Relevant bibliographies by topics / Life (Magazine)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Life (Magazine)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Life (Magazine)"

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BOWLER, PETER J. "Meccano Magazine: boys’ toys and the popularization of science in early twentieth-century Britain." BJHS Themes 3 (2018): 129–46. http://dx.doi.org/10.1017/bjt.2018.5.

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AbstractMeccano Magazine began publishing in 1916 to advertise the popular children's construction set. By the 1920s it had expanded into a substantial, well-illustrated monthly that eventually achieved a circulation of seventy thousand. Under the editorship of the popular-science writer Ellison Hawks it now devoted approximately half of its pages to real-life technology and some natural science. In effect, it became a popular-science magazine aimed at teenage and pre-teen boys. This article explores Hawks's strategy of exploiting interest in model building to encourage interest in science and technology. It surveys the contents of the magazine and shows how it developed over time. It is argued that the material devoted to real-life science and technology was little different to that found in adult popular-science magazines of the period, raising the possibility that Meccano Magazine’s large circulation may explain the comparative lack of success of the adult publications.
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Uglow, Luke. "The life and death of The Connoisseur." Art Libraries Journal 39, no. 1 (2014): 17–23. http://dx.doi.org/10.1017/s0307472200018137.

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In February 1992 a magazine called The Connoisseur died. Born in September 1901, it had lived a long life, and was the oldest of the once great triumvirate of British art periodicals, alongside The Burlington Magazine (1903) and Apollo (1925). While the latter two have survived into the 21st century, in 1982 The Connoisseur went into retirement and moved to America. This paper will tell the story of the last 15 years of the magazine’s life, from its happy 75th birthday through to an ignominious final eight months.
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Schwartz, Joshua S. "Publish the Picture at Your Peril: Visual Ideas and the Commercial Apparatus of Life Magazine." Journal of the Gilded Age and Progressive Era 20, no. 2 (April 2021): 301–24. http://dx.doi.org/10.1017/s1537781420000821.

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AbstractIn the early years of the twentieth century, Life magazine had only approximately one hundred thousand subscribers, yet its illustrated images (like the Gibson Girl) significantly influenced fashion trends and social behaviors nationally. Its outsized influence can be explained by examining the magazine’s business practices, particularly the novel ways in which it treated and conceptualized its images as intellectual property. While other magazines relied on their circulation and advertising revenue to attain profitability, Life used its page space to sell not only ads, but also its own creative components—principally illustrations—to manufacturers of consumer goods, advertisers, and consumers themselves. In so doing, Life’s publishers relied on a developing legal conception of intellectual property and copyright, one that was not always amenable to their designs. By looking at a quasi-litigious disagreement in which a candy manufacturing company attempted to copy one of the magazine’s images, this article explores the mechanisms behind the commodification and distribution of mass-circulated images.
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Fleming, Tyler, and Toyin Falola. "Africa's Media Empire: Drum's Expansion to Nigeria." History in Africa 32 (2005): 133–64. http://dx.doi.org/10.1353/hia.2005.0008.

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Publishing in Africa remains so difficult an enterprise that many publishers have collapsed, their dreams disappearing with them. This is especially true of the print media, particularly newspapers and magazines. During the past century, many magazines and newspapers failed to establish a loyal readership, keep costs down, insure wide circulation, or turn a huge profit. Consequently, not many African magazines can be viewed as “successful.” Drum magazine, however, remains an exception.In 1951 Drum, a magazine written for and by Africans, was established in South Africa. Drum enjoyed a great deal of success and is now widely recognized as having been a driving force in black South African culture and life throughout the 1950s and 1960s. In the South African historiography Drum has been thoroughly researched. The magazine's impact on South African journalism, literature, gender configurations, African resistance, and urban South African culture has been documented and often lauded by various scholars. Many former members of the South African edition's payroll, both editors and staff alike, have gone on to become successes in literature, journalism, and photography. Often such staff members credit Drum for directly shaping their careers and directly state this in their writings. Consequently, Drum is often associated only with South Africa. While Drum greatly influenced South Africa, its satel¬lite projects throughout Africa were no less important. These satellite projects cemented Drum's reputation as the leading magazine newspaper in Africa and each edition became fixtures in west African and east African societies.
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Buaphet, Permtip. "Weddings and Thai Women: The Construction of Weddings and the Portrayal of Thai Women Through Wedding Stories in Thai Wedding Magazines." MANUSYA 20, no. 1 (2017): 33–51. http://dx.doi.org/10.1163/26659077-02001003.

