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1

BOWLER, PETER J. "Meccano Magazine: boys’ toys and the popularization of science in early twentieth-century Britain." BJHS Themes 3 (2018): 129–46. http://dx.doi.org/10.1017/bjt.2018.5.

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AbstractMeccano Magazine began publishing in 1916 to advertise the popular children's construction set. By the 1920s it had expanded into a substantial, well-illustrated monthly that eventually achieved a circulation of seventy thousand. Under the editorship of the popular-science writer Ellison Hawks it now devoted approximately half of its pages to real-life technology and some natural science. In effect, it became a popular-science magazine aimed at teenage and pre-teen boys. This article explores Hawks's strategy of exploiting interest in model building to encourage interest in science and technology. It surveys the contents of the magazine and shows how it developed over time. It is argued that the material devoted to real-life science and technology was little different to that found in adult popular-science magazines of the period, raising the possibility that Meccano Magazine’s large circulation may explain the comparative lack of success of the adult publications.
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Uglow, Luke. "The life and death of The Connoisseur." Art Libraries Journal 39, no. 1 (2014): 17–23. http://dx.doi.org/10.1017/s0307472200018137.

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In February 1992 a magazine called The Connoisseur died. Born in September 1901, it had lived a long life, and was the oldest of the once great triumvirate of British art periodicals, alongside The Burlington Magazine (1903) and Apollo (1925). While the latter two have survived into the 21st century, in 1982 The Connoisseur went into retirement and moved to America. This paper will tell the story of the last 15 years of the magazine’s life, from its happy 75th birthday through to an ignominious final eight months.
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3

Schwartz, Joshua S. "Publish the Picture at Your Peril: Visual Ideas and the Commercial Apparatus of Life Magazine." Journal of the Gilded Age and Progressive Era 20, no. 2 (April 2021): 301–24. http://dx.doi.org/10.1017/s1537781420000821.

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AbstractIn the early years of the twentieth century, Life magazine had only approximately one hundred thousand subscribers, yet its illustrated images (like the Gibson Girl) significantly influenced fashion trends and social behaviors nationally. Its outsized influence can be explained by examining the magazine’s business practices, particularly the novel ways in which it treated and conceptualized its images as intellectual property. While other magazines relied on their circulation and advertising revenue to attain profitability, Life used its page space to sell not only ads, but also its own creative components—principally illustrations—to manufacturers of consumer goods, advertisers, and consumers themselves. In so doing, Life’s publishers relied on a developing legal conception of intellectual property and copyright, one that was not always amenable to their designs. By looking at a quasi-litigious disagreement in which a candy manufacturing company attempted to copy one of the magazine’s images, this article explores the mechanisms behind the commodification and distribution of mass-circulated images.
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Fleming, Tyler, and Toyin Falola. "Africa's Media Empire: Drum's Expansion to Nigeria." History in Africa 32 (2005): 133–64. http://dx.doi.org/10.1353/hia.2005.0008.

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Publishing in Africa remains so difficult an enterprise that many publishers have collapsed, their dreams disappearing with them. This is especially true of the print media, particularly newspapers and magazines. During the past century, many magazines and newspapers failed to establish a loyal readership, keep costs down, insure wide circulation, or turn a huge profit. Consequently, not many African magazines can be viewed as “successful.” Drum magazine, however, remains an exception.In 1951 Drum, a magazine written for and by Africans, was established in South Africa. Drum enjoyed a great deal of success and is now widely recognized as having been a driving force in black South African culture and life throughout the 1950s and 1960s. In the South African historiography Drum has been thoroughly researched. The magazine's impact on South African journalism, literature, gender configurations, African resistance, and urban South African culture has been documented and often lauded by various scholars. Many former members of the South African edition's payroll, both editors and staff alike, have gone on to become successes in literature, journalism, and photography. Often such staff members credit Drum for directly shaping their careers and directly state this in their writings. Consequently, Drum is often associated only with South Africa. While Drum greatly influenced South Africa, its satel¬lite projects throughout Africa were no less important. These satellite projects cemented Drum's reputation as the leading magazine newspaper in Africa and each edition became fixtures in west African and east African societies.
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Buaphet, Permtip. "Weddings and Thai Women: The Construction of Weddings and the Portrayal of Thai Women Through Wedding Stories in Thai Wedding Magazines." MANUSYA 20, no. 1 (2017): 33–51. http://dx.doi.org/10.1163/26659077-02001003.

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Thai wedding magazines have been a primary resource for Thai women seeking wedding planning information. This study analyses the construction of weddings and investigates the portrayal of brides within the context of Thai wedding magazines by combining textual analysis and visual research methods. It investigates the social arrangements indicated in these magazines and the associated wedding ideology represented. Data for analysis is based on three magazines (Wedding Guru, We, and Love Wedding Magazine). There were twenty-two magazine issues and one hundred and thirty-two stories in total, covering the period from November 2014 – October 2015. These magazines are targeted at women in their 20s and older. The study reveals how Thai wedding magazines formulate the meaning of weddings and the role of Thai wedding magazines in the transmission of particular ideas about desirable weddings in Thai society, while also reinforcing notions of what constitutes the ideal life for women. Findings in terms of the content indicate that weddings and women as brides in Thai wedding magazines are constructed only in positive ways. That is to say, weddings and the act of becoming a bride are constructed as examples of an already achieved ‘ideal’ life.
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6

Dajnowicz, Malgorzata. "Successful women in the Polish People’s Republic in the light of publications of the magazine «Zwierciadło: Pismo Ligi Kobiet Polskich»." Journal of the Belarusian State University. History, no. 4 (October 31, 2019): 64–71. http://dx.doi.org/10.33581/2520-6338-2019-4-64-71.

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The aim of the scientific research included in the paper was to show the issue of Polish women and the cultural changes in the Polish People’s Republic in the end of 1980s. These transformations were reflected in women’s magazines, including in «Zwierciadło», being also a platform for disseminating the activities of the only official women’s movement at that time – League of Polish Women among readers. The research studies are new; so far scientific research on the importance of the women’s press on the subject of «Zwierciadło» has been conducted only by the author of this study. The method of press analysis, analysing individual studies of the «Zwierciadło» magazine, and the historical method of analysing source documents and literature on the subject were used in the study. As a result of the study, an image of women achieving professional, social and, thus, personal success, disseminated in «Zwierciadło», was shown. The image also demonstrated some role models for women – what the women’s success which Polish women should strive for can and should look like. «Zwierciadło: Pismo Ligi Kobiet Polskich», a magazine addressed to women, was published in 1982–1990 and promoted the organization and its achievements. The magazine sought to present issues concerning the life of Polish women, their everyday problems, but also successes to be enjoyed by Polish women and women from abroad. The magazine provided examples of women’s careers. Professional work was to be a way to personal success and social advancement. The image of successful women presented in the magazine differed from the possibility to achieve the success by typical magazine’s readers, including League of Polish Women members.
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7

Redding, Randolf. "Sunday Magazine: This is your life." ACM SIGCAS Computers and Society 26, no. 4 (December 1996): 40. http://dx.doi.org/10.1145/242889.606059.

