Relevant bibliographies by topics / Liberté de satire

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Liberté de satire'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Liberté de satire"

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Joubert, Lucie. "La gloire de Cassiodore : une affaire de genres*." Dossier 28, no. 2 (2003): 86–97. http://dx.doi.org/10.7202/006598ar.

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Résumé La gloire de Cassiodore se lit volontiers comme une satire du milieu collégial. Cependant, le roman invite à revoir les caractéristiques de la satire traditionnelle et à mesurer la liberté que LaRue a prise par rapport à ces mêmes caractéristiques. Une des rares oeuvres signées par une femme à s’inscrire résolument dans le courant satirique, le roman autorise donc à soulever la question de la responsabilité de la satiriste, à circonscrire le rôle du lecteur dans un tel contexte et à évoquer les enjeux du féminin que soulève inévitablement une écriture de femme devant une forme universel
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Giavarini, Laurence. "La « liberté satyrique » et la « liberté françoise ». Politiques de la satire dans le Satyricon de Jean Barclay (1603-1628)." Albineana, Cahiers d'Aubigné 29, no. 1 (2017): 109–30. http://dx.doi.org/10.3406/albin.2017.1583.

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Saulnier-Cassia, Emmanuelle. "La haine du théâtre par le droit versus la haine du droit par le théâtre." Les Cahiers de droit 58, no. 1-2 (2017): 241–78. http://dx.doi.org/10.7202/1039838ar.

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Les relations entre le droit et l’art théâtral sont complexes et chargées de défiance réciproques qui peuvent se changer en haine et produire un antithéâtre et un antidroit. La haine du théâtre par le droit se manifeste par une censure de la liberté d’expression du premier par le second, qui menace cet art quels que soient l’époque et le lieu considérés, contraignant les auteurs à justifier et parfois à expurger leurs textes, le plus souvent pour des raisons de moralité ou des provocations sur des questions religieuses. La haine du droit par le théâtre s’illustre par une satire féroce du monde
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Chateigner, Frédéric. "Passard (Cédric), Ramond (Denis), dir. – De quoi se moque-t-on ? Satire et liberté d’expression. – Paris, CNRS Éditions, 2021. 400 p." Revue française de science politique Vol. 72, no. 4 (2023): 663–64. http://dx.doi.org/10.3917/rfsp.724.0663.

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Pajares, Eterio. "Censura y traducción." Babel. Revue internationale de la traduction / International Journal of Translation 52, no. 1 (2006): 17–38. http://dx.doi.org/10.1075/babel.52.1.02paj.

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Abstract Britain’s involvement in the War of the Spanish Succession was such a heavy burden for this country that many essays were written against prolonging the struggle. To this, John Arbuthnot (this satire was wrongly attributed to Swift for many years) contributed with The History of John Bull, a collection of fine satirical pamphlets designed to put and end to the campaign, and advocating a return to peace and common sense. It was soon translated into French and, from this language, Juan Ignacio de Ayestaran tried to produce a Spanish version. However, this version was not authorised by t
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Winter, Aaron McLean. "The Laughing Doves of 1812 and the Satiric Endowment of Antiwar Rhetoric in the United States." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1562–81. http://dx.doi.org/10.1632/pmla.2009.124.5.1562.

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Antiwar activists in the United States have often made recourse to satire in order to rebut claims that their dissent is sententious and effeminate. Federalist opponents of the War of 1812 used the genre to posit, moreover, that they alone could manage the military and economic crisis that resulted from a disastrous second war against Great Britain. But satire, in an era of incipient nationalism, was problematically associated with British snobbery. I argue that wartime periodicals show Federalist satire pulling in diverging directions. Projects like Alexander Hanson's Federal Republican are r
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Piet, Remi. "Satire and Religious Tolerance: How Acceptance/Rejection of Satire is Determined by the Capacity of Religious and Political Forces to Agree on a Modern Civic Contract." International Journal of Public Theology 10, no. 3 (2016): 302–23. http://dx.doi.org/10.1163/15697320-12341453.

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The January 2015 assassination at the Charlie Hebdo offices and the dozen ensuing terrorist attacks in France over the last eighteen months are the manifestation of a structural opposition between a civic identity whose most controversial manifestation is political satire and a religious identity hijacked by radicals. This paper explains how political satire is deeply entrenched in French culture and how it has been used as a democratization and liberating tool by a society eager to counterbalance the existing religious establishment. Similarly, it then addresses satire in the Muslim world and
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Thompson, E. "Revel with a Cause: Liberal Satire in Postwar America." Journal of American History 94, no. 1 (2007): 351. http://dx.doi.org/10.2307/25094934.

