Relevant bibliographies by topics / Liberated sexuality

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Liberated sexuality'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Liberated sexuality"

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Juárez, Ana María, and Stella Beatriz Kerl. "What Is the Right (White) Way to Be Sexual?" Aztlán: A Journal of Chicano Studies 28, no. 1 (2003): 7–38. http://dx.doi.org/10.1525/azt.2003.28.1.7.

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Dominant representations of Latinas in popular and scholarly literature narrowly portray Latina sexual practices. Latina sexuality is often dichotomized: we are categorized either as traditional and sexually repressed, or as acculturated and sexually liberated. These interpretations reflect ethnocentric and essentialized understandings of both Latina/o culture and human sexuality. Many authors assume that modern white sexuality has progressively become more liberated and is the healthy, right way to be sexual. Even some of the arguments and analyses of Chicanas/os and Latinas/os normalize assu
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Omeragić, Merima. "EVA’S LIBERATED BODY IN BISERA ALIKADIĆ’S NOVELS: LARVA AND KRUG." Folia linguistica et litteraria XIII, no. 45 (2023): 335–50. http://dx.doi.org/10.31902/fll.45.2023.19.

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This work of Bisera Alikadić, the first author of the novel that tackles taboo topic of body and corporeity, scrutinizes dimension of body and corporeity. Novels Larva [The Larva] (1974) and Krug [The Circle] (1983) introduce intriguing and specific theme of liberation of woman’s body and censorship on sexuality into Muslim (now it is Bosniak) literature, as early as seventies of 20. century. Owing to this type of writing, B. Alikadić was met with a negative reception and was criticized in terms of mainstream national literature. Namely, her position of female author is defined by shifting bet
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Scott, Virginia. "The Actress and Utopian Theatre Reform in Eighteenth-Century France: Riccoboni, Rousseau, and Restif." Theatre Research International 27, no. 1 (2002): 18–27. http://dx.doi.org/10.1017/s0307883302001025.

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Three eighteenth-century writers, the actor Luigi Riccoboni, the philosophe Jean-Jacques Rousseau, and the printer-pornographer Nicolas Restif de la Bretonne, wrote antitheatrical or reform treatises identifying women as a significant source of ‘mortal poison’ in the theatre. Although Rousseau saw no way to purify or redeem the stage, the others proposed various bizarre reforms that would reduce or control the power of predatory female sexuality to seduce male audience members. These treatises reveal the depth of eighteenth-century misogyny during the so-called ‘reign of women’. Powerful women
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Blauciak, Emma Mary. "Liberated Sexualities?: The Conflation of Power and Sexuality in the Postfeminist Discourse." Film Matters 7, no. 1 (2016): 12–18. http://dx.doi.org/10.1386/fm.7.1.12_1.

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Boué-Widawsky, Rachel. "Perversion, Sublimation, and Ethic." American Imago 80, no. 4 (2023): 753–75. http://dx.doi.org/10.1353/aim.2023.a918109.

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Abstract: This article focuses on the notion of perversion in early sexual life, coined by Freud as a polymorphous perversity, in offering a rereading of the three prefaces to Three Essays on the Theory of Sexuality . From there I comment on Lacan's study of Sade in order to highlight the tragic melancholia that underlies perversion, using sexual drives to compensate for the lack and the loss of objectal satisfaction. The study of the psychosexual dynamic of perversion leads us to the key role of sublimation as the reverse of perversion. This review of the notion of perversion, as an agieren o
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Soleha binti Mohd Noor, Nurul, and Arbaayah Ali Termizi. "Analysing Resistance of Stereotyped Sexuality via ‘Gender Performance’ in The Silk Fan and Under the Blanket." International Journal of Applied Linguistics and English Literature 6, no. 3 (2017): 219. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.3p.219.

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Existing studies had shown that gender stereotyping is still evident in contemporary Malaysian English literature particularly in novels. By using the concepts of ‘gender performance’ and ‘performativity’ introduced by Judith Butler’s Gender Trouble (1990), the current study aims to prove that there is an act of resistance among the new generations/contemporary Malaysian writers against the gender norms placed on sexuality. These writers resisted the norms by performing “gender trouble” through the construction of their characters’ gender identity. Two short stories are selected from 25 Malays
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Ratinen, Teemu. "The Normalizing Power of the Therapeutic God." Religion and Gender 9, no. 1 (2019): 50–69. http://dx.doi.org/10.1163/18785417-00901003.

