Relevant bibliographies by topics / Ligeti Gyorgy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ligeti Gyorgy'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Ligeti Gyorgy"

1

Green, Alan, and Robert W. Richart. "Gyorgy Ligeti: A Bio-Bibliography." Notes 48, no. 3 (1992): 885. http://dx.doi.org/10.2307/941713.

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Willson, R. B. "Review: Gyorgy Ligeti: Style, Ideas, Poetics." Music and Letters 85, no. 4 (2004): 662–66. http://dx.doi.org/10.1093/ml/85.4.662-a.

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Clendinning, Jane Piper. "Gyorgy Ligeti: Music of the Imagination (review)." Notes 60, no. 3 (2004): 674–76. http://dx.doi.org/10.1353/not.2004.0006.

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Drott, Eric. "Ligeti in Fluxus." Journal of Musicology 21, no. 2 (2004): 201–40. http://dx.doi.org/10.1525/jm.2004.21.2.201.

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During a brief period in the early 1960s, Fluxus, a neo-avant-garde group active in the United States, Europe, and Japan, engaged the unlikely participation of Gyorgy Ligeti. Ligeti's three contributions to Fluxus publications-the Trois Bagatelles for David Tudor (1961), Die Zukunft der Musik-eine kollektive Komposition (1961), and Poèème Symphonique for 100 metronomes (1962)-proved both compatible with and divergent from the general ideology and aesthetic of Fluxus. Central to the consideration of Ligeti's Fluxus pieces is the contentious relationship that existed between experimental and mod
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Shin, In-seon. "Imitation technique by G. Ligeti." Yonsei Music Research 8 (December 31, 2001): 53–79. http://dx.doi.org/10.16940/ymr.2001.8.53.

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Berehova, Olena, and Mariia Kara. "Features of the individual interpretation of the cello sonata genre in the creation by Gyorgy Ligeti." Музикознавча думка Дніпропетровщини, no. 18 (November 16, 2020): 167–78. http://dx.doi.org/10.33287/222027.

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The purpose of this scientific article is characterization of the individual approach concerning the outstanding Austrian composer of Hungarian origin Gyorgy Ligeti to the genre of sonata for cello solo, which was successfully made by this composer. To achieve this goal, the role of this genre in the composer’s work is determined, the stylistic features of the only cello sonata in the composer’s work are discovered, and the composition of the work is analyzed. The methodology research as is in applying a holistic musicology analysis that allows deeply penetrate into the essence of the intonati
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Willson, R. B. "Review: 'Traumen Sie in Farbe?' Gyorgy Ligeti im Gesprach mit Eckhard Roelcke." Music and Letters 85, no. 4 (2004): 662–66. http://dx.doi.org/10.1093/ml/85.4.662-b.

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Thomas, Gavin, and Gyorgy Ligeti. "New Times: New Clocks. Gavin Thomas Pays Tribute to Gyorgy Ligeti, 70 This Year." Musical Times 134, no. 1805 (1993): 376. http://dx.doi.org/10.2307/1003088.

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Jones, N. "Gyorgy Kurtag: Three Interviews and Ligeti Homages. Compiled & ed. by Balint Andras Varga." Music and Letters 92, no. 2 (2011): 330–32. http://dx.doi.org/10.1093/ml/gcr014.

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BLANARU, Amalia. "A propos des fractales et du chaos dans les études pour piano de Gyorgy Ligeti." " BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV, SERIES VIII - PERFORMING ARTS" 12(61), no. 2 Special (2020): 47–60. http://dx.doi.org/10.31926/but.pa.2019.12.61.28.

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Dissertations / Theses on the topic "Ligeti Gyorgy"

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Mocciaro, Gallardo Liliana. "Sonata para viola solo de Gyorgy Ligeti : aspectos tecnicos e interpretativos." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284086.

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Orientador: Emerson Luiz de Biaggi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T17:02:25Z (GMT). No. of bitstreams: 1 MocciaroGallardo_Liliana_M.pdf: 1557745 bytes, checksum: 5ab22341eb73c4b7360809987e93f873 (MD5) Previous issue date: 2009<br>Resumo: A Sonata para viola solo de György Ligeti, composta entre 1991 e 1994, contém os processos compositivos característicos do período entre 1950 e 1994. A Sonata é composta por seis movimentos: Hora Lunga , Loop, Facsar, Prestissimo con sordino, Lamento e Chaccone chroma
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Lefresne, Brian J. "Applications of chaos theory and fractal geometry in the music of Gyorgy Ligeti." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/26952.

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In addition to incorporating various constructs from western and non-western music, 20th-century composer Gyorgy Ligeti utilises non-musical influences within his music. One such extra-musical source is the scientific field of chaos theory and fractal geometry. Three compositions that display qualities associated with this scientific field include Atmospheres , the Fourth Movement of the Konzert fur Klavier und Orchester, and Etude pour piano, No. 17, "A bout de souffle". Analysis and re-analysis of these works by the use of rhythmic and post-tonal theory will demonstrate the presence of eleme
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Kim, Eunhee. "A study of Unsuk Chin's Piano Concerto: The influence of Gyorgy Ligeti's Piano Concerto." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461109259.

