Relevant bibliographies by topics / Life of Brian. [Motion picture]

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Life of Brian. [Motion picture]'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Life of Brian. [Motion picture]"

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Häusler, Christian O., and Michael Hanke. "An annotation of cuts, depicted locations, and temporal progression in the motion picture "Forrest Gump"." F1000Research 5 (September 8, 2016): 2273. http://dx.doi.org/10.12688/f1000research.9536.1.

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Here we present an annotation of locations and temporal progression depicted in the movie “Forrest Gump”, as an addition to a large public functional brain imaging dataset (http://studyforrest.org). The annotation provides information about the exact timing of each of the 870 shots, and the depicted location after every cut with a high, medium, and low level of abstraction. Additionally, four classes are used to distinguish the differences of the depicted time between shots. Each shot is also annotated regarding the type of location (interior/exterior) and time of day. This annotation enables
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Koos, Marianne. "Verkörperung – Entkörperung bei Rembrandt." Zeitschrift für Kunstgeschichte 80, no. 3 (2017): 349–91. http://dx.doi.org/10.1515/zkg-2017-0018.

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Abstract This article analyzes the painterly formation of pictorial subjects of embodiment and disembodiment since the early modern period. Starting with Gerhard Richter, Quattrocento painters, and Titian, it focuses on Rembrandt and his late group portrait The Anatomy Lesson of Dr. Deijman (1656). The subject of this picture is a dissection of a man’s brain – and hence the surgeons’ search for the seat of the human soul and the motion of life. In the motif of the corpse, Rembrandt performs a radical operation with paint layers that historical sources described with the terms “doodverwe” and “
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Ruggieri, Colleen A., and William V. Costanzo. "Bringing Drama to Life through Motion Picture." English Journal 95, no. 1 (2005): 126. http://dx.doi.org/10.2307/30047416.

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Riazantsev, Lev. "The Role of Source Music in a Motion Picture." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 41–50. https://doi.org/10.31866/2410-1176.38.2018.141739.

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The purpose of the article is to analyze the role of source music in a motion picture in the process of organizing its sound design; to reveal the features of its application in films of different genres. The research methodology consisted in the application of audiovisual analysis of foreign and Ukrainian movies, which allowed for understanding the role of source music in a motion picture. The scientific novelty of the work lies in the fact that the basic principles of using source music in a film were clearly formed and its impact on the sound design of the movi
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Krider, Robert E., and Charles B. Weinberg. "Competitive Dynamics and the Introduction of New Products: The Motion Picture Timing Game." Journal of Marketing Research 35, no. 1 (1998): 1–15. http://dx.doi.org/10.1177/002224379803500103.

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The extremely short life cycle and the rapid decay in revenues after opening coupled with the rapid and frequent introduction of new competitive products makes the timing of new product introductions in the motion picture industry critical, particularly during the high-revenue Christmas and summer seasons. Each studio wants to capture as much of the season as possible by opening early in the season. At the same time, each wants to avoid head-to-head competition. The authors model competition between two motion pictures in a share attraction framework and conduct an equilibrium analysis of the
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Waltrick, Luciana Teixeira, Fernando Hellmann, Gelcemar Oliveira Farias, and Alcyane Marinho. "Motion picture resources and bioethics teaching in the human movement sciences." Revista Bioética 30, no. 4 (2022): 744–57. http://dx.doi.org/10.1590/1983-80422022304566en.

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Abstract This descriptive-exploratory study conducted with graduates from the Graduate Program in Human Movement Sciences at the Santa Catarina State University sought to understand the meanings of using movies in bioethics teaching and to identify motion pictures with bioethical themes related to exercise and health in the human movement sciences. Data were collected using semi-structured interviews and investigated by content analysis. A priori categories were based on the objectives. The participants’ answers generated the a posteriori subcategories, organized as follows: contributions to b
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Meir, Ortal. "Review of A Life Without Words [Motion Picture] by Adam Isenberg & Senem Tuzen." Canadian Journal of Disability Studies 3, no. 1 (2014): 7. http://dx.doi.org/10.15353/cjds.v3i1.142.

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Chen, Man, Xiaomin Han, Xinguo Zhang, and Feng Wang. "The business model of Chinese movies." Journal of Contemporary Marketing Science 2, no. 3 (2019): 246–61. http://dx.doi.org/10.1108/jcmars-02-2019-0015.