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8

Nagy, Zita. "The playboy milieu in post-socialist Hungary." Corvinus Journal of Sociology and Social Policy 2, no. 2 (December 12, 2011): 67–88. http://dx.doi.org/10.14267/cjssp.2011.02.04.

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By the 1960s, consumer habits focused on the freedom of selfrealisation, independence and the spending of leisure time became solid values in American culture. Values related to sexuality went through dramatic changes and erotics became part of mass culture as magazines designed for men were introduced onto the market. Playboy magazine, the pioneer of a new segment of the printed press, was born in this environment. Read by masses of people, this magazine had a very strong influence on public life in the second half of the twentieth century, and also served as a model for new lifestyle magazines launched onto the gradually expanding publishing market. If we consider the changes taking place in society as being key to its overwhelming success, then the magazine and the set of values represented by it can be subject to scientific investigation. The purpose of this study is to prove the existence of this correlation by comparing the sociological characteristics of two societies situated in different geographic locations at different times.
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9

Mansanti, Céline. "Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936)." Journal of European Periodical Studies 1, no. 2 (December 31, 2016): 113. http://dx.doi.org/10.21825/jeps.v1i2.2644.

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This paper explores the relationship between literary modernism and mainstream culture within a little-studied American magazine, Life (New York, 1884-1936). It does so by looking at three ways in which Life presented modernism to its readers: by quoting modernist writing, and, above all, by satirizing modernist art, and by offering didactic explanations of modernist art and literature. By reconsidering some of the long-established divisions between high and low culture, and between ‘little’ and ‘bigger’ magazines, this paper contributes to a better understanding of what modernism was and meant. It also suggests that the double agenda observed in Life – both satirical and didactic – might be a way of defining middlebrow magazines.
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Kozak, Sergij. "«Ukrajinski visti» newspaper as a source for studying the features of functioning оf «Novi dni» journal (Саnada, 1950—1997)." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 3–13. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-1.

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«Ukrajinski visti» and «Novi dni» are, respectively, a newspaper and magazine, two different publications. One came out in Germany and the United States, another ― in Canada. Each of them has its own history. However, they had a lot in common ― first and foremost, that their subscribers belonged to related organizations. Moreover, the Ivan Bagryanyi’s Foundation, which was the publisher of the newspaper «Ukrajinski visti» (Germany, 1945 ― USA, 2000) during the last stage of its history, also helped materially with the «Novi dni». So it is no coincidence that «Ukrajinski visti» paid a keen attention to the materials on the fate and content of the «Novi dni». The article aims to elucidate peculiarities of functioning of the «Novi dni» magazine (1950—1997s) via a prism of publications in the «Ukrajinski visti». In the course of this research, a considerable amount of publications has been studied, as well as valuable facts about the history of the magazine have been uncovered. The activities of the Publishing Union and the individuals who took care of its issuing, the names of the editors-in-chief of the journal were revealed. The article has elucidated the changes that occurred in the editorial board after a death of a founder of the newspaper, Petro Volyniak, as well as the most important factors in the life of the magazine in terms of emigration reality. It also outlined a role of the publication in shaping cultural and spiritual heritage of the Ukrainian diaspora in Canada and other countries spanning a significant period. The main method of research was to analyze publications of different genres found in the newspaper. According to the newspaper’s content, among the numerous periodicals of the Ukrainian emigration (diaspora) published in Toronto (Canada), the magazine’s role was especial. First of all, it is one of the oldest of all Ukrainian emigration magazines. «Nоvi Dni» has almost half a century of publishing. To flip through the pages of the «Ukrajinski Visti» stories about this journal is at the same time to trace the post-war sociopolitical, social and, above all, cultural life of Ukrainians. Keywords: magazine, «Ukrajinski visti», «Novi Dni», Canada, editorial board, Publishing Union, article, emigration.
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11

Zecevic, Nurin, Jasmin Terzic, Berko Zecevic, and Adis Ajanovic. "Analysis of Ventilation Efficiency in the Earth Covered Magazine for Ammunition Storage Using Numerical Simulation." IOP Conference Series: Materials Science and Engineering 1203, no. 2 (November 1, 2021): 022069. http://dx.doi.org/10.1088/1757-899x/1203/2/022069.

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Abstract Internal environment parameters such as temperature, relative humidity and airflow velocity in ammunition storage facilities have a significant impact on the condition and overall life of ammunition, especially on the process of ammunition degradation in situations when their values deviate from required standards for safe storage. High temperatures inside the magazine, as well as in the ammunition packaging, can have a very negative effect on the structure of ammunition and explosives, and high values of relative humidity can result in corrosion and rapid decomposition of chemical compounds. Therefore, a properly designed ventilation system should ensure that the values of internal temperature and relative humidity are within the permitted limits, which is a very important aspect of the storage process itself, so that ammunition and explosives can be completely safe and ready for transport, use and handling. Experimental studies conducted in several magazines of ammunition and explosives in Bosnia and Herzegovina (BiH), had aim to monitor changes of environmental parameters such as temperature, relative humidity and airflow velocity. During these experimental measurements, high values of relative humidity were in these magazines observed, as well as uneven airflow in some ventilation ducks. The main cause of such measured values can be related to the inadequate performance of the natural ventilation system of the analysed magazines. Using numerical simulations (finite volume method) in the ANSYS – Fluent program, the analysis of the existing ventilation system of earth covered magazine in BiH from the aspect of airflow velocity was performed, as well as analysis of modifications that can improve airflow within the analysed magazine. The results of numerical simulation for the existing state of analysed magazine corresponded to the results of airflow measurements at certain places in the magazine. It was confirmed that the existing ventilation system does not provide proper ventilation, which further causes higher relative humidity values. The results of numerical simulation for the proposed modifications of the ventilation system have shown significantly better air circulation in the magazine, i.e. that a more efficient natural ventilation was achieved.
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12

Avtaeva, N. O., E. Yu Gordeeva, and M. S. Shcherova. "Family’s World in Mirror of Women’s Press in New Economic Policy’s Period." Nauchnyi dialog, no. 12 (December 28, 2021): 160–79. http://dx.doi.org/10.24224/2227-1295-2021-12-160-179.

