Relevant bibliographies by topics / Life Festival

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Life Festival'

Author: Grafiati
Published: 24 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Life Festival.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Life Festival"

1

Szymkiewicz, Aleksy. "Identity, place and values. On construction and internalization of festival normalities on the examples of music festivals in Poland." Journal of Urban Ethnology 19 (December 20, 2021): 153–70. http://dx.doi.org/10.23858/jue19.2021.010.

Full text
Abstract:
The aim of this paper is to compare of how two different festivals stimulate specific norms and perceptions, and therefore to present the way in which the visions of the festival cities are reproduced by the festival audience based on the axio-normative orders contained in the missions of the events. Based on the shared symbols and life strategies promoted by festivals, participants (re)build their identity which they manifest in chosen cultural practices. The article attempt to answer the following question: what is shared by festival-goers? Are the main motivations for participating in the vent due to shared musical tastes or also specific values and lifestyles, and consequently a common identity? It has been shown that the values promoted during festivals are declared by their organizers – they are present in the visual identification, seminars, workshops, etc. Festivals create their narratives based on symbols such as logos, attitude smartphones, or festival slogans which contain condensed axio-normative systems that create the boundaries of the community. It influencesthe behavior of festival goers: the city’s vision, ways of spending free time, and their identity. The places where the fieldwork was conducted were: “Henryk Rasiewicz National Festival of Unbreakable and Independent Songs in Kraków”, “Ostróda Reggae Festiva” in Ostróda, and the “Song of Our RootsFestival” in Jarosław.
APA, Harvard, Vancouver, ISO, and other styles
2

Franklin, Adrian. "Where "Art Meets Life"." Journal of Festive Studies 1, no. 1 (2019): 106–27. http://dx.doi.org/10.33823/jfs.2019.1.1.27.

Full text
Abstract:
In Hobart, a litany of winter festivals flopped and failed until the arrival of Mona (Museum of Old and New Art), a private museum owned by mathematician, successful online gambler, and autodidact David Walsh. Since 2013, its new festival, Dark Mofo, not only has reignited long-somnolent traditions of midwinter festival imaginaries among its postcolonial society but also has proved to be an effective vehicle for galvanizing an all-of-community form of urban activation, engagement, and regeneration. It has also completely overwhelmed the city with visitors keen to participate in a no-holds-barred ritual week with major global artists and musicians keen to be on its carnivalesque platforms. While Mona has explored grotesque realism themes of sex, death, and the body in its darkened, labyrinthine and subterranean levels, Dark Mofo has permitted their mix of carnivalesque and Dionysian metaphors and embodied practices/politics to take over the entire city in a week of programmatic mischief and misrule at midwinter. Research by an Australian Research Council–funded study of Mona and its festive register will be used to account for its origins and innovation as well as its social, cultural, and economic composition and impact.
APA, Harvard, Vancouver, ISO, and other styles
3

Cashman, David. "‘The most atypical experience of my life’: The experience of popular music festivals on cruise ships." Tourist Studies 17, no. 3 (2016): 245–62. http://dx.doi.org/10.1177/1468797616665767.

Full text
Abstract:
This article considers the growing phenomenon of music festivals on cruise ships. These commercial events, partnerships between event companies and shipping lines, celebrate a particular genre of music and occur aboard a cruise ship. The views of 138 festivalgoers primarily concentrated within six festivals were considered. According to these sources, the festival experience of these events is centred on three factors: live performances, interaction with fellow festivalgoers and star musicians (collectively referred to as ‘ship fam’), and interaction with the constructed space of the cruise ship. Cruise ship music festivals are a different type of music festival, still occurring within festival space, but within the mobile experiential cocoon of a cruise ship.
APA, Harvard, Vancouver, ISO, and other styles
4

Ponomarenko, Olena. "“Wagner Festival Ravello” as a Sociocultural Phenomenon of the Festival Process in Italy." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 183–96. http://dx.doi.org/10.31318/2522-4190.2021.130.231270.