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Thai wedding magazines have been a primary resource for Thai women seeking wedding planning information. This study analyses the construction of weddings and investigates the portrayal of brides within the context of Thai wedding magazines by combining textual analysis and visual research methods. It investigates the social arrangements indicated in these magazines and the associated wedding ideology represented. Data for analysis is based on three magazines (Wedding Guru, We, and Love Wedding Magazine). There were twenty-two magazine issues and one hundred and thirty-two stories in total, covering the period from November 2014 – October 2015. These magazines are targeted at women in their 20s and older. The study reveals how Thai wedding magazines formulate the meaning of weddings and the role of Thai wedding magazines in the transmission of particular ideas about desirable weddings in Thai society, while also reinforcing notions of what constitutes the ideal life for women. Findings in terms of the content indicate that weddings and women as brides in Thai wedding magazines are constructed only in positive ways. That is to say, weddings and the act of becoming a bride are constructed as examples of an already achieved ‘ideal’ life.
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Dajnowicz, Malgorzata. "Successful women in the Polish People’s Republic in the light of publications of the magazine «Zwierciadło: Pismo Ligi Kobiet Polskich»." Journal of the Belarusian State University. History, no. 4 (October 31, 2019): 64–71. http://dx.doi.org/10.33581/2520-6338-2019-4-64-71.

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The aim of the scientific research included in the paper was to show the issue of Polish women and the cultural changes in the Polish People’s Republic in the end of 1980s. These transformations were reflected in women’s magazines, including in «Zwierciadło», being also a platform for disseminating the activities of the only official women’s movement at that time – League of Polish Women among readers. The research studies are new; so far scientific research on the importance of the women’s press on the subject of «Zwierciadło» has been conducted only by the author of this study. The method of press analysis, analysing individual studies of the «Zwierciadło» magazine, and the historical method of analysing source documents and literature on the subject were used in the study. As a result of the study, an image of women achieving professional, social and, thus, personal success, disseminated in «Zwierciadło», was shown. The image also demonstrated some role models for women – what the women’s success which Polish women should strive for can and should look like. «Zwierciadło: Pismo Ligi Kobiet Polskich», a magazine addressed to women, was published in 1982–1990 and promoted the organization and its achievements. The magazine sought to present issues concerning the life of Polish women, their everyday problems, but also successes to be enjoyed by Polish women and women from abroad. The magazine provided examples of women’s careers. Professional work was to be a way to personal success and social advancement. The image of successful women presented in the magazine differed from the possibility to achieve the success by typical magazine’s readers, including League of Polish Women members.
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Redding, Randolf. "Sunday Magazine: This is your life." ACM SIGCAS Computers and Society 26, no. 4 (December 1996): 40. http://dx.doi.org/10.1145/242889.606059.

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Nagy, Zita. "The playboy milieu in post-socialist Hungary." Corvinus Journal of Sociology and Social Policy 2, no. 2 (December 12, 2011): 67–88. http://dx.doi.org/10.14267/cjssp.2011.02.04.

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By the 1960s, consumer habits focused on the freedom of selfrealisation, independence and the spending of leisure time became solid values in American culture. Values related to sexuality went through dramatic changes and erotics became part of mass culture as magazines designed for men were introduced onto the market. Playboy magazine, the pioneer of a new segment of the printed press, was born in this environment. Read by masses of people, this magazine had a very strong influence on public life in the second half of the twentieth century, and also served as a model for new lifestyle magazines launched onto the gradually expanding publishing market. If we consider the changes taking place in society as being key to its overwhelming success, then the magazine and the set of values represented by it can be subject to scientific investigation. The purpose of this study is to prove the existence of this correlation by comparing the sociological characteristics of two societies situated in different geographic locations at different times.
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Mansanti, Céline. "Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936)." Journal of European Periodical Studies 1, no. 2 (December 31, 2016): 113. http://dx.doi.org/10.21825/jeps.v1i2.2644.

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This paper explores the relationship between literary modernism and mainstream culture within a little-studied American magazine, Life (New York, 1884-1936). It does so by looking at three ways in which Life presented modernism to its readers: by quoting modernist writing, and, above all, by satirizing modernist art, and by offering didactic explanations of modernist art and literature. By reconsidering some of the long-established divisions between high and low culture, and between ‘little’ and ‘bigger’ magazines, this paper contributes to a better understanding of what modernism was and meant. It also suggests that the double agenda observed in Life – both satirical and didactic – might be a way of defining middlebrow magazines.
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Kozak, Sergij. "«Ukrajinski visti» newspaper as a source for studying the features of functioning оf «Novi dni» journal (Саnada, 1950—1997)." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 3–13. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-1.