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The transformation of the women’s press during the NEP period is examined in the article, attention is paid to the specifics of the functioning of family and household magazines for women, on the pages of which both the reforms and events of the Soviet era and pre-revolutionary values were reflected. The authors strive to identify the role that the “Magazine for Housewives” and “Women’s Magazine” played during the NEP period, supporting the family world in all its diverse social and spiritual manifestations; to clarify the ratio of traditional and innovative journalistic approaches in the formation of family and everyday media discourse. The results of a quantitative and qualitative content analysis of the publications of the “Magazine for Housewives” and “Women’s Magazine” of the NEP period are presented in the article. The novelty of the research is seen in the analysis of the structural, thematic, functional features of women’s magazines of the NEP era. Special attention is paid to the author’s body, including the previously unexplored works of A. S. Voznesensky (real name — Brodsky), who signed his materials with the pseudonym “Ilya Rentz”. It is concluded that non-state women’s editions of family and household orientation appealed to the experience of pre-revolutionary journalism and, discussing the reform of everyday life and family, continued to write about traditional family values.
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Castleberry, Stephen B., Kelley Bayuk, and A. Maureen O'Bryan. "We've Got A Cure For You! Disease Awareness Campaigns." Journal of Business Case Studies (JBCS) 4, no. 2 (February 1, 2008): 31–38. http://dx.doi.org/10.19030/jbcs.v4i2.4754.

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Over the last twenty years, the use of disease awareness campaigns has become predominant in our everyday lives. What started out as a technique to market lifestyle drugs for cosmetics and sexual enhancements in the 1980s and 1990s, has now increased in usage to include many other areas of medicine. Its not uncommon to see drug advertisements in consumer magazines and on television for everything from psychotropic drugs, to drugs that are intended to improve the quality of everyday life for more average Americans. Indeed, its hard to find a popular press magazine that doesnt have at least one such advertisement, while most magazine issues have many such advertisements.
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Richardson, Thomas C. "James Hogg, ‘the beginner, and almost sole instigator' of Blackwood's – Not Once, but Twice." Romanticism 23, no. 3 (October 2017): 205–14. http://dx.doi.org/10.3366/rom.2017.0335.

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James Hogg claims to have been instrumental in initiating both versions of William Blackwood's venture into magazine publishing in 1817. This essay examines Hogg's role in beginning the Edinburgh Monthly Magazine and its successor, Blackwood's Edinburgh Magazine, and discusses the significance of his contributions to the Edinburgh Monthly and the early numbers of Blackwood's in terms of his influence on the direction of the magazine and the magazine's impact on him. Attention is given to key works in both versions, especially ‘Tales and Anecdotes of the Pastoral Life’ and ‘Shakspeare Club of Alloa’ in the Edinburgh Monthly and the ‘Chaldee Manuscript’ and ‘Elegy’ in Blackwood's. Also important for Hogg's relationship with Blackwood's were Hogg's submissions that Blackwood did not publish. This essay looks particularly at Hogg's failed effort to enter the attacks on the Cockney School and how he also became a victim of the social and intellectual disdain leveled against the Cockneys.
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15

Clemens, Elisabeth. "Life and Times of the American Magazine." Contemporary Sociology: A Journal of Reviews 46, no. 2 (March 2017): 150–53. http://dx.doi.org/10.1177/0094306117692572b.

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16

Weinberg, Bill. "Appalachian Heritage: The Life of a Magazine." Appalachian Heritage 35, no. 3 (2007): 37–42. http://dx.doi.org/10.1353/aph.2007.0034.

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17

Husni, Samir, and Emily Main. "Life after death in the magazine industry." Publishing Research Quarterly 18, no. 2 (June 2002): 3–11. http://dx.doi.org/10.1007/bf02687803.

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Rousseau, Ann, Helene Laporte, Felix Grundmann, and Steven Eggermont. "The Role of Pubertal Timing and Heterosocial Involvement in Early Adolescents’ Media Internalization: A Moderated Moderation Analysis." Journal of Early Adolescence 40, no. 8 (January 25, 2020): 1167–94. http://dx.doi.org/10.1177/0272431619899473.

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The present three-wave panel study ( N = 968, [Formula: see text] = 11.30, SD = 1.06) examines how developmental factors—pubertal timing and heterosocial involvement (i.e., one’s involvement in cross-sex activities)—influence early adolescents’ level of media internalization. We hypothesized that early pubertal timing positively moderates the association between sexualizing magazine reading and media internalization. Next, we argued that increased heterosocial involvement will weaken the amplifying influence of early pubertal timing on the aforementioned relationship. Both hypotheses were confirmed. For early adolescents who mature earlier than same-age/sex peers, reading sexualizing magazines resulted in more media internalization. Furthermore, our results showed that moderate to high cross-sex peer interactions can serve as a protective force against the negative influence of early pubertal timing. These results highlight the influential role of appearance-related developmental factors in the processing of sexualizing magazine content and point to the potential protective role of cross-sex peer interactions in media internalization.
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Hallett, Vicki S. "Reading (for) Decolonization: Engaging With Life Writing in Labrador’s Them Days Magazine." Cultural Studies ↔ Critical Methodologies 18, no. 5 (December 25, 2017): 326–38. http://dx.doi.org/10.1177/1532708617750176.

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Them Days magazine is a quarterly publication that has been dedicated to preserving the history and culture of Labrador for the past 42 years. It is created in Happy Valley-Goose Bay, Labrador, in the mainland portion of the province of Newfoundland and Labrador. This article outlines a methodology of faithful feminist witnessing that is used to engage the Indigenous and non-Indigenous stories contained in Them Days and the story of Them Days itself. This methodology utilizes decolonizing, postcolonial, and feminist life-writing theories, and is guided by decolonial attitude, which the author argues is demonstrated in the magazine’s founding principles and continuing work.
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Sukalenko, Tetiana. "Linguo-cultural tupe «journalist» in the modern media discourse." Linguistics, no. 2 (44) (2021): 107–19. http://dx.doi.org/10.12958/2227-2631-2021-2-44-107-119.

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The paper deals with the view that a journalist as a linguistic and cultural type is a recognizable representative of a certain group of people, whose behavior corresponds to stereotypes about such people. The conceptual characteristics of the linguistic and cultural type «journalist», based on definitions, descriptions, interpretations, have been determined. The positions of journalists by type of activity – a newspaperman, a publicist, a reporter, a correspondent, a commentator, a columnist, an editor have been analyzed and the specifics of their activities has been clarified on the example of modern media: a newspaperman is a professional journalist who works in a newspaper; a publicist is a journalist who writes journalistic works, presents material devoted to topical socio-political events; a reporter is an employee of the newspaper, radio, television who writes reports on the facts of everyday life, prepares operational information material for the magazine, newspaper, radio, television; a correspondent is an employee of a newspaper, magazine, radio who sends prepared materials, publishes them or broadcasts them; a commentator – a journalist who makes comments on radio, television, in magazines, newspapers, etc.; a columnist – a journalist who prepares reviews for radio or television, is the author of publications of a general nature for a magazine, newspaper or other publication; an editor is the head of a publication, newspaper or magazine. The texts of the media present various commentators – political, international, military, economic, columnists of newspapers, magazines etc. Media discourse refers to the editor of an online publication, the editor of an international analytical publication, the editor of a newspaper, and the editor of a magazine. The proposed model of description of the linguistic and cultural types «journalist» can be used to study types on a wider textual material, as well as to implement a comparative approach to the study of linguistic and cultural types in different languages and cultures.
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Maidment, Brian. "The Draughtsman’s Contacts: Robert Seymour and the Humorous Periodical Press in the 1830s." Journal of European Periodical Studies 1, no. 1 (July 5, 2016): 37. http://dx.doi.org/10.21825/jeps.v1i1.2576.

