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Books on the topic 'Light transparency'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Santarossa, Renato. Renato Santarossa: Licht, Schatten, Transparenz = Luce, ombra, trasparenza = Light, shadow, transparency. Deutsche Verlags-Anstalt, 1996.

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2

ill, Raff Anna, ed. Light waves. Holiday House, 2018.

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3

Samec, Rafael. Svetloba, krhkost in prosojnot = light, fragility and transparency. Samozal, 2001.

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4

L, Gilchrist Alan, ed. Lightness, brightness, and transparency. L. Erlbaum, 1994.

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5

Haug, Maria. Shining a light on small arms exports: The record of state transparency. Small Arms Survey, Graduate Institute of International Studies, 2002.

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6

Germany), Dominikanerkirche (Osnabrück, ed. Licht-Glas-Transparenz: 15.09.-28.11.2007 : Christoph Dahlhausen ... Kunsthalle Dominikanerkirche, 2007.

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7

Stockholm International Peace Research Institute, ed. Transparency in transfers of small arms and light weapons: Reports to the United Nations Register of Conventional Arms, 2003-2006. SIPRI, Stockholm International Peace Research Institute, 2008.

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8

Frank, Kaltenbach, ed. Translucent materials: Glass, plastics, metals. Edition Detail, 2004.

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9

Grastorf, Jean H. Pouring light: Layering transparent watercolor. North Light Books, 2005.

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10

Windle, V. Printed light-transparent window furnishings for the U.K. contract and domestic markets, inspired from stained glass. UMISTc1993., 1993.

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11

Forum on New Materials (5th 2010 Montecatini Terme, Italy). New materials III: Transparent conducting and semiconducting oxides, solid state lighting, novel superconductors and electromagnetic metamaterials : proceedings of the 5th Forum on New Materials, part of CIMTEC 2010--12th International Ceramics Congress and 5th Forum on New Materials, Montecatini Terme, Italy, June 13-18, 2010. Trans Tech Pubs. ltd. on behalf of Techna Group, 2011.

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12

Hunter, Warren. Transparency. Sword Ministries International, 1997.

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13

Staff, Womens Studio Workshop, Artists Books Collection (Library of Congress) Staff, and Leah Mackin. Transparency, Reflection, Light, Space: A Response. Unknown Publisher, 2017.

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14

Light Waves. Holiday House, Incorporated, 2020.

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15

Waves, Sound, and Light/ Unit Transparency Book. McDougal Littell, 2004.

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16

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Transparency. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.003.0005.

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We begin this chapter by considering the ecological distribution of transparent organisms and, in particular, how they are found predominantly in one particular habitat type (open waters); we aim to explain this trend. A perfectly transparent organism (or part of an organism) will not absorb or scatter incident light. Superficially, transparent might seem like a synonym for visually undetectable, but this is not quite true: we discuss how transparent organisms can still be visually detected by their predators or prey. Conversely, there are circumstances where a little transparency can go a lon

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17

Hohensee, Michael Andrew. Testing fundamental Lorentz symmetries of light. 2009.

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18

Rosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Taylor & Francis Group, 2022.

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19

Rosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Taylor & Francis Group, 2022.

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20

Rosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Taylor & Francis Group, 2022.

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21

Rosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Routledge, Chapman & Hall, Incorporated, 2022.

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22

Spatial Transparency in Architecture: Light, Layering, and Porosity. Routledge, Chapman & Hall, Incorporated, 2022.

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23

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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24

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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25

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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26

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2013.

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27

Gilchrist, Alan L. Lightness, Brightness and Transparency. Taylor & Francis Group, 2015.

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28

Klein, Mason Joseph. Slow and stored light in atomic vapor cells. 2009.

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29

Irwin, Timothy. Shining a Light on the Mysteries of State: The Origins of Fiscal Transparency in Western Europe. International Monetary Fund, 2013.

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30

Irwin, Timothy. Shining a Light on the Mysteries of State: The Origins of Fiscal Transparency in Western Europe. International Monetary Fund, 2013.

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31

Irwin, Timothy. Shining a Light on the Mysteries of State: The Origins of Fiscal Transparency in Western Europe. International Monetary Fund, 2013.

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32

Il colore e l'ombra: La trasparenza da Aristotele a Cézanne. Il mulino, 2019.

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33

Leslie, Thomas. Glass and Light: “Veneers” and Curtain Walls, 1889–1904. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037542.003.0005.

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This chapter describes major structures built from 1889 to 1904, many of which used skins of lightweight terra-cotta and glass that exploited new wind-bracing techniques and depressed glass prices to achieve unprecedented transparency. The flourishing of lightweight skins supported by rigid steel frames was uniquely permitted by Chicago's codes, which minimized the required thickness of masonry walls. Chicago's code helped architects and engineers solve the problems that continued to plague tall buildings on its poor soil. At 90 pounds per cubic foot for hollow brick and up to 140 pounds for p

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34

Royston, Angela. My World of Science: Colour / Hot and Cold / Light and Dark / Using Electricity / Sound and Hearing (My World of Science). Heinemann Educational Books - Library Division, 2002.