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«Ukrajinski visti» and «Novi dni» are, respectively, a newspaper and magazine, two different publications. One came out in Germany and the United States, another ― in Canada. Each of them has its own history. However, they had a lot in common ― first and foremost, that their subscribers belonged to related organizations. Moreover, the Ivan Bagryanyi’s Foundation, which was the publisher of the newspaper «Ukrajinski visti» (Germany, 1945 ― USA, 2000) during the last stage of its history, also helped materially with the «Novi dni». So it is no coincidence that «Ukrajinski visti» paid a keen attention to the materials on the fate and content of the «Novi dni». The article aims to elucidate peculiarities of functioning of the «Novi dni» magazine (1950—1997s) via a prism of publications in the «Ukrajinski visti». In the course of this research, a considerable amount of publications has been studied, as well as valuable facts about the history of the magazine have been uncovered. The activities of the Publishing Union and the individuals who took care of its issuing, the names of the editors-in-chief of the journal were revealed. The article has elucidated the changes that occurred in the editorial board after a death of a founder of the newspaper, Petro Volyniak, as well as the most important factors in the life of the magazine in terms of emigration reality. It also outlined a role of the publication in shaping cultural and spiritual heritage of the Ukrainian diaspora in Canada and other countries spanning a significant period. The main method of research was to analyze publications of different genres found in the newspaper. According to the newspaper’s content, among the numerous periodicals of the Ukrainian emigration (diaspora) published in Toronto (Canada), the magazine’s role was especial. First of all, it is one of the oldest of all Ukrainian emigration magazines. «Nоvi Dni» has almost half a century of publishing. To flip through the pages of the «Ukrajinski Visti» stories about this journal is at the same time to trace the post-war sociopolitical, social and, above all, cultural life of Ukrainians. Keywords: magazine, «Ukrajinski visti», «Novi Dni», Canada, editorial board, Publishing Union, article, emigration.
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Dissertations / Theses on the topic "Life (Magazine)"

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Salles, Amana. "Revista Life: fotorreportagem e as relações com a cinematografia." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-03122018-152052/.

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A fotografia surge no século XIX, fruto da industrialização e, como um novo modo de expressão, estimula novas formas pensar e fazer imagens. No início do século XX, motivado por estudos de sequencias fotográficas, nasce o cinema. As duas linguagens são resultado visível das estruturas da modernidade (desenvolvimento tecnológico, expansão industrial e cultura de massa) e impulsionaram a criação de novas formas de comunicação. Neste contexto surge um novo tipo de mídia: as revistas ilustradas com fotografias. Essa forma de publicação despontou na Europa, após o fim da Primeira Guerra Mundial e se espalhou pelo mundo impulsionada pela ascensão de regimes totalitários, que obrigou muitas pessoas ao exílio, ajudando a propagar as ideias do novo meio. Apoiadas na visualidade como principal veículo de discurso, ajudaram a consagrar o fotojornalismo como meio de comunicação. Provavelmente a revista ilustrada mais conhecida no mundo, a norte-americana Life, foi lançada em 26 de novembro de 1936. Seu projeto editorial baseava-se nos modelos europeus, que a transmitiam a informação por meio de reportagens fotográficas. Por privilegiarem a visualidade, as ilustradas são apontadas como o elo entre a fotografia e o cinema. Esta dissertação se propõe a analisar as características gerais da Life e a discutir os códigos visuais que ligam a linguagem das fotorreportagens à cinematografia.
Photography emerges in the 19th century, as a consequence of industrialization and, as a new fashion of expression, stimulates new ways of thinking and producing images. In the beginning of the 20th century, inspired by studies on photographic sequences, the cinema is born. Both languages are the result of the modern scenario (technological development, industrial expansion and mass culture) and boosted the creation of new means for communication. In this context a brand-new media is created: magazines illustrated with photographs. This way of printing first appeared in Europe, after World War I ended, and spread all over the world driven by the rise of totalitarian systems, forcing people into exile, helping to sow the ideas of the new media. Based on visibility as the main vehicle of speech, they established photojournalism as a communication tool. Life, possibly the most famous illustrated American magazine in the world, was launched in 1936. Its editing design was based in the European models favoring the broadcast of information through photo coverage. Because they favor the visual communication, the illustrated magazines are considered the connecting link between photography and cinema. The present thesis proposes to analyze the general features of Life magazine and to debate the visual codes that connect the ways of communication between photo-reportage and cinematography.
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Lewis, Kathryn L. "Imaging the Early Cold War: Photographs in Life Magazine, 1945-1954." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3765.

