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Journal articles on the topic 'Light» genres'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Bojsen-Møller, Marie, Sune Auken, Amy J. Devitt, and Tanya Karoli Christensen. "Illicit Genres: The Case of Threatening Communications." Sakprosa 12, no. 1 (2020): 1–53. http://dx.doi.org/10.5617/sakprosa.7416.

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This study takes a novel approach to the study of threatening communications by arguing that they can be characterized as a genre – a genre that generally carries strong connotations of intimidation, fear, aggression, power, and coercion. We combine the theoretical framework of Rhetorical Genre Studies (RGS) with results from theoretical and empirical analyses of threats to arrive at a more comprehensive perspective of threats. Since threats do not form part of any regular curriculum of genres, we designed a survey to test how recognizable they are. While scholars on threats describe threateni

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Labintsev, A., and N. Oltyan. "EVALUATING THE PERFORMANCE OF NEURAL NETWORKS IN CLASSIFYING THE GENRE OF VIDEO STREAMS." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 80 (May 18, 2024): 68–72. https://doi.org/10.5281/zenodo.11213953.

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The purpose of this article is to consider modern video stream classification algorithms and select the optimal option suitable for application in video hosting applications. The study analyzed various neural network architectures, including ResNet18, architectures with skip-connections, as well as architectures with multiple parallel branches, on a specially prepared dataset containing video clips from films of various genres. The main attention was paid to finding a balance between accuracy and the dimensionality of processed data. The research results show that different neural network

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ACAR, Barış Berhem. "Weird and Eerie: Yeşil Elmalar as an Inter-Genre-Al Novel." Akademik Dil ve Edebiyat Dergisi 6, no. 2 (2022): 0. http://dx.doi.org/10.34083/akaded.1145332.

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Genre theories determine that texts no longer belong to a single genre but can be included into various genres. As the borders of genres become more indistinct, interaction between genres are observed to increase. The presence of common discursive codes of genres helps authors be freed of the limits of a single genre, which enables the same texts to be read within the scope of various genres. In addition, genre differentiations with traditional strict rules are replaced with discursive genres that can change with new invented ones according to each text. The determination of usage values of ge

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Wnuk, Agnieszka. "On the necessity of comparative analysis in genre studies." Tekstualia 4, no. 31 (2012): 77–84. http://dx.doi.org/10.5604/01.3001.0013.4651.

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The article discusses the problems of genre problems presented in the light of modern comparative studies. On the example of romanticism and its popular genres, such as verse tale, digressive poem, romantic drama and a variety of odd types of poetic works, it has been demonstrated that comparative analysis can be very useful in describing the formal aspect of literary works and the interaction between genres.

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Wnuk, Agnieszka. "On the Necessity of Comparative Analysis in Genre Studies." Tekstualia 1, no. 1 (2013): 71–79. http://dx.doi.org/10.5604/01.3001.0013.6130.

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The article discusses the problems of genre problems presented in the light of modern comparative studies. On the example of romanticism and its popular genres, such as verse tale, digressive poem, romantic drama and a variety of odd types of poetic works, it has been demonstrated that comparative analysis can be very useful in describing the formal aspect of literary works and the interaction between genres.

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Argatha Samuel Riandika, Arsen Nahum Pasaribu, and Rony Arahta Sembiring. "Exploring Sarcasm In Different Movie Genres: A Case Study Of Horror And Comedy Movies." Journal of Applied Linguistics 4, no. 2 (2025): 159–66. https://doi.org/10.52622/joal.v4i2.346.

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This study explored how sarcasm was used in two contrasting movie genres, horror, and comedy, to understand its role in shaping tone, storytelling, and audience engagement. Drawing on Camp’s theory, sarcasm is categorized into four types: propositional sarcasm, lexical, like-prefixed, and illocutionary sarcasm. The research uses a qualitative approach, analyzing selected films and their script to identify and classify 127 sarcastic utterances—66 in horror and 61 in comedy. The findings reveal that illocutionary sarcasm is the most common in horror (50.00%), complementing the genre’s subtle and

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Jiménez-Crespo, Miguel A. "Loss in translation: a contrastive genre study of original and localised non-profit US websites." Journal of Specialised Translation, no. 17 (January 25, 2012): 136–63. https://doi.org/10.26034/cm.jostrans.2012.463.

