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De Benedetta, Gabriella, and Silvia D’Ovidio. "Mamma uovo: libro illustrato e cartoon.Nuovi strumenti per parlare di cancro ai bambini." PSICOBIETTIVO, no. 3 (December 2020): 88–103. http://dx.doi.org/10.3280/psob2020-003006.
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Turchi, Roberta. "Illustrazioni per La Trilogia della villeggiatura." Quaderni d'italianistica 36, no. 1 (January 27, 2016): 173–92. http://dx.doi.org/10.33137/q.i..v36i1.26278.
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Nel Settecento, Venezia continuò a ricoprire un posto di assoluto rilievo anche nella tradizione del libro illustrato. Con le vignette delle edizioni Pasquali e Zatta, Pietro Antonio Novelli fu uno dei primi acuti interpreti del teatro di Carlo Goldoni. Soprattutto con le illustrazioni della Zatta il pittore ci ha tramandato immagini legate all’evento teatrale. Nel contributo si prendono in esame quelle relative alla Trilogia della villeggiatura, cui guardò anche Giorgio Strehler per le regie del capolavoro goldoniano.
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Mecacci, Luciano. "Eros dell'impossibile di Etkind e la storiografia sulla psicoanalisi russa." PSICOTERAPIA E SCIENZE UMANE, no. 2 (June 2021): 269–74. http://dx.doi.org/10.3280/pu2021-002006.
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Una svolta nella ricerca sulla storia della psicoanalisi in Russia fu rappresentata dal libro di Alek-sandr Etkind Eros dell'impossibile, pubblicato in russo nel 1993, presto tradotto in varie lingue, e rivisto nel 2016 (versione sulla quale è stata condotta la traduzione italiana, apparsa nel 2020). A differenza degli studi precedenti, Etkind ebbe accesso agli archivi sovietici che erano stati aperti agli studiosi alla fine degli anni 1980 e poté così ricostruire il contesto sociale e politico che, prima e dopo la Rivoluzione bolscevica, aveva favorito lo sviluppo della psicoanalisi in Russia fino alla fine degli anni 1920. Nel libro era ampiamente illustrato il rapporto stretto tra la psicoanalisi e la cultura letteraria e filosofica in Russia nei primi due decenni del Novecento, un tema che era stato trascurato dagli studi occidentali, circoscritti alla storia della diffusione della psicoanalisi essen-zialmente dal punto di vista teorico.
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TOSCANO, ANNA. "BIANCASTELLA ANTONINO, GIUSEPPE OLMI, MARIA GIOIA TAVONI (eds.), Il libro illustrato a Bologna nel Settecento. Bologna: Dipartimento di Italianistica, 2007. 263 pp., ISBN assente." Nuncius 23, no. 2 (January 1, 2008): 411–13. http://dx.doi.org/10.1163/221058708x00863.
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Dondi, Cristina, and Matilde Malaspina. "L'ecosistema digitale del CERL per lo studio del libro antico a stampa: dal progetto 15cBOOKTRADE a oggi." DigItalia 17, no. 1 (June 2022): 134–56. http://dx.doi.org/10.36181/digitalia-00044.
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Nel corso dei cinque anni del suo svolgimento, il progetto 15cBOOKTRADE, finanziato con un Consolidator Grant dello European Research Council (2014-2019) ha favorito il consolidamento e l’espansione di una serie di strumenti digitali e di una ampia rete di collaborazione tra individui, istituzioni e progetti di ricerca incentrati sull’utilizzo degli incunaboli, e più in generale del libro antico a stampa, come fonte storica. Dopo la conclusione ufficiale progetto, il lavoro dei membri e della rete di studiosi e bibliotecari costituita durante i cinque anni della durata del finanziamento è continuato. Singoli ricercatori o gruppi di ricerca hanno orientato le proprie indagini verso categorie ben precise di libri antichi a stampa: edizioni di testi di diritto, di materia medica, edizioni illustrate, collezioni di alcuni possessori antichi, biblioteche monastiche, censimenti illustrati, e così via. Vari tra questi progetti hanno esteso il limite cronologico dell’interesse di ricerca oltre il dicembre 1500, assottigliando la convenzionale distinzione tra incunaboli e post-incunaboli. Di fatto però, la metodologia per tutte queste nuove strade di ricerca resta basata sull’utilizzo delle informazioni di provenienza come dati storici; sull’integrazione di fonti bibliografiche e documentarie allo scopo di arricchire ulteriormente il dato materiale; sulla creazione di collaborazioni internazionali di ampio respiro che consentano di raccogliere dati che difficilmente sarebbero accessibili altrimenti (specialmente in questi anni difficili di pandemia); infine, sull’utilizzo di strumenti digitali efficaci per facilitare la raccolta dei dati e l’accesso agli stessi. Il presente contributo fornisce una panoramica sullo stato attuale di questi progetti e propone una serie di riflessioni sui benefici e sulle sfide connessi alla creazione di un ecosistema digitale per lo studio del libro antico a stampa, una necessità di recente condivisa anche dall’ICCU, quale soluzione intelligente e sostenibile.
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Sotto Mayor, Gabriela. "As folhas de rostro nos livros ilustrados de literatura infantojuvenil: uma proposta tipológica." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 25 (January 10, 2016): 335. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2016251120.
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Os paratextos no contexto do livro ilustrado de literatura infantojuvenil (LIJ) são, muitas vezes, meramente decorativos, ao contrário do que se espera desses elementos no livro-álbum. No entanto, exemplos há em que excedem com frequência essa função e assumem papéis importantes no sistema de comunicação. Cada vez mais se verifica, mesmo no livro ilustrado, a utilização destes elementos (como as capas/contracapas, guardas, páginas de rosto) para além do simples embelezamento, fruto da contribuição consciente do ilustrador. Assim, na esteira de que todas as partes do livro merecem especial dedicação, o foco de atenção deste artigo é a folha de rosto, elemento paratextual que ainda não tinha sido examinado em profundidade sob o ponto de vista gráfico nem merecera estudos aprofundando a sua importância comunicativa. Como parte integrante de um estudo mais abrangente, este artigo, de carácter qualitativo, toma como corpus os livros de literatura infantojuvenil que, entre 2000 e 2009, inclusive, receberam o prémio máximo, menções especiais e recomendações no Prémio Nacional de Ilustração. As folhas de rosto confirmaram-se como veículos semânticos, avançando informações relacionadas com a caracterização das personagens, com o esclarecimento da temática ou com a antecipação do desenvolvimento narrativo, entre outras. Paratexts in the context of children’s and young adult literature (CYAL) are often purely decorative, however, in the world of picturebooks it is increasingly common to introduce illustrated elements, which often contribute to the visual narrative and thus a reader’s construction of meaning. It's increasingly more frequent, even in an illustrated book to see paratexts (such as the covers / back covers, endpapers, title pages) being used beyond simple beautification, as a conscious result of the illustrator contribution.Recognizing that all parts of an illustrated book deserve special dedication, the focus of this article is the title page, paratextual element that had not been examined in depth in a graphical point of view or deserved studies deepening their communicative importance. As part of a broader study, this article shares results from the qualitative analysis of a corpus containing books distinguished with the highest prize, special mentions and recommendations from the jury of the Portuguese National Illustration Prize, between 2000 and 2009.Title pages were confirmed as semantic vehicles, advancing information related to characters' features, with the clarification of the theme or the anticipation of narrative development, among others.
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Casonato, Camilla. "Territori illustrati: il disegno dello spazio urbano nei libri per l'infanzia." TERRITORIO, no. 85 (September 2018): 162–64. http://dx.doi.org/10.3280/tr2018-085019.
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Burden, Amy. "Lipstick on pigs: Critical discourse and image analysis of non-humans in U.S. children’s ESL textbooks." EuroAmerican Journal of Applied Linguistics and Languages 8, no. 1 (March 31, 2021): 52–74. http://dx.doi.org/10.21283/2376905x.13.218.
