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Journal articles on the topic 'Liliana'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Nicholson, Laura A. "Adoption Medicine and the Internationally Adopted Child." American Journal of Law & Medicine 28, no. 4 (2002): 473–90. http://dx.doi.org/10.1017/s0098858800002720.

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Throughout its history, this nation has opened its doors to people who, for more reasons than anyone can count, have needed new homes. It has taken us in, given us new lives. Adopted us.Dave and Susan brought five-year-old Liliana home from Romania in January. The couple was ecstatic about their new beautiful blonde-haired daughter. They had waited months for Liliana after beginning the international adoption process with a reputable agency based in the United States. Many aspects of the process—carrying large amounts of cash to Romania, bribing officials to release their new daughter from the orphanage and the total lack of information about Liliana's health or background—had disturbed them. Dave and Susan were relieved when Liliana received a visa to travel to the United States because they thought that the physical examination for her visa had revealed nothing of import. Their concerns disappeared when they boarded the plane to head home to the United States. Liliana seemed healthy and happy, and she would adjust in no time.

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2

Mosquera, Gerardo. "Liliana Porter." Third Text 12, no. 42 (March 1998): 71–77. http://dx.doi.org/10.1080/09528829808576720.

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3

Belardi, Jorge. "Dra. Liliana Grinfeld." Revista Argentina de Cardiología 83, no. 3 (July 2015): 258. http://dx.doi.org/10.7775/rac.es.v83.i3.6620.

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4

Efrida, Sella, and Anisa Diniati. "Pemanfaatan fitur media sosial Instagram dalam membangun personal branding Miss International 2017." Jurnal Kajian Komunikasi 8, no. 1 (June 22, 2020): 57. http://dx.doi.org/10.24198/jkk.v8i1.23365.

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Media sosial saat ini selain sebagai media berkomunikasi dan berinteraksi, tetapi juga mendatangkan suatu fenomena baru sebagai wadah dalam melakukan personal branding. Salah satu media sosial yang sering digunakan dalam melakukan personal branding adalah Instagram. Kevin Liliana melalui akun Instagramnya @kevinlln melakukan pemanfaatan fitur pada Instagram untuk menampilkan identitas dirinya sebagai seorang Miss International 2017. Tujuan penelitian ini adalah untuk mengetahui bagaimana personal branding yang dilakukan oleh Kevin Liliana selaku Miss International 2017 dengan memanfaatkan media sosial Instagram. Penelitian ini menggunakan paradigma konstruktivisme yang bertujuan untuk menafsirkan makna-makna yang dimiliki oleh informan tentang suatu fenomena personal branding yang dilakukan oleh Kevin Liliana selaku Miss International 2017 yang terdapat pada fitur Instagram. Penelitian ini menggunakan pendekatan kualitatif dengan jenis penelitian deskriptif. Teknik pengumpulan data penelitian ini berupa observasi, wawancara mendalam, dan dokumentasi. Hasil penelitian menunjukkan bahwa Kevin Liliana mendasari personal branding-nya secara authentic, dimana terdapat keselarasan antara apa yang ia tampilkan di media sosial dan kehidupan aslinya. Personal branding yang Kevin Liliana tampilkan sebagai Miss International 2017 yaitu sebagai beauty queen yang soft, humble, dan menonjolkan sisi behavior-nya. Kevin Liliana membangun personal branding melalui Instagram pribadinya @kevinlln ini tidak hanya berupa mengunggah konten personal branding, tetapi juga dengan berinteraksi dengan para pengikutnya melalui fitur Instagram agar pesan personal branding-nya dapat lebih cepat dan mudah tersampaikan. Secara keseluruhan, Kevin Liliana berhasil melakukan personal branding di media sosial Instagram, walaupun terdapat kekurangan, seperti engagement pada konten kegiatan sosialnya tidak lebih banyak mendapat respon seperti like dan comment dari pengguna lain.

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5

Heker, Liliana, and Erica Frouman-Smith. "Entrevista con Liliana Heker." Chasqui 21, no. 1 (1992): 106. http://dx.doi.org/10.2307/29740433.