Full text
Abstract:
The relevance of the issue is due to the need to consider Italian music festivals as a component of national culture, to summarize their experience, which is important for musical life in general and for Ukraine in particular.The purpose of the article is to identify the prerequisites for the origin, the development process, as well as the modern vector of functioning of one of the most authoritative festivals in the south of Italy “Wagner Festival Ravello”, the 68th season of which took place in 2020.The scientific novelty lies in the fact that for the first time in Ukrainian art history, Italian music festivals are considered as an organic, artistic and economic component of the national culture, their traditional and innovative features are noted, and prospects for further development in the musical life of modern Italy. A detailed analysis of the Wagner Festival in Ravello will contribute to the dissemination of Italian experience for the organization and conduct of musical projects in Ukraine.The research methodology is based on the use of the inductive method, which, to characterize the festival process in the cultural life of Italy, involves the study of individual festival projects and provides for the use of a set of complementary research methods — historical-analytical, empirical and sociocultural. The historical-analytical method contributed to the understanding of the logic of the formation and development of the festival, the appeal to empirical and sociocultural methods made it possible to consider the features of the organization of the festival in the context of social relations in the system of musical life in modern Italy.Main results and conclusions. “Wagner Festival Ravello” is developing and constantly improving its capabilities. The high professional level of the international festival has been maintained for many years, and this is done thanks to the coordinated management of everyone involved in the organizational process. It should be noted that there is significant support from public authorities, as well as investments from the business sector. Within the framework of a modern project, there are creative scenes created using innovative technologies, orchestra of the Teatro San Carlo, the recording studio, the festival magazine — all these components of systemic activity are interconnected and aimed at ensuring an impeccable result. The Ravello Foundation has been leading and constantly developing the project for almost 20 years in order to represent the city of Ravello internationally as one of the cultural centers of the Campania region. Further creative life and the success of the festival require cooperation of cultural, financial, state institutions, constant technological renewal — everything that will allow the world to demonstrate the historical and artistic monuments of the City of Music and preserve the Wagner Festival of Ravello for future generations as an Italian cultural brand. Prospects for further research in this direction are: first, in a thorough study of the specifics of the functioning of music festivals in modern Italy and coverage of various aspects of the organization of this process; secondly, in the analysis of cooperation between the cultural, financial, tourism sectors, which affects the high level of organization and long-term creative life of festival events; thirdly, in considering the control system by the state, which should always be focused on professional support and represent the most important component of the functioning of art projects. All of the above will help domestic musicians learn about the specifics of organizing music festivals in Italy, as well as adopt and use it in the practice of musical life in modern Ukraine
APA, Harvard, Vancouver, ISO, and other styles
5

MALL, ANDREW. "Music Festivals, Ephemeral Places, and Scenes: Interdependence at Cornerstone Festival." Journal of the Society for American Music 14, no. 1 (2020): 51–69. http://dx.doi.org/10.1017/s1752196319000543.

Full text
Abstract:
AbstractCornerstone was an annual four-day-long Christian rock festival in Illinois that ran from 1984 until 2012, first in Chicago's northern suburbs and then on a former farm in the rural western part of the state. Most attendees camped on-site, and many arrived one or two days early when the campgrounds opened before official programming started. Like many contemporary multi-day festivals in relatively rural or remote locations, Cornerstone's festival grounds and campsites functioned as a temporary village. For many attendees, music festivals have supplanted local scenes as loci of face-to-face musical life. Outside Cornerstone, participants’ musical lives might be curbed by family, professional obligations, geographic separateness, or cultural stratification. Inside the festival's physical, social, and cultural spaces, however, a cohesive music scene manifested for a brief time every year. This article examines the production of space and place at Cornerstone. In doing so, it contributes a vital link between scene theory and the growing ethnomusicological literature on festivals.
APA, Harvard, Vancouver, ISO, and other styles
6

Naumović, Slobodan. "The Survivor's Suite: The Life of the International Festival of Ethnological Film in Belgrade through Interesting Times." Issues in Ethnology and Anthropology 16, no. 4 (2021): 1013–42. http://dx.doi.org/10.21301/eap.v16i4.2.