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This dissertation analyzes Life’s early coverage of the Cold War (1945-1954) in order to explicate this publication’s creation and reinforcement of prescriptive attitudes about this ideological engagement through photographically illustrated news. By uncovering Life’s editorial approach this project proposes a new diagnostic for evaluating documentary images by re-configuring Hayden White’s incisive theory of emplotment—the process of engendering historical narratives with meaning— through semiotic models proposed by Louis Hjelmslev and Roland Barthes, thereby offering a useful tool for future scholars to re-examine modern media’s transition towards prizing visual immediacy over critical engagement. Life’s editors’ link narrative devices and rhetoric with photographs to make these images appear as first-hand experience and function as objective conclusions. Life characterizes the Cold War as an epic moral struggle between the US and USSR, and its 1943 special issue on Russia acts as the comedic prologue to this narrative by distinguishing these ideologically disparate wartime allies. After post-war agreements fail, this congenial atmosphere swiftly transitions into another battle between democracy and tyranny, defined through literary conventions. Life employs synecdoche and allegory to encode photographs of individuals as icons of valorous populations (Americans and Eastern Europeans) and to symbolize concepts (democracy and charity). Metonymy and irony transform photographs into direct signs of Communism and visual evidence of its degeneracy. Life’s comic presentation of Marshal Josip Tito contrasts with its satiric coverage of Senator Joseph McCarthy to direct readers’ attention towards the best and worst possible courses of action regarding the Communist menace, at home and abroad.
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Wächter, Fenna [Verfasser]. ""A Way of Living" - Representations of Homeownership in LIFE Magazine / Fenna Wächter." Bonn : Universitäts- und Landesbibliothek Bonn, 2017. http://d-nb.info/1149050683/34.

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Kim, Sun-A. "Life and war in Korea photographic portrayals of the Korean War in Life magazine, July 1950 - August 1953 /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5548.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2008.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on July 27, 2009) Includes bibliographical references.
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Svensson, Kajsa, and Jenny Dahlgren. "Vissa saker kommer och går - magasinet består : En kvalitativ studie om värdegenererat innehåll hos det traditionella livsstilsmagasinet." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-57422.

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Objective: The focus of this bachelor thesis is to study what a selection of magazine readers think generates value on the reading experience of a traditional lifestyle magazine. Furthermore create an deeper understanding of these values.  Method: Qualitative interviews was used as the method to investigate the participants' view of the user experience when reading a lifestyle magazine paper. Seven interviews were conducted with people who prefer the traditional newspaper.  Results: The results of this study show that it may be to early to talk about the print magazines dead. The physical and mental feeling that appear from reading a lifestyle paper magazine is almost impossible to implement in the digital version. Our results show that some of the underlying causes that lead to a the choise of the print magazine depends on the structure, the reading experience and the qualitative content that appears to be difficult to emulate on the web.
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Roupenian, Kristen Carol. "Dodging the Question: Language, Politics, and the Life of a Kenyan Literary Magazine." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11239.

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This dissertation investigates the artistic and linguistic strategies employed by the Kenyan literary magazine Kwani? during a period of intense social and political upheaval. Between the peaceful end of Daniel Arap Moi's dictatorship in 2002 and the violence that followed the contested Presidential elections of 2007, writers for the magazine used a language called sheng&mdasha youth-affiliated urban slang comprised of a complex, rapidly shifting blend of Kiswahili, English, and other local languages&mdashto negotiate between the global hunger for English and their country's complex cultural, political, and linguistic demands. The dissertation builds on a growing body of scholarship in literary criticism, linguistics, and cultural studies to document sheng's emergence as a literary idiom within Kenya, as well as the way it evolved as it traveled beyond the country's borders via inclusion in primarily English-language texts such as Uwem Akpan's short story collection Say You're One of Them.
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Cicero, Michelle Elizabeth. "Rocketing into your daily life : Life magazine, the postwar advertising revolution, and the selling of the United States space program, 1957-1966 /." Electronic version (PDF), 2007. http://dl.uncw.edu/etd/2007-3/cicerom/michellecicero.pdf.

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Winstead, Caitlin Leigh. "ART, LIFE, AND COMMUNITY IN RUSSIA ABROAD: AN EXAMINATION OF THE EMIGRE MAGAZINE TEATR’ I ZHIZN’." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami150163074847434.

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Norman, Nathaniel Don. "From a Record of Death to a Memory of Life: The Rise of the Biographical Obituary in The Gentleman's Magazine." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/32008.