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The notion of 'translation loss' has been at the core of numerous publications and theorisations in Translation Studies (Nord 2011). This paper revisits this notion in the light of new dynamic digital genres with open hypertextual structures that are constantly enlarged and updated. The localisation of these websites, understood as a process constrained by finite time and financial resources, normally entails deciding or prioritising which sections or blocks will appear in the localisation and which will not. These strategies have an impact in the configuration of the localised websites and th

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Pavani, G., Patnala Satishkumar, Sangita Chakraborty, Divvela Surendra, Katakam Ranga Narayana, and N. M. Jyothi. "Advanced Dual-Optimized Neural Network Model with Integrated CSO and OBD for Precise Classification and Prediction of North Indian Light Classical Music Genres." Salud, Ciencia y Tecnología - Serie de Conferencias 3 (July 16, 2024): 805. http://dx.doi.org/10.56294/sctconf2024805.

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Introduction: categorizing North Indian Light Classical Music genres presents a considerable challenge due to their intricate nature. This research introduces a Dual Optimized Neural Network (DONN) model designed to achieve elevated levels of accuracy and efficiency, thereby enhancing the understanding of these music genres. Creating a network of artificial neural with accurate classification and prediction of given genres is the primary objective. This is achieved through the integration of Cat Swarm Optimization (CSO) for enhanced adaptability and Optimal Brain Damage (OBD) for effective net

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Dadamirzayeva, Mohidil G'ulomjon qizi. "COMPREHENSIVE ANTHROPOLOGICAL FEATURES OF SPEECH GENRE COMMUNICATION." Yangi O'zbekistonda Tabiiy va Ijtimoiy-gumanitar fanlar respublika ilmiy amaliy konferensiyasi 1, no. 5 (2023): 5–10. https://doi.org/10.5281/zenodo.8400048.

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Regarding the fundamental quality attributes of the communication process itself and its final result, the dependability and consistency of communication vary across a wide range of speech genres. The article's major goal is to clarify and strengthen the evidentiary base for our hypotheses regarding the usual structural features of various speech genre formations in light of their dependability and consistency. The author makes an effort to show how the textual and cognitive mechanics of speech genres can be understood conceptually and hypothetically as universal anthropological variables

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Baibikov, Elena. "FAIRYLESS TALES AT THE SOURCE OF JAPANESE KIDLIT: SOME THOUGHTS ON INSTRUCTIONAL GENRE AS A PART OF EMERGENT NATIONAL CHILDREN’S LITERATURE." Children's Readings: Studies in Children's Literature 25, no. 1 (2024): 100–128. http://dx.doi.org/10.31860/2304-5817-2024-1-25-100-128.

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Focusing on the dynamics of cultural transfer, this essay examines the shifting landscape of Japanese children’s literature, tracing its formation from the 17th century to the present through the lens of educational literature. It presents specific examples of instructional materials — encyclopedias, textbooks etc. — to illustrate the diversity of genres within educational literature and their impact on the emerging identity of Japanese children’s literature, particularly in comparison with other genres such as folklore and fairy tales. The essay proposes three interpretations of the concept o

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Kurochkina, Anzhelika Valerievna. "Problem of anti-genre in the works of Yevgeny Zamyatin." Philology. Theory & Practice 17, no. 11 (2024): 4200–4206. http://dx.doi.org/10.30853/phil20240592.

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The research aims to substantiate the presence of anti-genre formations in Yevgeny Zamyatin’s works. The article examines the history of the question: the emergence of the term “anti-genre” and its development in Russian literature. The research argues for the appearance of the anti-vita, the anti-patericon, and the anti-utopian novel. The interrelation of form and content in Zamyatin’s works is traced: “anti-genre” as a reflection of Zamyatin’s worldview, his aesthetic principles. The scientific originality of the research reflects the transformation of genres in the light of modern studies,

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Asri, Marselinus. "Financial Statement: Language View Points using Genre analysis." ECOMA: Journal of Economics and Management 1, no. 2 (2023): 65–77. http://dx.doi.org/10.55681/ecoma.v1i2.13.

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This research article examines accounting statements from the perspective of genre analysis and language usage. By applying genre theory and linguistic analysis, we aim to explore the various language viewpoints employed in the construction of accounting statements and their implications for financial communication. Through a comprehensive review of relevant literature and a qualitative analysis of a sample of accounting statements from several Europe countries, US, Asia and Africa, we identify and categorize different genres within the accounting domain. We investigate how the choice of langu

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Breeze, Ruth. "Lexical bundles across four legal genres." International Journal of Corpus Linguistics 18, no. 2 (2013): 229–53. http://dx.doi.org/10.1075/ijcl.18.2.03bre.