Full text
Abstract:
This paper is an attempt, based on many years of following the International Festival of Ethnological Film, organized by the Ethnographic Museum in Belgrade, to provide insight into the way in which it has so far fulfilled its purpose, while at the same time experiencing tumultuous, occasionally even tragic events and processes. The main question concerns the way in which “interesting times” have left their mark on and shaped the world of human experience of people who have lived through them, thus also film production and festival practice. The phrase “interesting times” is used in the sense in which it was used by the historian Eric Hobsbawm, who used it as a label for “the most extraordinary and terrible century in human history”. Two elements are of prime importance in the paper – the assumption that “interesting times” can exist simultaneously with, and can cause or heighten emotional and creative tension, and also the fact that the limited possibilities that the resulting states of mind and initiatives can be fulfilled through the usual channels, such as political ones, can lead to attempts to satisfy them through art or cultural forms. Film production and festival activities can, under certain circumstances, offer alternative channels for expressing moods and content that arise or are enhanced during “interesting times”. On the one hand, the framework for analysis will provide reflections on the nature and the possible social roles of film festivals, including festivals of documentary and ethnographic films. Essentially, it will be necessary to consider the questions of the types of experiences provided by the Festival to its participants and attendees, the cinematic experiences it offers, and the specific aims and ideologies advocated as part of it. On the other hand, relying on valuable testimony in the form of the Festival Catalogue, words and images which testify to the achievements of the Festival will be identified. At the very beginning, in the turbulent times when political orders were overthrown, along with legal and ethical frameworks, it seemed that the Festival had managed to be conceptually ahead of its time. It was a dream come true and a model for many, a place where “miracles” happened. After a number of years, its long history temporarily weakened the Festival's creative potential. The times became somewhat less interesting, slightly dull even, and the Festival followed suit. And yet through all the changes, the Festival has not ceased to be a place where people meet and learn; a place where images inspire thoughts, and thoughts seek visual means of expression; a place where, by meeting Others, we learn something about ourselves as well, but also a place where by seeking to find a way to represent ourselves, we enrich Others.
APA, Harvard, Vancouver, ISO, and other styles
7

KUZMINA, NATALYA. "Festival in the big city: the role of festivalization in urban cultural life." Public Administration 23, no. 4 (2021): 64–70. http://dx.doi.org/10.22394/2070-8378-2021-23-4-64-70.

Full text
Abstract:
The article analyzes the theoretical aspects of urban festivals as well as their implementation in practice, aimed at forming the image of the city. Urban festivals are cultural events that consolidate a community that shares both the values and meanings conveyed by the festival, giving them a sense of belonging to each other and to the location in which the cultural event takes place. Urban festivals influence the culture of citizen participation, contribute to the emergence of new cultural practices, have a positive impact on the area, the appearance of the city, etc. The article shows that the festivals leave a “trace” in the symbolic, informational and cultural space of the city; they act as a tool for designing the urbanistic image, as well as a kind of “magnet” for tourists. Due to festivalization, the city becomes a place of touristic cultural consumption, and at the same time, acting as an object of investment in the service sector. The festivals create conditions for regulated and safe human interaction with the city. During the festivities, the urban space is filled with diverse and multi-genre cultural events, while some other aspects of urban life become unseen because of the festival activity. The author concludes that the city festival forms a specific type of urban citizen. Another feature of the city festival is that it helps to “revive” the place where it is held (the city), to activate the creative potential of young artists and cultural workers, to increase the attractiveness of cultural institutions (concert halls and other venues) among the citizens, in particular, the new audience, to educate the artistic and aesthetic taste of young people.
APA, Harvard, Vancouver, ISO, and other styles
8

Yuan, Huilin, Yufan Song, Jianlu Hu, and Yatao Ma. "Design of Festival Sentiment Classifier Based on Social Network." Computational Intelligence and Neuroscience 2020 (August 7, 2020): 1–10. http://dx.doi.org/10.1155/2020/8824009.

Full text
Abstract:
With the development of society, more and more attention has been paid to cultural festivals. In addition to the government’s emphasis, the increasing consumption in festivals also proves that cultural festivals are playing increasingly important role in public life. Therefore, it is very vital to grasp the public festival sentiment. Text sentiment analysis is an important research content in the field of machine learning in recent years. However, at present, there are few studies on festival sentiment, and sentiment classifiers are also limited by domain or language. The Chinese text classifier is much less than the English version. This paper takes Sina Weibo as the text information carrier and Chinese festival microblogs as the research object. CHN-EDA is used to do Chinese text data augmentation, and then the traditional classifiers CNN, DNN, and naïve Bayes are compared to obtain a higher accuracy. The matching optimizer is selected, and relevant parameters are determined through experiments. This paper solves the problem of unbalanced Chinese sentiment data and establishes a more targeted festival text classifier. This festival sentiment classifier can collect public festival emotion effectively, which is beneficial for cultural inheritance and business decisions adjustment.
APA, Harvard, Vancouver, ISO, and other styles
9

Holmes, Kirsten, and Jane Ali-Knight. "The event and festival life cycle – developing a new model for a new context." International Journal of Contemporary Hospitality Management 29, no. 3 (2017): 986–1004. http://dx.doi.org/10.1108/ijchm-10-2015-0581.