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McCosham, Anthony. "Revel with a Cause: Liberal Satire in Postwar America." Journal of Popular Culture 40, no. 3 (2007): 568–70. http://dx.doi.org/10.1111/j.1540-5931.2007.00416.x.

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Heneks, Grace. "“We cool?”: Satirizing Whiteness in Obama-Era Black Satire." Studies in American Humor 8, no. 2 (2022): 275–96. http://dx.doi.org/10.5325/studamerhumor.8.2.0275.

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ABSTRACT This article explores Obama-era whiteness by examining two television shows of the period: Comedy Central’s Key & Peele (2012–15) and ABC’s Black-ish (2014–22). Focusing my analysis on the sketch “Apologies” from Key & Peele and select scenes from two Black-ish episodes, I analyze the relationship between whiteness and postraciality as well as the consequences this relationship has on Black subjectivity today. I argue that in the postracial era, liberal white people have remained complicit in white supremacy through a fear of being labeled racist. Both shows suggest that overt
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Dissertations / Theses on the topic "Liberté de satire"

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Berardi, Marco. "La liberté de satire en matière religieuse : Etude historique et comparative des droits français, anglais, italien, espagnol et grec." Electronic Thesis or Diss., Toulon, 2025. http://www.theses.fr/2025TOUL0176.

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L’expression satirique antireligieuse ou anticléricale constitue-t-elle l’objet d’une liberté reconnue par les démocraties européennes ? Les États permettent-ils aux satiristes de se moquer de la religion, de ses dogmes et de ses institutions ? À travers une analyse historique et comparative des droits français, anglais, italien, espagnol et grec, cette thèse a l’objectif de montrer dans quelle mesure ces pays reconnaissent ce que nous avons qualifié de « liberté de satire en matière religieuse ». Nous montrerons que cette liberté a été, tout d’abord, la marque d’une « exception française » né
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Hromadova-Quint, Céline. "Les romans de Françoise Sagan : sincérité et faux-semblants." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030094.

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Cette thèse est consacrée aux romans de Françoise Sagan portant sur leur rapport à l’illusion et aux faux-semblants. Notre travail consiste d’abord à situer l’écrivaine dans son époque, celle de l’après-guerre, à travers les notions d’engagement, d’absurde ou de mélancolie. L’auteure anticipe ou accompagne l’évolution des mentalités et des mœurs en reconsidérant la place de la femme dans la société et en militant pour plus de liberté. Dans un second temps, la monographie fait porter l’analyse sur la dimension sentimentale des romans de Sagan. La représentation d’un amour désenchanté est souten
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Diallo, Fatoumata Diaraye. "Ethos satirique, ethos militant dans le journal guinéen "Le Lynx"." Besançon, 2011. http://www.theses.fr/2011BESA1019.

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The proclamation of the independence of Guinea on October 2, 1958 reasserted the domination of the Democratie Party of Guinea (DPG) on all other social and political structures. This forced march towards a totalitarian state had as consequences the control of the media for propagandist ends to ensure the hegemon y of the ruling party. In the aftermath of Sékou Touré's death in 1 984, freedom of expression proclaimed by the Military Committee of National Recovery (MCNR) became effective onl y after the promulgation of the law on communication on December 23, 1991. Lt is within this context that
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Ramsey, Reed. "Affect and Political Satire: How Political TV Satire Implicates Internal Political Efficacy and Political Participation." Scholarly Commons, 2018. https://scholarlycommons.pacific.edu/uop_etds/3134.

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Research has shown that political satire programs offer both important information about contemporary politics and offer very humorous, entertaining content. This study seeks to understand how these satire programs bolster both internal political efficacy and political participation. 400 college students at two Northern California universities participated in this research. The study found that affinity for political humor can predict levels of internal political efficacy. Exposure to liberal satire was negatively correlated with affinity for political humor and political participation, and ex
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Thompson, Martha. "George Canning, Liberal Toryism, and Counterrevolutionary Satire in the Anti-Jacobin." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3714.

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One of the most defining moments in the histories of British satire and the public sphere took place in the late 1790s in an abandoned house in Piccadilly. Here George Canning and several fellow conservatives began writing and circulating their weekly newspaper the Anti-Jacobin. Although the periodical has been critically neglected, it is a valuable model for exploring how literary (partisan) politicians attempted to form a rational and critical public sphere through their satiric poetry. Founded by George Canning and edited by William Gifford, the Anti-Jacobin seems to reflect a reactionary c
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Beard, Morgan. "La Satire Politique et la Liberte de la Presse au 19e Siecle (Political Satire and Freedom of the Press in 19th Century France)." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556290778710013.