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Legal language is often said to be formulaic, but little research is available on the nature of frequently occurring sequences of words in different legal genres. This article investigates the lexical bundles found in four legal corpora: academic law, case law, legislation, and documents. Major differences are brought to light between the type of bundles that are found, and the roles they have in the text. Academic legal writing uses relatively little formulaic language. Case law uses noun phrase bundles relating to agents, documents and actions, as well as many extended prepositional phrases.

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Strubberg, Brandon C., and Chase Mitchell. "Convergent Practices in Social Media Videos: Examining Genre Conventions in Business-to-Consumer Content." Technical Communication 70, no. 2 (2023): 27–42. http://dx.doi.org/10.55177/tc817333.

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Purpose: Technical communication (tech comm) and marketing communication (marcomm) are converging in business-to-consumer (B2C) contexts. Convergent videos integrate practices from both genres to address ever-changing digital audiences. In this paper, we review available literature and analyze tech comm and marcomm social media videos to demonstrate traditional genre conventions. We then analyze a select couple of convergent social media videos to delineate genre conventions across genres. We end by considering four unique convergent strategies that these videos used in combining elements of t

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Mabuan, Romualdo Atibagos. "A CONTRASTIVE RHETORICAL ANALYSIS OF PHILIPPINE AND SRI LANKAN ENGLISH NEWS COMMENTARIES." Indonesian Journal of Applied Linguistics 6, no. 2 (2017): 330. http://dx.doi.org/10.17509/ijal.v6i2.4918.

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Newspaper commentaries constitute a part of media discourse, which is a significant area of inquiry in intercultural rhetoric analysis. Through conducting a contrastive textual analysis of newspaper commentaries culled from the English newspapers in the Philippines and Sri Lanka, this paper explored the notions of genre and micro-genre on the 2015 papal visit in the two countries. To set a tertium comparationisin examining the genre-newspaper commentaries on the papal visit, the timeframe was set during the two-week duration of the visit. To investigate the micro-genres employed by the writers

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Lee, Seongyong. "Writer Identity in Narrative and Argumentative Genres: A Case of Korean Students in the United States." International Journal of Applied Linguistics and English Literature 6, no. 1 (2016): 178. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.1p.178.

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This study investigated how three Korean ESL students constructed their writer identity in narrative and argumentative genres of writing. For this purpose, the qualitative data collected from interviews, observations and written documents for eight weeks were analyzed according to a social constructionist perspective as a philosophical framework and Ivanič’s approach to systemic functional linguistics as an analytic method. The results showed that the participants constructed a confident identity in narrative writing whereas they identified themselves with a less-confident writer in an argumen

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Hall, Alice. "Sensation Seeking and the Use and Selection of Media Materials." Psychological Reports 97, no. 1 (2005): 236–44. http://dx.doi.org/10.2466/pr0.97.1.236-244.

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175 individuals recruited from urban universities ( n = 82) and the surrounding community (120 women, 55 men; 82 18- to 25-yr.-olds, 26 26- to 34-yr.-olds, 44 35- to 50-yr.-olds, 23 50 yr. old or over) completed a sensation seeking scale and measures of the frequency with which they used specific media and selected specific television programming, film, and music genres. Regression analyses showed Sensation Seeking to be associated positively with Movie Theatre Attendance and with the Selection of Urban Music Genres. Sensation Seeking was also associated negatively with Selection of Light Film

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Zaytseva, T. I., and N. P. Yamaeva. "The comic in Udmurt folklore and artistic literature of the late XIX – early XX centuries." Bulletin of Ugric studies 10, no. 4 (2020): 652–61. http://dx.doi.org/10.30624/2220-4156-2020-10-4-652-661.

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Introduction: the сomic is one of the ways of artistic reflection of reality. It shows the peculiarities of the national worldview at the certain period of history. To generalize the stages of evolution of the comic in literature, to establish causeand- effect relationships of development of genres and forms of the comic, it is necessary to identify its origins. The article development. Objective: to identify the origins and features of formation of comic genres in Udmurt literature in the aspect of continuity of traditions of oral folk art. Research materials: satirical and humorous works of

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Thieme, Katja, and Shurli Makmillen. "A Principled Uncertainty: Writing Studies Methods in Contexts of Indigeneity." College Composition & Communication 68, no. 3 (2017): 466–93. http://dx.doi.org/10.58680/ccc201728963.