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Robert Seymour was celebrated enough in his day to become one of very few late Regency and early Victorian comic and satirical draughtsmen sufficiently visible to be traced through the magazines of the 1830s. His periodical contributions are, therefore, of considerable significance in trying to establish the patterns of work and maps of interconnected activity that were necessary to sustain the career of a jobbing draughtsman at this time. After contributing to <em>Bell’s Life</em> in London in the late 1820s, Seymour’s presence as a prolific magazine illustrator dates largely from the early 1830s. As well as a mass of jobbing illustrations that were produced for a remarkably diverse range of magazines. Seymour worked extensively for three significant and profusely illustrated magazines at this time — the <em>Looking Glass</em>, <em>Figaro in London</em>, and the <em>Comic Magazine</em>. The <em>Looking Glass</em> was published by Thomas McLean and sought to sustain an established tradition of political caricature through adapting it to a magazine format using the relatively new reprographic medium of lithography. <em>Figaro in London</em> was illustrated by vignette wood engravings, which were both vernacular and sophisticated at the same time. The <em>Comic Magazine</em>, another publication dependent on small wood-engraved images, sought to build on the growing popularity of song books and comic annuals. The diversity and prolixity of Seymour’s output at this time bears testimony to the extraordinary demands made on draughtsmen and engravers in the 1830s, and suggests something of the relentlessly innovative market place for humorous and satirical print at this time.
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Crookston, Shara, and Monica Klonowski. "Intersectional Feminism and Social Justice in Teen Vogue." Girlhood Studies 14, no. 3 (December 1, 2021): 37–54. http://dx.doi.org/10.3167/ghs.2021.140304.

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In this article, we argue that Teen Vogue has evolved to encompass aspects of intersectional, feminist activism that is particularly evident in the 2017 “Voices” section of the magazine. This evolution challenges previous research that has found that, historically, teen magazines focus heavily on heteronormativity, ideals of beauty, and consumerism. Our analysis of the content of this section of Teen Vogue in 2017 demonstrates that teen magazines can be reimagined as legitimate sources of intersectional activist feminist information for readers. Despite these positive changes, however, Teen Vogue continues to advertise clothing brands that many adolescent girl readers are likely unable to afford, thereby reinforcing superficial postfeminist notions of empowerment.
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WILLIAMS, MEGAN E. "“Meet the Real Lena Horne”: Representations of Lena Horne in Ebony Magazine, 1945–1949." Journal of American Studies 43, no. 1 (April 2009): 117–30. http://dx.doi.org/10.1017/s0021875809006094.

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Following World War II, Ebony's creator and editor, John H. Johnson, sought to create a popular black magazine in the vein of Life and Look that would reflect the accomplishments and joys, “the happier side,” of African American life.1 Throughout the first four years of its publication, Lena Horne appeared on the magazine's cover three times – the only woman to do so during this period. In this paper, I argue that the fledgling Ebony magazine drew on Lena Horne's wartime status as a beautiful black icon and represented her as a symbol of its ideological project, broadly, and as the Ebony image of postwar black womanhood, specifically. The magazine's representation of Lena Horne acts as a useful trope for understanding how Ebony imaged postwar black femininity in terms of motherhood, work, and civil rights activism; additionally, Ebony's representation of Horne and Ebony readers' letters to the editor reveal central issues of respectability, pinup photography, colorism, hair care, and interracial relationships as they were debated within the magazine's pages.Behind the lavish make-up, gay tinsel and brilliant glitter of American's most popular Negro entertainer, Lena Horne is a wonderfully human, somewhat lonesome, amazingly-honest, militant-minded personality who is relatively unknown to a vast audience of millions of movie, radio, and night club fans.2
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Grilli, Elisa. "Funding and the Making of Culture: The Case of the Evergreen (1895–1897)." Journal of European Periodical Studies 1, no. 2 (December 31, 2016): 19. http://dx.doi.org/10.21825/jeps.v1i2.2638.

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Sourced mostly by documents from Patrick Geddes’s archive at Strathclyde University (SUA, Glasgow), including accounts and rough drafts, this article reveals the backstage organization of the Evergreen, a Northern Seasonal (Edinburg and London, 1895-97), as well as the financial and commercial concerns the amateur editors an aesthetic magazine had to face. The economics of publishing and the various stages through which the production of the Evergreen moved are explored. Three aspects, given the original editors’ project, inform the final product: the publishing venture (printing and financial aspects); the aesthetic medium (format, lay-out and artwork, as well as the magazine’s circulation); promoting culture (a Celtic Revival through international networks). Cultural activities related to the magazine served as platform for dialogue between literature, art, science, life, tradition, and modernity. A so-called ‘little magazine’ seen from the business perspective helps better understand the networks of periodicals’ diffusion and reception and the role they may play in a cultural marketplace. As methodology, this clarifies the compromises made under the hardbound cover of an aesthetically appealing magazine, and shows how the editors adapted their aesthetic and political ideals to material matters.
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Rabinovich, Tatiana. "Living the good life: Muslim women’s magazines in contemporary Russia." European Journal of Cultural Studies 20, no. 2 (May 12, 2016): 199–214. http://dx.doi.org/10.1177/1367549416638614.

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Muslim women’s magazines are an emerging genre of media production in today’s Russia. They represent a venue where a gendered Muslim subject is constituted, and discourses about national and transnational belonging are articulated. These processes take place against the backdrop of complex post-Soviet nation building, the resurgence of nationalism and xenophobia, gendered moralization campaigns, the promotion of an urban middle-class modernity, general decline in income levels of ordinary people and political instability in the larger Muslim world. This article examines the narratives that circulate in Muslim Magazine and Musulmanka and analyzes the modes of belonging and recognition that they espouse. I argue that the magazines depict respectable and productive Muslim citizens of Russia who are normalized and assimilated through the replication of privileged consumption norms and of labor and leisure practices. The intimate juxta-political publics that flourish on the pages of these magazines endorse a disciplined minority citizen who adheres to dominant gender norms. This incorporates difference into legible similarity and relegates contentious politics of gender, class and racial privilege to the private domain. Along with the (unrequited) desire for national belonging, these magazines demonstrate affiliations with the global ummah. These discourses are frequently saturated with depoliticizing emotion and operate through exclusions. Hence, through the disciplining power of the market and intimacy, these magazines articulate desires for national belonging. Simultaneously, they reveal affective transnational attachments, which although expanding the possibilities of belonging significantly constrain them.
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Hutomo, Mulyono Sri, and Rajab Ritonga. "The Fight for Life: The Convergence of the Print Press in the Digital Media Industry." Jurnal Pewarta Indonesia 3, no. 2 (October 31, 2021): 80–85. http://dx.doi.org/10.25008/jpi.v3i2.83.