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Toulhoat, Mélanie. "Rire sous la dictature, rire de la dictature. L'humour graphique dans la presse indépendante ˸ une arme de résistance sous le régime militaire brésilien (1964-1982)." Electronic Thesis or Diss., Paris 3, 2019. http://www.theses.fr/2019PA030007.

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Cette thèse porte sur le rôle politique de diverses formes d’humour graphique – la charge, la caricature, la bande dessinée, la gravure et le détournement d’image photographique – publiées dans la presse indépendante, sous le régime militaire brésilien instauré à la suite du coup d’État du 31 mars 1964. Il s’agit d’analyser les styles, les mécanismes et les pratiques contestataires spécifiques au dessin d’humour et à l’image satirique à partir de l’institutionnalisation du pouvoir autoritaire et jusqu’à la réinvention des moyens d’expression indépendants au début des années 1980. Dans un conte
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Whybrew, Linda Christine. "The Relationship between Horace's Sermones and Epistulae Book 1: "Are the Letters of Horace Satires?"." Thesis, University of Canterbury. Classics and Linguistics, 2006. http://hdl.handle.net/10092/945.

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"Are the Letters of Horace Satires?" (Hendrickson 1897: 313). In response to this question, this thesis investigates whether Horace's Sermones and Epistulae 1 all belong to the genre of satura. Ancient and modern evidence from the use of the terms Sermones, Epistulae, and satura, is surveyed, and is found to be inconclusive, but not to preclude Epist. 1 as satura. The nature of specifically Horatian satura is ascertained from the text of Serm. 1, especially Serm. 1.1 and the explicitly literary Serm. 1.4 and 1.10. The redefinition of Lucilian satura, and its political implications are also con
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Karlsson, Rickard. "Svensk-franska förhandlingar : Bland sprätthökar och franska flugor i svenskt 1700-tal." Doctoral thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-9888.

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Den här avhandlingen tar till syfte att närmare förklara hur det i svensk 1700-talslitteratur vanligt förekommande satiriska porträtterandet av en landsman som har låtit sig påverkas av fransk kultur, i seder, språk och mode, på sådant sätt att han har blivit en ”sprätthök”, utgör en kritik av det franska kulturinflytandet. Avhandlingen visar också hur det kritiska förhållningssättet till det franska kulturinflytandet, som kanaliseras i beskrivningarna av sprätthöksfigurens förfranskade later, är inbegripet i diskurser om nationell tillhörighet, kultur, moral och språk. Det åberopade källmater
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Snyman, Magrieta Salome. "The small-town novel in South African English literature (1910-1948)." Thesis, 2010. http://hdl.handle.net/2263/28480.

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This study aims to examine a group of South African novels that have received very little critical attention. Part of the problem is that these works have never been grouped or assessed as belonging to a sub-genre, the South African small-town novel. Although individual texts have been treated to cursory commentary, the joint impact and significance of these works with regard to South African literature in English have never been properly assessed. It is suggested that clustering the works together as small-town novels of the Union period raises important issues and provides valuable insights
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Books on the topic "Liberté de satire"

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Mumcu, Uğur. Liberal çiftlik. Tekin Yayınevi, 1985.

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Justman, Stewart. The springs of liberty: The satiric tradition and freedom of speech. Northwestern University Press, 1999.

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Moore, Michael (director). Tous aux abris! Boréal, 2004.

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Moore, Michael (director). Dude, where's my country? Warner Books, 2003.

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Moore, Michael (director). Dude, where's my country? Allen Lane, 2003.

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Moore, Michael (director). Gde moi Ła strana, chuvak?: Amerika, kotorui Łu my poteri Łali. AST, 2004.

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Moore, Michael (director). Dude, Where's My Country? Grand Central Publishing, 2003.

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Moore, Michael (director). Tous aux abris! Boréal, 2004.

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Bradbury, Ray. Fahrenheit 451: And Related Readings. McDougal Littell, 1998.

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De quoi se moque-t-on ? Satire et liberté d'expression. CNRS EDITIONS, 2021.

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Book chapters on the topic "Liberté de satire"

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Vignodelli, Giacomo. "Satire et critique allusive dans l’Europe post-carolingienne." In Liberté de parole. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.bhcma-eb.5.131531.

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Mantoan, Lindsey. "Ideologically Liberal and Formally Conservative: Satire, News, and Truthiness." In War as Performance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94367-1_5.