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6

Gelpi, Ricardo. "Liliana Rosa Grinfeld, MD." Revista Argentina de Cardiología 83, no. 3 (July 2015): 259. http://dx.doi.org/10.7775/rac.v83.i3.6654.

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7

Trani, Raffaele. "Liliana Basile. Curriculum vitae." STUDI ECONOMICI, no. 100 (October 2010): 291–97. http://dx.doi.org/10.3280/ste2010-100016.

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8

Almazán, Manuel. "Liliana García Rodríguez, Buñuel." Oficio. Revista de Historia e Interdisciplina, no. 7 (June 30, 2018): 131–34. http://dx.doi.org/10.15174/orhi.v0i7.70.

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9

Weitzdörfer, Ewald. "Liliana PUALUÁN. Viajes al entremundo." Alpha (Osorno), no. 33 (December 2011): 274–75. http://dx.doi.org/10.4067/s0718-22012011000200021.

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10

De Marco, Giulia. "Intervista alla Senatrice Liliana Segre." MINORIGIUSTIZIA, no. 2 (October 2018): 198–207. http://dx.doi.org/10.3280/mg2018-002018.

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11

Castro, Giliola Maggio de. "Terra Amada de Liliana Laganà." Revista de Italianística, no. 12 (April 30, 2006): 161. http://dx.doi.org/10.11606/issn.2238-8281.v0i12p161-165.

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12

Sosa-Compeán, Liliana Beatriz, Sonia Guadalupe Rivera-Castillo, and Sofía Alejandra Luna-Rodríguez. "53IDENTIFICACIÓN DE ZONAS URBANAS POR EL DISEÑO Y CONDICIONES DE SUS OBJETOS: PERTINENCIA Y PROPUESTA METODOLÓGICA." DAYA. Diseño, Arte y Arquitectura. 1, no. 7 (December 2019): 53–66. http://dx.doi.org/10.33324/daya.v1i7.247.

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13

Ionescu, Mariana. "_Terre des affranchis_ de Liliana Lazar : A la croisée du réel et du fantastique." Voix Plurielles 8, no. 2 (November 26, 2011): 180–87. http://dx.doi.org/10.26522/vp.v8i2.441.

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14

Ursu, Liliana, Christophe Didier, Ana-Maria Gîrleanu-Guichard, and Juhani Pallasmaa. "Le cycle strasbourgeois de Liliana Ursu." La Revue de la BNU, no. 18 (November 1, 2018): 88–97. http://dx.doi.org/10.4000/rbnu.631.

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15

Vasiliu, Laura Otilia. "Studies of Musicology by Liliana Gherman." Artes. Journal of Musicology 22, no. 1 (March 1, 2020): 356–59. http://dx.doi.org/10.2478/ajm-2020-0019.

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AbstractLiliana Gherman (born in 1939) is a very well-known name in music criticism in Romania, the author being professor at ‘George Enescu’ National University of the Arts of Iași. Her writings have proven that her critical thinking is in line with the style of a whole generation of Romanian musicologists, such as Elena Zottoviceanu, Clemansa Liliana Firca, Gheorghe Firca or Grigore Constantinescu to name only a few. In her double capacity of professor of Musical Forms and musicologist-analyst, Liliana Gherman has published highly professional scientific papers, detecting modern compositional techniques and promoting contemporary Romanian creations through advanced analytical methods. The book that we review -Zăbave analitice. Studii de muzicologie (Analytical Depths. Studies of Musicology) (Artes Publishing House, Iași, 2019) - comprises the first part of her work as a musicologist.

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16

Cuaderno de Pedagogía Universitaria, Consejo Editorial. "Entrevista a la profesora Liliana Montenegro." Cuaderno de Pedagogia Universitaria 11, no. 21 (April 7, 2015): 82–85. http://dx.doi.org/10.29197/cpu.v11i21.205.