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The mass media industry particularly print media in Indonesia comes under heavy pressure to survive in the era of digital disruption. High printing costs, coupled with high distribution costs and employee salaries have caused difficulties for print media companies to maintain their businesses. Some print media companies have opted to shut down their businesses, while others have to survive by making various efficient efforts and diversifying their businesses. The convergence of print media into digital media has offered an alternative to maintain print media as the management of Telaah Strategis magazine has done. This research aims to see the efforts made by the management of Telaah Strategis magazine to survive in the media industry in Indonesia. The results of this research show that Telaah Strategis magazine uses a variety of media convergence models to be able to maintain its task of disseminating information by transforming it into a news portal and digital magazine and appearing in the social media platform. In addition, it also markets its digital magazine at online product sale exchange.
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Georgiievska, Viktoriia, and Oksana Dubetska. "«Not a very convenient correspondent»: Lesia Ukrainka in the magazine «Zhyzn/Life» (1900–1901)." Obraz 35, no. 1 (2021): 34–40. http://dx.doi.org/10.21272/obraz.2021.1(35)-34-40.

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The aim of this article is to trace the motives and ways of cooperation of Lesia Ukrainka in the St. Petersburg literary and political magazine «Zhyzn / Life», based primarily on her correspondence of this time (1899–1901). The source analysis of the epistolary heritage of Lesia Ukrainka is used, it is based on the chronological and typological characteristics of the life and creative biography of the writer and publicist; systematization of facts and statements related to the functioning of the magazine «Zhyzn / Life», its employees, the creative plans of Lesya Ukrainka. The main motives for Lesia Ukrainka’s cooperation with the St. Petersburg monthly were the democratic direction of the magazine, the authority of the authors and employees of the magazine, the opportunity to be a principled reviewer and propagandist of Ukrainian and European literature, and material incentives.
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O'Hanlon, Ann, Therese Mendez, and Melissa Morrissette. "Gender Codes and Aging: Comparison of Features in Two Women's Magazines." Innovation in Aging 4, Supplement_1 (December 1, 2020): 324. http://dx.doi.org/10.1093/geroni/igaa057.1039.

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Abstract Magazines and other media promote beauty standards and gender roles in feature articles and advertising. Publications present idealized images of women often in contrast to the average reader’s appearance. Analyses of such images suggest gender roles are reinforced through subtle cues embedded in hand gestures, eye gaze, head posture, and body position (Goffman, 1976). This study analyzed a recurrent feature in two different magazine presenting an idealized standard of aging to mature women. The first magazine, MORE, featured mature women, typically between the ages of 40 and 60, with the banner of “This is what (woman’s age) looks like.” MORE magazine is no longer in press, but another magazine, Women’s Day, began a similar recurrent column featuring a women between 40 and 60 with the title “Own Your Age—Yes, I am (women’s age).” Both features included copy describing the woman’s perspective on life and aging and a listing of specific beauty products that she uses. These features were analyzed as advertisements, because they promote a message about being a woman of a certain age and the specific products used to achieve that look. Three researchers coded 43 images from MORE magazine and 30 images from Woman’s Day for physical characteristics of aging and evidence of Goffman’s gender codes. Most photos presented women who appeared younger than their stated age. Images showed the presence of Goffman’s gender codes including feminine touch, ritualization of subordination, licensed withdrawal, and infantilization and were more prevalent in the MORE feature than Woman’s Day column.
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Vakhnenko, E. E. "Alexey Remizov in the symbolist magazine “Vesy”: to the history of cooperation." Sibirskiy filologicheskiy zhurnal, no. 4 (2020): 76–90. http://dx.doi.org/10.17223/18137083/73/5.

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The paper reveals the history of the relations of Alexey M. Remizov’s and the symbolists’ magazine “Vesy” (1903–1909) in the context of the periodical editorial policy and from the standpoint of the artist’s aesthetic values. The documentary basis of Remizov’s relationship with the magazine’s board can be considered his correspondence with Valery Bryusov, as well as fragments of the epistolary heritage of both a personal nature (letters to his wife Seraphima Remizova-Dovgello) and official correspondence with leading employees of St. Petersburg press. The contacts of the novice writer with Moscow and St. Petersburg symbolists, his gradual entry into the circle of modernist writers contributed to some extent to the formation of his artistic guidelines and poetics of his works in the framework of decadent aesthetics. Invited by Valery Bryusov, Remizov published the reviews of the cultural life in the provinces and in the capital for several years, most often anonymously, in the magazine’s sections “Chronicle,” “On Life,” and “Miscellaneous”. His literary works sent to the editorial board did not pass the censorship and were not accepted for publication because of the hostile attitude of the magazine’s owner S. A. Polyakov. Remizov’s attempts to become a permanent member of the “Vesy” staff for six years did not yield a positive outcome. However, they showed the independence of the author’s position from the editorial policy of the magazine in his choice of artistic priorities and contributed to the formation of the writer’s literary person-ality outside the ideological and aesthetic program of the symbolists.
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Bourne, Jenny. "CARF: the life and times of a frontline magazine." Race & Class 59, no. 3 (January 2018): 91–97. http://dx.doi.org/10.1177/0306396817735992.

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A former member of the CARF Collective from the 1970s onwards explains the significance to the anti-racist movement of seventy-two issues of the CARF magazine (1991–2003), now digitalised and available to download on the website of the Institute of Race Relations. She traces the emergence of a grassroots movement in the 1970s which gave primacy to anti-racism over anti-fascism, pointing out also the tensions with ‘the Left’ over such politics, the various forms in which CARF has appeared, the collective way in which it was produced, and the ways in which the magazine conceptualised lived experience and contributed to theory on the changing nature of state and institutional racism.
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31

Ayusheeva, Marina V. "Anti-Religious Printed Propaganda in the Buryat-Mongol Autonomous Soviet Socialist Republic: A Case Study of the Erdem ba Shazhan Magazine." Vestnik Tomskogo gosudarstvennogo universiteta, no. 458 (2020): 130–35. http://dx.doi.org/10.17223/15617793/458/16.