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This article uses rhetorical genre theory to discuss methods for writing studies research in light of increasing participation of Indigenous scholars and students in disciplines throughout the academy. Like genres, research methods are embedded in systems of interaction that create subject positions and social relations. Using rhetorical genre theory to understand methods as the cultural tools of research communities, we argue that methods can be enacted as flexible resources in the interest of advancing ethical knowledge. In the context of Indigenous epistemological activism, researchers can

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Popović Nikolić, Danijela. "Man Versus Demon:Interconnections between Incantations and Belief Narratives." Acta Ethnographica Hungarica 64, no. 2 (2019): 435–49. http://dx.doi.org/10.1556/022.2019.64.2.13.

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AbstractThe present paper examines the relationship between incantations and belief narratives, two types of oral genres based on human contact with the supernatural. Such contact attests to a dangerous disruption of the boundary between the human and demonic worlds and to the intensive efforts to reinforce it so that participants may return to the space they belong in. For this purpose, various verbal and nonverbal tools are used in belief narratives (gestures, objects, plants, sound or light signals, certain activities – such as walking backwards, placing a cap over the forehead, etc.). In c

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Gârlea, Mihaela Loredana. "5. The Myth of the “Exclusivist” Voice - the Diversity of Sound Aspects. Case Study." Review of Artistic Education 25, no. 1 (2023): 27–31. http://dx.doi.org/10.2478/rae-2023-0005.

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Abstract There is always talk about the voice intended exclusively for a certain musical genre. There are singing teachers who systematically refuse to encourage young voices to discover other areas of sound from the perspective of vocal practice. For example, Classical Singing teachers approach the phrase “you can’t” or, worse, “you’re not allowed”, when a student studying Academic Singing wants to discover other musical genres such as Folk Singing, Light Music or Jazz. This obtuseness shown by some teachers leads to the premature inhibition of the singer’s vocal potential in the full period

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Neamțu, Carmen. "Genres of Cultural Journalism: Theatre Review." Cadernos de Literatura Comparada, no. 44 (2021): 227–38. http://dx.doi.org/10.21747/2183-2242/cad44a13.

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This paper focuses on cultural journalism and its main species. After a brief review of the main genres of the cultural writing press, I will dwell on the theater chronicle, trying to see what style of writing is circumscribed and what are the main steps in writing a theatre review. Based on my 23 years of experience as a journalist in the daily generalist and specialized cultural press (Cultural Magazine of the Romanian Writers' Union, ARCA), I dare to say that the secret of any theater review lies in the balance between the information transmitted and the journalist's comment, between the st

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Derkach, Svitlana, and Volodymyr Fisher. "The Extraordinary Range Details as Structural Unit in Establishment Art." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 1, no. 2 (2018): 40–46. https://doi.org/10.31866/2616-759x.2.2018.153223.

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The purpose of the article is to form the main features of the variety number  as a structural unit of pop art, as a separate logically and compositionally constructed performance of one or more performers, combining genre types of other arts whose commonality lies in the close rapprochement of performers and the public, in concordance, mobility and entertainment. Research methods. The etymological method has been used  to determine the concept of «variety art» origin; The comparative method allowed  the comparative analysis of the small forms signs in art; The semio

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Rocha, Fabian Quevedo da. "From the fairy tale to the epic." Literartes 1, no. 12 (2020): 206–22. http://dx.doi.org/10.11606/issn.2316-9826.literartes.2020.168942.

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This work analyses how Tolkien uses elements of the fairy tale and the epic genre to write his novel The Hobbit. Published in 1937, J. R. R. Tolkien's first published novel is frequently seen as a fairy tale. In addition, by using the author's essay "On Fairy Stories" to analyze his own fiction, it is possible to argue that it has most of the characteristics he ascribes to the fairy tale genre: it takes place in a consistent secondary world, it satisfies several human desires, such as the one of glimpsing other worlds and the one of conversing with other beings; more importantly, it has a "hap

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RADOMAN, Aleksandar. "LITERARY CANON AND MONTENEGRIN ORAL LITERATURE IN THE PRE-VUK PERIOD." Lingua Montenegrina 30, no. 2 (2022): 155–90. https://doi.org/10.46584/lm.v30i2.943.