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EN Gender equality in language learning has received considerable attention in research on classroom policy and materials. Within studies of materials like language learning texts, most research focuses on content analyses of character roles and images, with sometimes purposeful exclusion of non-human characters. However, non-humans in children’s picture books comprise almost 60% of the characters children read. Therefore, their representations of gender, including biases, overt sexism, and covert sexism should be examined. In this study, I examine gendering of non-human characters using corpus linguistics and critical discourse analysis. Additionally, I use critical image analysis to discuss pictorial gendering of non-human characters within 12 textbooks in two of the United States’ most widely used textbook series for language learning in elementary schools. Results indicate a strong preference for aggressive and adventurous male characters, male supremacist ideologies, and the suppression of female agency. Key words: CORPUS LINGUISTICS, CRITICAL DISCOURSE ANALYSIS, TEXTBOOK ANALYSIS, GENDER AND LANGUAGE, ENGLISH AS A SECOND LANGUAGE (ESL), CRITICAL IMAGE ANALYSIS ES La igualdad de género en el aprendizaje de idiomas ha recibido una atención considerable en la investigación sobre la política y los materiales en el aula. Dentro de los estudios sobre materiales como los textos para el aprendizaje de idiomas, la mayoría de las investigaciones se centran en el análisis del contenido de los roles y las imágenes de los personajes, con una exclusión de los personajes no humanos. Sin embargo, los personajes no humanos de los libros ilustrados para niños representan casi el 60% de los personajes que leen los niños. Por lo tanto, deben examinarse sus representaciones de género, incluyendo los prejuicios, el sexismo manifiesto y el sexismo encubierto. En este estudio, examino la representación de género de los personajes no humanos utilizando la lingüística de corpus y el análisis crítico del discurso. Además, utilizo el análisis crítico de la imagen para analizar el género pictórico de los personajes no humanos en 12 libros de texto de dos de las series de libros de texto más utilizados en Estados Unidos para el aprendizaje de idiomas en las escuelas primarias. Los resultados indican una fuerte preferencia por personajes masculinos agresivos y aventureros, ideologías de supremacía masculina y la supresión de la agencia femenina. Palabras clave: LINGÜÍSTICA DE CORPUS, ANÁLISIS CRÍTICO DEL DISCURSO, ANÁLISIS DE LIBROS DE TEXTO, GÉNERO E LINGUAJE, INGLÉS COMO SEGUNDA LENGUA (ESL), ANÁLISIS CRÍTICO DE LA IMAGEN IT L’uguaglianza di genere nell'apprendimento delle lingue ha ricevuto una notevole attenzione nella ricerca sulle norme di comportamento nelle classi così come nei materiali didattici. All'interno degli studi su materiali didattici come i testi per l'apprendimento delle lingue, la maggior parte della ricerca si concentra sull'analisi del contenuto dei ruoli e delle immagini dei personaggi con l'esclusione, a volte intenzionale, di personaggi non umani. Tuttavia, i non umani nei libri illustrati per bambini costituiscono quasi il 60% dei personaggi. Pertanto, dovrebbero essere esaminate le loro rappresentazioni di genere, inclusi pregiudizi, sessismo palese e sessismo nascosto. In questo studio si esamina la sessuazione di personaggi non umani usando la linguistica dei corpora e l’analisi critica del discorso. Inoltre, viene utilizzata l'analisi critica delle immagini per discutere la sessuazione di personaggi non umani all'interno di 12 libri in due delle serie di libri di testo più utilizzate negli Stati Uniti per l'apprendimento delle lingue nelle scuole elementari. I risultati indicano una forte preferenza per personaggi maschili aggressivi e avventurosi, ideologie suprematiste maschili e soppressione dell'agire femminile. Parole chiave: LINGUISTICA DEI CORPORA, ANALISI CRITICA DEL DISCORSO, ANALISI DEI LIBRI DI TESTO, GENERE E LINGUAGGIO, INGLESE COME SECONDA LINGUA, ANALISI CRITICA DELLE IMMAGINI
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Tavares, Márcia. "ESTRATÉGIA INFERENCIAL PARA LER O LIVRO ILUSTRADO." Revista Graphos 21, no. 1 (July 4, 2019): 176–96. http://dx.doi.org/10.22478/ufpb.1516-1536.2019v21n1.46554.
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De maneira geral a leitura de imagens no livro ilustrado ainda está relacionada à primazia da palavra e aos modos de ler em um conjunto de interdependências entre o texto escrito e as imagens. Para verificar a construção de sentidos advinda dessa relação, apresentamos a análise do livro Lá e aqui (2015), de Carolyna Moreyra, ilustrado por Odilon Moraes. Destacamos, a partir do espaço gráfico e narrativo, uma proposta de leitura permeada pelo uso das estratégias centradas em inferências, e ainda verificamos quais elementos plásticos estão dispostos no projeto gráfico e na composição do diálogo entre texto e imagem. Esses aspectos foram explorados seguindo as diretrizes de Oliveira (2008), que delimita uma primeira leitura estrutural como porta de entrada metodológica para a leitura de imagens. Para o estudo da aplicação das estratégias de inferência, tomamos Girotto e Souza (2011) e utilizamos os pressupostos inseridos na prática de leitura das palavras e na transposição de conceitos para a leitura das ilustrações do livro infantil.
Palavras-chave: Livro ilustrado. Estratégias de leitura. Inferência. Odilon Moraes.
INFERENTIAL STRATEGY TO READ ILLUSTRATED BOOKS
Abstract: Generally, reading images in illustrated books is still related to the primacy of the word and to the ways of reading in a set of interdependencies between the written text and the images. To verify the construction of meanings derived from this relation, an analysis of Carolyna Moreyra's book, Lá e aqui (2015), illustrated by Odilon Moraes, was carried out. From the graphic and narrative spaces, a reading proposal, which includes the use of strategies focused on inferences, was made. Plastic elements which are arranged in the graphic design and the composition of the dialogue between text and image were also checked. These aspects were considered through the guidelines of Oliveira (2008), which sets a first structural reading as the methodological starting point to read images. Girotto and Souza (2011) was the basis for the study of the application of inference; assumptions inserted in the practice of reading words and in the transposition of concepts to read children's book illustrations were also used.
Keywords: Illustrated book. Reading strategies. Inference. Odilon Moraes.
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VIDAURE ARENAS, Carmen V. "LA CÁMARA SANGRIENTA: TRANSTEXTUALIDAD Y TRANSMEDIALIDAD EN EL LIBRO ILUSTRADO." Signa: Revista de la Asociación Española de Semiótica 29 (April 8, 2020): 875. http://dx.doi.org/10.5944/signa.vol29.2020.23521.
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Resumen: Analizamos La cámara sangrienta (2017) de AngelaCarter, ilustrada por Alejandra Acosta, a partir de aportaciones sobre latranstextualidad (Genette, 1989), las narrativas transmedia (Jenkins, 2003;Long, 2007; Scolari, 2013) y los volúmenes integrados (Brecia y Romano,2006). Buscamos dar prioridad al estudio de las variadas dinámicasintersemióticas, destacar la importancia de la contextualización y lascompetencias culturales de los receptores en los procesos de interpretación.El análisis de las ilustraciones permite observar la forma en que ponenen crisis su caracterización como elementos accesorios y destacar que elconcepto de traducción intersemiótica resulta inexacto para describir losfenómenos que se verifican en las obras ilustrada analizada. Abstract: We analyze The Bloody Chamber by Angela Carter, illustratedby Alejandra Acosta, from some contributions on transtextuality (Genette,1989), transmedia narratives (Jenkins, 2003; Long, 2007; Scolari, 2013)and integrated volumes (Brecia y Romano, 2006). We seek to givepriority to the study of the various intersemiotic dynamics, highlightingthe importance of contextualization and the cultural competencies of thereceivers. The analysis of the illustrations allows us to observe the wayin which they come to put in crisis their characterization as accessory elements or disconnected from the semiotic processes and to emphasize that the translation concept intersemiotic is inaccurate to describe some of the phenomena in the illustrated work.
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Malainho, Eva, Fernando Jorge Simões Correia, and Cristiana Vieira. "Iconografia Selecta da Flora Portuguesa – A ilustração científica no dealbar do séc. XX e o seu contributo na divulgação da botânica." História da Ciência e Ensino: construindo interfaces 20 (December 29, 2019): 497–511. http://dx.doi.org/10.23925/178-2911.2019v20espp497-511.
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Resumo A obra “Iconografia Selecta da Flora Portuguesa”, de Gonçalo Sampaio (botânico) e Sara Cabral Ferreira (ilustradora), foi editada pela primeira vez em 1949. Contendo cento e cinquenta estampas de espécies da flora portuguesa, este livro destacou-se na literatura botânica nacional, embora fosse uma edição póstuma e incompleta. Os seus desenhos originais, realizados em técnica monotonal (tinta-da-china), integram atualmente a coleção de ilustração científica do Museu de História Natural e da Ciência da Universidade do Porto (MHNC-UP). Uma vez que nenhum texto, além do prefácio e dos nomes científicos das plantas, acompanha as imagens no livro, as razões que sustentaram a seleção das espécies a ilustrar, assim como a sua relevância botânica, permaneceram desconhecidas. Neste artigo, tentamos reconstruir a história desta iconografia, com base na análise de documentos epistolares e manuscritos. Focamo-nos também na importância da ilustração científica e no seu uso como ferramenta para a representação visual de espécies botânicas e para a comunicação de ciência. Assim, analisamos a metodologia empregue, quer na tipologia do arquétipo, quer na técnica de execução, bem como as eventuais restrições que conduziram a essas opções. Ao analisar estas ilustrações botânicas da primeira metade do séc. XX, procurou-se ainda explorar a pertinência destas iconografias em estudos botânicos anteriores e contemporâneos, bem como o seu potencial enquanto instrumentos de difusão de ciência. Palavras-chave: Ilustração Científica; Flora Portuguesa; História da Botânica. Abstract The book “Iconografia Selecta da Flora Portuguesa”, by Gonçalo Sampaio (botanist) and Sara Cabral Ferreira (illustrator), was first published in 1949. Containing one hundred and fifty prints of Portuguese flora species, this book stood out in the national botanical literature, although it was a posthumous and incomplete edition. The original book drawings, made in a monotonic technique, are part of the scientific illustration collection of the Museum of Natural History and Science of the University of Porto (MHNC- UP). Since no text, besides preface and the scientific names of the plants, accompanies the images in the book, the reasons which supported the selection of the species to be illustrated, as well as their botanical relevance, remained unknown. In this article, we attempted to reconstruct the history of this iconography, based on the analysis of epistolary documents and manuscripts. We also focus on the importance of scientific illustration and on its usage as a tool for the visual representation of botanical species and for science communication. Therefore, we analyzed the methodology used both in the typology of the archetype as in the execution techniques, as well as the restrictions that led to those options. By analyzing these botanical drawings of the first half of the twentieth century, it was also sought to explore the relevance of these iconographies in earlier and modern botanical studies, as well as their potential as instruments of diffusion of science. Keywords: Scientific Illustration; Portuguese Flora; History of Botany.