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Abstract This article analyses autobiographical letters on (perceived) shameful sexuality and religiosity written by Finnish Lutheran women. It examines how the affect of shame constructs gendered, sexualized and religious subjectivity and agency as an effect of normalizing power within an individual’s relationship with God. The psychologization process of late 20th century Western culture works as a framework for the discussion. The article argues that the modern psychoreligious ethos, within which the Christian God is understood as an all-loving being, restructures subjectivity and agency in
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Krämer, Peter. "The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany‘s and Hollywood." Film Studies 5, no. 1 (2004): 58–65. http://dx.doi.org/10.7227/fs.5.5.

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This essay examines some of the literary and biographical models Truman Capote drew on in the creation of Holly Golightly, the heroine of his 1958 novella Breakfast at Tiffany‘s. Making use of Paramount studio records, the essay also explores the complex process of adapting the story to the big screen. Numerous changes were made so as to transform Capotes story into a romantic comedy, and thus to contain Holly‘s liberated sexuality while also erasing any doubts about the male protagonists heterosexuality. Casting Hepburn as the female lead helped to neutralize Holly‘s sexual transgressiveness,
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Pratiwi, Titis. "Woman as A Dirty Machine: A Question Of Objectification On E.E. Cummings." Paradigma, Jurnal Kajian Budaya 5, no. 2 (2016): 235. http://dx.doi.org/10.17510/paradigma.v5i2.57.

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<p>The pervasiveness of female objectification in the treatment of women by men has been called out as a manifestation of gender hierarchy and domination. This research analyzed the figurative languages used in E.E. Cummings’ poem first she like a piece of ill-oiled to identify his treatment of women seen through the illustration of the persona’s actions, thoughts and feelings. Dynamics of the personas’ sexual relationships are then identified to analyze how aspects of objectification appear in the relation between men and women. In order to reinforce the notion of objectification, dehum
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Cáceres, Carlos F., and Jorge I. Cortiñas. "Fantasy Island: An Ethnography of Alcohol and Gender Roles in a Latino Gay Bar." Journal of Drug Issues 26, no. 1 (1996): 245–60. http://dx.doi.org/10.1177/002204269602600113.

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Marginalities around gender/sexuality, ethnicity, migration status, and alcohol use tend to coalesce and construct hidden populations which develop their own subcultures. Social science is becoming increasingly aware of the need to better understand the norms and meanings constituting such subcultures, particularly in the era of AIDS and other health risks, if more effective social programs are to be implemented. We report on a qualitative study on the roles of gender and alcohol use in a Latino gay bar with transvestites in a large urban area of the United States. Participant observation and
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Dissertations / Theses on the topic "Liberated sexuality"

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Browne, Arianna. "The Ill-Treatment of Their Countrywoman: Liberated African Women, Violence, and Power in Tortola, 1807-1834." DigitalCommons@CalPoly, 2021. https://digitalcommons.calpoly.edu/theses/2307.

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In 1807, Parliament passed an Act to abolish the slave trade, leading to the Royal Navy’s campaign of policing international waters and seizing ships suspected of illegal trading. As the Royal Navy captured slave ships as prizes of war and condemned enslaved Africans to Vice-Admiralty courts, formerly enslaved Africans became “captured negroes” or “liberated Africans,” making the subjects in the British colonies. This work, which takes a microhistorical approach to investigate the everyday experiences of liberated Africans in Tortola during the early nineteenth century, focuses on the violent
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FARRIS, MANUELA. "Effetti di un sistema intrauterino liberante levororgestrel (lgn-ius) sui caratteri del ciclo mestruale, la qualità della vita e la sessualità." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2008. http://hdl.handle.net/2108/614.

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Scopo: Scopo dello studio è stato di valutare l’azione di un dispositivo intrauterino liberante levonorgestrel (LNG-IUS) sui caratteri del ciclo mestruale, la qualità della vita e la sessualità Materiali e metodi: Per lo studio sono state arruolate, presso il Servizio Speciale di Pianificazione Familiare del Dipartimento di Ginecologica dell'Università "La Sapienza" di Roma, 128 donne, volontarie, tra i 26 e 49 anni (media 38,5), che richiedevano contraccezione intrauterina e soddisfacevano i criteri di inclusione nello studio. Al momento del reclutamento, queste donne, sono state seguite sec
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Books on the topic "Liberated sexuality"

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Beckerman, Marty. Generation S.L.U.T. (sexually liberated urban teens): A brutal feel-up session with today's sex-crazed adolescent populace. Pocket Books, 2004.

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Brzuzy, Stephanie, Stephanie Brzuzy, Amy Lind, and Amy Lind, eds. Battleground: Women, Gender, and Sexuality. Greenwood, 2007. http://dx.doi.org/10.5040/9798400616945.

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Whether in the home or in the public arenas of media, work, sports, politics, art or religion, women often become embroiled as subjects in the political, social, and cultural debates in America. People on all areas of the political landscape see women in diverse and conflicting ways—as either too liberated or not liberated enough, or whether and how gender and sexual roles are rooted in either biology or culture.Battleground: Women, Gender, and Sexualityhelps readers navigate contemporary issues and debates pertaining to women's lives in the United States and globally. This work examines how s
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Davies, Carole Boyce. Connecting Stories. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038020.003.0008.