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Purpose The motion picture industry is a cultural and creative industry. Unlike its US counterpart, the Chinese motion picture industry is still developing. Therefore, learning from the US market, the purpose of this paper is to analyze the business model of Chinese movies from the perspective of new product diffusion. Design/methodology/approach Based on 66 movies released in the US and 21 movies released in China, this paper first compares the diffusion curves of Chinese and US movies through the movie life cycle and box office trends. Next, it analyzes the moviegoing behaviors of Chinese an
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Cohen, Julia Phillips. "Ottoman Jewish Feminism in Print and Practice: The Paradoxical Life and Ideas of Graziella Benghiat." Jewish Quarterly Review 114, no. 4 (2024): 449–56. http://dx.doi.org/10.1353/jqr.2024.a944931.

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Abstract: Few traces remain of the life and work of the Ottoman Jewish author and thinker Graziella Benghiat. Though she served as a contributor to and, later, editor of different journals in late Ottoman Izmir, most of her writing appears to have been lost in the turbulent period of nearly uninterrupted war that ravaged the region between 1912 and 1922. The words of a speech she gave in March 1913 as well as various personal details preserved by family members are among what is left. Viewed together, they present a picture of a life and body of thought that is difficult to pin down, character
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Friedmann, Jonathan L. "From Jazz Singer to Jazz Singer." Journal of Film Music 11, no. 2 (2025): 29–42. https://doi.org/10.1558/jfm.18786.

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This paper examines the life and career of Paul Lamkoff (1888–1953), a Russian Poland-born songwriter, composer, conductor, vocal coach, and synagogue cantor who arrived in Hollywood in 1924 and made pioneering contributions to early sound films, including The Jazz Singer (1927) and The Mysterious Island (1929). Lamkoff’s film music career was sporadic and shrouded in obscurity, and reconstructing his biography before, during, and outside the motion picture industry is complicated by shifting and inconsistent self-narratives he told to the press. Acknowledging these deficiencies, this paper is
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Dissertations / Theses on the topic "Life of Brian. [Motion picture]"

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Raleigh, Peter Joseph. "Space and structure in Nicolas Roeg's Don't look now and Brian De Palma's Dressed to kill." Scholarly Commons, 1990. https://scholarlycommons.pacific.edu/uop_etds/2196.

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This study will focus on confined, negative space, the claustrum, in its varied manifestations, and on ascents and descents within both the cities themselves and the specific buildings which house these claustra. By definition, the claustrum signifies psychological and often physical confinement. In both films, the major characters are restricted by claustra which simultaneously reflect their psychological conditions or stages of development and also confine them physically. Both Roeg and De Palma are keenly aware of how to manipulate the spectator’s own fears of claustra and exploit them to t
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Williams, Karen L. "Life After Man." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2003. https://ro.ecu.edu.au/theses/1658.

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This thesis comprises two parts: a creative component consisting of a first-draft script for a feature film, -followed by an exegesis. The intention with the creative component was to work within parameters that would hopefully be appealing to the local film-making industry. Thus, the script is for a low-budget feature that is set in Perth and makes use of a character-driven narrative, The exegesis comprises a theoretical analysis of the 'Life After Man' screenplay, placing it within the context of an examination of multiple protagonist film structure, with particular reference to the developm
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Matzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /." Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.

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Kurle, Robert F. "Jesus Christ, Savior for all mankind a New Life Group inductive Bible study guide for Luke, part two /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Williams, Tami Michelle. "Beyond impressions the life and films of Germaine Dulac from aesthetics to politics /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886421&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Lau, Lik-wing Raymond. "A Cinema(tic City)walk." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947850.

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Cork, Kevin James, of Western Sydney Nepean University, and Faculty of Humanities and Social Sciences. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales." THESIS_FHSS_XXX_Cork_K.xml, 1994. http://handle.uws.edu.au:8081/1959.7/684.

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Little research into historical, architectural and social significance of the picture theatre in pre-television rural Australian society has been undertaken. Taking a New South Wales country area (to represent a microcosm), this thesis records the picture venues and qualitative research material from past patrons and theatre staff. The study 1/. establishes the environment created by a picture theatre 2/. shows that New South Wales was typical of Australia in film attendance before the 1960s 3/. introduces the Central-West subject area, and describes how data was gathered from available record
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Sudar, Vlastimir. "A portrait of the artist as a political dissident : the life and work of Aleksandar Petrović." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/480.

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Haiduc, Sonia Amalia. "Writers On Screen: Embodying The "Life-Text" In The Literary Biopic." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672140.