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The article analyzes anti-religious propaganda in the early 1920s in the Buryat-Mongol Autonomous Soviet Socialist Republic on the example of the magazine Erdem ba Shazhan [Science and Religion]. An important component of the state policy in the antireligious struggle in the republic was the Regional Union of Atheists, created in Verkhneudinsk on December 2, 1926. The publication of Erdem ba Shazhan in the Mongolian script was aimed at covering the gap of specialized literature on anti-religious propaganda. While analyzing issues of the magazine stored in the Center of Oriental Manuscripts and Xylographs of the Institute for Mongolian, Buddhist and Tibetan Studies of the Siberian Branch of the Russian Academy of Sciences, research methods of historical science were used. The source study method has revealed the significance of the magazine as a source for studying atheistic propaganda and introducing a new socialist ideology in Buryat society. Erdem ba Shazhan was a methodological guide for a wide network of circles of the League of Militant Atheists. The magazine described the anti-religious events held in the republic, discredited false religious postulates, and propagandized the new Soviet style of life. For instance, the magazine published scientific disputes with lamas about the essence of religion. The analysis of the contents of Erdem ba Shazhan shows that educational issues were aimed at the broad promotion of the new life and eradication of religious remnants occupied more than a half of its volume. The magazine had no thematic sections, but it is possible to identify several main headings: propaganda and educational materials, popular scientific articles, short news, literary life. The “short news” part presented items on the activities of not only the Union of Atheists, but also of the first scientific organization—Buruchkom. The history of overcoming religiousness and inculcating the new ideology found reflection in the works of fiction the magazine published. Young writers, scientists, and educators (Kh. Namsaraev, Ts. Don, D. Madason) collaborated with Erdem ba Shazhan. The magazine also contained visual materials: photos, drawings, caricatures. It is worth noting the original design of the magazine cover made by Ts. Sampilov. Along with other publications in the Mongolian script, Erdem ba Shazhan promoted the development of atheistic education. The magazine illustrated the most diverse aspects of the life of the Buryat population with an emphasis on the scientific nature of events. Thus, the publication of the magazine Erdem ba Shazhan had a significant impact on the development of the atheistic movement in the republic, along with more accessible forms of printed propaganda in the form of posters and other visual means, such as cinema and theater. In general, this magazine compensated for the lack of specialized literature in the Buryat language, being the only methodological guide for a network of atheist cells in rural areas.
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Bassnett, Sarah. "LIFE MAGAZINE IN AFRICA AND THE IDEOLOGY OF MODERNIZATION." photographies 13, no. 2 (May 3, 2020): 273–93. http://dx.doi.org/10.1080/17540763.2020.1734065.

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33

Boguski, Terrie K. "Life cycle carbon footprint of the National Geographic magazine." International Journal of Life Cycle Assessment 15, no. 7 (June 25, 2010): 635–43. http://dx.doi.org/10.1007/s11367-010-0210-5.

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34

Westman, Alida S., Teresa J. Lynch, Lisa Lewandowski, and Erin Hunt-Carter. "Students' Use of Mass Media for Ideas about Romantic Relationships was Influenced by Perceived Realism of Presentations and Parental Happiness." Psychological Reports 92, no. 3_suppl (June 2003): 1116–18. http://dx.doi.org/10.2466/pr0.2003.92.3c.1116.

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52 undergraduates between 18 and 24 years of age (34 women) answered a questionnaire about their use of mass media for ideas about romantic relationships and indicated how happy their parents' relationship seemed during the students' formative years. If sitcoms, dramas, magazine articles, or books were seen as realistic or presenting an ideal for which to strive in real life, students used ideas about romantic relationships presented more frequently, and they also more frequently explored sitcoms and dramas for ideas, but not magazines or books. If the parental relationship was seen as happy, students were more likely to use TV and magazines but not books for ideas; they evaluated sitcoms as more and books as less realistic.
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35

Kokorina, H. V., N. I. Kudriavtseva, A. I. Baranova, I. L. Haiova, and S. I. Prasol. "FASHIONGRAPHICS AND COSTUME DESIGN IN UKRAINE IN THE 1920s." Art and Design, no. 3 (December 13, 2021): 63–72. http://dx.doi.org/10.30857/2617-0272.2021.3.6.

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The purposeof the paperis to study the fashion peculiarities in Ukraine based on the analysis of fashion graphics of “Fashion Magazine”, which was published in Kyiv and Kharkiv in the 1920s. The events of fashion life in Ukraine are considered in the context of current world fashion trends. Methodology. The methods of historical-chronological and comparative analysis, methods of visual information systematization have been used in the paper. Results. The social conditions for the first specialized fashion publication in Ukraine have been identified.The description of fashion trends of the 1920s has been given based on the analysis of women’s clothing models presented on the pages of “Fashion magazine”.The analysis of changes in Western fashion during the twenties in the Soviet Union has been carried out.Featured artistic expression means of fashion graphics, compositional solutions of magazine centerfolds have been considered. The connection between popular fashion images and events in the Ukrainian republic has been shown, namely: changes in the women’s role in society, the spread of sports, new formats of leisure. The reasons for the transformation of the figurative language of fashion graphics of the early twentieth century have been generalized, the connection of the magazine fashion graphics evolution with the general changes in the world fine arts has been analyzed.The scientific novelty is that there have been introduced the facts of publishing the first domestic magazines on fashion, analyzed the specifics of fashion in Ukraine in the 1920s on the basis of fashion graphics samples from Ukrainian magazines for the first time in the context of Ukrainian fashion history. The practical significance lies in the fact that the information offered in the article fills certain gaps in the Ukrainian fashion history.The practical works of artists who created relevant fashion images in the early twentieth century by means of graphics can be used today both in the process of designing new clothes and in order to promote new costume design ideas.
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36

Batura, Amber. "The Playboy Way." Journal of American-East Asian Relations 22, no. 3 (October 14, 2015): 221–42. http://dx.doi.org/10.1163/18765610-02203004.

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Scholars often have ignored Playboy magazine’s role in the Vietnam War because many have assumed its only function was to provide soldiers with erotic images of women. This article analyzes Playboy’s content to explain its popularity in the Vietnam War. While acknowledging the importance of erotic images, this examination explores alternative reasons soldiers and the military embraced this “girlie mag.” Centerfolds provided soldiers with “round-eyed” sexuality, but the magazine also fulfilled other needs of the soldiers. Playboy provided a conduit through which soldiers understood social, cultural, and political issues of the time. Playboy’s treatment of racial tension, military life, the politics of the Vietnam War, and the individual soldier combined with the girl-next-door sexuality that appealed to soldiers on multiple levels made Playboy the magazine of the Vietnam War. Considering what surrounds the centerfold in Playboy illustrates the surprising importance of Playboy to soldiers and the military.
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37

Kolodnyi, Anatolii M. "State and Problems of Religious Life in Ukraine." Ukrainian Religious Studies, no. 48 (September 30, 2008): 5–11. http://dx.doi.org/10.32420/2008.48.1972.

