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Books on the topic 'Light mapping'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

James, Turrell. Mapping spaces: A topological survey of the work by James Turrell. Peter Blum Edition, 1987.

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2

Night photography: Finding your way in the dark. Focal Press, 2010.

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3

Herman, Andrew, John M. Sloop, and Thomas Swiss. Mapping the Beat: Popular Music and Contemporary Theory. Blackwell Publishing Limited, 1997.

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4

(Editor), Andrew Herman, John M. Sloop (Editor), and Thomas Swiss (Editor), eds. Mapping the Beat: Popular Music and Contemporary Theory. Blackwell Pub, 1997.

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5

1952-, Swiss Thomas, Sloop John M. 1963-, and Herman Andrew 1957-, eds. Mapping the beat: Popular music and contemporary theory. Blackwell Publishers, 1998.

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6

Wilson, Mark. Believers in The Land of Glory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803478.003.0006.

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We employ words like “cause” both to structure an investigative architecture and to register concrete physical data in light of that strategic background. As a result, “cause”’s referential significance becomes very complicated as the word progressively enters fresh patches of application. Jim Woodward’s studies have demonstrated the central role that considerations of manipulative control play in mapping out the contours of these strategic specializations. In contrast, analytic metaphysicians have attempted to carve out an a priori pre-science of causal necessity that falters through ignoring

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7

Tulloch, John, and Belinda Middleweek. Desire, Intimacy, Transgression, and the Gaze in the Work of Andrea Arnold and Lynne Ramsay. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0013.

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Chapter 11 revisits feminist screen studies notions of the filmic gaze through the simulated, high-impact sex films made by female directors Andrea Arnold and Lynne Ramsay. With particular emphasis on Arnold’s Red Road and Ramsay’s Morvern Callar, the chapter explores the work of Laura Mulvey, Lynn Williams, Anne Kaplan, Elizabeth Grosz, Slavoj Žižek, and Elena del Rio in light of Horeck and Kendall’s “unsayable” and Grønstad’s “unwatchable” concepts to shift emphasis from the gaze to the role of the sensory and the affective in extreme cinema. Overall, this chapter brings into dialogue the co

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8

Freeden, Michael. The Morphological Analysis of Ideology. Edited by Michael Freeden and Marc Stears. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199585977.013.0034.

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The chapter examines the recent approach to ideology as an actual and ubiquitous combination of decontested political concepts, whose micro-morphological arrangements are the key to the specific meaning each ideological family contains. Shifting proximities and relative weights accorded to those concepts produce multiple ideological variants. Ideologies are pivotal to the discipline of political theory, discernible both in professional and vernacular thinking, and serve as discursive competitions over the control of public political language. Notions of essential contestability, theories of sy

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9

Ginzky, Harald, and Oliver C. Ruppel, eds. African Soil Protection Law. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748908043.

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The protection of soil and the sustainable management of soils is a precondition for sustainable development, food security and the survival of humankind. Africa is the continent with the least land degradation. Yet, the pressure on soils is already enormous and continuously increasing due to a range of factors, including poverty, over-exploitation, population growth and climate change. Drivers of unsustainable soil management include overstocking, overgrazing, water erosion, landslides, and over-application of agro-chemicals. In light of this, the underlying legal, societal and political cond

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10

Vigdor, Steven E. The Edge of the Abyss. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814825.003.0008.

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Chapter 8 deals with the apparent perching of the physical vacuum state in the universe on the edge between stability and meta-stability, at least within the standard model, in light of the mass of the recently discovered Higgs boson. Standard model calculations mapping vacuum stability as a function of Higgs boson and top quark masses are presented. The dramatic unveiling of the Higgs boson signal by the enormous detectors at the Large Hadron Collider is reviewed. Possible interpretations and implications of meta-stability, including unlikely doomsday scenarios, are discussed. The hierarchy p

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11

Thomas, Greg. Border Blurs. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620269.001.0001.

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This book presents the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-70s. Concrete poetry was a literary and artistic style which reactivated early-twentieth-century modernist impulses towards the merging of artistic media while simultaneously speaking to a gamut of contemporary contexts, from post-1945 social reconstruction to cybernetics, mass media, and the sixties counter-culture. The terms of its development in England and Scotland also suggest new ways of mapping ongoing complexities in the relati

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12

Hazzard, Oli. John Ashbery and Anglo-American Exchange. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822011.001.0001.