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35

Iwami, Kiyoko. Transparent Light Blue. Seven Seas Entertainment, LLC, 2019.

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36

Pouring Light Layering Transparent Watercolor. North Light Books, 2009.

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37

Uhlir, Joyce Sandra. Mysterious Light; Poems, Colorful and Transparent. 1st World Publishing, 2010.

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38

Moyer, Linda Stevens. Light Up Your Watercolors Layer by Layer. North Light Books, 2003.

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39

Wright, A. G. Photocathodes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199565092.003.0002.

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Optical properties of photocathodes and their characterization in terms of absorptance, transparency, and reflectance in mixed dielectric media are presented. Photometric units and international standards are based on a specified white light source. The electromagnetic spectrum covers about a decade in wavelength and there is a relationship between photon energy and wavelength. Spectral responsivity can be specified in milliamps per watt or as quantum efficiency, η‎(λ‎), in terms of photoelectrons per incident photon. Empirical specifications, based on filtered light from a standard white ligh

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40

Steger, Eron. Reconstructing transparent objects by refractive light-path triangulation. 2006.

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41

Rettkowski-Felten, Margarete. Ideen aus Licht und Farbe. Transparente Objekte. Herder, Freiburg, 2003.

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42

Moyer, Linda Stevens. Light up your watercolors layer by layer: Transparent glazing techniques for luminous paintings. 2003.

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43

Mattli, Walter, ed. Global Algorithmic Capital Markets. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829461.001.0001.

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This book illustrates and assesses the dramatic recent transformations in capital markets worldwide and the impact of those transformations. ‘Market making’ by humans in centralized markets has been replaced by supercomputers and algorithmic high frequency trading operating in often highly fragmented markets. How do recent market changes impact on core public policy objectives such as investor protection, reduction of systemic risk, fairness, efficiency, and transparency in markets? The operation and health of capital markets affect all of us and have profound implications for equality and jus

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44

Van Den Eede, Yoni, Stacey O'Neal Irwin, and Galit Wellner, eds. Postphenomenology and Media. Lexington Books, 2017. https://doi.org/10.5040/9781978725423.

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Postphenomenology and Media: Essays on Human–Media–World Relations sheds light on how new, digital media are shaping humans and their world. It does so by using the postphenomenological framework to comprehensively study “human-media relations,” making use of conceptual instruments such as the transparency-opacity distinction, embodiment, multistability, variational analysis, and cultural hermeneutics. This collection outlines central issues of media and mediation theory that can be explored postphenomenologically and showcases research at the cutting edge of philosophy of media and technology

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45

Morris, Michael. Real Likenesses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861751.001.0001.

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This book offers a new approach to artistic representation, worked out in detail for the cases of paintings, photographs, and novels. It presents a paradox in the case of each of the three art forms, and argues for a thesis (the Non-Distraction Thesis) about the relation between medium and content. It then argues that the dominant theories of representation in the three art forms are incompatible with that thesis. Fresh light is thereby cast on familiar topics: the supposed phenomenon of ‘twofoldedness’, in the case of paintings; the alleged ‘transparency’ of photographs; the ‘paradox of ficti

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46

Light construction: Transparencia y ligereza en la arquitectura de los 90. Editorial Gustavo Gili, S.L., 1996.

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47

10 Teelicht-Transparente im Set: Luther-Licht zum Aufstellen. Neukirchener Verlag, 2016.

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48

Cardenas, Alexandra. Mexico and India. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.27.

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This chapter sheds light on the origin of two of the most vibrant live coding communities outside of the European continent: the Indian and the Mexican. Despite the fact that both communities find themselves in different stages of consolidation and that their origins diverge in their conceptualization, there are similarities that converge in the ‘hacker philosophy’ principles. Sharing, inclusion, transparency, technology appropriation, the lack of hierarchical organization, the involvement in social causes, and the need to generate positive communal impact are some of the characteristics that

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49

Wiencek, David G., and John C. Baker, eds. Cooperative Monitoring in the South China Sea. Praeger, 2002. http://dx.doi.org/10.5040/9798400632099.

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The Spratly Islands have represented a potential political and military flashpoint in the South China Sea for years, involving as they do various claims by China, the Philippines, Vietnam, Malaysia, and Taiwan. This edited volume examines the issues involved in light of confidence- building measures that new high-resolution satellite imagery can offer to this, and other, regions. Baker, Wiencek, and their contributors assess the potential role for cooperative monitoring in mitigating the risk of conflict arising from multinational disputes over the Spratly Islands. They analyze how this new ge

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50

How Can White Light Be Opaque, Transparent or Translucent? Light Science for Kids Grade 5 Children's Physics Books. Speedy Publishing LLC, 2022.

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