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This paper presents the results of several years of archival work, the aim of which was to shed light on the oldest layer of preserved Montenegrin oral heritage. The author described 18 manuscripts created in Boka Kotorska in the period between 1696 and 1833, which have not been sufficiently scientifically explored. The corpus contains a large number of epic and lyrical oral literary genres, which offers a wide space for the analysis of both the very genesis and structure of the genre, as well as the thematic-motive characteristics of individual poems.

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Vysokovich, Kseniya Olegovna. "Light Comedy and vaudeville: specificity of the genre." Litera, no. 1 (January 2022): 91–97. http://dx.doi.org/10.25136/2409-8698.2022.1.37247.

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The subject of this research is the light (salon, secular, noble) comedy "One's Own Family, or a Married Bride", co-authored by A. A. Shakhovsky, N. I. Khmelnitsky amd A. S. Griboyedov, as well as the vaudeville by A. S. Griboyedov and P. A. Vyazemsky "Who is a Brother, Who is Sister, or Deception after Deception". The goal lies in the analysis of similar genre models: light comedy and vaudeville &ndash; a variety of salon comedy. The key method of research is the motif-imagery analysis, which reveals a number of common a number of motifs and allowed examining the images of heroes. The com

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Glazko, Pavel P. "The interaction of the categories of expressiveness and evaluativity in personal genres of the US media discourse." International Journal “Speech Genres” 18, no. 1 (37) (2023): 58–65. http://dx.doi.org/10.18500/2311-0740-2023-18-1-37-58-65.

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The aim of the given research is to elucidate the correlation between lexical stylistic (expressive) devices and their contextual evaluative meanings in the genres of blog and column of the US media space. The categories of expressiveness and evaluativity are the most essential for adequate understanding and interpretation of modern media in the context of technological convergence, information exchange speed increase, tangible transformation of genre systems, and increased subjectivity. The results of linguo-stylistic, contextual, componential and quantitative analyses attest to some similari

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Pokhrel, Biplove, Suresh Timilsina, and Santosh Panth. "Sentiment Analysis of Netflix Multi-Genre Using Support Vector Machine." Journal of Engineering and Sciences 3, no. 2 (2024): 35–42. http://dx.doi.org/10.3126/jes2.v3i2.72188.

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The main objective of this research is to understand the audience's sentiment regarding various Netflix web series and their corresponding genres. This study, which contributes to sentiment analysis, collects data from the eight official Twitter handles of actors/actresses and web series from five genres: comedy, drama, Sci-fi, romance, and action. The data collection process involved extracting tweets related to these web series and classifying them into positive, negative, and neutral categories. Classification is done by using a Support Vector Machine (SVM), a popular classifier in machine

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Kaszewski, Krzysztof. "Between Entertainment, Technology, Culture, and Business. The Syncretism of Media Discourse on Video Games in the Light of Genological Discourse Analysis." Poznańskie Studia Polonistyczne. Seria Językoznawcza 31, no. 1 (2024): 79–95. http://dx.doi.org/10.14746/pspsj.2024.31.1.4.

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The aim of the article is to demonstrate one of the fundamental characteristics of media discourse on video games: its syncretism. This pertains to the amalgamation of content and structures typical of several different spheres of human activity: entertainment, technology, culture, and business. A genre-based discourse analysis is employed to examine which genre patterns are typical of the media discourse on video games and the common methods of their manifestation. The paper discusses in greater detail four selected genres: video game review, news, overview, and a game publisher’s note. The r

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Steinkamp, Jennifer. "My Only Sunshine: Installation Art Experiments with Light, Space, Sound and Motion." Leonardo 34, no. 2 (2001): 109–12. http://dx.doi.org/10.1162/002409401750184645.

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The author discusses her interactive architectural installation art. As an artist who works with new media, she finds herself refitting existing genres and creating new languages for her particular art form. Her artwork consists of projected interactive computer animation installations. She investigates illusions that transform the viewer's perception of actual space in a synthesis of the real and the virtual.

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Souza, Valeska Virginia Soares. "Virtual learning environments in the light of the Complexity Paradigm: interface, affordances and equifinality." Revista Brasileira de Linguística Aplicada 13, no. 2 (2013): 577–602. http://dx.doi.org/10.1590/s1984-63982013005000007.