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The need for an examination of the rise of various journalistic and print forms in The Gentleman's Magazine is evident from the absence of scholarship in this area. One of the most important forms born in The Gentleman's Magazine is the obituary. Beginning as a sparse list of deaths appended to the back of each issue of the magazine, it came to occupy a larger role in the publication within a hundred years of its inception. My study proposes to examine the reasons for this shift, focusing on the rise of the biographical form as it is treated in the works of Samuel Johnson, a prominent contributor to The Gentleman's Magazine, and practiced at the hands of John Nichols, one of the magazine's most prominent editors. My study also seeks to characterize the content of the obituaries by historicizing them in the context of the period and within the confines of the editorial policies of the magazine itself. The magazine's editorial persona, Sylvanus Urbanus, provides general terms whereby the dead may be characterized. Ultimately, my study is interested in examining the representations of the deceased in the obituary form as social markers, that are necessary for understanding how groups and individuals represented society.
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He, Zheng. "A revived life in a reviving culture: the Chinese reception of Byron in the short story magazine in 1924." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2890.

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Books on the topic "Life (Magazine)"

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Marquardt, Jennifer. Life system magazine: Language. [Ontario]: s.n., 2003.

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Blackburn, Henry. Randolph Caldecott: His art and life. Sevenoaks: Fisher, 1995.

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Knowles, Nigel. Bewdley parish magazine 1878 & 1880. Bewdley: Star and Garter, 1999.

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Blackburn, Elaine M. Get a Life!: A collector's guide to Life magazine : the most complete Life magazine reference book and price guide ever written! Toivola, MI: Dandelion Co., 2004.

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Scottish Equitable Life Assurance Society. Equinox: The Scottish Equitable magazine. [Edinburgh]: [Scottish Equitable], 1989.

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South, David. Ger Magazine - Modern Life Issue: An online magazine about Mongolia's transition in the 1990s. Ulaanbaatar, Mongolia: UNDP Mongolia Communications Office, 1999.

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Harcourt Brace & Company. Signatures: Writer's magazine : real-life reading and writing. Orlando, Fla: Harcourt Brace & Company, 1997.

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The great American magazine: An insider history of Life. New York: Knopf, 1986.

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Wainwright, Loudon. The great American magazine: An inside history of Life. New York, N.Y: Knopf, 1986.

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Helena, Browner, and Looney Anne, eds. Waze: Lifeways issue : the magazine of the Keyways series. Dublin: Veritas, 1995.

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Book chapters on the topic "Life (Magazine)"

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Rodríguez, Ariel, and Burcu Kaftanoglu. "Top Ten US Best Towns: Outside Magazine." In Encyclopedia of Quality of Life and Well-Being Research, 6684–85. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_3290.

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Renn, Melissa. "Life in Color: Life Magazine and the Color Reproduction of Works of Art." In Bright Modernity, 167–88. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50745-3_9.

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Renn, Melissa. "Life’s Pioneer Painters: Dorothy Seiberling and American Art in Life Magazine, 1949–1968." In The Mediatization of the Artist, 79–95. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66230-5_6.

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Heusser, Martin. "Larry Burrows’s Images of the Vietnam War: Photojournalism, Memory and Civic Spectatorship in Life Magazine." In Imaging Identity, 187–209. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21774-7_9.

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Burridge, Joseph. "‘I don’t care if it does me good, I like it’: Childhood, Health and Enjoyment in British Women’s Magazine Food Advertising." In Children, Food and Identity in Everyday Life, 192–212. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244979_11.

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Zeman, Scott C. "“To See … Things Dangerous to Come to”: Life Magazine and the Atomic Age in the United States, 1945–1965." In The Nuclear Age in Popular Media, 53–77. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137086181_3.

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"The Profile: Where Life Stories Come to Life." In Magazine Writing, 201–20. Routledge, 2014. http://dx.doi.org/10.4324/9780203084366-16.

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"Life Remembered." In People in a Magazine, 281–322. University of Massachusetts Press, 2018. http://dx.doi.org/10.2307/j.ctvk3gkkv.10.

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"Life Suspended." In People in a Magazine, 76–101. University of Massachusetts Press, 2018. http://dx.doi.org/10.2307/j.ctvk3gkkv.8.

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"Life in Profile." In People in a Magazine, 11–75. University of Massachusetts Press, 2018. http://dx.doi.org/10.2307/j.ctvk3gkkv.7.

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Conference papers on the topic "Life (Magazine)"

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Kazan, Hüseyin. "Medical Journalism in Women’s Magazine: The Case of Cosmopolitan." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.036.