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This chapter presents the author's reflections on issues of sexuality in the Caribbean context. It also provides some extended family history. She says that growing up with what she saw as an already sexually liberated mother in a time before the sexual revolution of the 1960s and 1970s is something that she cherishes. For the first nine or ten years of her life, she was blissfully nurtured, loved, cared for in an extended family situation in Trinidad, but one in which her mother was always her center. Then, as she entered adolescence, she began to get a sense that there also existed a bourgeo
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Ingleheart, Jennifer. Sex, Latin, and Scholarship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819677.003.0004.

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This chapter analyses A. E. Housman’s Praefanda, a parallel for Bainbrigge’s subversive, witty, and allusive Latin. Sexuality and scholarship cannot be separated; this chapter deconstructs the popular stereotype of the divided Housman, whose romantic poetry touched on homoerotic desires, but who focused his scholarly energies on austere topics. Housman’s Latin demonstrates complex intertextuality with classical literature and neo-Latin writings on sex, and it teases his readers about his knowledge of sex and sexuality, and how that knowledge was gained; like Bainbrigge, he suggests that sexual
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Beyond Sexuality Feminism Mens Liberatio. A K Press Distribution, 1994.

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Linke, Uli. Gendering Europe, Europeanizing Gender: The Politics of Difference in a Global Era. Edited by Dan Stone. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.013.0011.

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When attempting to understand the cultural politics of gender in Europe after 1945, some readers will undoubtedly anticipate answers to the following question: To what extent have the impact of the Cold War, the rise of feminism, the supposedly sexually liberated 1960s, the emergence of ‘post-feminism’, and the putative ‘crisis of masculinity’ changed attitudes towards gender and sexuality, and impacted on gender-related legislation? This article examines the cultural politics of gender at the juncture of globalisation, securitisation, and Europeanisation, and explores how Europeans have ‘fash
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Callander, Denton, Panteá Farvid, Amir Baradaran, and Thomas A. Vance, eds. Sexual Racism and Social Justice. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197605509.001.0001.

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Abstract Sexuality and racism are central aspects of our lives and societies. While each on its own can be contentious and confusing, the reality is that they are inextricably and profoundly linked. To understand one, you must consider the other, or as the writer James Baldwin famously declared, “the sexual question and the racial question have always been entwined.” The link between racism and sexuality is encapsulated in the expression “sexual racism,” which is about way more than just sex, dating, and marriage. Indeed, sexual racism speaks to the very foundations of our societies and the id
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Sandusky, Meta Q. Getting Off: A Memoir of a Sexually Liberated Woman. Createspace Independent Publishing Platform, 2018.

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Hedenborg White, Manon. The Eloquent Blood. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190065027.001.0001.

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The study analyzes constructions of femininity and feminine sexuality in interpretations of the goddess Babalon, a central deity in the British occultist Aleister Crowley’s (1875–1947) religion Thelema. Babalon is based on Crowley’s positive reinterpretation of the biblical Whore of Babylon and symbolizes liberated female sexuality and the spiritual modality of passionate union with existence. Analyzing historical and contemporary written sources, qualitative interviews, and ethnographic fieldwork in the Anglo-American esoteric milieu, the study traces interpretations of Babalon from the works
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Stevens, Angelina. Four Female Sex Addicts or Four Sexually Liberated Women...You Decide. CreateSpace Independent Publishing Platform, 2012.

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Book chapters on the topic "Liberated sexuality"

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Goknur, Sinan. "A Seductive Intrigue of Sexuality?" In Porno-Graphics and Porno-Tactics. punctum books, 2016. https://doi.org/10.21983/p3.0141.1.05.

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While most critiques of – as well as support for – explicit sexuality are framed in terms of morality, exploitation, and misogyny vs. empowerment, agency and sexual liberation, Baudrillard’s polemi-cal twist invites us to reconsider the matter from a different angle. In his article “Dust Breeding,” he frames explicit sexuality (e.g., live sex events, porn, etc.) as yet another manifestation of our col-lective urge to demystify life into a banal reality.1 He disregards the possibility of liberation through acts that hasten sexuality into integral reality, when the very essence of power lies in
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Philpott, Anne, and Arushi Singh. "Good sex liberates." In Routledge Handbook of Sexuality, Gender, Health and Rights, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003278405-54.

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Hedenborg White, Manon. "Inhabiting the Uninhibited." In The Eloquent Blood. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190065027.003.0010.