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I have investigated, through the lens of the Complexity Paradigm, aligned with the premises of the Theory of General Systems and the concept of affordances, two virtual learning environments (VLEs), defining them as systems composed of digital genres, regarding a VLE as a complex adaptive system. These VLEs were reconfigured from the platforms TelEduc and Moodle and used to teach the discipline "Digital Literacy", in the course of Languages and Literature Teaching degree at the Federal University of Minas Gerais (UFMG), during the second semester of 2007 and the second semester of 2008, respec

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ulı, Utepbergenov Ajiniyaz Ayapbergen. "The Art of Directing: The Secrets of The Film Director’s Profession." International Journal of Pedagogics 5, no. 4 (2025): 255–57. https://doi.org/10.37547/ijp/volume05issue04-66.

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The article provides an understanding of the director and sheds light on the process of staging various types of works during the director’s creative journey. It also includes information about the selection of plays, genres in cinema, television, and radio broadcasting.

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Da Cunha, Iria, M. Amor Montané, Beatriz Fisas, and M. Ángeles Escobar. "Comparing textual genres in Spanish: the case of the tourism domain." Ibérica, no. 42 (December 31, 2021): 163–90. http://dx.doi.org/10.17398/2340-2784.42.163.

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Tourism is one of the most important specialized domains in Spain. For this reason, many linguistic studies related to tourism texts have been carried out in the last few years. In this work, we focus on three of the most frequent and difficult textual genres written in Spanish in this domain: the informative article, the travel blog post, and the rules and regulations (for tourist accommodation facilities). The goals of this research are two: a) to carry out a linguistic analysis of the three aforementioned genres from the tourism domain on the textual, lexico-grammatical and discourse levels

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Berglund, Carl Johan. "Understanding Origen: The Genre(s) of the Gospels in Light of Ancient Greek Philology and Modern Genre Theory." Scrinium 12, no. 1 (2016): 181–214. http://dx.doi.org/10.1163/18177565-00121p11.

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The reflections of Origen of Alexandria (ca. 185–254 CE) concerning the nature of the New Testament Gospels may be better understood if viewed in relation to a scheme of standard introductory questions used by ancient Greek philologists in their commentaries on classical Greek literature. While this scheme did not include questions about the form or genre of the writings to be analyzed, Origen repeatedly added such reflections when he adapted the scheme in his commentaries on biblical writings. These reflections inform us of his expectations of the Gospels. Using a modern concept of genre as a

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Amod Kumar Rai. "Globalization and Global Literatures: Deconstructing the Genres." Creative Launcher 9, no. 2 (2024): 41–48. http://dx.doi.org/10.53032/tcl.2024.9.2.05.

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Post world-war life across the Globe has witnessed a sustained series of metamorphoses which has, consequently, caused cerebral turmoil. A lot of academic disciplines have come into existence and along with them have come a lot of new terminologies with promises of many new academic avenues wherein prospects of new, changed and “revolutionary” discourses have crept into. Diaspora, Multiculturalism, Ethnicity, Identity, Techno-culture and Globalization are certain fields which have caused a huge quantity of inking down a plethora of pages, seminars, anthologies and discussions. While, undeniabl

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Prozorov, Valery V. "Poetics of human interaction in K. D. Ushinsky’s essay “A Travel to Volhov”." International Journal “Speech Genres” 18, no. 2 (38) (2023): 146–54. http://dx.doi.org/10.18500/2311-0740-2023-18-2-38-146-154.

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Publicistics in all variety of its genres is traditionally perceived as a shaky boundary between the fictional imaginative interaction and interaction lit by the worldly life experience of the author / narrator and equipped by factual authenticity. In this connection it seems worthwhile to introduce into genre studies most meaningful fictional and publicistic publications of different (including really distant from us) cultural-historical periods, where one can find abundant data which will help us understand poetics of human interaction. My goal is to demonstrate one of the texts which extrem

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Estarami, Ebrahim. "A Comparative Study of Sadegh Hedayat’s The Blind Owl in the Light of the German Theory of Novella." Advances in Language and Literary Studies 9, no. 4 (2018): 98. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.98.