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Health is a most common topic discussed in women magazine ranking from fashion to beauty, sexuality to art and culture. Biological health, mental health, fertility and sexual health are the most common topics which are given wide coverage. Whether this news, having quantitatively audience, is qualitatively health news is the primarily problem. The most of the news deals with particular subject such as medical selling, aesthetic advertisement and prototypes imposed on popular life. A large number of news reaching the audience read for health purposes cannot go beyond triggering the consumption culture. That is the starting point of this study. The study limited to 52 issues of Cosmopolitan Turkey published between June 2014- September 2018 analyses Dr. Cosmo, which falls into the health news category. In this study, content analysis is used to examine to what extent the news qualitatively and quantitatively contributes to medicine journalism. At the end of the study, it is found that the most of the health news is published on the purposes of commercial concerns, consolidates aesthetic perception and generally stuck between certain topics.
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Romanova, V. B. "“The Illustrated Russia” magazine as a source of studying life of the “first wave” of Russian emigrants in 1917–1939." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-107-111.

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Olarescu, Dumitru. "The historical-biographical film: destinies and personalities." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.

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The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of national historical-biographical film can be noticed in the late 1960s and early 1970s, when the filmmakers: Emil Loteanu (“Academician Tarasevici”), Andrei Buruiană (“Ştefan Neaga”), Vlad Druc (“Ion Creangă”) made their debut. Yet, the idea of biography especially predominates in the creation of Anatol Codru, who played a significant role in the affirmation stage of this kind of nonfiction film, bringing through his films, “Alexandru Plămădeală”, “Alexei Şciusev”, “Dimitrie Cantemir”,”Vasile Alecsandri” a new breath in the context of the films made before him. He imposed himself through a poetic-philosophical vision on the destinies and the creation of the personalities, who contributed to the spiritual prosperity of the nation.
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Sabella, Maria Paola. "Le Corbusier et Christian Zervos dans Cahiers d’art." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1018.

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Abstract: The search has as purpose to notice the importance of Christian Zervos (Argostoli 1889 – Paris 1970), a greek art historian and founder of the magazine and publishing house Cahiers d’art, that lived in Paris from 1907 to the end of his life) with Le Corbusier, inserted in the contest of Cahiers d’art. The exceptional versatility of Zervos’s mind had allowed him to realize, through Cahiers d’art, a intellectual environment that exceeded the ordinary publishing house of that period, beacuse it was enchanted and nourished by all sector of knowledge. Zeros, inside the Cahiers d’art, made Le Corbusier protagonist of the section of Architecture, that submits to Sigfried Giedion. In fact since the first number of Cahiers d’art the work of Le Corbusier was broadly taken in examination. The articles related to the work of the Architect have gone since 1926 to 1954; the themes that touch these texts can be separate in four major topics: design, private house, great public buildings, painting. La recherche a le but de relever l’importance de Christian Zervos (Argostoli 1889-Parigi 1970), historien de l’art et fondateur des Éditions Cahiers d’art, qui vécut à Paris depuis 1907 à sa mort, et Le Corbusier, insérée dans le contexte de Cahiers d’art. L’exceptionnel éclectisme de Zervos a permis de réaliser dans Cahiers d’art un excellent milieu intellectuell qu’il va au-delà des Éditions, car uni et nourri par chaque domaine de la connaissance. Dans les Cahiers d’art, Zervos rend Le Corbusier le protagoniste de la section d’architecture, soignée par Siegfried Giedion. Keywords: Cahiers d’art; Christian Zervos; projects. DOI: http://dx.doi.org/10.4995/LC2015.2015.1018
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Santo, Claudia. "Experience of Uruguay Bringing Metrology Closer to the Population." In NCSL International Workshop & Symposium. NCSL International, 2017. http://dx.doi.org/10.51843/wsproceedings.2017.30.

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LATU is a public-private organization that celebrated its 50th anniversary on 2015.It is the National Metrology Institute (NMI) for Uruguay designated by law (Nº 15298) since 1982. This law indicates that it is LATUˆs responsibility to advise the Ministry of Industry, Energy and Mining, Legal Metrology authorities, public agencies, industry and trade, on the scientific and technological aspects of Metrology and to disseminate information on the System of Units of Measure in schools and public bodies. Since 2010 LATU has been developing five years strategic plans aiming to raise awareness and transfer useful knowledge on the application and impact of measurements in daily living and professional activity. With this purpose, a set of programs and initiatives have been developed addressing different sectors of activity and audiences: Metrology for present needs: A Metrology training program was implemented to respond to specific Metrology training needs in industry users and secondary calibration and test laboratories as well as regulators and other public agents; Education in Metrology for the future: Awareness raising and metrology training activities were organized for educational actors of different levels: primary, high school, technical and university teachers, including audiovisual products and e-learning technology; Metrology for everyone: Educational activities to create awareness within the population of the importance of Metrology in daily life and defense of people rights were organized in order to transfer Metrology knowledge to general public with emphasis in young people. These activities included a hands-on Metrology workshop and a magazine jointly edited by a group of NMs in our region. The processes followed to accomplish these programs, their results, lessons learned and good practices are shared in this article, together with actual challenges and the definition of new strategies to face them.
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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.