Full text
Abstract:
Purpose The events and festivals literature relies on theories and models borrowed from tourism studies which may insufficiently account for the unique characteristics of events and festivals. Using four case studies from Australia, United Arab Emirates and the UK, this paper aims to analyse events and festival life cycles using the Tourism Area Life Cycle (TALC) framework (Butler, 1980). Design/methodology/approach The paper is conceptual in that it theorises the range of event and festival life cycle trajectories; however, four event case studies are also used to illustrate this approach. Findings Findings facilitate an extension of Butler’s model to include additional trajectories and accompanying underpinning critical factors that better explain and predict the nature of events and festivals. Research limitations/implications The paper is based on four case studies from the cultural sector which is ideal for developing theory but limits the contexts examined in this paper. The findings are only applicable to recurring events and festivals. Practical implications In the new model, seven different pathways, ranging from continued growth to cancellation, suggest potential opportunities and risks for events and festivals. The results are of particular relevance for event managers, who can use the case studies and trajectories as reference points for event growth and consolidation. Social implications The case studies reveal that successful events are seen to have strong ties to their local communities and are rooted in the destination. Originality/value The paper’s originality is in both the context of utilising diverse international cultural festival and events as case studies and the proposal of seven alternative pathways for events and festivals, which extend Butler’s TALC to the unique context of these temporal phenomena.
APA, Harvard, Vancouver, ISO, and other styles
10

STORHOFF, TIMOTHY. "Music, Politics, and the Liminality of the Havana Jazz Plaza Festival in the Obama Era." Journal of the Society for American Music 14, no. 1 (2020): 70–91. http://dx.doi.org/10.1017/s1752196319000555.

Full text
Abstract:
AbstractAfter the Obama administration (2009–17) began authorizing musical exchanges with Cuba in 2009, Havana's music festivals became a primary site for transnational interactions and a public face for US-Cuban engagement while politicians worked towards normalization in secret. This article uses field research from the Havana International Jazz Festival, interviews with festival participants, and media coverage to explore Cuban music festivals as politically liminal spaces where musical and political life commingled to reflect the changing US-Cuban relationship. While diverse lineups attracted international tourists, artists faced bureaucratic challenges to legally traverse the Florida Straits and create music in the context of intercultural dialogue. Despite these difficulties, Havana as a festival space encouraged musicians to defy genre conventions, explore cultural commonalities, and negotiate social differences on stage during the Havana Jazz Plaza Festival. These transnational interactions culminated in Arturo O'Farrill's album Cuba: The Conversation Continues, which was recorded by US and Cuban musicians in Havana during the 2014 jazz festival and is characteristic of festival exchanges in its representation of a more harmonious international relationship.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Life Festival"

1

Morehead, John W. "Burning Man Festival as life-enhancing, post-Christendom 'middle way'." Theological Research Exchange Network (TREN), access this title online, 2007. http://dx.doi.org/10.2986/tren.112-0001.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rootenberg, Cindy. "The influence of a wine festival on tourists' life satisfaction / Cindy Rootenberg." Thesis, North-West University, 2009. http://hdl.handle.net/10394/3744.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Magalhães, Augusto. "Socialização do espaço urbano: como um festival de artes interferiu na relação indivíduo/cotidiano na cidade de Areia, Brejo Paraibano, na década de 70." Universidade Federal da Paraí­ba, 2009. http://tede.biblioteca.ufpb.br:8080/handle/tede/7324.