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Oliveira, Laiana Lopes de 1987. "A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285297.

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Orientador: Denise Hortência Lopes Garcia<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-24T18:44:18Z (GMT). No. of bitstreams: 2 Oliveira_LaianaLopesde_M.pdf: 22890315 bytes, checksum: a1147766527d25a788d3be4490d42c5f (MD5) Oliveira_LaianaLopesDe_Anexo.zip: 18020899 bytes, checksum: c3522db913f83ebf875aa132f344cdc3 (MD5) Previous issue date: 2014<br>Resumo: O estudo das possibilidades de interação entre vozes e instrumentos na composição musical através do uso da fonética e fonologia é o principal objetivo do presente
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Shimabuco, Luciana Sayure. "A forma como resultante do processo composicional de Gyorgy Ligeti no primeiro livro de estudos para piano." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284779.

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Orientador: Mauricy Matos Martin<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-05T01:49:33Z (GMT). No. of bitstreams: 1 Shimabuco_LucianaSayure_D.pdf: 32711734 bytes, checksum: f295ec999192b805044f68e56539e7d4 (MD5) Previous issue date: 2005<br>Resumo: A forma como resultante do processo composicional de Gyõrgy Ligeti no primeiro livro de Estudos para piano salienta aspectos que estabelecem os Estudos de Ligeti entre os expoentes do repertório pianístico contemporâneo, não apenas pela sua substância composicional, mas també
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Kang, Eun Young. "Late Twentieth-Century Piano Concert Etudes: A Style Study." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169360.

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Lee, Grace E. "Pedagogy and Artistry in Select Twentieth-Century Piano Etudes." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595845987466583.

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Frances, Florence. "Émotions et musique du XXe siècle : Ligeti et Stravinski. La communication musicale dans la musique du XXe siècle : étude des liens entre la structure des œuvres musicales et les réponses sémantiques des sujets en situation d’écoute." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040205.

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L’objectif de la recherche est d’apporter une contribution musicologique et psychologique à la compréhension de la fonction de transformation symbolique non verbale intervenant au cœur de la psyché humaine. L’objet-flux musical, porté par une onde vibratoire, énergie en mouvement, n’est pas un objet naturel, mais un objet issu de la psyché humaine conçu pour agir sur d’autres psychés humaines. Il semblerait, et ce n’est qu’une hypothèse de travail, que le compositeur aurait la capacité de coder ses émotions en ondes musicales et de les transmettre à l’auditeur, sujet sensible à certaines longu
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Gallot, Simon Penesco Anne. "György Ligeti." Lyon : Université Lumière Lyon 2, 2005. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2005/gallot_s.

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Chen, Yung-jen. "Analysis and performance aspects of György Ligeti's Études pour piano Fanfares and Arc-en-ciel /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1167697657.

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Books on the topic "Ligeti Gyorgy"

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Griffiths, Paul. Gyorgy Ligeti. Robson, 1996.

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Caron, Alfred. Gyorgy Ligeti: Discographie, bibliographie. Discothèque des Halles, 1987.

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Toop, Richard. György Ligeti. Phaidon Press, 1999.

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György Ligeti, compositeur d'aujourd'hui. Minerve, 1985.

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Burde, Wolfgang. György Ligeti: Eine Monographie. Atlantis Musikbuch, 1993.

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1946-, Heister Hanns-Werner, ed. Un/Endlichkeiten: Begegnungen mit Györgi Ligeti 1989-2003 = In/finity : Encounters with György Ligeti 1989-2003. Modo, 2008.

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7

Richart, Robert W. György Ligeti: A bio-bibliography. Greenwood Press, 1990.

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8

Clendinning, Jane Piper. Contrapuntal techniques in the music of Gyorgy Ligeti: A dissertation presented to the Faculty of the Graduate School of Yale University in candidacy for the degree of Doctor of Philosophy, May 1989. UMI Dissertation Services, 1999.

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Die späte Chormusik von György Ligeti. P. Lang, 2001.

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György Ligeti: Music of the imagination. Faber and Faber, 2003.

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Book chapters on the topic "Ligeti Gyorgy"

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"Darkness into Light." In Gyorgy Kepes. The MIT Press, 2019. http://dx.doi.org/10.7551/mitpress/11890.003.0007.

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"Etudes, Op. 8: An Algorithmic Model of Gyorgy Ligeti's Desordre." In Notes from the Metalevel. Routledge, 2013. http://dx.doi.org/10.4324/9781315078182-28.

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Conference papers on the topic "Ligeti Gyorgy"

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Ivane, Karlina. "STUDY OF PERFORMANCE AND PERCEPTION OF MICROINTERVALS IN GYORGY LIGETI'S HORA LUNGA." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s14.049.

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