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Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and “unifying” effects, was consumed by the billions of people through digital devices. Considering art is both a sector and an industry, the unexpected phenomenon of Covid-19, which is a kind of crisis that occurs one in a hundred years and takes longer than expected, led to the temporary or permanent closure of some art and culture institutions. Due to these results, some supportive programs have been organized by official or non-official institutions to solve financial problems. In Turkey, all the movie theaters closed down on the 16th of March 2020 by the Ministry of Internal Affairs. Some halls opened in July and August, however, because of lack of audience and of the increasing number of patients they have closed down again in November. 2019 was a bad year for the sector yet 2020 was even worse with the decline of the audience by the ratio of %90. Before the pandemic, there were some problems in terms of halls. In this context, some movie theaters tried to find solutions not to lose the audience and find financial support. Beyoğlu Movie Theater that began operating in 1989, had some financial problems before the pandemic. The managers of the hall created a project called “Beyoğlu 1989”, which was a kind of electronic bulletin, and started sending e-mails to the subscribers. This project, which was implemented for the first time in Turkey, has reached the 57th issue and 800 subscribers today and has turned into a kind of weekly electronic-digital cinema newspaper that is also promoted on the Instagram account of the Beyoğlu cinema with 45 thousand followers. The broadcast also follows the cinema agenda and undertakes the task of a written-visual archive. In conclusion, a movie theater that started operating in the analog age, today use all the possibilities and utilities of the digital age and also with the help of its owners and followers, creates a communication ecology to prevent the shutdown. The aim of this article is to examine an electronic bulletin (also a film magazine) “1989”, which is first in Turkey, with the qualitative method.
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Ma, Shuang, and Chang Wen Chen. "Automatic creation of magazine-page-like social media visual summary for mobile browsing." In 2016 IEEE International Conference on Image Processing (ICIP). IEEE, 2016. http://dx.doi.org/10.1109/icip.2016.7532401.

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Hajian, George. "Hard Working Covers." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.87.

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“… A good archaeological report not only informs us about the strata from which findings originate, but also gives an account of the strata which first had to be broken through.” (Walter Benjamin. Excavation and Memory, ca. 1932. Analog materials are fundamental to my research. As part of my art practice, I tear, cut, rip, fold, and glue together printed images of the masculine performance and the male body to un-masc and reveal its fragility. During the making process what’s usually left behind is a jumble of non-representational refuse—mainly text, backgrounds, and devices used on a page, in a magazine or a book. During the first New Zealand COVID lockdown in 2020, I had limited access to new collage material, apart from a few books left behind in the car. As a result, my attention shifted to the leftovers which otherwise ended up in the recycle bin. These discarded bits illustrated a gendered language, because the material I use was intended for a male audience. It endorsed muscle, size, competing, violence, and whatever else you might expect from the fiction, advertisement, and revealing pages that promote so-called ‘maleness’, like film annuals, muscle magazines, sports, and printed adult magazines among others. Some of these books were donated, many reclaimed from opportunity and recycle shops as they were withdrawn from personal, public, and university libraries. Almost all the book covers used in the project had their own stories imprinted on both sides. These “marks” revealed their origins, recounted their lives, and relayed the strain they had to endure from countless readers, and of course myself! By incorporating printed words from a visual discourse, these new collages demand a reconsideration of text and meaning— they hint, but at the same time complicate the textual decoding process. Sourced from the refuse of a printed culture, these works attempt to reconstruct material and visual culture— a culture consumed by attention seeking and power. They focus on their own materiality, and at the same time, attempt to disrupt order, and reveal their embedded meaning. They reconfigure meaning to recount and re-present themselves. Resurrected, these assembled works are aching to go back to the library shelf and re-enter circulation in a new format. –– “Hard Working Covers” is an ongoing project which brings together 90 one-off handmade analog collages on hardbound book covers and compile them in 300 limited edition concertina books. The foldout format of the publication will reveal not only the front of the works, but also their back(sides).
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Adascalița-Crigan, Lucia. "Nicolae Macarenco - representative artist of satirical graphics." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.01.