Full text
Abstract:
Made available in DSpace on 2015-05-14T13:27:10Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 570100 bytes, checksum: b66e6798633f8d45e615b033e2c29557 (MD5) Previous issue date: 2009-04-06<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>It is research in which we analyze the interaction and change of daily life in the city of Sand at the completion of the Festival of Arts in council in the 70s. To make this analysis based on social relations in the small town, with its codes and symbols, and uses the theoretical and social Norbert Elias and Michel de Certeau to understand the webs in the chain of events, which includes a Festival of Arts, though a short period of time, elements hitherto alien to the residents living in Sand. We refer also to the "Age of Festivals" and the troubled military regime in Brazil to understand the historical context in which the Festival happen and fight for the youth of the time free speech. We analyze reports of artists and residents of the city, together with based on social theories, to identify the interference of the individual in relation Festivals / Areia. We are of daily life in the city during our research that the council has already considered, in the nineteenth century, important cultural itinerary traders who came to the States of Pernambuco and Rio Grande do Norte and the festivals held in the 1970s to nurture cultural openness and some improvement of knowledge to others, involving the local population, been losing strength in the 1980s revival and with other characteristics in mid 90s, giving rise to the festivals of brega music that characterizes the city today.<br>Trata-se de pesquisa em que analisamos a interação e mudança de cotidiano da cidade de Areia por ocasião da realização dos Festivais de Arte naquele município na década de 70. Para fazer esta análise tomamos como base as relações sociais na pequena cidade, com seus códigos e símbolos, e recorremos a teóricos sociais como Norbert Elias e Michel de Certeau para compreender as teias dessa cadeia de acontecimentos, onde um Festival de Artes incorpora, ainda que por pequeno período de tempo, elementos até então estranhos à convivência dos moradores de Areia. Nos reportamos também à "Era dos Festivais" e ao conturbado regime militar no Brasil para entender o contexto histórico em que aconteciam os Festivais e a luta da juventude da época por liberdade de expressão.Analisamos relatos de artistas e também de moradores da cidade para, com base em teorias sociais, identificar a interferência dos Festivais na relação indivíduo/cotidiano na cidade de Areia.Constatamos durante nossa pesquisa que o município já foi considerado, no século XIX, importante roteiro cultural para comerciantes que vinham dos Estados de Pernambuco e Rio Grande do Norte e que os Festivais realizados na década de 1970 oportunizaram abertura cultural para uns e aprimoramento de conhecimentos para outros, envolvendo a população local, vindo a perder força na década de 1980 e ressurgindo com outras características em meados anos 90, dando lugar aos festivais de música brega que caracterizam a cidade hoje.
APA, Harvard, Vancouver, ISO, and other styles
4

Lane, Kevin A. "An Economic Impact Analysis For The 2nd Annual Bluegrass, Old-Time Music And Dance Festival in the Village of Stone Mountain, Georgia." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/9.

Full text
Abstract:
Festivals in the Appalachian region may provide a substantial economic impact for host communities. Regionally unique themes like Bluegrass and Old-Time music are substantial draw factors for potential visitors. This paper uses information collected at a small Appalachian themed music festival to project what the economic impact of hosting such an event is. Demographic information and an analysis of the festival visitor drawing area will further project the economic activity affected by the event.
APA, Harvard, Vancouver, ISO, and other styles
5

Hojsák, Aleš. "Zefektivnění návrhu projektu a aplikace metodiky projektového managementu pro vybraný projekt." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2018. http://www.nusl.cz/ntk/nusl-386752.

Full text
Abstract:
Diplomová práce je věnována aplikaci metod a nástrojů projektového řízení v rámci projektu “You2ber Life!”. Kapitola 1 studovala teoretické základy projektového řízení a jeho metod. Kapitola 2 hodnotí (současná situace, udržitelnost události, konkurenci a shrnutí poznatků získaných pro zlepšení v příštích letech). Kapitola 3 simuluje (finanční analýzu a návrh rozpočtu), definuje (cíl SMART, WBS a řízení času pomocí Ganttova diagramu), vysvětluje (význam lidských zdrojů při řízení projektů), objasňuje (význam lidských zdrojů při řízení projektů), vyhodnocuje (rizika) a skládá se z návrhů platných pro projekt “You2ber Life!”. Nicméně, po úpravách může být použita i v příštích letech.
APA, Harvard, Vancouver, ISO, and other styles
6

Beaubien, Brad M. "Community festivals and social capital." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217382.

Full text
Abstract:
This research examines the relationship between community festivals and social capital across time and place. Social capital includes the social networks, norms, and trust that enable groups of individuals to cooperate in pursuing shared objectives, and benefits accrue to both the individual and the community. Research shows the ancient Greek and American Indian civilizations relied on festivals for a variety of purposes relating to social capital, including the bridging of social divides, the transmission of cultural heritage, and the reinforcement of community identity. Today, research findings from five small town festivals in Indiana indicate a similar relationship with social capital. Festivals can bring a community together, offer a shared experience for a diverse group of people, build new relationships, and foster community pride and identity. As such, community festivals may serve as a tool for community planners in building or sustaining social capital in a community.<br>Department of Urban Planning
APA, Harvard, Vancouver, ISO, and other styles
7

Lin, Patricia Yuen-Wan. "Cultural identity and ethnic representation in arts education : case studies of Taiwanese festivals in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0015/NQ56578.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

St, John Graham 1968. "Alternative cultural heterotopia ConFest as Australia's marginal centre." [Melbourne] : Confest Integrity Agency, 2000. http://nla.gov.au/nla.arc-41333.