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Using the novella as the European literary genre has divided the Iranian literary scholars due mostly to its unknown features. Lack of research in this area has caused many writers either to abandon this literary term or to opt for alternatives such as “novelette”,” long story”, “long short story” or “short story”. This article aims to introduce the theory and characteristics of the novella as a unique literary genre, based on German literature. Despite the Italian root of the novella, it reflects its Germanic roots as it was flourished in the 18th and 19th centuries Germany. In addition, the

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Baldwin, James E. "Prostitution, Islamic Law and Ottoman Societies." Journal of the Economic and Social History of the Orient 55, no. 1 (2012): 117–52. http://dx.doi.org/10.1163/156852012x628518.

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AbstractThis article examines the treatment of prostitution in several genres of Ottoman legal writing—manuals and commentaries of Islamic jurisprudence,fatwās(legal opinions) andḳānūnnāmes(Sultanic legislation)—and looks at how prostitution was dealt with in practice by the empire’s sharīʿa courts and by its provincial executive authorities. The article uses prostitution as a case study to investigate the relationships between the different genres of legal writing and between normative law and legal practice. It also throws light on various manifestations of prostitution in the Ottoman provi

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Dr. Mazhar Iqbal Kalyar and Dr. Aamar Iqbal. "Sketch Writing Of Ata-ul-Haq Qasmi :Research And Critical Review." Dareecha-e-Tahqeeq 3, no. 4 (2023): 55–61. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.84.

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Ata Ul Haq Qasmi is a humorist and his humor reflects in various genres of literature. These genres include opinion pieces, Drama, Parody, and Sketches. The sketch is the most popular of these categories. Comprehension of all aspects of a person and light humor are the most striking qualities of his sketch writing. Although he has not written extensively on personalities, his piercing gaze on the personality of a person stands out. This is one of the reasons for his being a representative caricaturist of his generation. This essay in focus concentrates on literary -cum -intellectual analysis o

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Pecheranskyi, Igor, and Vlada Katrenko. "Characteristics of Travel Journalism Genres." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 1 (2019): 33–41. https://doi.org/10.31866/2617-2674.2.1.2019.170861.

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The purpose of the article. Over the past 5 years, the importance of travel content has increased on television, almost every channel has its own TV program about travelling, films and reports are demonstrated, and the majority of print publications have entire sections devoted to tourism. Despite the large volume, there is still no thorough research of the emergence, creation, and features classification of travel journalism genres. This makes it possible to say that the process of globalization, with its integral commercialization of the media, has changed the perception of travel journalism

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GRAFMILLER, JASON. "Variation in English genitives across modality and genres." English Language and Linguistics 18, no. 3 (2014): 471–96. http://dx.doi.org/10.1017/s1360674314000136.

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The choice of genitive construction in English is conditioned by numerous semantic, syntactic and phonological factors. The present study explores the influence of these factors across different modalities (speech vs writing) and genres (e.g. press, fiction, etc.), and models the mediating effect of language-external variables on internal cognitive and linguistic factors within the context of a probabilistic grammar of genitive choice. The discussion revolves around debates concerning the driving force(s) behind recent changes in newspaper genitives, concluding that the trend reflects a push t

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Morcom, Anna. "Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research." Ethnomusicology 66, no. 3 (2022): 470–96. http://dx.doi.org/10.5406/21567417.66.3.07.

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Abstract Ethnomusicologists and Indian musicologists have overwhelmingly studied Hindustani music as classical music, focusing on khyal, dhrupad, and instrumental solo, and its transmission in lineages. In my research, rather than following genre, I followed people, a ground-up method that equates to basic principles of practice theory. Focusing on the extended family of the Rampur-Sahaswan gharana, known for khyal, I looked for musicians regardless of the kind of music they were doing. This brought numerous “hidden musicians” (Finnegan 1989) and genres into view as an integral part of a “clas

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Nikitina, Larissa Borisovna. "The language image of the elderly person in the light of evaluating speech genres." International Journal “Speech Genres” 9-10, no. 1-2 (2014): 89–95. http://dx.doi.org/10.18500/2311-0740-2014-1-2-9-10-89-95.

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Cui, Xiuxiang, and Sungkyoo Hong. "A Study on the Fusion of Chinese Ethnic Minority Elements and Hip-hop Music: Focusing on the Tibetans." Korean Society of Culture and Convergence 45, no. 5 (2023): 949–57. http://dx.doi.org/10.33645/cnc.2023.05.45.05.949.