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Duffie, Darrell, and Jeremy C. Stein. "Reforming LIBOR and Other Financial Market Benchmarks." Journal of Economic Perspectives 29, no. 2 (May 1, 2015): 191–212. http://dx.doi.org/10.1257/jep.29.2.191.
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LIBOR is the London Interbank Offered Rate: a measure of the interest rate at which large banks can borrow from one another on an unsecured basis. LIBOR is often used as a benchmark rate— meaning that the interest rates that consumers and businesses pay on trillions of dollars in loans adjust up and down contractually based on movements in LIBOR. Investors also rely on the difference between LIBOR and various risk-free interest rates as a gauge of stress in the banking system. Benchmarks such as LIBOR therefore play a central role in modern financial markets. Thus, news reports in 2008 revealing widespread manipulation of LIBOR threatened the integrity of this benchmark and lowered trust in financial markets. We begin with a discussion of the economic role of benchmarks in reducing market frictions. We explain how manipulation occurs in practice, and illustrate how benchmark definitions and fixing methods can mitigate manipulation. We then turn to an overall policy approach for reducing the susceptibility of LIBOR to manipulation before focusing on the practical problem of how to make an orderly transition to alternative reference rates without raising undue legal risks.
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Nitecki, Danuta A., and Mary Ellen K. Davis. "Expanding Academic Librarians’ Roles in the Research Life Cycle." Libri 69, no. 2 (May 26, 2019): 117–25. http://dx.doi.org/10.1515/libri-2018-0066.
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Abstract Research depends on prior results. The cycle of transforming research output to disseminated knowledge is changing to engage more researchers to openly discover and thereby shape future contributions to scholarship. No established framework helps librarians understand the opportunities that transition offers librarians. However, through four propositions, this paper addresses some of the changes facing academic librarians as they expand their roles: 1) Research cycles embrace interactive sharing and reuse of data; 2) Managing open research data expands librarians’ roles; 3) Intellectual entrepreneurship roles provide a model to empower others; 4) Librarians demonstrate their entrepreneurial leadership by creating partnerships outside the library. Now academic librarians have opportunities to strengthen their role in how higher education shapes research by shifting greater focus toward research data management [RDM]. Two seasoned administrators and librarians illustrate pathways to prepare academic librarians for these new roles. They offer two practitioners’ impressions of the demands and opportunities for librarians to extend their expertise to support RDM, and illustrate how academic librarians have begun doing so through professional association work (through the Association of College and Research Libraries (ACRL)) and at one academic library (at Drexel University). They urge academic librarians to step out of their comfort zones of organizing, preserving and servicing discovery of information resources and embrace emerging roles for which their values and expertise have prepared them. If librarians ignore these opportunities, they risk being bypassed in efforts to ensure that managing research data and scholarship are central to research protocols.
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Wamwea, Charity, Philip Ngare, and Martin Le Doux Mbele Bidima. "A Multicurve Cross-Currency LIBOR Market Model." Journal of Applied Mathematics 2019 (March 10, 2019): 1–17. http://dx.doi.org/10.1155/2019/8246578.
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After the dawn of the August 2007 financial crisis, banks became more aware of financial risk leading to the appearance of nonnegligible spreads between LIBOR and OIS rates and also between LIBOR of different tenors. This consequently led to the birth of multicurve models. This study establishes a new model; the multicurve cross-currency LIBOR market model (MCCCLMM). The model extends the initial LIBOR Market Model (LMM) from the single-curve cross-currency economy into the multicurve cross-currency economy. The model incorporates both the risk-free OIS rates and the risky forward LIBOR rates of two different currencies. The established model is suitable for pricing different quanto interest rate derivatives. A brief illustration is given on the application of the MCCCLMM on pricing quanto caplets and quanto floorlets using a Black-like formula derived from the MCCCLMM.
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Trimborn, Simon, Mingyang Li, and Wolfgang Karl Härdle. "Investing with Cryptocurrencies—a Liquidity Constrained Investment Approach*." Journal of Financial Econometrics 18, no. 2 (June 3, 2019): 280–306. http://dx.doi.org/10.1093/jjfinec/nbz016.
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Abstract Cryptocurrencies have left the dark side of the finance universe and become an object of study for asset and portfolio management. Since they have low liquidity compared to traditional assets, one needs to take into account liquidity issues when adding them to a portfolio. We propose a Liquidity Bounded Risk-return Optimization (LIBRO) approach, which is a combination of risk-return portfolio optimization under liquidity constraints. Cryptocurrencies are included in portfolios formed with stocks of the S&P 100, US Bonds, and commodities. We illustrate the importance of the liquidity constraints in an in-sample and out-of-sample study. LIBRO improves the weight optimization in the sense that it only adds cryptocurrencies in tradable amounts depending on the intended investment amount. The returns greatly increase compared to portfolios consisting only of traditional assets. We show that including cryptocurrencies in a portfolio can indeed improve its risk–return trade-off.
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Nardi, Andrea. "PROGETTARE UN LIBRO DI TESTO DIGITALE TRA CRITICITÀ E OPPORTUNITÀ." Media Education 9, no. 2 (May 4, 2020): 252–74. http://dx.doi.org/10.36253/me-8813.
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In Italia la vigente cornice legislativa prevede nelle scuole la transizione al libro di testo elettronico e individua nei docenti i principali soggetti coinvolti nell’autoproduzione e valutazione di questi materiali didattici digitali. Nel presente studio vengono descritti il design, lo sviluppo e la valutazione di un prototipo di libro di testo digitale, multimediale e interattivo, nel tentativo di indagare le principali criticità poste dalla sua realizzazione, i possibili elementi di innovazione rispetto al tradizionale libro di testo, e fornire delle linee-guida ai docenti sempre più responsabili della scrittura e validazione di queste nuove tipologie di testi. Per valutare l’usabilità cognitivo-didattica del prototipo è stato somministrato un questionario a un panel di esperti. Nella prima parte dell’articolo vengono descritti i risultati della rassegna della letteratura svolta al fine di rintracciare buone regole e principi di design; la seconda parte descrive lo sviluppo del prototipo e la procedura di raccolta e analisi dei dati. I risultati ottenuti vengono successivamente discussi ed infine si cerca di trarre qualche conclusione da quanto emerso.
In Italy the current legislative framework foresees the transition to the electronic textbook in schools and identifies teachers as the main subjects involved in the self-production and evaluation of these digital teaching materials. This paper describes the design, development and evaluation of a digital, multimedia and interactive textbook prototype, in an attempt to investigate the main critical issues raised by its implementation and the possible elements of innovation compared to the traditional textbook. In addition, it provides guidelines for teachers who are increasingly responsible for the writing and validation of these new types of texts. To assess the cognitive-didactic usability of the prototype, a questionnaire was given to a panel of experts. The first part of the paper describes the outcomes of the literature review carried out in order to draw effective design principles; the second part illustrates the prototype development and the procedure adopted to collect and analyze data. The results are then discussed and finally some conclusions are drawn.
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Tischer, Daniel. "Cutting the network? Facebook’s Libra currency as a problem of organisation." Finance and Society 6, no. 1 (May 28, 2020): 19–33. http://dx.doi.org/10.2218/finsoc.v6i1.4406.
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This essay explores the organisational character of Facebook’s Libra currency by undertaking a critical reading of documents published by the Libra Association. Drawing on the conceptual work of Marilyn Strathern and Michel Serres, it illustrates how ownership cuts the network and encourages parasitism as a means of driving future profit. Central to this is the claim that Libra is not an exercise in democratising money, but rather, the opposite: Libra is run as a club, for the benefit of club members. The conceptual theme of 'cutting' is used to organise the argument. Rather than a cutting-edge technology, Libra’s true innovation is organisational and consists in overturning the decentralised character of blockchain, such that distributed ledger technology is re-centralised by big tech firms. Outsiders are thus cut-off from Libra; only those inside the club have the right to participate in Libra and its governance. This position also affords members an exclusive capacity to take a cut of the profits generated through Libra. As a private organisation, members have sole rights to future profits generated from the Libra ecosystem and are in this way incentivised to create new product opportunities over time.