Full text
Abstract:
Title from title screen (viewed on 15 Apr. 2004) Text and graphics. Web site contains the complete thesis submitted in total fulfilment of the requirements for the Degree of Doctor of Philosophy, School of Sociology, Politics and Anthropology, Faculty of Humanities and Social Sciences, La Trobe University, Melbourne, Australia. Also includes photographs and links to related web sites. System requirements: Adobe Acrobat reader for viewing files in PDF format. Mode of access: Internet via World Wide Web. Available at: http://www.confest.org/thesis/index.html Selected for archivingANL
APA, Harvard, Vancouver, ISO, and other styles
9

Serafini, Gloria. "La sottotitolazione interlinguistica in tempo reale: il caso Ericsson Olanda e l'esperimento presso il festival Sedicicorto 2014." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/10173/.

Full text
Abstract:
Al giorno d'oggi l'accessibilità all’informazione e ai prodotti audiovisivi è un argomento particolarmente delicato. Spesso, le categorie più svantaggiate, come le persone affette da disabilità sensoriali e gli stranieri, non hanno pieno accesso alla programmazione televisiva o a eventi ricreativi, culturali o formativi (conferenze, workshop, spettacoli), a causa della mancanza di adeguati servizi di supporto linguistico. Tale carenza rappresenta una mancata opportunità d’integrazione e anche una potenziale perdita, in termini di pubblico e di introiti, per le emittenti e gli enti che organizzano programmi ed eventi di interesse generale. Questa tesi intende analizzare le tecniche attraverso le quali oggi viene realizzata la sottotitolazione interlinguistica in tempo reale. Il nostro obiettivo è quello di dimostrare che approfondendo la ricerca scientifica sul respeaking e su altre tecniche meno costose rispetto alla stenotipia, la sottotitolazione interlinguistica in tempo reale non sarebbe più un miraggio. Il primo capitolo fornisce una panoramica sulla sottotitolazione intralinguistica e interlinguistica e sulla sottotitolazione preregistrata, in diretta e in semi-diretta. Nel secondo capitolo presenteremo il caso dell’azienda Ericsson in Olanda, l'unica a fornire sottotitolazione interlinguistica in tempo reale nei Paesi Bassi, tramite una tecnica che combina un interprete simultaneo, uno stenotipista e un "subtitle keyer" (figura che inserisce i sottotitoli al momento opportuno). La squadra lavora su un segnale dal vivo che viene però trasmesso al pubblico olandese con alcuni secondi di ritardo, permettendo di migliorare la qualità dei sottotitoli. Grazie ad una borsa di studio concessa dal Dipartimento d’Interpretazione e Traduzione di Forlì (Università di Bologna), abbiamo potuto intervistare il responsabile dell’unità di traduzione presso Ericsson, dott. Thijs de Korte, e abbiamo avuto modo di assistere in loco alla realizzazione dei sottotitoli interlinguistici in tempo reale. Il terzo capitolo si concentrerà sulla tecnica del respeaking, dagli ambiti d’uso ai requisiti per svolgere questa professione. Ci concentreremo in particolare sulle somiglianze tra respeaker e interprete simultaneo, che ci condurranno all'esperimento descritto nel capitolo 4. Infatti, date le somiglianze riscontrate tra interpretazione simultanea e respeaking e il potenziale in termini di accessibilità offerto dalla sottotitolazione interlinguistica dal vivo, abbiamo fornito un servizio sperimentale di sottotitolazione in diretta dall’italiano verso l’inglese durante la cerimonia di premiazione del Sedicicorto International Film Festival di Forlì. Dopo aver descritto in dettaglio l’esperienza, analizzeremo i giudizi espressi da ospiti stranieri, pubblico italiano e membri dell'associazione "Sedicicorto", al fine di verificare la qualità del servizio e osservarne i benefici. La conclusione della nostra tesi è che sfruttando appieno il potenziale offerto della tecnologia moderna e approfondendo la ricerca sulle tecniche per la sottotitolazione interlinguistica dal vivo, si potrebbero ridurre i costi dei servizi di supporto linguistico a non udenti e stranieri, incoraggiando dunque aziende ed enti a garantire una maggiore accessibilità all’informazione e agli eventi culturali e formativi.
APA, Harvard, Vancouver, ISO, and other styles
10