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A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, especially in the genres of satirical-humorous graphics, the graphic designer gave birth to works that were frequently published in important periodicals such as the satire and humor magazine Chipăruş, the magazine Femeia Moldovei, the newspaper Tinerimea Moldovei and others. The study highlights both the thematic aspects of the artist’s creation and the determined, systematized, mirrored artistic options of the protagonist. Having examined the artist’s works, the author pays increased attention to problems of compositional image, the particularities of plastic representation through shape, line, tone of human characters, psychological states of anthropomorphic and zoomorphic characters. At the same time, the analytical approach is supported by highlighting the role of color in the process of amplifying expressions and messages generated by satirical works created by the graphic artist.
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Kampczyk, Arkadiusz, Katarzyna Dybel, Felix Henriquez, Dafni Mora, Jessica Guevara-Cedeño, Aris Castillo, and Aranzazu Berbey-Alvarez. "An experience of international cooperation between Poland (EU) and Panama: case study." In VI CONGRESO INVESTIGACIÓN, DESARROLLO E INNOVACIÓN DE LA UNIVERSIDAD INTERNACIONAL DE CIENCIA Y TECNOLOGÍA. Universidad Internacional de Ciencia y Tecnología, 2022. http://dx.doi.org/10.47300/978-9962-738-04-6-54.

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This paper presents a case study about an experience of international cooperation between Poland (European Union, EU) and Panama. The results obtained of this international collaboration have been two elements. The first element corresponds to representation of the AGH University of Science and Technology (Poland) like an active member of the International Editorial Committee Team Magazine Prisma Tecnológico. The second element corresponds to scientific research work including: realization, collection, conceptualisation, resources, description, analysis and making available of materials covering the state of the rail transport infrastructure and suprastructure like support to the Panama railway engineering research group at the Universidad Tecnologica de Panama. The authors present the results and discussion about this synergy between both universities. Finally, the conclusion and future research are presented.
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Reports on the topic "Life (Magazine)"

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Prysyazhna-Gapchenko, Julia. VOLODYMYR LENYK AS A JOURNALIST AND EDITOR IN THE ENVIRONMENT OF UKRAINIAN EMIGRATION. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11094.

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In this article considered Journalistic and editorial activity of Volodymyr Lenika (14.06.1922–02.11.2005) – one of the leading figures of Ukrainian emigration in Germany. First outlined basic landmarks of his life and creation. Journalistic and editorial activity of Volodymyr Lenik was during to forty years out of Ukraine. In the conditions of emigration politically zaangazhovani Ukrainians counted on temporality of the stay abroad and prepared to transference of the created charts and instituciy on native lands. It was or by not main part of conception of liberation revolution of elaborate OUN under the direction of Stepan Banderi, and successfully incarnated in post-war years. Volodymyr Lenik, executing responsible commissions Organization, proved on a few directions of activity, which were organically combined with his journalistic and editorial work. As an editor he was promotorom of creation and realization of models of magazines «Avangard», «Krylati», «Znannia», «Freie Presse Korespondenz», newspapers «Shliakh peremogy». As a journalist Volodymyr Lenik left ponderable work, considerable part of which entered in two-volume edition «Ukrainians on strange land, or reporting, from long journeys». Subject of him newspaper-magazine publications directed on illumination of school, youth, student, cultural, scientific problems, organization and activity of emigrant structures, political fight of emigration, to dethronement of the antiukrainskikh Moscow diversions and provocations. Such variety of problematic of works of V. Lenika was directed in the river-bed of retaining of revolutionary temperament in the environment of diaspore, to bringing in of it to activity in public and political life. Problematic of him is systematized publicism and journalistic appearances, which was inferior realization of a few important tasks, namely to the fight for Ukrainian independence in new terms, cherishing and maintainance of national identity, counteraction hostile soviet propaganda. On an example headed Volodymyr Lenikom a magazine «Knowledge» some aspects are exposed him editorial trade.
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Carey, Dave, Stephanie Chang, Dawn Ellenberger, Alan Higgins, Carlos Montenegro, Peter Paquette, Craig Rickert, Rosemary Simmons, D. H. Thompson, and Gary E. Weir. Pathfinder: The Geospatial Intelligence Magazine Serving the Front Line, March/April 2009. Volume 7, Number 2. Fort Belvoir, VA: Defense Technical Information Center, April 2009. http://dx.doi.org/10.21236/ada496323.

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3

Hickey, Charles A., Ortega Jr., and Jr Samson V. Durability Evaluation and Live Firing Exercise for Two 100-Round Assault Packs and a Product-Improved 200-Round Magazine for the M249 Squad Automatic Weapon (SAW). Fort Belvoir, VA: Defense Technical Information Center, June 1994. http://dx.doi.org/10.21236/ada282769.

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