Academic literature on the topic 'Lilies-of-the-valley'

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Journal articles on the topic "Lilies-of-the-valley"

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Ram, Raja, Anupama Sharma, R. K. Singh, Daizy Chauhan, and A. A. Zaidi. "Cucumber Mosaic Virus on Asiatic Hybrid Lilies in India." Plant Disease 83, no. 1 (January 1999): 78. http://dx.doi.org/10.1094/pdis.1999.83.1.78a.

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Asiatic hybrid lilies are popular cut flowers with a range of bright colors. Of the several viruses reported from lily (2,3), cucumber mosaic virus (CMV) reduces flower quality and yield (1). Classical symptoms of CMV were observed in recently introduced plants of Asiatic hybrid lilies in Kangra Valley, Himachal Pradesh. The symptoms were mild leaf mosaic, ring spot, transient vein yellowing, occasionally with growth deformation, and flower breaking. Leaf samples from cvs. MonteNegro, Yellow Present, Apeldoorn, Toscana, Connecticut King, and Adelina were collected randomly on the basis of symptom expression. Viral-associated double-stranded RNA (dsRNA) analysis was used to analyze tissue from symptomatic and asymptomatic plants for evidence of a possible cucumovirus. dsRNA analysis resulted in a banding profile typical of that seen with cucumoviruses. There was no evidence of dsRNA in the asymptomatic tissue. Presence of CMV in the symptomatic plants was also confirmed by enzyme-linked immunosorbent assay with antiserum from Agdia (Elkhart, IN). Virus from symptomatic tissues was purified and 30 nm polyhedral, viruslike particles were observed that were subsequently tested for CMV with counter immunoelectrophoresis with antibodies of CMV-C and CMV-D (antibodies obtained from H. A. Scott, University of Arkansas) and ATCC CMV antisera PVAS 242-A. Our isolate differs from other prevalent CMV isolates of Kangra Valley, having a narrow host range and not being readily sap transmissible. However, this isolate is normally transmitted to progeny bulblets. Lack of fallow periods, continuous cropping of other CMV-susceptible bulbous crops, and occasional sprouting of uncollected lily bulblets enhance inoculum build-up. Planting of CMV-tested lilies is recommended to avoid disease losses and to reduce viral inoculum floriculture fields. This is the first report of CMV in Asiatic hybrid lilies in India. References: (1) M. P. Benettii and L. Tomassoli. Acta Hortic. 234:465, 1988. (2) P. Brierley. Phytopathology 30:250, 1940. (3) L. Tomassoli and M. P. Benettii. Adv. Hortic. Sci. 2:117, 1988.
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Tuft, Katherine D., Mathew S. Crowther, and Clare McArthur. "Multiple scales of diet selection by brush-tailed rock-wallabies (Petrogale penicillata)." Australian Mammalogy 33, no. 2 (2011): 169. http://dx.doi.org/10.1071/am10041.

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Detailed data on diet and diet selection helps to predict how species will respond to changes in their environment. We measured the diet of brush-tailed rock-wallabies (Petrogale penicillata) using microscopic examination of plant cuticle fragments in faeces over two years from three populations across New South Wales: Warrumbungles in the central west, Curracabundi in the New England Tablelands, and Kangaroo Valley south of Sydney. Diet was analysed at the level of plant functional groups for all three populations, then in more detail at the plant species level in the Warrumbungles. Diet selection was measured by comparing diets with vegetation biomass. Across all three populations, rock-wallaby diet comprised 10–40% grass, 30–50% browse, 12–45% forbs and minor quantities of orchid/lilies and sedges. Rock-wallabies selected food resources on multiple scales by combining a generalist feeding strategy at the broad spatial scale (across populations) with a more specialist strategy for particular plant species at the fine spatial scale (within one population).
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Shepherd-Barr, Kirsten. "‘Mise en Scent’: The Théâtre d'Art's Cantique des cantiques and the Use of Smell as a Theatrical Device." Theatre Research International 24, no. 2 (1999): 152–59. http://dx.doi.org/10.1017/s0307883300020770.