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Jiménez Moreno, Manuel de J. "El derecho a la palabra en El libro centroamericano de los muertos y Cartas a la primavera. Escuchar el voseo del sur." Interpretatio. Revista de Hermenéutica 6, no. 2 (September 28, 2021): 105–15. http://dx.doi.org/10.19130/irh.2021.2.345527.
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This text is an approach to the concept of “right to speak” that has been used from various disciplines and at various levels of analysis, particularly in the political context of Latin America. Once the concept is understood, its use is illustrated in El libro centroamericano de los muertos, by Balam Rodrigo, and Cartas a la primavera, by Shantí Vera. In both books the voices that come from the south of the country are heard.
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Schoenmakers, John, and Brian Coffey. "Systematic Generation of Parametric Correlation Structures for the LIBOR Market Model." International Journal of Theoretical and Applied Finance 06, no. 05 (August 2003): 507–19. http://dx.doi.org/10.1142/s0219024903002055.
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We present a conceptual approach of deriving parsimonious correlation structures suitable for implementation in the LIBOR market model. By imposing additional constraints on a known ratio correlation structure, motivated by economically sensible assumptions concerning forward LIBOR correlations, we yield a semi-parametric framework of non-degenerate correlation structures with realistic properties. Within this framework we derive systematically low parametric structures with, in principal, any desired number of parameters. As illustrated, such structures may be used for smoothing a matrix of historically estimated LIBOR return correlations. In combination with a suitably parametrized deterministic LIBOR volatility norm we so obtain a parsimonious multi-factor market model which allows for joint calibration to caps and swaptions. See Schoenmakers [14] for a stable full implied calibration procedure based on the correlation structures developed in this paper.
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Ndumu, Ana. "Critical Perspectives on Diversity and Equality in U.S. LIS Practice: Four HBCU-affiliated Leaders Weigh in." Libri 71, no. 3 (April 30, 2021): 267–77. http://dx.doi.org/10.1515/libri-2019-0187.
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Abstract Historically Black colleges and universities (HBCUs) have trained Black librarians and strengthened the library profession since 1927 when the first HBCU-based library school was founded at Hampton University. However, HBCU professors, library directors, and alumni are often overlooked in conversations on librarian professionalization. In this article, four distinguished HBCU-affiliated library leaders provide critical perspectives on LIS practice. Their collective insight illustrates the value of HBCUs in LIS and demonstrates opportunities for new directions.
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Bedin, Cristiano. "Il libro degli animali di Mario Rigoni Stern: un messaggio ecologıco rivolto ai ragazzi." Italica Wratislaviensia 13, no. 1 (June 30, 2022): 11–28. http://dx.doi.org/10.15804/iw.2022.13.1.01.
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Asiago-born writer Mario Rigoni Stern, whose centenary of birth was celebrated in 2021, always took a great interest in young people, as amply demonstrated by his numerous talks at schools, where he often addressed ecological problems afflicting the Earth. His Il libro degli animali (1992), a collection of children’s stories illustrated by Xavier de Maistre, characteristically engages with environmental themes by expressing respect for the animal world and admiration for its beauty. Similar to ecological literature for children, Rigoni Stern’s book aims to highlight environmental problems and suggest possible solutions to them. Given this, it is dedicated to inspiring young readers to adopt an alternative way of life, one based on respect for nature and responsible/sustainable practices. This effort is combined with promoting symbiosis with land, as communion with nature is the only viable solution to many of the contemporary ecological problems. Employing ecocritical theories, mostly those related to environmentalism, this paper explores the way in which Rigoni Stern presents his standpoint on and ideas of the natural world to the young reading public. His approach makes Il libro degli animali part of the most complex ecological discourse that he developed in his long literary career.
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Guidi, Andrea. "Illustrare Polibio: letterati, architetti e condottieri italiani nell'Europa del cinquecento e il caso di Gabriele Cesano." SOCIETÀ E STORIA, no. 178 (January 2023): 641–65. http://dx.doi.org/10.3280/ss2022-178001.
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Questo articolo si propone di pubblicare un testo inedito di Gabriele Cesano risalente agli anni quaranta del cinquecento e concernente una illustrazione della cosiddetta Castrametazione di Polibio, ovvero una libera interpretazione di quelle sezioni del sesto libro delle Storie dedicate alla descrizione dell'esercito romano e al modo in cui alloggiavano le legioni. Come spiega Cesano stesso, tale testo doveva essere letto congiuntamente alla visione di una "pittura" raffigurante la pianta del campo. L'autore di questo studio, a tal riguardo, avanza l'ipotesi che quest'ultima si possa identificare con quella presente nella galleria della biblioteca del cardinale Ippolito II d'Este a Fontainebleau (ora perduta). Come si spiega ancora nel saggio, non si può escludere che tale dipinto fosse stato realizzato dall'architetto bolognese Sebastiano Serlio. Di quest'ultimo, d'altronde, è noto che negli stessi anni fece simili tavole anche per il re di Francia Francesco I.
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Kalezić-Radonjić, Svetlana. "UMBERTO ECO COME SCRITTORE PER BAMBINI." Folia linguistica et litteraria XI, no. 30 (2020): 79–91. http://dx.doi.org/10.31902/fll.30.2020.5.
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In questo articolo analizziamo tre libri per bambini di Umberto Eco: La bomba e il generale (1966, rev. 1988), I tre cosmonauti (1966, rev. 1988) e Gli gnomi di Gnu (1992). Tutte e tre le opere appartengono a libri illustrati, la cui identità testuale indica che sono indirizzati al pubblico più giovane, mentre le straordinarie "illustrazioni" di Eugenio Carmi presentano un'espressione distintamente modernista con un focus sul pubblico adulto. In linea con la definizione di base della letteratura per bambini come fenomeno della lettura “a doppio fondo“, questi libri di Umberto Eco diventano una letteratura interessante per il cosiddetto pubblico duale. Nelle opere si prendono in esame le relazioni di potere tra le persone, si promuovono idee pacifiste sulla coesistenza, sulla tolleranza e sulla comprensione reciproca, nonché quelle ambientali sulla protezione della natura. In questo articolo analizziamo i suddetti media verbo-visivi, cercando di definire più precisamente la portata della loro intenzionalità.
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Moore, Kathryn Blair. "The Disappearance of an Author and the Emergence of a Genre: Niccolò da Poggibonsi and Pilgrimage Guidebooks between Manuscript and Print*." Renaissance Quarterly 66, no. 2 (2013): 357–411. http://dx.doi.org/10.1086/671582.
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While the anonymous Viaggio da Venetia al Sancto Sepolchro et al Monte Sinai, first published in Venice in 1518, was the most popular Holy Land guidebook in Renaissance Italy, the historical origins of the book have never been fully understood. From four illustrated versions of an earlier manuscript guide, the Libro d’Oltramare (1346–50), one can hypothesize about both the text and its author. The ultimate prototype for the Viaggio da Venetia was very likely one or more of these illustrated manuscripts, and the original author of both the text and illustrations was the Franciscan pilgrim Niccolò da Poggibonsi. Despite the eventual erosion of his name from the printed versions of the guidebook, the assertiveness and originality of the author parallels the production of other vernacular literature in mid-fourteenth-century Italy. Unlike Latin guidebooks of previous centuries, the intent to include illustrations that re-create the pilgrimage experience and the unprecedented descriptiveness of the prose together suggest that the book can be considered the foundational text for the genre of the illustrated pilgrimage guidebook.
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del Giudice, Philippe. "La variation libre phonologique et morphologique du dialecte niçois: essai d’illustration." Studia Universitatis Babeș-Bolyai Philologia 67, no. 1 (March 25, 2022): 125–39. http://dx.doi.org/10.24193/subbphilo.2022.1.08.
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"Phonological and Morphological Free Variation in the Dialect of Nice – an Illustration. A project has been launched to make a dialectal dictionary of Nice and its surroundings. As an important amount of data is being gathered from various texts and in the field, the proportion of free variation in the Occitan dialect spoken in the city of Nice appears to be significantly greater than what studies (especially grammars and dictionaries) report. Using a substantial set of examples, this descriptive article shares with the scientific community some important features of phonological and morphological polymorphism in urban Niçois. In the phonological part, it also shows the links that tie together polymorphism and diatopic variation in a relatively homogeneous dialectal area. Keywords: free variation, phonology, morphology, Niçois (Niçard, Nissart), Occitan "
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Fusaroli, Federica. "La traduzione della «Somme le roi» tra Occitania e Catalogna: primi sondaggi." Mot so razo 20 (January 25, 2022): 1. http://dx.doi.org/10.33115/udg_bib/msr.v20i0.22744.
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<p>RIASSUNTO: Il presente lavoro mira a fornire nuovi appunti sulle conoscenze circa la traduzione catalana della <em>Somme le roi</em>, compendio morale francese composto nel 1279 dal domenicano Frère Laurent e di grande successo lungo tutto il xiv secolo. Le forti analogie con la versione occitanica della <em>Somme</em>, nota anche come <em>Libre de vicis et de vertutz</em>, lasciano presumere che il testo catalano discenda proprio dalla traduzione occitana e non dall’originale francese. Il caso di studio è reso difficile dalla mancanza di lezioni erronee imputabili al processo di traduzione e dalle complicazioni imputabili alla probabile concomitanza di più fonti, in occitano e in francese, dietro l’allestimento della versione catalana. In ragione di ciò, il contributo si sofferma a illustrare le due tradizioni testuali – catalana e occitana – mettendo a confronto i dati tratti dall’edizione critica del <em>Libre de vicis et vertutz</em>, di futura pubblicazione, con lo studio di Wittlin (1983) sul testo catalano. Il discorso si concentra principalmente su due questioni cruciali: la <em>reductio ad unum</em> dei testimoni catalani e la scelta di includere nella <em>recensio</em> occitana un testimone trascritto in catalano.<br /><br /></p><p>ABSTRACT: This paper aims at updating the scholarship on the 14th-century Catalan translation of the French moral <em>compendium</em> known as <em>Somme le roi</em>. The relevant similarities between the texts demonstrate that the Catalan version directly depends on the Occitan translation, known as <em>Libre de vicis et de vertutz</em>. Therefore, the paper illustrates both the Catalan and the Occitan textual traditions and compares the results of my critical edition of the <em>Libre de vicis et vertutz</em> with Wittlin’s study (1983) on the Catalan text. This examination will focus on two main critical issues: the <em>reductio ad unum</em> of all the Catalan manuscripts and the choice to include a Catalan manuscript in the Occitan <em>recensio</em>.</p>
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Hess, Hendrik. "„Es erhebt sich Vater gegen Sohn, Sohn gegen Vater, Bruder gegen Bruder, Verwandte gegen Verwandte“." Das Mittelalter 20, no. 1 (June 1, 2015): 80–95. http://dx.doi.org/10.1515/mial-2015-0006.
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Abstract Gregory of Tours’s oeuvre is one of the few testimonies of the Merovingian Early Middle Ages. The paper illustrates that the experience of contingency and the attempt to overcome it during a time of civil war were the situation in which the ‚Libri historiarum decem‘ originated. Among other things, this becomes apparent in the composition of the ten books. Furthermore, the Merovingian kingship is a recurring motive of the text. The paper illustrates how genealogy, which can be used to conceal disruptions and discontinuities, was instrumentalized to serve as legitimation.
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Liu, Yan Ling, Xue Zeng Shi, and Yuan Yu. "Design of a Solar Assisted Absorption Refrigeration System." Advanced Materials Research 953-954 (June 2014): 66–73. http://dx.doi.org/10.4028/www.scientific.net/amr.953-954.66.
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This paper presents the design of a solar/gas driving double effect LiBr-H2O absorption system. In order to use solar energy more efficiently, a new kind of solar/gas driving double effect LiBr-H2O absorption system is designed. In this system, the high-pressure generator is driven by conventional energy, natural gas, and solar energy together with water vapor generated in the high-pressure generator, which supplies energy to the low-pressure generator for a double effect absorption system. Simulation results illustrate that this kind of system is feasible and economical. Economic evaluation of several systems is also given in this paper in order to get a clear knowledge of the energy consumption of the system.
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Betz, Frederick. "Integrity in Self-Organizing Societies: The Case of Libor." Journal of Business Theory and Practice 2, no. 2 (May 17, 2014): 152. http://dx.doi.org/10.22158/jbtp.v2n2p152.
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<p><em>From a cross-disciplinary social science perspective, it is evident that financial and economic development is not a matter simply of a proper social structure (e.g., </em><em>Laissez-faire</em><em> free-market) but also requires good individual leadership (competence and honesty). Financial systems require both structure and leadership, despite some economic scholars holding to the idea of an economic structural mechanism of a ‘perfect market’. However, good leadership and proper societal structure together is not a simple process, nor certainly obtained, as empirically there are no societal ‘mechanisms’. A case, such as Libor, clearly illustrated the importance of both structure and leadership in the proper operation of societal systems. Bad leadership can corrupt a societal structure; and a corrupt societal structure can enable bad leadership. The case of Libor provides empirical evidence for the social science proposition that a financial system requires both proper government regulation and integrity in private sector operations. But this is not easily achieved in societies of self-organizing systems. We apply a cross-disciplinary framework of systems dynamics to analyze the Libor event, as a kind of challenge in the control of self-organizing societies, which are facilitated by information technology processes</em><em>.</em></p>
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HOK, JULIEN, PHILIP NGARE, and ANTONIS PAPAPANTOLEON. "EXPANSION FORMULAS FOR EUROPEAN QUANTO OPTIONS IN A LOCAL VOLATILITY FX-LIBOR MODEL." International Journal of Theoretical and Applied Finance 21, no. 02 (March 2018): 1850017. http://dx.doi.org/10.1142/s0219024918500176.
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We develop an expansion approach for the pricing of European quanto options written on LIBOR rates (of a foreign currency). We derive the dynamics of the system of foreign LIBOR rates under the domestic forward measure and then consider the price of the quanto option. In order to take the skew/smile effect observed in fixed income and FX markets into account, we consider local volatility models for both the LIBOR and the FX rate. Because of the structure of the local volatility function, a closed form solution for quanto option prices does not exist. Using expansions around a proxy related to log-normal dynamics, we derive approximation formulas of Black–Scholes type for the price, that have the benefit of giving very rapid numerical procedures. Our expansion formulas have the major advantage that they allow for an accurate estimation of the error, using Malliavin calculus, which is directly related to the maturity of the option, the payoff, and the level and curvature of the local volatility function. These expansions also illustrate the impact of the quanto drift adjustment, while the numerical experiments show an excellent accuracy.
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Quiñones Melgoza, José. "Los clásicos latinos en los inicios de la imprenta en México (1577-1605)." Nova Tellus 38, no. 1 (January 21, 2020): 193–200. http://dx.doi.org/10.19130/iifl.nt.2020.38.1.838.
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El objetivo de esta nota es mostrar cómo ingresaron los clásicos latinos a Nueva España (hoy México). Primeramente varios escritores españoles, llegados aquí, incluyeron en sus escritos citas de aquéllos. Luego, ya establecida la imprenta, se publicaron obras de esos clásicos o partes de ellas, desde 1577 hasta 1605, principalmente en P. Ovidii Nasonis Tam de Tristibus quam de Ponto y en Poeticarum institutionum liber, variis ethnicorum christianorum exemplis illustratus, libros en que ya está presente la moral impuesta por la Iglesia católica, que prohibía la lectura y enseñanza de la literatura pagana, si no iba expurgada y supresos los pasajes obscenos. En conclusión, dichos libros fueron muy importantes para la enseñanza de la juventud mexicana que asistía a los colegios de los jesuitas.
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Campa, Pedro F. "The Imago Primi Saeculi Societatis Iesv (1640). Devotion, Politics and the Emblem." IMAGO. Revista de Emblemática y Cultura Visual, no. 9 (January 31, 2018): 55. http://dx.doi.org/10.7203/imago.9.10830.
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ABSTRACT: The Imago Primi Saeculi Societatis Iesv (1640) is, perhaps, the most beautiful book of emblems published by the Jesuits in the seventeenth century. The book is a festive commemoration offered by the priests and students of the Flemish-Belgian Province in celebration of the centenary of the founding of the Society of Jesus. The work includes 127 full-page emblems distributed throughout a total of 956 folio-sized pages that narrate and illustrate in emblematic fashion the foundation, development, vicisstitudes and achievements of the Socirty in its evangelical and pedagogical mission. From the moment of its publication, the Imago was the object of attacks by Huguenauts and Jansenists who criticized its haughtiness, grandiloquent language and the hyperbolic comparisons of the narration. Hidden behind this criticism were the reasons for the Jansenist offensive against the book. Probabilism, the supposed frivolous attitude towards confession and the frequency of communion, advocated by the Jesuits, was the object of a pair of insulting treatises directed against the Imago by the famous Jansenists Antoine Arnauld and Issac Louis le Maître de Sacy. The critics of the Imago maliciously ignored that the book's grandiloquent style, appropriate to a jubilation celebration, conforms to the language of classical rhetoric, thus perpetuating the propagandistic image of the book.
KEYWORDS: Imago Primi Saeculi; Society of Jesus; Flanders; Flemish-Belgian Province.