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Tibetan hip-hop music is a new type of music characterized by the genre characteristics of Chinese Tibetan culture and folk music genres. In order to analyze the characteristics of the fusion of traditional Tibetan music and modern hip-hop music, this article looks at the development history of Tibetan music and cites representative works of Tibetan music from each period to analyze its main characteristics. The main elements of Tibetan hip-hop music are analyzed in terms of lyrics, melody, vocals, and orchestration, and illustrated with examples from several works. This article will shed new

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Song, Enming. "The Impact of Different Music Genres on Learning Efficiency in Various Academic Disciplines." Transactions on Social Science, Education and Humanities Research 5 (April 1, 2024): 589–99. http://dx.doi.org/10.62051/712jvf12.

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This research examines the intricate link between music genres and learning efficiency across diverse academic disciplines, drawing insights from a survey of 404 teenage students aged 12 to 18. It explores demographic factors, study habits, emotional states, and perceived academic impacts, offering a nuanced understanding of music's role in education. The findings highlight diverse preferences, shedding light on the multifaceted relationship between music and learning. The study explores music preferences, including genres and lyrics preferences, as well as participants' study habits, providin

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Oria Gómez, Beatriz. "Genre and ideology in Woody Allen's Another Woman (1988)." Revista Alicantina de Estudios Ingleses, no. 20 (November 15, 2007): 167. http://dx.doi.org/10.14198/raei.2007.20.09.

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This paper analyses Another Woman, one of Allen’s serious films of the eighties, in the light of two genres traditionally associated with the expression of female subjectivity: melodrama and the woman’s film. Taking into account these genres’ conventions, I explore the issues of identity crisis and female repression under patriarchy through an analysis of the film’s protagonist. With this purpose in mind, Another Woman is read in connection with contemporary debates about feminism. More specifically, my analysis reveals the film’s duplicitous ideology: while apparently endorsing female liberat

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Dong, Baohua. "Towards the Crypto-functional Motive of Existential there: A Systemic Functional Perspective." Theory and Practice in Language Studies 6, no. 8 (2016): 1644. http://dx.doi.org/10.17507/tpls.0608.18.

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This paper, based on the proposal of crypto-functions of existential there in Dong (2016a), mainly focuses on the motive of crypto-functions in existential there. The constraints of genre on existential there in terms of indirect realization relationship between genre and lexicogrammar are firstly discussed in an attempt to locate its motive path. Then such a path is followed to explore the distribution frequencies of existential there in each genre in COCA for the intention of shedding light on the motive of crypto-functions of existential there. It is found that existential there enjoys the

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Jović, Svetlana. "Evaluative devices as a narrative tool for enacting relational complexity." Narrative Inquiry 24, no. 1 (2014): 113–31. http://dx.doi.org/10.1075/ni.24.1.06jov.

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In the present article, I explore how urban youth use narrating for self-presentation as they relate to diverse contexts and audiences. Diverse narrative genres employed in this study were used as a socio-cognitive tool for looking into enactments of relational complexity — a skill of adjusting one’s communications to audiences and contexts. Thirteen adolescents were asked to narrate about the most important aspects of their lives, using two different genres and addressing two different audiences. I explored youth’s systematically varied use of psychological state expressions, as they navigate

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Thorlacius, Lisbeth. "The Good Portrait of the Academic Author." Nordicom Review 26, no. 2 (2005): 85–101. http://dx.doi.org/10.1515/nor-2017-0260.

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Abstract This article aims to give the reader a language with which one can discuss portraits of academics and their usage. Moreover the four most frequently used genres of portraits of academic authors will be introduced. And it will be argued why insight into, and knowledge of these genres is crucial in order to make the correct choice of portrait in the light of the context. The most relevant genres within photography of academics can be found within four categories: The classical portrait, the staged portrait, the situational portrait and the news portrait. When choosing a portrait whether

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Trevor, Caitlyn. "Methods of Measuring Musical Tension: Commentary on Teo (2020)." Empirical Musicology Review 15, no. 1-2 (2020): 105. http://dx.doi.org/10.18061/emr.v15i1-2.7660.

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This commentary discusses the motivation, methods, and results of Teo's (2020) article on using Aggregate Voice-Leading (AVL) motion to predict perceived harmonic tension within post-tonal, neoclassical repertoire. The successes of the study as well as possible improvements are furthermore discussed. The final section contemplates some of Teo's results in light of BaileyShea and Monahan's (2018) embodied theory of analyzing and describing musical energetics such as tension. This embodied theory does not rely on tonality to operate and is therefore applicable to many genres of music. It could b

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