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In December 1891, an adaptation by Paul-Napoléon Roinard of the Old Testament text of the Cantique des cantiques (Song of Songs) of Solomon was performed at the recently created Théâtre d'Art, expressly to present a new idea of theatre as total art by engaging the visual, aural, and olfactory senses of the audience. One of the few theatre historians who has mentioned this remarkable endeavour notes that in it,‘music, words, colour, even perfume, were to be harmonized; all the senses were to be involved, simultaneously, in the one overwhelming experience’. Roinard's synaesthetic experiment drew on a range of sources including Baudelaire, Wagner and Rimbaud, and, most strikingly, featured scents pumped into the auditorium on cue by young symbolist poets stationed in the far edges of the proscenium and in the balcony and using hand-held vaporizers. According to the outline Roinard provided in the programme, nine scents were used: frankincense, white violets, hyacinth, lilies, acacia, lily of the valley, syringa, orange blossom, and jasmine. Each of these odours had corresponding orchestrations of speech (specific vowel sounds), tones (original music composed by Mme Flamen de Labrély), and colours.
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Gueye, Fatou Kine, Lahat Niang, Birane Dieng, Modou Fall Gueye, Nicolas Cyrilles Ayessou, Mame Samba Mbaye, and Kandioura Noba. "Phytochemical Screening and Antioxidant Activities of Water Lilies Seeds, Neglected and Underused Species in the Delta and Lower Valley of the Senegal River." American Journal of Plant Sciences 13, no. 06 (2022): 756–65. http://dx.doi.org/10.4236/ajps.2022.136051.

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Romanowski, Jerzy, Paweł Boniecki, Anita Kaliszewicz, Marek Kloss, and Izabella Olejniczka. "Flora i fauna rezerwatu przyrody Jezioro Kiełpińskie i sąsiednich starorzeczy w strefie podmiejskiej Warszawy." Studia Ecologiae et Bioethicae 11, no. 2 (June 30, 2013): 89–112. http://dx.doi.org/10.21697/seb.2013.11.2.05.

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Field surveys for aquatic plants, invertebrates, and vertebrates along the banks of Kiełpińskie Lake and surrounding oxbows were conducted in June – August 2010. The study area is located in the Vistula River valley near Warsaw in central Poland. The results document the richness of flora and fauna species in the J. Kielpińskie reserve and adjacent aquatic habitats. A large number of protected species of plants and vertebrates were recorded in the area, including amphibians, birds, and mammals that are of particular importance to the European community, such as the fire-bellied toad, little bittern, western marsh harrier, beaver, and otter. Among aquatic plant communities, the community of "water lilies" Nupharo-Nymphaeetum was distinguished as the most valuable. The chain of oxbow lakes connected by a small stream forms an important ecological corridor. The presence of protected species and rare plant communities associated with the aquatic environment requires a responsible approach to the conservation of these habitats, located in close proximity to a large urban area. It also requires a holistic approach to nature protection in the reserve. In this case, not only should Kiełpińskie Lake be protected, but also its surroundings, which form elements of an ecological corridor.
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Vashchenko, Yuliia, and Iryna Muradova. "Vegetal and zoomorphic imagery as a means of artistic embodiment of the natural/artificial opposition in Guy de Maupassant's novel "Our Heart"." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 92 (August 15, 2023): 7–14. http://dx.doi.org/10.26565/2227-1864-2023-92-01.

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The article is devoted to the analysis of the vegetative and bestiary poetics of Guy de Maupassant's late psychological novel "Our Heart" (1890), which lacks the proper attention of literary scholars both in France and abroad (scientific reflection is focused on short stories and novels of the heyday of Maupassant's realism). Therefore, its poetic study and introduction into the modern literary context is an actual scientific task. The purpose of the article is to define the semantics and symbolism of plant and bestiary imagery in the artistic structure of G. de Maupassant's novel "Our Heart" and to establish its functions in the realization of natural/artificial opposition, that is conceptual for the novel. The research was carried out in the framework of the structural-semiotic method of analysis of the artistic text. The analysis of the novel from the point of view of the artistic functions of floral and zoomorphic imagery proved the special place of these tools in deepening the psychological picture and expressive-emotional expressiveness of the images of the protagonists: André Mariolle and Madame de Burne. The range of these tropes is from vegetal and zoomorphic comparisons and metaphors to elaborate zoo- and dendroanthropomorphic images (Michelle de Burne is first a ‘bird of paradise’, a ‘wild bird’, then a ‘hawk of prey’ and, allusively, an ‘ostrich’, and also an old tired ‘horse’, a ‘nag’; Mariolle – is a ‘trapped wounded animal’, a ‘thrush in a cage’, a ‘small fish caught in a net’). The plant analogue of the heroine is a man-made flower garden, which gradually withers and decays, as her love for Mariolle fades away. Michelle's image is accompanied by numerous floral details that acquire a metaphorical meaning (these are cultural flowers of selected varieties – roses, orchids, carnations, geraniums, lilies of the valley, chrysanthemums, lilies etc.). In contrast to the “artificial” Michelle, the image of the “natural” Elizabeth is associated with wild forest plants – violets, gorse etc. The protagonist is correlated with ramified dendrosymbolism (chestnut, beech, oak, linden etc.) and the image of the forest as a secret liminal space. The symbolism of the wild forest is opposed in the novel by the symbolism of an orderly garden (as one of the options for embodying the natural/artificial opposition). Vegetal and zoomorphic images not only accompany the characteristics of the characters, but are also closely intertwined, passing one into the other (the anthropomorphic image of fused trees turns into the image of a battle between a predatory beast and its victim, plant juices become living blood). Subjective signs of the main character's “artificiality” are the images of stone flowers and stone animals decorating the central spatial locus of the novel – Abbey Mont Saint Michel. So, florisms, dendrisms and animalistic images in the novel perform a characteristic function, convey the dynamics of the feelings of the protagonists, acquiring a metaphorical meaning, and fill the landscape with symbolic details.
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Tanney, Julia. "Self-knowledge, Normativity, and Construction." Royal Institute of Philosophy Supplement 51 (March 2002): 37–55. http://dx.doi.org/10.1017/s1358246100008079.