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El Centro de Excelencia para la Investigación y Difusión de la Lectura y Escritura (CEDILE) es una unidad de la Facultad de Ciencias y Humanidades de la Pontificia Universidad Católica Madre y Maestra (PUCMM), cuyo propósito consiste en promover la investigación y la enseñanza de la lengua española como constructora de identidad, como medio para el desarrollo creativo e intelectual de los sujetos y como base para el desarrollo de la criticidad.

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17

Duvernoy, Sylvie. "Liliana Curcio and Roberto Di Martino." Nexus Network Journal 13, no. 1 (April 2011): 253–54. http://dx.doi.org/10.1007/s00004-011-0063-7.

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18

Vaira, Stella Maris. "LA INTERDISCIPLINARIEDAD COMO FORMA DE TRABAJO Y LOS MODELOS MATEMATICOS PARA COMPRENDER EL MUNDO." Revista Binacional Brasil-Argentina: Diálogo entre as ciências 9, no. 1 (July 1, 2020): 377. http://dx.doi.org/10.22481/rbba.v9i1.6918.

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Nesta entrevista, as docentes-pesquissadoras Elena F. de Carrera e Liliana Nitti expõem,a partir de suas perícias, a importância da interdisciplinaridade, com profundo conhecimento em grupos de trabalho na área das Ciências da Saúde, particularmente no caso de Elena, que possibilitou o ensino de Probabilidade e Estatística a médicos em exercício de sua profissão. Liliana, em simples palavras, nos relata a história da análise harmônica e sua importância no contexto de desenvolvimento do homem. Ambas enfatizam o valor dos Modelos Matemáticos como modo de compreender a realidade.

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19

Hernández Aparicio, Santiago. "En busca de Elena:." Saga. Revista de Letras, no. 7 (October 20, 2020): 267–73. http://dx.doi.org/10.35305/sa.vi7.52.

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20

Rodríguez Muñoz, Consuelo. "Liliana Weinberg, Literatura latinoamericana. Descolonizar la imaginación, México, CCyDEL-UNAM, 2004, 277 pp." Latinoamérica. Revista de Estudios Latinoamericanos, no. 39 (March 30, 2004): 182. http://dx.doi.org/10.22201/cialc.24486914e.2004.39.57306.

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21

Cogollo, Kenia Victoria. "Educación superior en trabajo social. Una propuesta desde y para la autonomía. Autora: Liliana Pérez Mendoza." Revista Palobra, "palabra que obra" 13, no. 13 (April 22, 2015): 252–53. http://dx.doi.org/10.32997/2346-2884-vol.13-num.13-2013-97.

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22

Hernández Flores, José Álvaro. "Ortega, Liliana (2016,) Juntos pero no revueltos. Autoconstrucción de vivienda, espacio y vida familiar en la ciudad de México, FLACSO." Estudios Demográficos y Urbanos 32, no. 3 (August 16, 2017): 695. http://dx.doi.org/10.24201/edu.v32i3.1718.

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23

Rivera Castro, Faviola. "María Liliana Lukac de Stier, El fundamento antropológico de la filosofía política y moral en Thomas Hobbes." Crítica (México D. F. En línea) 34, no. 100 (January 7, 2002): 103–9. http://dx.doi.org/10.22201/iifs.18704905e.2002.959.

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24

Menezes, André Luís Leite de, and Jaqueline Sinderski Bigaton. "SAND, George. François, o menino abandonado. Tradução de Liliana Mendonça. Revisão de Lucia Peixoto Cherem. São Paulo: Kazuá, 2017, 92 p." Cadernos de Tradução 40, no. 1 (January 22, 2020): 293–307. http://dx.doi.org/10.5007/2175-7968.2020v40n1p293.

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25

Bermúdez, Juan Pablo. "Sánchez, Liliana Carolina. Traditio animae: la recepción aristotélica de las teorías presocráticas del alma." Ideas y Valores 65, no. 162 (September 1, 2016): 391–95. http://dx.doi.org/10.15446/ideasyvalores.v65n162.59711.

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26

Varini, Sergio. "Semblanza de la Dra Liliana Rosa Grinfeld." Revista Argentina de Cardiología 83, no. 3 (July 2015): 257–58. http://dx.doi.org/10.7775/rac.es.v83.i3.6545.