RESUMEN: El Imago Primi Saeculi Societatis Iesv (1640) es quizás el libro de emblemas más bello publicado por los jesuitas en el siglo XVII. El libro es una conmemoración festiva ofrecida por los sacerdotes y los escolares de la Provincia Flandro-Belga que celebra el centenario de la Compañía de Jesús. La obra contiene ciento veintisiete emblemas a plena página con un total de novecientas cincuenta y seis páginas en folio que narran e ilustran de manera emblemática la fundación, el desarrollo, las vicisitudes y los logros de la Compañía en su misión evangélica y docente. Desde su publicación, el Imago fue blanco de los ataques de hugonotes y jansenistas que criticaban la soberbia, el lenguaje grandilocuente, y las comparaciones hiperbólicas de la narrativa. Detrás de la crítica, se escondían las razones de la ofensiva jansenista hacia el libro. El probabilismo, la supuesta actitud frívola hacia la confesión, y la frecuencia de la comunión, aconsejada por los jesuitas, fueron objeto de sendos tratados injuriosos contra el Imago por parte de los famosos jansenistas Antoine Arnauld e Issac Louis le Maître de Sacy. Los críticos del Imago maliciosamente descontaron que el estilo grandilocuente del libro, propio del jubileo, se ajusta al lenguaje de la retórica clásica, perpetuando así la imagen propagandística del libro.
PALABRAS CLAVES: Imago Primi Saeculi; Compañía de Jesús; Flandes; Provincia Flandro-Bélgica.
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Tronina, Antoni. "Władza Boga nad światem a ład moralny według Księgi Hioba." Verbum Vitae 14 (December 14, 2008): 57–70. http://dx.doi.org/10.31743/vv.1483.
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Nella cosmogonia vicino-orientale l’ordine politico si riflette in tutto il cosmo. In confronto eon tale concezzione del potere, Israele ha elaborato un altro modelio della creazione, armonizzato eon suo monoteismo rigoroso. Deutero-Isaia era propagatore precipuo di questa fede nel potere universale di Jahve. Il Libro di Giobbe, redatto nell’epoca dell’impero persiano, contiene un testimonio splendido del dibattimento sul probierna della ricompesa e della sofferenza. Immagini mitologici di combattimento delle divinità sono stati applicati ad illustrare il superamento di Jahvè sulle potenze del caos. La sapienza di Jahvè e il suo incrollabile governo guarantirono la stabilità del mondo creato e l’ordine morale. La giustizia (mishpat) divina costituisce fonadamento del potere politico e dell'ordine morale nel mondo.
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Ceulemans, Anne-Emmanuelle. "INSTRUMENTS REAL AND IMAGINARY: AARON'S INTERPRETATION OF ISIDORE AND AN ILLUSTRATED COPY OF THE TOSCANELLO." Early Music History 21 (September 4, 2002): 1–35. http://dx.doi.org/10.1017/s0261127902002012.
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Pietro Aaron (c.1480-c.1550) is the author of five music treatises. The first, Libri tres de institutione harmonica (Bologna, 1516), was composed in Italian and then translated into Latin by the humanist Giovanni Antonio Flaminio (1464-1536); the other four appeared in Italian, which made Aaron a pioneer in this regard. The Thoscanello de la musica, the first of the vernacular treatises, proved very successful and was reissued three times in the course of the sixteenth century under the title Toscanello in musica (Venice, 1529, 1539, 1562). These reissues are very similar to each other, but are clearly distinct from the first edition, in particular by the addition of an appendix (aggiunta) on various questions concerning musica ficta and the modes of Gregorian chant.
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Azevedo, Adriana. "Resenha de A arte queer do fracasso, de Jack Halberstam." Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 9, no. 2 (March 15, 2021): 329–33. http://dx.doi.org/10.22475/rebeca.v9n2.748.
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Em 2020 a Companhia Editora de Pernambuco (Cepe editora) nos ofertou a tradução de A arte queer do fracasso, de Jack Halberstam, um marco nos estudos queer, quase dez anos depois do lançamento do original em inglês (The Queer Art of Faillure Duke University Press; Illustrated edição de 12 agosto 2011 – de quando Halberstam ainda assinava como Judith Halberstam). Por conta das conturbações e das crises que atravessamos, infelizmente o livro não fez tanto barulho quanto deveria, já que o autor precisou cancelar sua visita ao Brasil e os debates que aconteceriam em livrarias, como a Blooks do Rio de Janeiro, foram cancelados em decorrência da pandemia do Covid-19. O livro, no entanto, se manifesta como uma leitura necessária e incontornável no campo da teoria queer e feminismos.
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Corrêa, Hércules Tolêdo, and Cleide De Araújo Campos. "A INFLUÊNCIA DOS ELEMENTOS GRÁFICOS NOS LIVROS PARA CRIANÇAS NA CONTEMPORANEIDADE: ANÁLISE DE DUAS OBRAS DA COLEÇÃO UNIVERSIDADE DAS CRIANÇAS." Revista Graphos 21, no. 1 (July 4, 2019): 159–75. http://dx.doi.org/10.22478/ufpb.1516-1536.2019v21n1.46533.
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Pode-se dizer que o livro para crianças é um objeto artístico-cultural constituído por vários modos de linguagens. Dessa forma, partimos dos pressupostos da semiótica cultural, mais especificamente das teorizações sobre a multimodalidade, e procuramos identificar os aspectos tanto discursivos quanto educacionais de obras destinadas ao público infantil publicadas na contemporaneidade. Valemo-nos também de estudos sobre ilustração e projeto gráfico de livros infantis, tais como van der Linden (2011), Ramos (2013) e Paiva (2018). Este artigo, especificamente, centra-se na análise de dois livros da coleção Universidade das Crianças, publicada pelo selo Estraladabão, da Editora UFMG, em 2018: O que existe? O que não existe? e O que é um livro? Os nomes dos profissionais envolvidos na produção das obras estão identificados ao longo deste artigo. Hoje em dia, podemos considerar o livro para crianças como um objeto com múltipla autoria (multi ou poliautoria): além do escritor e do ilustrador, os autores principais ou protagonistas, como denominamos neste texto, também estão envolvidos na produção da obra designers gráficos, editores e coordenadores editoriais especializados, leitores críticos, revisores de conteúdo e de linguagem, e muitas vezes também outros especialistas da área editorial e educacional, como publicitários, engenheiros do papel, tradutores, adaptadores, psicólogos, pedagogos e psicopedagogos, aos quais chamamos neste artigo de autoria secundária ou coadjuvante. Analisamos alguns elementos do projeto gráfico das obras selecionadas e da relação entre texto escrito, ilustração e design, seguindo a ordem: 1- Capa e quarta capa; 2- Formato do livro e outros elementos da materialidade; 3- Layout: forma como o texto escrito e o visual são apresentados na página, o que inclui uma série de elementos e de relações entre eles, como: tipo e tamanho de letra, espaço entre linhas e mancha gráfica (a área do impresso: texto escrito e ilustração). Destaca-se que a definição deste último elemento envolve a relação entre texto escrito e texto visual. Por fim, é importante dizer que este artigo faz parte de uma pesquisa coletiva desenvolvida no âmbito do Grupo MULTDIC – Multiletramentos e usos das tecnologias da informação e comunicação na Educação –, intitulada Literatura e visualidade: a importância do projeto gráfico em livros para crianças na contemporaneidade.
Palavras-chave: Livros para crianças. Multimodalidade. Projeto gráfico.
GRAPHIC ELEMENTS INFLUENCE IN BOOKS FOR CHILDREN IN THE CONTEMPORANEITY: ANALYSIS OF TWO WORKS FROM THE CHILDREN'S UNIVERSITY COLLECTION
Abstract: Books for children are said to be an artistic-cultural object made up of several modes of languages. Thus, this paper departs from the assumptions of cultural semiotics, more specifically the theories about multimodality, and tries to identify both the discursive and educational aspects of works aimed at children published in contemporary times. Studies on illustration and graphic design of books for children, such as Nikolajeva and Scott (2011), van der Linden (2011), Ramos (2013) and Paiva (2018) are also used. This paper focuses specifically on the analysis of two books from Universidade da Criança [Children's University] collection, published by the label Estraladabão, by Federal University of Minas Gerais Press, in 2018: O que existe? O que não existe? (COSCARELLI, 2018) and O que é um livro? (RIBEIRO, 2018). Other professionals involved in the creation of the books are identified along this paper. Nowadays, books for children can be considered as an object of multiple authorship: besides the writer and the illustrator, the main authors or protagonists, as called in this paper, there are also other professionals, who were called secondary or coadjuvants authors, such as graphic designers, editors and specialized editorial coordinators, critical readers, content and language reviewers, and often also other editorial and educational specialists, such as advertisers, paper engineers, translators, adapters, psychologists, pedagogists and psychopedagogists. Some elements of the graphic design of the selected works and the relation between written text, illustration and design were analyzed in the following order: 1- Cover and fourth cover; 2- Format of the book and other elements of materiality; 3- Layout: how the written text and the visual are presented on the page, which includes a series of elements and relationships between them, such as: type and size of letter, space between lines and graphic spot (the area of the print: written text and illustration). It should be noted that the definition of this last element involves the relationship between written text and visual text. Finally, it is important to say that this paper is part of a collective research developed within the framework of the Group MULTDIC – Multiliteracies and digital information and communication technologies, entitled Literatura e visualidade: a importância do projeto gráfico em livros para crianças na contemporaneidade [Literature and visuality: the importance of the graphic design in books for children in contemporaneity].