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This thesis examines the sub-genre of the literary biopic and its intersections with literary texts and other film genres through the lens of the melodramatic mode. It explores the dramatization of the ‘life-text’, defined as the process by which events in the non-discursive space-time become discursive elements in written and film biography, by looking at the figure of the author in a selection of literary biopics from the classical Hollywood era to 2018. The number of studies on the biopic is reduced, but those that have been published so far have not examined the strategies of t
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Kagan, Michal Lali. "Wonderer : the life of Bruce Chatwin." Thesis, Queensland University of Technology, 2002.

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Wonderer is a screenplay about the life of writer/traveler Bruce Chatwin. The screenplay examines not only Chatwin's travels and writing, but also the landscape which he never fully explored: his inner-world. This reflective analysis will focus on the relationship between Bruce Chatwin's writing - especially in The Songlines- and the ways in which the book's subject matter and style influenced the choices in content and form which I made in writing Wonderer.
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Books on the topic "Life of Brian. [Motion picture]"

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Python, Monty. Monty Python's The life of Brian (of Nazareth). Methuen, 2001.

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Doyle, Julian. The life of Brian/Jesus. Matador, 2011.

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Colmena, Enrique. Brian De Palma. Ediciones JC, 1987.

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Colombo, John Robert. Say it again, Sam: The sayings of the stars in real life and in reel life. Colombo & Company, 2003.

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George, T. J. S. The life and times of Nargis. Megatechnics, 1994.

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Michael, Powell. A life in movies: An autobiography. Faber, 2000.

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Michael, Powell. A Life in movies: An autobiography. Heinemann, 1986.

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Anderson, Wes. The life aquatic with Steve Zissou. Anderson/Baumbach, 2004.

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Mitchell, John. Flickering shadows: A life in film. Harold Martin & Redman, 1997.

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Jatho, Gabriele. 70 mm--bigger than life. Edited by Deutsche Kinemathek and Internationale Filmfestspiele Berlin. Bertz + Fischer, 2009.

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Book chapters on the topic "Life of Brian. [Motion picture]"

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Morton, David. "“Of Course They Please the Southern People”." In Motion Picture Paradise. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813069999.003.0003.

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This chapter examines the contrasts in racial representations in films produced in Jacksonville at the cusp of the segregation era. Through tracing the lived experiences of African American moviegoers in a Southern city at the onset of the Jim Crow Era, the chapter invites a broader comprehension of the early American film industry’s dismissiveness and at times outright insensitivity toward acts of political terror against African Americans. Meanwhile, the abandoned studio grounds of Jacksonville’s Arlington neighborhood became home to Richard Norman Studios—the first and only studio dedicated
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Vidal, Fernando. "Frankenstein’s Brains." In Performing Brains on Screen. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462989146_ch05.

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This chapter documents how, in the long history of Frankenstein productions, the original theme of the creation of life was replaced by brain transplantation, and explores various forms of that radical transformation. It discusses the origins of the brain subplot and the relation of motion pictures to Mary Shelley’s novel (1818). It also examines the entire Frankenstein film industry since 1910, with emphasis on the series produced by Universal (1931–1948, including James Whale’s foundational classic) and Hammer (1957–1973). In contrast to the tendency to find in the Frankenstein motif all sor
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Chowdhury, Debasish Roy, and John Keane. "Motion Sickness." In To Kill A Democracy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198848608.003.0005.

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This chapter focuses on India’s public transport system. If cities are democratic laboratories that nurture free and equal motion, then India fails the test every day. In Mumbai, for example, up to sixteen people can find themselves packed into a one-square-metre space inside a carriage during peak hours as Indian Railways fails to provide enough trains and coaches to the financial capital’s arterial rail network. Travelling like animals, risking their lives for livelihood, has been the lot of Mumbai’s daily commuters for as long as they can remember. Away from the cities, where 70 per cent of
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Simons, Daniel J., and Daniel T. Levin. "Ideas Of Lasting Influence Hochberg’s Anticipation Of Research On Change Blindness And Motion-Picture Perception." In In The Mind’s Eye Julian Hochberg. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195176919.003.0037.

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Abstract Julian Hochberg has had little direct influence on our academic careers, and we have never even met him. Our knowledge of his contributions to perception and cognition comes entirely from his writings and through discussions of the influence he has had on some of our colleagues and mentors. Those writings have anticipated major developments in perception and cognition, often by several decades. We firmly believe that his prescient writings will continue to influence perception research for decades to come.The measure of Hochberg’s contribution comes not from the number of papers he pu
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Gautreau, Justin. "Introduction." In The Last Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190944551.003.0001.