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27

Berman, Philippa. "Liliana de Lima: pioneer in palliative care." Lancet 393, no. 10169 (January 2019): 311. http://dx.doi.org/10.1016/s0140-6736(19)30111-4.

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28

Varini, Sergio. "Biographical Sketch of Dr. Liliana Rosa Grinfeld." Revista Argentina de Cardiología 83, no. 3 (July 2015): 257–58. http://dx.doi.org/10.7775/rac.v83.i3.6545.

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29

Sagradini, Lucia. "Liliana Porter + Ana Tiscornia. Coup de foudre." Multitudes 76, no. 3 (2019): 36. http://dx.doi.org/10.3917/mult.076.0036.

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30

Moscaliuc, Mihaela. "A Path to the Seaby Liliana Ursu." Translation Review 83, no. 1 (September 2012): 83–86. http://dx.doi.org/10.1080/07374836.2012.703115.

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31

Bonells, Jordi, Abelardo Castillo, and Liliana Heker. "Entretiens avec Abelardo Castillo et Liliana Heker." Babel, no. 19 (June 1, 2009): 180–264. http://dx.doi.org/10.4000/babel.257.

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32

Marrone, Gaetana. "Cinematic adventures: An interview with Liliana Cavani." Journal of Italian Cinema & Media Studies 9, no. 3 (June 1, 2021): 445–60. http://dx.doi.org/10.1386/jicms_00086_7.

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In the following interview, which was conducted during the COVID-19 shutdown in December 2020, Liliana Cavani reflects on her cinema and its underlying aesthetics, on current issues such as diversity and gender equality. She reminisces on her formative years and the impact of her anti-fascist grandparents as well as of those open-minded RAI executives who hired her as a freelance professional. She discusses her historical documentaries, her approach to the revolutionary experience of Francis and Clare of Assisi, and her stage production of Eduardo De Filippo’s Filumena Marturano (2016). Of special interest are the director’s comments on the new release of a re-mastered DVD of The Night Porter in England and some critics’ attempts to re-categorize her as a filmmaker obsessed with the corporeality of Eros. She also introduces her new screenplay, written in collaboration with physicist Carlo Rovelli.1

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33

Still, Chantae D. "Book Review: Collaborative, participatory, and empowerment evaluation." Multidisciplinary Journal of Educational Research 8, no. 2 (June 15, 2018): 231. http://dx.doi.org/10.17583/remie.2018.3465.

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This article reviews the book “Collaborative, Participatory, and Empowerment Evaluation: Stakeholders Involvement Approaches” by David M. Fetterman, Liliana Rodriguez-Campos, and Ann P. Zukoski and their contributors

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34

Zapata, Horacio Miguel Hernán. "De la “nación homogénea” a la “nación pluriétnica”: indígenas, afrodescendientes y africanos en Argentina a principios del nuevo milenio." Civitas - Revista de Ciências Sociais 17, no. 3 (December 15, 2017): 542. http://dx.doi.org/10.15448/1984-7289.2017.3.26977.

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TAMAGNO, Liliana E.; MAFFIA, Marta M. (Coord.). Indígenas, africanos y afrodescendientes en la Argentina: convergencias, divergencias y desafíos. Ciudad Autónoma de Buenos Aires: Editorial Biblos, 2014. 267 p.

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35

Krawchuk, Andrii. "Review of Liliana Hentosh. Mytropolyt Sheptyts'kyi 1923-1939: Vyprobuvannia idealiv [Metropolitan Sheptyts'kyi 1923-1939: A Test of Ideals]." East/West: Journal of Ukrainian Studies 6, no. 1 (April 2, 2019): 173–77. http://dx.doi.org/10.21226/ewjus481.

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Book review of Liliana Hentosh. Mytropolyt Sheptyts'kyi 1923-1939: Vyprobuvannia idealiv[Metropolitan Sheptyts'kyi 1923-1939: A Test of Ideals]. VNTL-Klasyka, 2015. xii, 588 pp. Illustrations. Notes. Bibliography. Name Index.Paper.