Keywords: Books for children. Multimodality. Graphic project.
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Fajardo, Juan Pablo. "Lentes de visión nocturna. Sobre la obra de Powerpaola." Desde el Jardín de Freud, no. 20 (January 1, 2020): 487–88. http://dx.doi.org/10.15446/djf.n20.90197.
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Sobre la obra de Powerpaola.PowerpaolaArtista plástica, historietista y dibujante. Estudió Artes Plásticas en Bellas Artes de Medellín, Expresión Artística en la Pontificia Universidad Javeriana de Cali y Grabado y Encuadernación en el College of Fine Arts en Sydney Australia. Ganadora de las residencias artísticas La Cité Internationale des Arts, París (2003- 2005) y Firstdraft Gallery, Sydney (2007). Ganadora del proyecto “En Vitrina” en Lugar a Dudas, Cali. Realizó un club de dibujo en el Amazonas por dos meses gracias a la beca de la Fundación Gilberto Alzate Avendaño. Ha expuesto sus diarios de viaje, dibujos y pinturas en Nueva York, Bogotá, Sao Paulo, Sydney, Milán, Buenos Aires, Santiago de Chile, Lima y París, entre otros, y en ferias como La Fiac, Arco y Slick, y una muestra individual, “De frente me escondo”, en el Museo La Tertulia de Cali (2008). Autora de Virus Tropical, Por dentro/ Inside, Diario de Powerpaola, qp (Éramos Nosotros), Todo Va a Estar Bien, Nos Vamos y el libro de artista Amazonas editado por Artedos Gráfico. Hace parte del libro An Illustrated life de Danny Gregory. Hace parte del colectivo Chicks On Comics, No Tan Parecidos y La Casa Telepática. Publicó por 11 años una tira mensual en la revista cultural Arcadia (Colombia). Directora artística del largo animado Virus Tropical basado en su novela gráfica.e-mail: diagnosticos@gmail.com
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Lupattelli, Giulia. "Murray Bowen: dal genogramma alla differenziazione del sé." RIVISTA DI PSICOTERAPIA RELAZIONALE, no. 54 (January 2022): 60–77. http://dx.doi.org/10.3280/pr2021-054004.
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Murray Bowen, psichiatra americano, è uno dei pionieri della terapia familiare e relazionale americana. La sua terapia è centrata sulla comprensione dei meccanismi operanti all'interno del sistema familiare e sul processo di differenziazione del sé dal sistema, attraverso la tecnica della detriangolazione. A partire dai principi fondamentali del-la teoria boweniana, attraverso il caso letterario del libro "Il gabbia-no Jonathan Livingston" di Richard Bach, passando per la fisiologia del sistema albero nell'organizzazione delle sue radici, l'autrice tente-rà di illustrare la teoria familiare di Murray Bowen nel caso di una psicoterapia familiare con un solo membro della famiglia. Esordendo con la tecnica del genogramma, per giungere alla completa differenziazione del sé, dalla massa dell'Io familiare, si attraver-seranno le fasi di un processo terapeutico sistemico.
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Fan, Zhi-Wei, Lei Cai, Jia-Wen Yang, Sheng-Hu Tang, and Fang Wen. "Petrocodon luteoflorus (Gesneriaceae), a new species from karst region in Guizhou, China." PhytoKeys 157 (August 26, 2020): 167–73. http://dx.doi.org/10.3897/phytokeys.157.32316.
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A new species of Gesneriaceae, Petrocodon luteoflorus Lei Cai & F.Wen was first described and illustrated from Maolan National Nature Reserve, Libo County, Guizhou Province, China. The diagnostic characters and notes of this species between its most morphologically similar species, P. dealbatus Hance, a detailed description, colour photographs, etymology, as well as distribution and habitat, are also provided in this paper.
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Huebner, Steven. "Édouard Dujardin, Wagner, and the Origins of Stream of Consciousness Writing." 19th-Century Music 37, no. 1 (2013): 56–88. http://dx.doi.org/10.1525/ncm.2013.37.1.56.
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Abstract Édouard Dujardin's novel Les Lauriers sont coupés (1887) has long been acknowledged as an important influence on the stream of consciousness style (called monologue intérieur by Dujardin) found in James Joyce's Ulysses. Dujardin wrote the book during the period he edited the short-lived Revue wagnérienne. The study shows how monologue intérieur was connected to experimental literary trends debated on the pages of the Revue as well as in the Symbolist movement more generally. Two of these trends were vers libre and the construct of an interiorized mental theater, and both were grounded in particular perceptions of Wagnerian opera. Dujardin and his Symbolist colleagues appreciated Wagner's move to abstraction, but thought he had not gone far enough. The article illustrates how putative syntactical freedoms in Wagner's work encouraged vers libre, how a song cycle Dujardin composed to his own vers libre tested the boundaries between literature and music against a Wagnerian backcloth, and how a “paraphrase” of the Amfortas monologue in the first act of Parsifal published in the Revue produced a theater of the mind. The invention of monologue intérieur emerges as a rich and multivalent point of intersection between Wagnerian opera and modernity.
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Huebner, Steven. "Édouard Dujardin, Wagner, and the Origins of Stream of Consciousness Writing." 19th-Century Music 37, no. 1 (2013): 56–88. http://dx.doi.org/10.1525/ncm.2013.37.3.56.
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Abstract Édouard Dujardin's novel Les Lauriers sont coupés (1887) has long been acknowledged as an important influence on the stream of consciousness style (called monologue intérieur by Dujardin) found in James Joyce's Ulysses. Dujardin wrote the book during the period he edited the short-lived Revue wagnérienne. The study shows how monologue intérieur was connected to experimental literary trends debated on the pages of the Revue as well as in the Symbolist movement more generally. Two of these trends were vers libre and the construct of an interiorized mental theater, and both were grounded in particular perceptions of Wagnerian opera. Dujardin and his Symbolist colleagues appreciated Wagner's move to abstraction, but thought he had not gone far enough. The article illustrates how putative syntactical freedoms in Wagner's work encouraged vers libre, how a song cycle Dujardin composed to his own vers libre tested the boundaries between literature and music against a Wagnerian backcloth, and how a “paraphrase” of the Amfortas monologue in the first act of Parsifal published in the Revue produced a theater of the mind. The invention of monologue intérieur emerges as a rich and multivalent point of intersection between Wagnerian opera and modernity.
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García Cuadrado, Amparo. "Formación y cultura escrita: los libros del agrimensor Francisco Falcón (1764)." Historia y Memoria de la Educación, no. 13 (December 14, 2020): 611. http://dx.doi.org/10.5944/hme.13.2021.26110.
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This article approaches the study of the private library of the Murcian land surveyor Francisco Falcón de los Reyes, from the first half of the eighteenth century, which constitutes a clear example of the relationship between education and written culture. From the data extracted from a postmortem inventory and the subsequent appraisal and partition of goods among the heirs, we carried out a quantitative and qualitative analysis of said library. First, the text provides a biographical profile of this geometer, a descendant of slaves (new Christians), and describes the formative precariousness of these professionals in their time. The quantitative analysis of the bibliographic collection and its comparison with other private collections from similar socioeconomic fields indicate the importance of this particular collection. The qualitative study of authors and titles shows, on one hand, the high degree of mathematical training of the subject, who is shown to be a recipient of the fundamentally Valencian pre-illustrated reformist scientific mainstream, and, on the other hand, the purpose with which those books were incorporated into the funds of the collection. Together with the library, which we could call professional, due to its scientific nature, the inventoried religious matter in the form of printed documents makes up another interesting part of the collection, one of a catechetical nature in its various formative levels
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Nita, Sonja. "Regional free movement of people: The case of African Regional Economic Communities." Regions and Cohesion 3, no. 3 (December 1, 2013): 8–29. http://dx.doi.org/10.3167/reco.2013.030302.