Morris, Brian John. "Journeys in extraordinary everyday culture : walking in the contemporary city /." Connect to thesis, 2001. http://eprints.unimelb.edu.au/archive/00002256.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Life Festival"

1

Valkonen, Kaija. Festival fever: Finland festivals. Otava Pub. Co., 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

DePree, Gladis. Festival. Zondervan Pub. House, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Association of Canadians of Russian Descent. Russian Canadian Heritage Festival =: Festivalʹ russko-kanadskogo nasledii︠a︡. Iskra Publ., 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Thaler, Mike. Harvest festival. Zondervan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lantern Festival. Bullfrog Books, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jewish Culture Festival (2nd 1990 Cracow, Poland). II Festiwal Kultury Żydowskiej: Kraków 25.04.-6.05.1990 = The 2nd Jewish Culture Festival = Das 2. Festival der Jüdischen Kultur = II- eme Festival de la Culture Juive. Krakowskie Centrum Filmowe, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Coates, Lawrence. The Blossom Festival. University of Nevada Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Tawhai, Alice. Festival of miracles. Huia Publishers, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Russell, Ching Yeung. Moon Festival. Boyds Mills Press, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Liu, Shiyu. China's spring festival. Zhongguo hua bao chu ban she, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Life Festival"

1

Zanotto, Paola. "A better life for more people." In Architecture, Festival and the City. Routledge, 2018. http://dx.doi.org/10.4324/9780429432125-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Paperny, Vladimir. "Temporary architecture and life-building, 1925–1940." In A History of Russian Exposition and Festival Architecture. Routledge, 2018. http://dx.doi.org/10.4324/9781315461854-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

ZHANG, Min, Sihui DING, and Dan DI. "Association Study on Urban Festival Activities and Residents’ Happiness: Taking Shanghai Tourism Festival as an Example." In New Media and Transformation of Social Life in China. SAGE Publications, Inc., 2018. http://dx.doi.org/10.4135/9789353280659.n6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

López-Guzmán, Tomás, Jesús C. Pérez-Gálvez, and Guzmán A. Muñoz-Fernández. "A Quality-of-Life Perspective of Tourists in Traditional Wine Festivals: The Case of the Wine-Tasting Festival in Córdoba, Spain." In Applying Quality of Life Research. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91692-7_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Scheibler, Ingrid. "Art as Festival: Transcending the Self Through the Work of Art." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Zhao, Ying, Fangfang Chen, and Honggang Xu. "“It is a way of life”: detecting Chinese students' wellbeing during the Spring Festival homecoming." In Travel and Lifestyle. Routledge, 2021. http://dx.doi.org/10.4324/9781003243823-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Halpenny, Elizabeth, Nan-xi Yan, and Kim Macmillan. "Reinventing 'ice on whyte': how a mature winter festival sought renewal in the visitor economy." In Managing events, festivals and the visitor economy: concepts, collaborations and cases. CABI, 2021. http://dx.doi.org/10.1079/9781789242843.0005.

Full text
Abstract:
Abstract This chapter discusses festivals having a life cycle that is heavily influenced by external factors such as competition and climate change; to renew and remain relevant, innovation and experimentation are necessary. Continual assessment of the visitor experience offer is required to maintain the event's viability. Festivals play an important role in fostering greater liveability for residents of winter cities, and act as essential temporal anchors to attract tourists in the slower winter tourism season.
APA, Harvard, Vancouver, ISO, and other styles
8

Helliwell, John R. "When I Lectured at the British Association for the Advancement of Science (BAAS) Festival of Science Held at the University of Liverpool in September 2008." In The Whens and Wheres of a Scientific Life. CRC Press, 2020. http://dx.doi.org/10.1201/9781003043744-23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Reynolds, Andy. "Festivals." In The Live Music Business, 3rd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003019503-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ravitz, Jeff, and James L. Moody. "Festivals." In Lighting for Televised Live Events. Routledge, 2021. http://dx.doi.org/10.4324/9780429288982-18.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Life Festival"