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The book’s introduction traces the emergence of so-called motion picture fiction in the pages of industry fan magazines. Such novels as Robert Carlton Brown’s My Experience as a Film Favorite (published in Photoplay in 1913 and 1914) and, later, Edward J. Clode’s My Strange Life: The Intimate Life Story of a Moving Picture Actress (published in 1915 as a standalone book) positioned readers to imagine themselves as stars at a time when the film industry was promoting itself as a place of romance and opportunity. The function of motion picture fiction, however, took a swift turn following a stri
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Jenkins, Stephen J. "Kinetics and Dynamics." In Foundations of Surface Science. Oxford University Press, 2023. http://dx.doi.org/10.1093/hesc/9780198835134.003.0004.

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Introduction The picture we have thus far painted amounts to a 'still life' of the surface. In the last chapter, the behaviour of electrons was explored subject to the implicit assumption that their environment could be considered stationary on the time-scale appropriate to their motion....
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Ahlskog, J. Eric. "Symptoms, Related Brain Regions, and Diagnosis." In Dementia with Lewy Body and Parkinson's Disease Patients. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199977567.003.0008.

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As a prelude to the treatment chapters that follow, we need to define and describe the types of problems and symptoms encountered in DLB and PDD. The clinical picture can be quite varied: problems encountered by one person may be quite different from those encountered by another person, and symptoms that are problematic in one individual may be minimal in another. In these disorders, the Lewy neurodegenerative process potentially affects certain nervous system regions but spares others. Affected areas include thinking and memory circuits, as well as movement (motor) function and the autonomic
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Saxton, Libby. "The Double Life of the Gestapo Informer." In No Power Without an Image. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474463157.003.0003.

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Like the ‘Falling Soldier’, Henri Cartier-Bresson’s image of a deportee allegedly unmasking the woman who denounced her to the Gestapo (1945) has fuelled discussion of the unique properties of photography, especially its capacity to sum up seismic historical events. Yet this approach neglects the double life the ‘Gestapo Informer’ has led in and around cinema, both as part of the cast of Cartier-Bresson’s Le Retour (The Return, 1945) and in images promoting this documentary, since the photograph initially circulated in the guise of a film still. This chapter builds on previous scholarship on t
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Genauer, Rebecca. "Frozen in Motion: Ethnographic Representation in Donald B. MacMillan’s Arctic Films." In Films on Ice. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0023.

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This chapter examines the explorer Donald MacMillan, who accompanied Robert Peary during the 1908-09 Polar expedition, and took tens of thousands of still photographs and exposed nearly 100,000 feet of motion picture footage during his long career as explorer, scientist, lecturer, and ethnographer. Four of MacMillan’s edited single-reel films – Hunting Musk-Ox with the Polar Eskimo (date unknown), Travelling with the Eskimos of the Far North (1930), Eskimo Life in South Greenland (filmed during a 1926 expedition), and Under the Northern Lights (circa 1928) –survive. Genauer’s chapter argues th
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Salzberg, Ana. "“What can we do to make the picture better?”." In Produced by Irving Thalberg. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451048.003.0007.

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This chapter explores the implications of the MGM restructuring, specifically in relation to Thalberg’s focus on retakes. Thalberg had established the process to ensure the quality of a given film, asking, “What can we do to make the picture better?” The chapter reframes that abiding question as part of a broader reflection on Thalberg’s shifting production style and role at the studio in these last years of his life. At this time, Thalberg sought to improve upon his own cinematic oeuvre, effectively “retaking” his thematic concerns and visual style in historical epics Mutiny on the Bounty (Ll
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Conference papers on the topic "Life of Brian. [Motion picture]"

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Crossland, Paul, Alistair Furnell, and Matthew Mills. "Modelling and Assessment of an Offshore Rescue Vessel." In ASME 2005 24th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2005. http://dx.doi.org/10.1115/omae2005-67122.

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BP Exploration has developed a new concept in providing safety cover for personnel working on offshore installations. The concept involves the use of a new design of rigid inflatable boat, which can be deployed in emergencies to recover casualties from the water, sustain their life and then return them to a surgical facility for primary care. This paper describes the innovative trials run by QinetiQ in order to simulate elements of the vessel and to build a more complete picture of its usability and operational capability. The team has taken a total systems multi-disciplinary approach to the s
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