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This chapter analyzes how feminine sexuality is articulated in the contemporary Babalon discourse. The idea that female sexuality has been repressed, and that women are in need of sexual liberation, is a recurring trope in the source material. Babalon is frequently conceptualized as a sexually liberated woman. She is also associated with sexual modalities outside of the sexual norm (e.g., sex work, BDSM, and nonmonogamy). My interviewees critique expectations of female sexual availability resulting from notions of Babalon as a “sex goddess,” and they emphasize the right to decline unwanted sex
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Hale, C. Jacob. "Tracing a Ghostly Memory in My Throat: Refl ections on Ftm Feminist Voice and Agency." In “You’ve Changed”. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195385717.003.0004.

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Abstract It is from all those who have abandoned the traditional conception of sexual morality that the transsexuals differ. Unlike militant homophiles, enlightened therapists and liberated women, transsexuals endorse such traditional values as heterosexuality, domestic roles for women, the double standard of sexual morality, the traditional division of tasks and responsibilities, and the discreditation of deviant sexuality. Unlike various liberated groups, transsexuals are reactionary, moving back toward the core-culture rather than away from it. They are the Uncle Toms of the sexual revoluti
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Weinstock, Jeffrey Andrew. "American Vampires." In American Gothic Culture. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401616.003.0012.

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This chapter charts the American vampire narrative through four stages: 1) a ‘pre-history’ of its American origins; 2) the legacy of Bram Stoker’s Dracula (1897) in early twentieth-century American literary and cinematic adaptations; 3) the proliferation of vampire narratives via their increasing celebration of the vampire as hero liberated from social convention and embodying post-Watergate scepticism of authority; and 4) twenty-first-century representations whose ironic humanization of the vampire contest hegemonic structures of race, gender, and sexuality.
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Ensminger, David A. "Gary Floyd." In Roots Punk. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496848413.003.0004.

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This chapter focuses on profiling Gary Floyd on the Dicks, an inveterate performer who first started in the loud, crude, politically fiery band the Dicks. As an “out” gay performer known to appear in drag, he also wore communist insignias and threw objects at raucous audiences. Floyd became a symbol of both left-wing views and liberated sexuality. Later, his band Sister Double Happiness wrote the first AIDs-themed rock’n’roll song and harboured a mix of Southern twang, soaring alternative rock, and rustic style.
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Torrance, Isabelle. "Trojan Women and Irish Sexual Politics, 1920–2015." In Classics and Irish Politics, 1916-2016. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0013.

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This chapter traces representations of the status of women in Ireland through three twentieth-century productions based on the Trojan Women of Euripides. As a tragedy about the brutalities of colonialism, the play was immediately topical when it was produced by the Dublin Drama League in 1920, with Maud Gonne in the starring role as Hecuba. The play’s reception, however, underlined women’s lack of political agency, as did Brendan Kennelly’s Trojan Women (1993) and Marina Carr’s Hecuba (2015). Kennelly’s Trojan women are inspired by suffering Irish women from rural villages, but his Hecuba repr
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Kiene, Tony. "Welcome to the Dawn." In The Purple One. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496853882.003.0007.

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This chapter explores Prince's profound impact on Black popular culture as a critique and resistance to dominant societal norms, focusing on race, sexuality, and spirituality. It highlights how Prince's “Minneapolis Sound” fuses diverse genres, challenging cultural and racial binaries while cultivating a counter-hegemonic cultural identity. Key themes include his opposition to violence and racism, his liberated sexual philosophy, and his vision of societal transformation through music. The chapter also examines Prince's navigation of spiritual and political evolution during a contentious perio
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Gordon, Robert. "That Special Relationship." In The Oxford Handbook of the Global Stage Musical. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190909734.013.14.

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Abstract The essay traces the development of a ‘special relationship’ between Britain and the United States between 1945 and 1982 in cultural terms by examining the career and reception of the three female American musical theatre stars who achieved the highest profile in the United Kingdom—Dolores Gray, Mary Martin, and Elaine Stritch. Their performances were imbricated within changing postwar understandings of femininity, typifying for British audiences the modernity that the United States had come to represent. Their comparatively liberated assertion of ‘naturalness’ in speech and behaviour
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Crunden, Robert M. "New Orleans." In American Salons. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195065695.003.0006.

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Abstract In every way, New Orleans was different from the other cities which incubated American modernism. Its heritage was cosmopolitan but predominantly French; it was Roman Catholic in religion; it was sexually liberated; it was proud of the arts and cultivated them. Of the arts available, music predominated: Philadelphia could have poetry, Chicago the novel, and Baltimore criticism; in New Orleans, people danced, sang, and played. Drawing inspiration from all over the South and Southwest, from St. Louis and Kansas City as well as the smallest Mississippi hamlets, New Orleans put it all tog
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