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Hale, Meredith McNeill. "Conclusion." In The Birth of Modern Political Satire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198836261.003.0007.

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This concluding chapter focuses on the question of circulation and impact: to what extent did De Hooghe’s satires travel beyond The Netherlands in the seventeenth century and what influence did they have on English political satire of the eighteenth century? The appearance of motifs from De Hooghe’s satires in mezzotints of c.1690 and prints on the subject of the South Sea Bubble of 1720 will be discussed as will instances in which De Hooghe’s satires were reissued in the eighteenth century. However, a comparison of this handful of examples with the liberal use of De Hooghe’s triumphal allegor
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Duggan, Anne E. "Chapitre III. Liberté artistique et satire grotesque. Bohèmes et bourgeois dans Le Joueur de flûte." In Enchantements désenchantés. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.74813.

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Brooks, John. "SAtirizing Satire Itself." In Greater Atlanta. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496850553.003.0004.

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At first glance, satire seems well-equipped to critique and to mitigate the structures of white supremacy that Atlanta chronicles. The “normative” view of satire articulated by Northrop Frye, however, sees satirists as instruments of liberalism’s optimistic teleology, meaning they can influence Western civilization’s social contract only by defending its liberal ideals; ergo, they cannot critique the racial contract that upholds that selfsame social contract. Atlanta instead subverts the status quo by satirically troubling naturalized ideas about equality, progress, and civilization. It attack
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Oberhelman, Steven, and David Armstrong. "Satire as Poetry and the Impossibility of Metathesis in Horace’s Satires." In Philodemus And Poetry. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195088151.003.0012.

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Abstract So Horace’s comments are nearly always interpreted. But such a reading is valid only if the present text, and with it sections of the second literary satire that conclude the book, Satire 10, are taken at the surface layer of textuality. And one must be wary of accepting Horace’s words at face value.5 A close scrutiny is warranted in a poet whose “sense of irony and ambiguity”6 permeates his work, especially the satires; who was sensitive to the placement of words and their sounds as they affect textuality; who, most importantly, structured his poem, the hexameters and odes alike, int
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Morgan, Llewelyn. "Satires." In Horace: A Very Short Introduction. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/actrade/9780192849649.003.0002.

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Abstract This chapter tackles the two books of satires published by Horace in 36/35 and 30 bce. It explains the nature of ancient satire, introducing the iconic Roman figure of C. Lucilius, an embodiment of Roman republican values, libertas (freedom, freedom of speech) especially. In both books Horace is keen to relate his own poetry to Lucilius’, and this tells us a lot about his and Rome’s circumstances in the 30 bce and how he wanted to present Augustus’ activities at this point. The style of verse of satire is also investigated, its artfully scruffy versification and vocabulary and its emp
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"Between Liberal Satire and Socialist Roots." In The Radical Isaac. SUNY Press, 2023. http://dx.doi.org/10.1515/9781438492346-008.

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"Between Liberal Satire and Socialist Roots:." In The Radical Isaac. State University of New York Press, 2023. http://dx.doi.org/10.2307/jj.18252273.10.

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Young, Dannagal Goldthwaite. "Playing against Type." In Irony and Outrage. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913083.003.0010.

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Chapter 10 considers what it looks like when liberals and conservatives play against type—when liberals attempt to create outrage programming and conservatives attempt to create satire. It summarizes the story of the liberal “outrage” radio network Air America and the short-lived Fox News satire show The 1/2 Hour News Hour, illustrating the ways in which each failed to deliver on some of the central defining features of the genre it was intended to fit. The chapter argues that these failings stem from unique psychologies of the left and the right that make it challenging for the left to create
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Conference papers on the topic "Liberté de satire"

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Correard, Nicolas. "¿Lazarillo Libertin? Sobre la primera recepción en Europa del Norte: traducciones e inspiraciones anticlericales." In Simposio internacional El Lazarillo y sus continuadores: Facultad de Ciencias de la Educación, 10 y 11 de octubre de 2019, Universidade da Coruña: [Actas]. Servicio de Publicaciones. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497497657.29.

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It has often been argued that the picaresque genre derived from the Lazarillo castigado, if not from the Guzmán de Alfarache, more than from the original Lazarillo. Such an assumption neglects the fact that the first French and English translations did rely on the 1554 text, whose influence, conveyed by the 1555 sequel also translated in French in 1598, did last until the early 17th century. Probably designed in an Erasmian circle, the anticlerical satire, enhanced by provoking allusions to certain catholic dogmas, did not pass unnoticed: the marginal comments of the translations, for instance
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