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While the idea of global free movement of people is discussed merely in normative terms, it has become a concrete policy goal in different world regions. The article aims to assess the prospects of regional free movement by discussing its theoretical and practical implications, with a specific focus on African sub-regional organizations. This is achieved by outlining the meaning, rights, and rationale of the free movement of people and by situating the regional level within the overall context of international migration governance. The eight African Regional Economic Communities serve as a practical illustration on how the goal of free movement is translated (or not) into concrete policies. Spanish Aunque la idea de la libre circulación mundial de personas se discute sólo en términos normativos, se ha convertido en un objetivo político concreto en diferentes regiones del mundo. Este artículo tiene como objetivo evaluar las posibilidades de libre circulación regional (continental), discutiendo sus implicaciones teóricas y prácticas, con un enfoque especí fico en las organizaciones subregionales africanas. Esto se logra delineando el significado, los derechos y la razón de ser de la libre circulación de personas, y situando el nivel regional dentro del contexto general de la gobernanza de la migración internacional. Las ocho comunidades económicas regionales de África sirven como un ejemplo práctico de cómo se traduce el objetivo de la libre circulación, o no, en políticas concretas. French Bien que l'idée de la libre circulation mondiale des personnes soit essentiellement traitée en termes normatifs, elle est devenue un objectif politique concret dans différentes régions du monde. Cet article vise à évaluer les perspectives de la libre circulation régionale en discutant de ses implications théoriques et pratiques, avec un accent particulier sur les organisations sous régionales africaines. Ceci est réalisé en soulignant la signification, les droits et la justification de la libre circulation des personnes et en situant l'échelle régionale dans le contexte global de la gouvernance de la migration internationale. Les huit communautés économiques régionales africaines constituent un exemple concret de la façon dont l'objectif de la libre circulation se traduit (ou non) par des politiques concrètes.
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Tozzi, Chiara. "Le emanazioni oscure della psiche. Ombre e bagliori nel Libro Rosso di Jung, nelle fiabe, nei film e nella psiche individuale e collettiva." STUDI JUNGHIANI, no. 49 (May 2019): 107–30. http://dx.doi.org/10.3280/jun1-2019oa7912.
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Intervistata da Chiara Tozzi, Nancy Swift Furlotti narra il suo percorso esistenziale individuale intrecciandolo a quello di analista junghiana e illustrando il suo rapporto con le "emanazioni oscure della psiche": dai fantasmi individuali e collettivi alle immagini archetipiche rappresentate da Jung nel Red Book, di cui Furlotti ha curato, insieme ad altri per la Philemon Foundation, la scannerizzazione e pubblicazione. Furlotti illustra la sua prospettiva sulla pratica dell'immaginazione attiva e la correlazione fra le immagini archetipiche e quelle dei film, in virtù della sua partecipazione alla realizzazione di documentari su Jung ed altri esponenti della comunità junghiana, e della sua attività come membro del Direttivo del Mercurius Prize.
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CHEN, XIANG-SHENG, and LIN YANG. "Oriental bamboo delphacid planthoppers: three new species of genus Kakuna Matsumura (Hemiptera: Fulgoromorpha: Delphacidae) from Guizhou Province, China." Zootaxa 2344, no. 1 (January 26, 2010): 29. http://dx.doi.org/10.11646/zootaxa.2344.1.3.
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Three new species of the Oriental bamboo delphacid planthopper genus Kakuna Matsumura (Hemiptera: Fulgoromorpha: Delphacidae: Delphacinae: Delphacini), K. lii sp. nov. (Guizhou: Jiangkou, Suiyang, Daozhen), K. nonspina sp. nov. (Guizhou: Jiangkou, Leishan) and K. zhongtuana sp. nov. (Guizhou: Leishan, Suiyang, Daozhen, Libo), are described and illustrated from southwestern China. The generic characteristics are redefined. A checklist and a key to species of genus Kakuna are provided.
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Campo, Alessandra. "Il fatto della ragione e la conoscenza adeguata: Kant con Spinoza." Tópicos, Revista de Filosofía 63 (April 18, 2022): 89–129. http://dx.doi.org/10.21555/top.v63i0.1656.
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Recentemente la letteratura dedicata alla ricezione kantiana di Spinoza ha conosciuto un sensibile incremento. Diversi sono gli studi consacrati alla mappatura della presenza di quest’ultimo negli scritti sia precritici che critici del primo, e diversi sono i risultati conseguiti da ciascuno. Eppure, con l’eccezione di qualche richiamo alla sezione in cui lo spinozismo è presentato come l’unica alternativa all’idealismo trascendentale, la Critica della ragion pratica non è quasi mai menzionata né, tanto meno, si è soliti guardare ad essa nel tentativo di trovare qualcosa che attenui il contrasto tra le due prospettive. Scopo del presente saggio è mostrare come sia proprio nella seconda Critica, e in particolare introducendo il Faktum della ragione, che Kant pensa, per così dire, assieme a Spinoza. Nel 1788, la legge morale si comporta come un’idea adeguata che ci rende cause attive, e l’esperienza della libertà procurata dalla coscienza che ne abbiamo risulta essere, perciò, analoga all’esperienza dell’eternità illustrata dal V libro dell’Etica.
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CHEN, FENGLIN, YUNFEI DENG, ZHIBIN XIONG, and JINGCHENG RAN. "Strobilanthes hongii, a new species of Acanthaceae from Guizhou, China." Phytotaxa 388, no. 1 (January 14, 2019): 135. http://dx.doi.org/10.11646/phytotaxa.388.1.7.
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Strobilanthes hongii, a new species of Acanthaceae is described and illustrated from Libo, Guizhou, China. The new species is similar to S. pateriformis and S. truncata, but differs by the characters of leaf blade, bracteole and calyx and pollen grains. The new species is plietesial and grows in forest on limestone hills. The conservation status of S. hongii is assessed as “Vulnerable (VU)” according to the IUCN red list categories and criteria.
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Gordillo Obregon, Gilma, Angel Obregon Mayorga, and Mónica Logroño Becerra. "The use of illustrated stories as a proposal to improve multiple intelligences and students’ learning approach based on CLIL." Ciencia Digital 3, no. 4.1 (November 8, 2019): 98–112. http://dx.doi.org/10.33262/cienciadigital.v3i4.1.985.
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El propósito de esta propuesta de intervención es demostrar que el uso de cuentos ilustrados como material didáctico en el aula de educación primaria después de CLIL (Aprendizaje Integrado de Contenido y Lenguaje) es una idea muy apropiada para aprender el idioma inglés. Esta propuesta analizará las ventajas de usar este método basado en inteligencias múltiples. Los cuentos ilustrados dentro de CLIL ayudarán a los maestros de inglés a crear un ambiente perfecto para que los estudiantes aprendan un segundo idioma y al mismo tiempo desarrollen su pensamiento crítico. Se ha creado un libro de cuentos didáctico para los estudiantes de los primeros años de educación primaria, ya que es una forma creativa de conectar el aprendizaje de los estudiantes con su vida real. Este trabajo mostrará aspectos importantes como las características positivas y negativas que pueden ocurrir en el aprendizaje del idioma inglés. Las inteligencias múltiples y el uso de historias ilustradas, que han sido tomadas de la cultura ecuatoriana, promoverán el entusiasmo, el liderazgo, la motivación y el positivismo en los estudiantes. Como conclusión, se puede decir que se presentará y evaluará una propuesta didáctica creativa y será un recurso educativo positivo para los estudiantes que están aprendiendo inglés como segundo idioma en Ecuador y para mejorar el enfoque de aprendizaje de los estudiantes basado en CLIL.
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Rebhorn, Wayne A. "Baldesar Castiglione, Thomas Wilson, and the Courtly Body of Renaissance Rhetoric." Rhetorica 11, no. 3 (1993): 241–74. http://dx.doi.org/10.1525/rh.1993.11.3.241.
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Abstract: Historically, the Renaissance marks a transformation in wfiich the elite classes come to define themselves by their aesthetic refinement, taste, and good manners. Accompanying this change is a special vision of the human body which is distinguished from that of artisans and peasants. This opposition has been described by Bakhtin as one between the classical body and the grotesque one, and it appears in the most unportant book for the Renaissance redefinition of the upper classes, Castiglione's II libro del cortegiano. Castiglione's view of the body actually derives from the rhetorical tradition of antiquity, in particular from Quintilian and Cicero's De oratore. A similar view appears in the works of Renaissance rhetoricians and can usefully be illustrated by analysis of Thomas Wilson's The Arte of Rhetorique (1553), although the latter also retains a vision of the grotesque body as a result of the ambiguous social position of its author.
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GE, DE-YAN, and XIANG-SHENG CHEN. "Review of the genus Palaeothespis Tinkham (Mantodea: Thespidae), with description of one new species." Zootaxa 1716, no. 1 (February 29, 2008): 53. http://dx.doi.org/10.11646/zootaxa.1716.1.5.
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The Chinese endemic genus Palaeothespis Tinkham, 1937 (Mantodea: Thespidae: Pseudomiopteriginae: Pseudomiopterigini), containing 4 species: P. oreophilus Tinkham, 1937 (Sichuan: Kangding), P. pallidus Zhang, 1987 (Guizhou: Leishan, Daozhen, Libo and Xishui; Yunnan: Lushui), P. stictus Zhou & Shen, 1992 (Guizhou: Leishan, Daozhen; Zhejiang: Longquan), and P. leigongshanensis Ge & Chen n. sp. (Guizhou: Leishan), is reviewed here. The main morphological characteristics of P. leigongshanensis Ge & Chen n. sp. are described and illustrated. A key to all species of Palaeothespis is provided.