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Relevant bibliographies by topics / Libby Larsen

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Academic literature on the topic 'Libby Larsen'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Libby Larsen"

1

Rausch, Robin. "Libby Larsen: Composing an American Life by Denise Von Glahn." Notes 75, no. 4 (2019): 665–67. http://dx.doi.org/10.1353/not.2019.0041.

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Epstein, Nomi. "Libby Larsen: Composing an American Life by Denise Von Glahn." Women and Music: A Journal of Gender and Culture 23, no. 1 (2019): 217–21. http://dx.doi.org/10.1353/wam.2019.0014.

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3

Von Glahn, Denise. "Music, Place, and the Everyday Sacred: Libby Larsen and Lessons in Environmental Awareness." Contemporary Music Review 35, no. 3 (2016): 296–317. http://dx.doi.org/10.1080/07494467.2016.1239386.

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4

Von Glahn, Denise Ruth. "Sounds Real and Imagined:." European Journal of Musicology 18, no. 1 (2020): 99–110. http://dx.doi.org/10.5450/ejm.18.1.2019.99.

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In a career spanning more than four decades, American composer Libby Larsen has turned to the natural world for inspiration on dozens of occasions: her piece Up Where the Air Gets Thin is just one of the results. Unlike many of her nature-based works which provide primarily aesthetic responses to the sights, sounds, feel, and smells of the natural environment, this 1985 duet for contrabass and cello comments on the limits of non-verbal communication and the impact of climate change. It is simultaneously reflective and didactic. “Sounds Real and Imagined” considers the ways Larsen marshals mini

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5

Schwartz, Elliott, Donald Crockett, Stephen Hartke, Rand Steiger, and Libby Larsen. "Fur Wolfgang Amadeus von Donald Crockett, Stephen Hartke, Libby Larsen, Rand Steiger, Los Angeles Chamber Orchestra." American Music 17, no. 1 (1999): 117. http://dx.doi.org/10.2307/3052376.

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6

Murph, Megan. "Libby Larsen: Composing an American Life. By Denise Von Glahn. Urbana: University of Illinois Press, 2017." Journal of the Society for American Music 14, no. 2 (2020): 236–38. http://dx.doi.org/10.1017/s1752196320000097.

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7

Strand and Larsen. "A Socratic Dialogue with Libby Larsen on Music, Musical Experience in American Culture, and Music Education." Philosophy of Music Education Review 19, no. 1 (2011): 52. http://dx.doi.org/10.2979/philmusieducrevi.19.1.52.

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8

Murph, Megan. "Libby Larsen: Composing an American Life. By Denise Von Glahn. Urbana: University of Illinois Press, 2017.—CORRIGENDUM." Journal of the Society for American Music 14, no. 4 (2020): 527. http://dx.doi.org/10.1017/s1752196320000413.

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9

"European Premieres by Libby Larsen and Kenji Bunch." College Music Symposium 55 (2015). http://dx.doi.org/10.18177/sym.2015.55.ca.11094.

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10

"Black Birds, Red Hills: A Portrait of Six Paintings of Georgia O’Keefe by Libby Larsen (b. 1950)." College Music Symposium 56 (2016). http://dx.doi.org/10.18177/sym.2016.56.ca.11194.

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Dissertations / Theses on the topic "Libby Larsen"

1

Cook, Alicia. "The Evolving Style of Libby Larsen." Digital Commons @ Butler University, 1996. http://digitalcommons.butler.edu/grtheses/8/.

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2

Buys, Brenda Willer, and Brenda Willer Buys. "The Bassoon Music of Libby Larsen." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625881.

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Libby Larsen has written three pieces for the bassoon as a featured solo instrument. These pieces are Jazz Variations for Solo Bassoon (1977), Concert Piece for Bassoon and Piano (2008) and full moon in the city (2013). This document examines the origin, style, and form of these works to provide performers further information. Highlighted is Larsen's use of American vernacular elements in the pieces. American vernacular in this document refers to the use of influences derived from American culture, music, and language.

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3

Williams, Laura M. "Libby Larsen's Seven Ghosts: A Stylistic and Gestural Analysis." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1335442135.

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4

Moorhouse, Linda R. "A study of the wind band writing of two contemporary composers : Libby Larsen and Frank Ticheli /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11278.

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5

Thompson, Joshua Ketring. "Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1093.

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Libby Larsen's Concerto for Trumpet and Orchestra was commissioned by Daniel Culver and the Quad City Youth Orchestra, in celebration of its 30th anniversary. It was written in 1987 and premiered on May 8, 1988. Daniel Culver conducted the Quad City Youth Orchestra and David Greenhoe was the trumpet soloist. Despite Libby Larsen's ongoing success as a composer, the premiere performance is the only time the concerto has been performed and it has since remained virtually-unknown to the public. This project serves as a way in which to reintroduce Libby Larsen's Trumpet Concerto to the trumpet, or

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6

HOLLAND, ANYA B. "BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1122913675.

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7

Domenica, Mary Alice. "The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/380.

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The focus of this essay is a discussion of Libby Larsen's relationship with American vernacular musical expression in her piano chamber music works. This essay examines three works that are representative of the wide range of influences in her piano chamber music: Holy Roller for Alto Saxophone and Piano; Barn Dances for Flute, Clarinet, and Piano; and Trio for Piano and Strings for Violin, Cello, and Piano. They are inspired, respectively, by three different genres of American music: gospel, Western square dance, and jazz. In so doing, this essay discusses Larsen's use of musical quotations,

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8

Tingle, Morgan G. "“The Last Words of a King’s Wife”: an exploration of the characters of the wives of King Henry VIII of England through the Art song of Libby Larsen." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/354.

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The intention of this thesis is to describe the process of putting together a performance of a lecture recital on the song cycle Try Me, Good King: Last words of the wives of Henry VIII by modern composer Libby Larsen, and to conduct an in depth exploration of the characters of the first five wives of King Henry VIII of England. Each wife’s character will be investigated in relation to their roles in this song cycle which draws its’ text from the final words of these five women. Each wife’s character will be investigated from three perspectives, that of history, that of Libby Larsen, my own pe

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9

Luczak, Jessica. "A survey of tragic love in vocal repertoire for the lyric soprano." Kansas State University, 2013. http://hdl.handle.net/2097/15676.

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Master of Music<br>Department of Music<br>Patricia Thompson<br>This report contains biographical, historical, and analytical commentary on the following composers and their pieces for soprano voice: Henry Purcell and The Blessed Virgin's Expostulation; Franz Schubert and Gesänge aus Wilhelm Meister, Op. 62, D. 877; Jacques Offenbach and Les oiseaux dans la charmille, from Les Contes d'Hoffmann; Libby Larsen and Try Me, Good King: Last Words of the Wives of Henry VIII; Charles Gounod and Ah! Je veux vivre, from Roméo et Juliette. These selections, unified by the theme of tragedy in various form

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Scangas, Alexis. "Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537.

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Books on the topic "Libby Larsen"

1

Hatcher, Robin Lee. Loving Libby. Zondervan, 2005.

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Lyda, Hope. Life, Libby, and the pursuit of happiness. Thorndike Press, 2007.

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Lyda, Hope. Life, Libby, and the pursuit of happiness. Harvest House Publishers, 2007.

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4

Tucker, Kerry. Still waters. Chivers Press, 1992.

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5

Still waters: A novel of suspense. HarperCollins, 1991.

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6

Kerry, Tucker. Still waters: A novel ofsuspense. HarperCollins, 1991.

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7

A catered wedding: A mystery with recipes. Wheeler Pub., 2005.

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A catered wedding: A mystery with recipes. Kensington Books, 2004.

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A Catered Halloween. Kensington Publishing Corp., 2009.

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A catered Halloween: A mystery with recipes. Kensington, 2008.

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Book chapters on the topic "Libby Larsen"

1

"LIBBY LARSEN (B. 1950)." In The Courage of Composers and the Tyranny of Taste. Boydell & Brewer, 2017. http://dx.doi.org/10.2307/j.ctvc16nd6.23.

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Ravenscroft, Brenda. "Libby Larsen, Chanting to Paradise (1997)." In Analytical Essays on Music by Women Composers: Concert Music from 1960-2000. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780190236861.003.0008.

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3

Manning, Jane. "LIBBY LARSEN (b. 1950)Songs From Letters: Calamity Jane to Her Daughter Janey, 1880–1902 (1989)." In Vocal Repertoire for the Twenty-First Century, Volume 1. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0045.

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This chapter studies Libby Larsen’s work. It shows that her forthright, accessible style is flexible enough to allow for a sensitive response to words, and a close identification with the subject matter. Her wide musical tastes are reflected clearly here and she is notably responsive to the inherent rhythms of American pronunciation. Moreover, this chapter shows how ‘Jane’ in Larsen’s songs was caricatured and sentimentalized in popular culture, and how historical facts were distorted. The composer’s programme note informs us that ‘Martha Jane Canary Hickock’ (her real name) wrote these letters to her daughter Janey during the time when the child had been sent to live in a ‘normal’ environment. ‘Calamity’ raised the money to support her by taking on often humiliating and dangerous work in the brutal, uncompromising Wild West.

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Conference papers on the topic "Libby Larsen"

1

Askarany, Davood, and Malcolm Smith. "The Relationship between Technological Innovation Activity Based Costing and Business Size." In 2003 Informing Science + IT Education Conference. Informing Science Institute, 2003. http://dx.doi.org/10.28945/2673.

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Size is one of the most controversial influencing factors in the diffusion literature. Some authors argue that large firms have several advantages over smaller firms in the adoption of an innovation (Brown 1981), while others argue that diffusion of innovation in small firms is quicker than in large firms because of the advantages associated with small size (Acs & Audretsh, 1988; Julien, 1993; Lefebvre & Le-febvre, 1993; Riding, 1993). However, the controversy on the impact of size on diffusion of innovation has been further complicated by the mixed results of the studies investigating

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2

Lee, C. Y., and R. S. Cant. "CFD Investigation of Hydrodynamic and Acoustic Instabilities of Bluff-Body Stabilized Turbulent Premixed Flames." In ASME Turbo Expo 2014: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gt2014-25507.

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Combustion instabilities in propulsion systems are often manifested through high amplitude pressure oscillations that can severely compromise performance and even lead to mechanical failure. Such instability arises from the development of large-scale coherent structures and their breakdown into fine scale turbulence that can alter the flame structure and affect turbulent mixing. When in phase with the pressure, the modulated heat release rate fluctuations can drive the system to the point where it reaches a limit cycle. Using high fidelity CFD, the present investigation describes the occurrenc

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