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The only indicators of religious life that are currently fixed by state authorities are existing religious organizations. The official statistics of the religious network, submitted by the State Committee on Nationalities and Religions in early 2008, recorded the presence of 33841 religious organizations in Ukraine in more than one hundred different religious movements, churches and communities (778 more than at the beginning of 2007). This figure includes 32,493 religious communities, 421 monasteries (6,598 inhabitants), 192 religious schools with 18,375 students, 333 missions, and 74 fraternities. The confessions print 383 newspapers and magazines. Considering that the law does not define the obligation to register religious organizations and some of them use it without deliberately going for registration, and that some are officially due to some motives of non-fixed religious movements, and therefore their organizations, then official statistics of the public authority are clearly incomplete. However, even the existing evidence of a kind of religious renaissance in the country. For comparison, in the communist years in Ukraine there were officially recognized only 9 religious movements, which had about 4,5 thousand religious organizations. There were 14 monasteries, one Orthodox seminary in Odessa, and the Orthodox Herald magazine.
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38

Lu, Xiao Hong, Peng Zhuo Han, and Wen Yi Wu. "Reliability Evaluation of Chain-Type Tool Magazine and ATC." Applied Mechanics and Materials 271-272 (December 2012): 461–65. http://dx.doi.org/10.4028/www.scientific.net/amm.271-272.461.

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As the tool magazine and automatic tool changer (ATC) are the important function units to reserve and change tools for the machining center, the tool-changing rate affects their reliability life which directly influences the performance level of the machining center. However, the reliability of the tool magazine and ATC has not yet got a reasonable evaluation index. Directing at the features of the tool magazine and ATC system, the mean tool change numbers between failures evaluation index is proposed, which is used to calculate the mean time to repair and estimate the collected failure data of the chain-type tool magazine and ATC. It can be seen that the tool magazine with continuous tool-changing adopts the mean tool change numbers between failures as the reliability evaluation index.
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39

Vasic, Aleksandar, and Marija Golubovic. "The magazine „Gusle“ (1911-1914) in the history of Serbian music periodicals." Muzikologija, no. 31 (2021): 181–212. http://dx.doi.org/10.2298/muz2131181v.

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The Association of Serbian Singing Societies in Sombor started the magazine ?Gusle? in May 1911. It was a monthly magazine with each issue sixteen pages long. In the introductory place in each issue ?Gusle? brought extensive texts dedicated to the problems in the work of Serbian singing societies. One column followed the work of the Association, and one brought news from the life of singing societies. The magazine was concluded by notes and advertisements. The out?break of the First World War stopped the publication of this magazine. The last issue was published in April 1914. This is the first study dedicated to the magazine ?Gusle?, its structure, content and ideological profile. In the appendix, the paper brings an integral bibliography of the journal, which did not exist until now.
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40

Buaphet, Permtip. "Images of Thai Women in Magazines for Older Adults." Manusya: Journal of Humanities 22, no. 2 (August 26, 2019): 197–221. http://dx.doi.org/10.1163/26659077-02202005.

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This research on the images of Thai women in a magazine for older adults aims to analyze the structure and components of interview columns and examines the linguistic strategies used to present images of Thai women within the context of a magazine for older adults by associating textual analysis with visual methodology. The data collection in this research was grounded on O-lunla magazine, a magazine targeting people in their 60s and older. Twenty-two interview columns from ten magazine issues from January 2017 to October 2017 were included. The study discloses how this magazine for older adults defines the meaning of ageing and the role of the magazine in passing particular notions about desirable ageing and images of older women in Thai society through the use of linguistic strategies, as well as emphasizing the concepts of desirable ageing for women. The results with regard to the content reveal that the meanings of ageing and the images of Thai women in their older age in this magazine for older adults are formed in a positive way. That is to say, older women are depicted as archetypes of a pleasant life in terms of happiness, work and health.
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41

Duan, Jing Ying, and Chang Jing Fu. "Study on Reliability Growth Test Method for Disc Magazine and Manipulator." Advanced Materials Research 904 (March 2014): 335–39. http://dx.doi.org/10.4028/www.scientific.net/amr.904.335.

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The life distribution model and accelerated life testing methods of the disc magazine and manipulator were discussed. The small sample determination of truncation test was performed to QY011 and a batch of test data under the accelerated stress at the selection of vibration as the accelerated stress have been obtained. The reliability life index under certain stress level was analyzed through established the accelerated probability weighted Weibull model and inversed power law model for acceleration model. According to the acceleration model and statistical analysis of test data, the QY011 reliability life level of QY011 disc magazine and manipulator under the normal working conditions were calculated.
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42

Vasilyev, S. S. "Chronotope of Siberia in the materials of the magazine “Nastoyashchee” (1928–1930)." Sibirskiy filologicheskiy zhurnal, no. 2 (2021): 96–105. http://dx.doi.org/10.17223/18137083/75/7.

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The paper deals with the Novosibirsk magazine “Nastoyashchee” (The Present) (1928–1930). “Nastoyashchee” was oriented to the “fact literature”: the theory of new revolutionary literature developed by the LEF (Left Art Front) group, which emphasized the importance of the reflection of the truth of life. Hence, the importance of journalism increases, with feuilleton and essay becoming the most important genres. Such an attitude to the fact literature orients materials of the magazine to the local context understood rather broadly – as the context of Siberia and even the entire Asian part of the USSR. This understanding is considered on the example of all types of magazine materials: prose, poetry, folklore, illustrations, photography. It should be noted that the magazine’s attitude to the poetry was ambivalent: not only did it publish the poetry but also the articles with requests to stop writing poetry. Most significant was the literature of a quick response conforming to the current tasks of the proletariat. It is for this reason that most of the materials related to the fact literature had no ethnographic component, and the local was interesting not as exotic, but as correlating with USSR political context (the link between the city and the countryside, the organization of communes, the fight against the kulaks). The decisive role in writing is found to be inevitably assigned to sorting out the necessary facts illuminating life from the authors’ side of interest, making “Nastoyashchee” similar to the LEF group with their selecting and editing “facts-friends” and criticism of “facts-enemies.”
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43

Raub, Patricia. "True to Life: Life Magazine's Coverage of African Americans, 1936–40." Prospects 25 (October 2000): 607–40. http://dx.doi.org/10.1017/s0361233300000788.

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Four months after the first issue of Life magazine reached the news-stands a reader commented on Life's portrayal of African Americans:May I take this occasion to express to the editors of Life our appreciation for the magnificent photographs of Negroes, including Marian Anderson, Paul Robeson, flood refugees and others which have appeared in recent issues of Life? This fair pictorial presentation of various aspects of Negro life is of inestimable value in helping to give a more balanced concept of the American Negro, which in turn helps all Americans.We want you to know how much we appreciate what you are doing.
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44

Fraser, Johanna Luanne. "Women, Workers, and Race in LIFE Magazine, by Dolores Flamiano." Visual Communication Quarterly 26, no. 1 (January 2, 2019): 58–59. http://dx.doi.org/10.1080/15551393.2019.1577664.

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45

Witkowski, Terrence H. "Guns for Christmas: Advertising in Boys’ Life Magazine, 1911-2012." Journal of Macromarketing 40, no. 3 (April 15, 2020): 396–414. http://dx.doi.org/10.1177/0276146720918656.

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Giving guns as Christmas presents has been one of the ways in which boys and young men have traditionally been recruited into American gun culture. This paper explores how advertising in Boys’ Life magazine, among other data sources, has represented this special Christmas giving in terms of suitable types and brands of guns, appropriate shooting activities, family gifting tableaux and rituals, fantasy consumption, and masculinity theory. Over the period studied, from the turn of the twentieth century until the early twenty-first, this socialization through gift-giving has been remarkably consistent and provides insight into the durability of American gun culture.
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46

Alkaff, Sharifah Nurulhuda, and Reem Adib Lulu. "Analysing Legitimation Strategies in Relationship Advice Articles of Women’s Magazines." Jurnal Pengajian Media Malaysia 23, no. 1 (May 18, 2021): 1–14. http://dx.doi.org/10.22452/jpmm.vol23no1.1.

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This study explores the strategies used to legitimate relationship advice articles in locally produced English language women’s magazines from three different contexts, which are, Malaysia, the US, and two Middle Eastern countries (UAE and Egypt). Six women’s magazines, two from each context, were chosen for this study. Sixty articles, ten from each magazine, from the relationship advice sections of each magazine were analysed using content analysis. We focused on the strategies used to legitimise these advice articles based on similar studies on the legitimisation of advice through the use of intertextuality and voices appearing in these texts. In addition, we also investigated if there are differences in the strategies of legitimation used in these articles due to differences in the cultural norms in the three contexts. Our findings revealed four legitimation strategies which were employed to construct advice in the texts we analysed, namely, ‘Cross-Section of Real-Life’, ‘Appealing to Authorities’, ‘Celebrity Endorsement’, and ‘Popular Culture References’. Our findings also revealed that the writers of sex and relationship articles in all three contexts have to carefully craft their texts in order to produce advice that is considered legitimate and can be accepted by their readers. Finally, our study showed that there appears to be a clear connection between the legitimation strategies used and the socio-cultural aspects of each society.
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47

Wheeler, Belinda. "Gwendolyn Bennett's “The Ebony Flute”." PMLA/Publications of the Modern Language Association of America 128, no. 3 (May 2013): 744–55. http://dx.doi.org/10.1632/pmla.2013.128.3.744.

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IntroductionGwendolyn Bennett (1902-81) is often mentioned in books that discuss the harlem renaissance, and some of her poems Occasionally appear in poetry anthologies; but much of her career has been overlooked. Along with many of her friends, including Jessie Redmond Fauset, Langston Hughes, and Countee Cullen, Bennett was featured at the National Urban League's Civic Club Dinner in March 1924, an event that would later be “widely hailed as a ‘coming out party’ for young black artists, writers, and intellectuals whose work would come to define the Harlem Renaissance” (McHenry 383n100). In the next five years Bennett published over forty poems, short stories, and reviews in leading African American magazines and anthologies, such as Cullen's Caroling Dusk (1927) and William Stanley Braithwaite's Anthology of Magazine Verse for 1927; she created magazine cover art that adorned two leading African American periodicals, the National Association for the Advancement of Colored People's Crisis: A Record of the Darker Races and the National Urban League's Opportunity: Journal of Negro Life; she worked as an editor or assistant editor of several magazines, including Opportunity, Black Opals, and Fire!; and she wrote a renowned literary column, “The Ebony Flute.” Many scholars, such as Cary Wintz, Abby Arthur Johnson and Ronald Maberry Johnson, and Elizabeth McHenry, recognized the importance of Bennett's column to the Harlem Renaissance in their respective studies, but their emphasis on a larger Harlem Renaissance discussion did not afford a detailed examination of her column.
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48

Shin, Seungmo. "The daily history of Zainichi Korean in life general magazine 『Our Life(ウリ生活)』." Journal of Japanology 47 (November 30, 2018): 115–35. http://dx.doi.org/10.21442/djs.2018.47.07.

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49

de Castro, Cantífula. "THE MANAGEMENT OF ORGANIZATIONAL COMMUNICATION AS A FACTOR OF SOCIALIZATION: THE MAGAZINE VIDA NOVA." Problems of Management in the 21st Century 15, no. 2 (December 10, 2020): 79–91. http://dx.doi.org/10.33225/pmc/20.15.79.

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Organizational communication is a key element for the survival, maintenance and consolidation of human relationships in the workplace. This research aims to understand how organizational communication is being managed in the Mozambican Catholic Vida Nova Magazine, verifying how inclusive communication contributes to maintaining good quality of the journal and a high productivity of employees. The methodology used was qualitative, with a field work that consisted of participant observation for one year, complemented by semi-structured interviews with key witnesses. The results showed that Vida Nova Magazine experiences a particular kind of participatory, dialogical and strategic communication processes, coming mainly from the spontaneity of personal relations and communication among employees rather than due to a strategic option of the management. In view of the global demands in the field of social communication, Vida Nova Magazine seeks to broaden its field of action using instrumental forms of communication, based on new technologies, as digital platforms, both social networks and the website. The socialization process of its employees is promising as it cooperates in the consolidation of personal life and is expected to have a new life with Vida Nova. Keywords: organizational communication, collaborators socialization, community life, information processing
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50

Riabchenko-Shats, Valeriia Dmitrievna. "The specificity of art magazine in the context of culture of the Silver Age Culture." Культура и искусство, no. 11 (November 2021): 36–45. http://dx.doi.org/10.7256/2454-0625.2021.11.36838.

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The subject of this research is art magazines of the late XIX &ndash; early XX centuries and their role in cultural life of the turn-of-the-century era. Based on the comprehensive and systemic culturological approach, which encompasses historical-cultural method, textological analysis, scientific classification (analysis of primary sources, secondary data), structural-typological and other methods of scientific analysis, the author advances the general characteristic of the specificity of the new format of periodicals as an intrinsically valuable phenomenon of the Silver Age. Special attention is given to the prerequisites for creation of art magazine, as well as the cultural context of its emergence. The symbolist magazine did not only promote new trends in art and literature, but also formed the unique cultural phenomena. Being a platform for uncompromising and innovative findings, the symbolist periodicals have become a launching ground for such phenomena as symbolist journalism, symbolist criticism, new illustration, as well as advanced methods of arrangement of printed publications. The novelty of this research lies in determination, classification and detailed description of specific features that distinguish art magazines of the Silver Age, as well as revelation of a range of phenomena generated by this format of periodicals. It is demonstrated that besides the fact that art magazines of the turn of the century have become a unique diary of the era, which most clearly reflected its mentality, as well as evolution of art and thought of the late XIX &ndash; early XX centuries, they largely determined the cultural paradigm of the Silver Age. The presented materials and conclusions can be used in lectures and seminars on the history and theory of culture, the history of Russian journalism, development of the course &ldquo;Art Magazines of the turn of the XIX &ndash; XX centuries&rdquo;, as well as contribute to broadening of theoretical representations of the culture of the Silver Age.
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