1

Unknown. "First Life." In ACM SIGGRAPH 2004 Computer animation festival. ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186067.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Heath, Timothy. "The plush life." In ACM SIGGRAPH 2008 computer animation festival. ACM Press, 2008. http://dx.doi.org/10.1145/1400468.1400532.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Affronti, Mauro. "Drown to life." In SIGGRAPH Asia 2012 Computer Animation Festival. ACM Press, 2012. http://dx.doi.org/10.1145/2407603.2407628.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lombardi, Doug. "Half-Life 2." In ACM SIGGRAPH 2007 computer animation festival. ACM Press, 2007. http://dx.doi.org/10.1145/1281740.1281803.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mori, Ryouichi. "Peeping life." In ACM SIGGRAPH ASIA 2009 Computer Animation Festival. ACM Press, 2009. http://dx.doi.org/10.1145/1665208.1665262.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mori, Ryouichi. "Peeping life." In ACM SIGGRAPH ASIA 2009 Computer Animation Festival. ACM Press, 2009. http://dx.doi.org/10.1145/1665208.1665263.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mori, Ryouichi. "Peeping life." In ACM SIGGRAPH ASIA 2009 Computer Animation Festival. ACM Press, 2009. http://dx.doi.org/10.1145/1665208.1665229.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gérard, Mathieu. "Steel life." In ACM SIGGRAPH ASIA 2009 Computer Animation Festival. ACM Press, 2009. http://dx.doi.org/10.1145/1665208.1665232.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Knight, Melissa. "Infiniti 'factory of life'." In SIGGRAPH Asia 2014 Computer Animation Festival. ACM Press, 2014. http://dx.doi.org/10.1145/2671032.2671102.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Koumoutsakos, Petros. "The secret life of vortices." In ACM SIGGRAPH 2008 computer animation festival. ACM Press, 2008. http://dx.doi.org/10.1145/1400468.1400539.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Life Festival"

1

Kenes, Bulent. Boogaloo Bois: Violent Anti-Establishment Extremists in Festive Hawaiian Shirts. European Center for Populism Studies (ECPS), 2021. http://dx.doi.org/10.55271/op0006.

Full text
Abstract:
As a pro-Second Amendment movement, the Boogaloo Boys are easily recognizable because of their Hawaiian-themed Aloha shirts and masks along with their semiautomatic weapons. Having the basic characteristics of anti-establishment far-right populists and seeing the outbreak of violence as something like a party, typically accelerationist Boogaloo Boys use these Hawaiian shirts to hide their intention to trigger a civil war to overthrow what they regard as a corrupt establishment in the US.
APA, Harvard, Vancouver, ISO, and other styles
2

McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

Full text
Abstract:
Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place to live signing an historical partnership agreement. The region’s road, rail, increasing air links and now digital infrastructure, keep it closely connected to events elsewhere. At the same time its distance from the metropolitan centres has meant it has had to ensure that its creative and cultural life has been taken into its own hands. The establishment of the sophisticated Murray Art Museum Albury (MAMA) as well as the presence of the LibraryMuseum, Hothouse Theatre, Fruit Fly Circus, The Cube, Arts Space and the development of Gateway Island on the Murray River as a cultural hub, as well as the high profile activities of its energetic, entrepreneurial and internationally savvy locals running many small businesses, events and festivals, ensures Albury Wodonga has a creative heart to add to its rural and regional activities.
APA, Harvard, Vancouver, ISO, and other styles
3

Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

Full text
Abstract:
Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There are exceptions, most famously Wagner, who did libretto, music and staging for his operas. And 20th century composers like Olivier Messiaen, who wrote his own poems for his music – or Luciano Berio, who made a collage of such detail that it the text arguably became his own in Sinfonia. But this relationship is often a convoluted one, not often discussed in the tradition of musical analysis where text tend to be taken as a given, not subjected to the same rigorous scrutiny that is often the case with music. This exposition is an attempt to unfold this process of composing with both words and music. A key challenge has been to make the text an intrinsic part of the performance situation, and the music something more than mere accompaniment to narration. To render the words meaningless without the music and vice versa. So the question that emerged was how music and words can be not only equal partners, but also yield a new species of music/text? A second questions follows en suite, and that is what challenges the conflation of different roles – the writer and the composer – presents? I will try to address these questions through a discussion of the methods applied in Blue Mountain, the results they have yielded, and the challenges this work has posed.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Life Festival' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography