental tools adopted for the structural and microstructural studies of materials were illustrated. Measurement techniques and experimental setup used to study physical parameters such as dielectric, optical, mechanical etc. were elaborated. Chapter 3 comprises structural, dielectric, electrical transport characteristics and optical studies of mixed alkali borate glasses in the 0.5Li2O-0.5M2O-2B2O3 (M=Li, Na and K) system. Transparent glasses in the Li2O-2B2O3 (LBO), 0.5Li2O-0.5Na2O-2B2O3 (LNBO) and 0.5Li2O-0.5K2O-2B2O3 (LKBO) were fabricated via the conventional melt quenching technique. Amorphous and glassy nature of the samples was confirmed via the X-ray powder diffraction and the differential scanning calorimetry, respectively. LKBO glass was found to have high thermal stability than that of LBO and LNBO. The frequency and temperature dependent characteristics of the dielectric relaxation and the electrical conductivity were investigated in the 100 Hz - 10 MHz frequency range. The relaxation and conductivity were rationalized using impedance and modulus formalism. Imaginary part of the electric modulus spectra was modelled using an approximate solution of Kohlrausch-Williams-Watts relation. The stretching exponent, β, was found to be temperature independent for LNBO glasses. Activation energies for conduction and relaxation process were calculated using the Arrhenius relation. The activation energy was found to be higher (1.25eV) for LKBO glasses than that of the other glass systems under study. This is attributed to the mixed cation effect. It has wide optical transmission window and optical band gap. Urbach energies were calculated for all these glasses. LBO, LNBO and LKBO glass compositions were found to crystallize in Li2B4O7, LiNaB4O7 and LiKB4O7 phases respectively upon heat treatment at appropriate temperatures. Transparent glass-micro crystal composites of LiKB4O7 were fabricated from LKBO glasses and found to be SHG active. BaO-TiO2-B2O3 Chapter 4 delineates the evolution of nanocrystalline TiO2 phase (Anatase) in BaO-TiO2-B2O3 (BTBO) glasses. Transparent colourless glasses in the ternary system were fabricated via conventional melt-quenching technique. The glasses with certain molar concentrations of BaO and TiO2 upon heat treatment at appropriate temperatures yielded nanocrystalline phase of TiO2 associated with the crystallite size in the 5-15 nm range. Nanocrystallized glasses exhibited high refractive index (no=2.15) at λ=543nm. These glasses were found to be hydrophobic in nature associated with the contact angle of 90o. These high index glass nanocrystal composites would be of potential interest for optical device applications. Crystallization kinetics of anatase phase in BTBO glasses were studied using non-isothermal Differential Scanning Calorimetry (DSC) at three different heating rates (10, 20 & 30 K/min). Scanning Electron Microscopy (SEM) carried out on heat treated (at 920 K) glasses confirmed bulk nucleation and three-dimensional growth. Johnson-Mehl-Avrami model could not be applied for this system suggesting considerable overlap of the nucleation and growth involving complex transformation process. However, modified Kissinger and Ozawa models were used to calculate the effective activation energy associated with anatase crystallization. The kinetic exponent n was found to be temperature dependent indicating the change in the crystallization mechanism. This is attributed to the high entropy fusion of anatase phase, fast crystallization rate and nano dimension of the anatase phase. Chapter 5 illustrates structural changes that occur in the x(BaO-TiO2)-B2O3 (x=0.25, 0.5, 0.75 &1 mol.) system on increasing the x apart from the details concerning some physical property correlations. Thermal stability and glass forming ability as determined by Differential Thermal Analysis (DTA) were found to increase with increasing BaO-TiO2 (BT) content. However, there was no noticeable change in the glass transition temperature (Tg). This was attributed to the active participation of TiO2 in the network formation especially at higher BT contents via the conversion of the TiO6 structural units into TiO4 units which increased the connectivity and resulted in an increase in crystallization temperature. Dielectric and optical properties at room temperature were studied for all the glasses under investigation. Interestingly, these glasses were found to be hydrophobic. The results obtained were correlated with different structural units present in the glass and their connectivity. These glasses exhibited low loss (tan δ≈0.002), frequency (10 kHz- 10 MHz) and temperature independent (or very weak temperature response) flat-dielectric response. Crossover temperature was encountered between flat response and Jonscher’s universal response. The cross-over temperature and cross-over energy barrier from flat dielectric response to Jonscher’s response was deduced for all the glasses in the present investigation. Electric modulus formalism was invoked to rationalize the relaxation phenomena. The observed dielectric response and conduction process in these glasses were attributed to the local vibration and switching of non-bridging oxygen ions in their potential cage and hopping over distributed energy barriers above the crossover temperature. Chapter 6 depicts the dielectric and mechanical properties of glasses embedded with TiO2 nanocrystals. BaO-TiO2-B2O3 glasses on subjecting to appropriate heat treatment temperature yielded TiO2 nano crystalline anatase phase. NMR studies carried out on the as-quenched glasses facilitated the estimation of fraction of tetrahedral and trigonal borate units. Poisson’s ratio and Young’s modulus were evaluated through theoretical expressions proposed by Makishima and Mackenzie. Nano-indentation and micro-indentation studies were carried out on the as-quenched glasses and glass-nanocrystal composites to examine mechanical characteristics. Estimated and indentation Young’s modulus of glasses were found to be in reasonable agreement. Hardness and Young’s modulus increased with increasing fraction of nano crystallites whereas fracture toughness was found to depend strongly on surface conditions. The results were corroborated by the structural units and particulates present in these glasses. Dielectric constant increased with increasing volume fraction of the nanocrystals which was rationalized via mixture rule. Chapter 7 describes the dielectric properties, electrical conduction and electric relaxation phenomena in 2Bi2O3-B2O3 (BBO) glasses followed by thier linear and nonlinear optical characteristics. Glasses in BBO system were obtained via melt-quenching technique. X-ray diffraction and differential scanning calorimetry were used to study the structural characteristics. Dielectric studies carried out on these glasses revealed near constant loss (NCL) response in the 1 kHz to 1 MHz frequency range at moderately high temperatures (300-450 K) accompanied by relatively low loss (tan δ=0.006, at 1 kHz & 300 K) and high dielectric constant (ε' =37, at 1 kHz & 300 K). The variation in AC conductivity with temperature at different frequencies showed a cross over from NCL response characterized by local ion vibration within the potential well to universal Jonscher’s power law dependence triggered by ion hopping between potential wells or cages. Thermal activation energy for single potential well was found to be 0.48±0.05 eV from cross over points. Ionic conduction and relaxation processes were rationalized by modulus formalism. The promising dielectric properties (relatively high ε' and low tan δ) of the BBO glasses were attributed to high density (93 % of its crystalline counterpart), high polarizability and low mobility associated with heavy metal cations, Bi3+. Optical band gap obtained for BBO glasses was found to be 2.6 eV. The refractive index measured for these glasses was 2.25±0.05 at λ=543 nm. Nonlinear refraction and absorption studies were carried out on BBO glasses using z-scan technique at λ=532 nm of 10 ns pulse width. The nonlinear refractive index obtained was n2=12.1x10-14 cm2/W and two-photon absorption coefficient was β=15.2 cm/GW. The n2 and β values of the BBO glasses were higher than that reported for high index bismuth based oxide glass systems in the literature. These were attributed to the high density, high linear refractive index, low band gap and two-photon absorption associated with these glasses. The electronic origin of large nonlinearities was discussed based on bond-orbital theory. Thesis ends with summary and conclusions followed by prospective views, though each chapter comprises conclusions associated with complete list of references. Patent, publications and conference proceedings that are listed below are largely based on the studies conducted as a part of the research work reported in the present thesis.