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36

Nava Bolaños, Isalia. "Padrón Innamorato, Mauricio, Gandini, Luciana y Navarrete, Emma Liliana (2017). No todo el trabajo es empleo. Avances y desafíos en la conceptuación y medición del trabajo en México. México: El Colegio Mexiquense / Universidad Nacional Autónoma de México, 252 p." Estudios Demográficos y Urbanos 33, no. 2 (April 20, 2018): 535. http://dx.doi.org/10.24201/edu.v33i2.1820.

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Padrón Innamorato, Mauricio, Gandini, Luciana y Navarrete, Emma Liliana (2017). No todo el trabajo es empleo. Avances y desafíos en la conceptuación y medición del trabajo en México. México: El Colegio Mexiquense

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37

Budd, Ruth, and Mirta Corpa Vargas. "Los cuentos de Liliana Heker. Testimonios de vida." Hispania 80, no. 4 (December 1997): 805. http://dx.doi.org/10.2307/345088.

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38

Dixey, F. A. "The Scent-scale of Pinacopteryx liliana Gr. Smith." Transactions of the Royal Entomological Society of London 67, no. 3-4 (April 24, 2009): 383–90. http://dx.doi.org/10.1111/j.1365-2311.1920.tb00009.x.

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39

RODRÍGUEZ, CHANTAL. "Indigenous Myth as Action and Activism: Jesusa Rodríguez and Liliana Felipe's El Maíz (Corn)." Theatre Research International 35, no. 2 (May 27, 2010): 193–98. http://dx.doi.org/10.1017/s030788331000012x.

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The female body both as the locus for interrogating ideological, economical, political and social discourses, and for the transference of ideas, histories, myths, traditions and, ultimately, actions, is considered here in an analysis of Jesusa Rodríguez and Liliana Felipe's El Maíz.

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40

Arreola, José. "Weinberg Liliana y Rodrigo García de la Sienra (coordinadores). El siglo XIX. Tiempo de Letras. México: Instituto Panamericano de Geografía e Historia/Centro de Investigaciones sobre América Latina y el Caribe, 2018 (Serie Historia Comparada de las Américas)." Latinoamérica. Revista de Estudios Latinoamericanos, no. 68 (February 8, 2019): 238. http://dx.doi.org/10.22201/cialc.24486914e.2019.68.57156.

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Reseña del libro: Weinberg Liliana y Rodrigo García de la Sienra (coordinadores). El siglo XIX. Tiempo de Letras. México: Instituto Panamericano de Geografía e Historia/Centro de Investigaciones sobre América Latina y el Caribe, 2018 (Serie Historia Comparada de las Américas)

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41

García, Jesús. "El Museo del Barrio reabre con un mensaje sobre el poder político y artístico “latinx”." Revista de Museología "Kóot", no. 10 (January 31, 2019): 9–14. http://dx.doi.org/10.5377/koot.v0i10.6696.

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El Museo del Barrio, ubicado en una de las zonas emblemáticas para los hispanos del Alto Manhattan o El Barrio- reabre, después de una extensa renovación con una exhibición colectiva de fotografías y hace una retrospectiva de la obra de Liliana Porter.

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42

Bez, Maria Rosangela, and Fagno Da Silva Soares. "POR MAIS TECNOLOGIA ASSISTIVA: a visão social de tecnologia de Liliana M. Passerino para quem o ofício de educar é a arte de incluir." Revista Observatório 4, no. 3 (April 29, 2018): 1122. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n3p1122.

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Entrevista realizada em 30 de julho de 2017, com a pesquisadora Liliana Maria Passerino, professora do Programa de Pós-Graduação em Informática na Educação da Universidade Federal do Rio Grande do Sul - PPGIE/UFGRS e Bolsista de Produtividade Desenvolvimento Tecnológico Extensão Inovadora do CNPq - Nível 2.

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43

Stefanescu, Bogdan, Liliana Ursu, Adam J. Sorkin, and Tess Gallagher. "The Beauty of Exile: The Poetry of Liliana Ursu." Slavic and East European Journal 41, no. 3 (1997): 473. http://dx.doi.org/10.2307/310188.