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This book shows how the work of a major post-war American poet has been centrally concerned with questions of national identity and intercultural poetic exchange, by reading crucial episodes in John Ashbery’s oeuvre in the context of an ‘other tradition’ of twentieth-century English poets he himself has defined. This line runs from the editor of Ashbery’s recent Collected Poems, Mark Ford, through Lee Harwood in the late 1960s, F. T. Prince in the 1950s, to ‘chronologically the first and therefore most important influence’ on his own work, W. H. Auden. Through detailed close readings of the po

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13

McMorran, Ciaran. Joyce and Geometry. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066288.001.0001.

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Following the development of non-Euclidean geometries from the mid-nineteenth century onwards, Euclid’s system came to be re-conceived as a language for describing reality rather than a set of transcendental laws. As Henri Poincaré famously put it, “[i]f several geometries are possible, is it certain that our geometry [...] is true?” By examining James Joyce’s linguistic play and conceptual engagement with ground-breaking geometric constructs in Ulysses and Finnegans Wake, this book explores how his topographical writing of place encapsulates a common crisis between geometric and linguistic mo

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14

Hu, Xuhui. Encoding Events. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808466.001.0001.

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This book presents theoretical and empirical research on the syntax of events within the broader framework of generative grammar. A central theoretical concern is how conceptual meaning interacts with narrow syntactic computation in the derivation of the information of an event. A set of Integration Conditions are proposed. Building on the Conceptual-Intentional Interface Conditions proposed in Chomsky’s (1995, 2000, 2001) Minimalist Programme, the Integration Conditions require that the content of the predicate be licensed by theta-role information generated by narrow syntax. Another theoreti

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15

Ryan, Kevin M. Prosodic Weight. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198817949.001.0001.

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Prosodic weight plays a central role in metrical systems, including stress, poetic meter, prosodic word minimality, and prosodic end-weight. In each, constraints regulate the interaction of weight and phonological strength. For example, in English, increasingly heavy syllables are increasingly likely to attract stress. Depending on the language and system, weight can be binary (heavy vs. light), higher n-ary (ternary, etc., but still categorical), or gradient (continuous on a ratio scale). Gradient weight is widely attested in stress, meter, and end-weight. The book emphasizes the typology and

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16

Budimirovic, Dejan B., and Megha Subramanian. Neurobiology of Autism and Intellectual Disability. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780199937837.003.0052.

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Fragile X syndrome (FXS) is a neurodevelopmental disorder that manifests with a range of cognitive, behavioral, and social impairments. It is a monogenetic disease caused by silencing of the FMR1 gene, in contrast to autism spectrum disorder (ASD) that is a behaviorally-defined set of complex disorders. Because ASD is a major and growing public health concern, current research is focused on identifying common therapeutic targets among patients with different molecular etiologies. Due to the prevalence of ASD in FXS and its shared neurophysiology with ASD, FXS has been extensively studied as a

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17

Brazier, John, Julie Ratcliffe, Joshua Saloman, and Aki Tsuchiya. Measuring and Valuing Health Benefits for Economic Evaluation. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198725923.001.0001.

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This is the second edition of the first comprehensive textbook about the measurement and valuation of health benefits for economic evaluation. The National Institute for Health and Care Excellence (NICE) and similar agencies around the word require cost-effectiveness evidence in the form of incremental cost per quality-adjusted life year (QALY) in order to make comparisons across competing demands on resources, and this has resulted in an explosion of theoretical and empirical work in the field. This book addresses the theoretical and practical considerations in the measurement and valuation o

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18

Rosati, Eleonora. Copyright and the Court of Justice of the European Union. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198837176.001.0001.

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This title focuses specifically on the role, action, and legacy of the Court of Justice of the European Union (CJEU) in the field of copyright, providing an exclusive survey that covers two decades (1998–2018) of decisions in this area. The main objective is to give a sense of the direction of EU copyright, by attempting to ‘tidy up’ and rationalize existing rulings. The book consists of three parts. The first part explores the role of the CJEU in copyright cases. Besides outlining the history of EU harmonization and providing data concerning the Court’s activity, it extracts the key standards

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19

Garside, Peter, and Karen O'Brien, eds. The Oxford History of the Novel in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199574803.001.0001.

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This volume examines the period from 1750–1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas—seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This book takes full advantage of recent major advances in schol

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