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44

Dias, Carlos Ernest. "Resenha: Bossa Nova e Crítica de Liliana Harb Bollos." Per Musi, no. 28 (December 2013): 250–53. http://dx.doi.org/10.1590/s1517-75992013000200020.

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45

Gerasimov, Ilya. "The Bolsheviks and the Russian Empire by Liliana Riga." Ab Imperio 2015, no. 3 (2015): 336–51. http://dx.doi.org/10.1353/imp.2015.0067.

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46

Rezende, Liliana Vicente Melo de Lucas. "ANAIS DA XX JORNADA ODONTOLÓGICA DA UnB." Scientific Investigation in Dentistry 22, no. 1 (November 30, 2017): 82. http://dx.doi.org/10.29232/2317-2835.2017v22i1.p82-126.

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Resumos da XX JOUnB - 31 de Maio a 02 de Junho de 2017Presidente Docente: Prof. Dra. Liliana Vicente Melo de Lucas Rezende Presidente Discente: Acadêmico Fernando Antunes BarrivieraPresidente Docente da Comissão Científica: Prof. Dra. Eliana Mitsue TakeshitaPresidente Discente da Comissão Científica: Acadêmico Ana Catarina Duarte Souza dos Santos

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47

Giraldo, Ramón. "Editorial." Revista Colombiana de Estadística 43, no. 1 (January 1, 2020): 1–2. http://dx.doi.org/10.15446/rce.v43n1.84593.

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Dear readers, Welcome to the first issue of the 43th volume of Revista Colombiana de Es-tadística (Colombian Journal of Statistics).Professor Liliana López has stepped down as co-editor after four years of ser-vice. On behalf of the Statistics Department of the Universidad Nacional deColombia, I want to thank Liliana for her outstanding work during these years.We worked together since 2016 with the aim of improving the standard and visi-bility of the Journal. In addition to her teaching and scientific responsibilities, shewill continue to serve the Statistics Department in other academic tasks.I would like to thank all authors for submitting their articles and all refereeswho did a very great job of reviewing a great number of manuscripts. I also wantto thank all members of the scientific and editorial committee for their valuablehelp in coediting some works. I offer a special recognition to our assistant PatriciaChávez for her dedicated daily work. The response time on a submitted manuscriptis approximately two months. We have tried to make the review processes as fastas possible maintaining scientific standards.

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48

Mori Julca, Jason. "Origen y significado de las tarjetas de visita en el Perú." FENIX, no. 43-44 (December 30, 2020): 143–51. http://dx.doi.org/10.51433/fenix-bnp.2001-2002.n43-44.p143-151.

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El presente artículo muestra aspectos históricos y características de las tarjetas de visita, trataremos de incluir pautas para el fechado de las mismas tomadas del trabajo de Guillermo C. Darrah, Curte de V~srfe in ilrineteenfh-Century Photogruphy,' además hacemos referencia al trabajo de Liliana Peñaherrera sobre las tarjetas de visita en el Perú.

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49

Ramírez, Liliana. "El pensamiento de Antonio Benítez Rojo: “Un estremecido colibrí bebiendo de una ﬂor”." Cuadernos de Literatura 18, no. 36 (November 18, 2014): 296. http://dx.doi.org/10.11144/javeriana.cl18-36.pabr.

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Profesora titular del Departamento de Literatura de la Pontificia Universidad Javeriana, Bogotá. PhD en Literatura, University of Massachusetts, Amherst. Es autora de varios artículos en revistas especializadas, del libro Entre fronteras: latinoamericanos y literaturas (Editorial Pontificia Universidad Javeriana, 2007), y coeditora del libro de ensayos de Montserrat Ordóñez De voces y amores (Norma, 2004). Correo electrónico: liliana-ramirez@javeriana.edu.co

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50

Mayne, Judith, and Gaetana Marrone. "The Gaze and the Labyrinth: The Cinema of Liliana Cavani." Italica 79, no. 2 (2002): 285. http://dx.doi.org/10.2307/3656015.

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