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He tried to look into her face, to find out what she thought, but she was smelling the lilac and the lilies of the valley and did not know herself what she was thinking—what she ought to say or do.OblomovMuch of modern and contemporary philosophy of mind in the ‘analytic’ tradition has presupposed, since Descartes, what might be called a realist view about the mind and the mental. According to this view there are independently existing, determinate items (states, events, dispositions or relations) that are the truth-conferrers of our ascriptions of mental predicates. The view is also a cognitivist one insofar as it holds that when we correctly ascribe such a predicate to an individual the correctness consists in the discovery of a determinate fact of the matter about the state the individual is in—a state which is somehow cognized by the ascriber. Disputes have arisen about the nature of the truth-conferrers (e.g., whether they are physical or not) and about the status and the nature of the individual's own authority about the state he is in. A dissenting position in philosophy of mind would have to be handled carefully. It would, most importantly, need to allow for the objectivity of ascriptions of mental predicates at least insofar as it made sense to reject some and accept others on appropriate grounds. Perhaps such a position in the philosophy of mind can be likened in at least one way to what David Wiggins has characterized as a doctrine of ‘cognitive underdetermination’ about moral or practical judgments.
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Bos, Johanna A. A., and Bas van Geel. "Palaeoenvironmental reconstruction based on the Early Holocene Haelen sequence, near Roermond (southeastern Netherlands)." Netherlands Journal of Geosciences 96, no. 2 (September 14, 2016): 115–30. http://dx.doi.org/10.1017/njg.2016.35.

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AbstractHigh-resolution Early Holocene palynological records from the middle Meuse River valley were missing until recently. In order to investigate environmental and inferred climate changes during the Preboreal, sediments from a former residual channel of the Meuse River near Haelen were studied. Detailed multi-proxy analyses, including microfossils, macroremains and loss-on-ignition measurements, were carried out at a high temporal resolution. An accurate chronology of the >1000-year-long record was provided by accelerator mass spectrometry (AMS)14C wiggle-match dating.The channel was abandoned during the late Younger Dryas, when accumulation started with gyttja. This period was characterised by an open landscape with herbaceous vegetation and dwarf shrubs. Patches of birch were present on the floodplains around depressions and (oxbow) lakes. Some pines survived the cold in sheltered locations. In the residual channel the water was flowing temporarily and aquatic plant communities developed with predominantly submerged taxa and algae. The shores were fringed by willows and sedges and were probably used as a watering place by large herbivores.Following the Late-glacial/Holocene climate warming, dated in the Haelen record around 11,520 cal BP, birch woodlands expanded on the river floodplains and slopes of terraces during the Friesland Phase. Open vegetation with herbs and juniper remained present on the nearby terraces. An increase in the water level of the oxbow lake and seepage of groundwater occurred. Along the shores herbaceous vegetation was present. Around 11,420 cal BP, birch expansion was interrupted by the dry continental Rammelbeek Phase. On the river floodplain and terrace slopes, open grassland vegetation developed and on the terraces, grasslands and open grounds were abundant. In the residual channel the water became stagnant and floating-leaved vegetation developed. At the start of the Late Preboreal, around 11,270 cal BP, a sudden shift to a more humid climate took place and birch forests expanded again on the river floodplains and terrace slopes. Poplar became more abundant in these forests, and birch and poplar swamp forests were present near the site. Pine expanded atc. 11,160 cal BP on the higher sandy and gravelly terraces. During the Late Preboreal a reed swamp developed on the shores of the residual channel.At the onset of the Boreal, around 10,710 cal BP, woodlands, initially with hazel, but later also with oak, elm and lime, started to develop, while pine forest remained present on the higher terraces. Hazel shrubs were growing on the terrace slopes. Birch and poplar forests occurred on moist parts of the floodplains. Around the residual channel they formed a zone behind the reed swamps surrounding the oxbow lake. Vegetation with water lilies was present in open water.The Haelen record shows, despite a lack of archaeological evidence, indications for the presence of Mesolithic people in the area during the Preboreal. These include the occurrence of (natural or man-made) fires, in combination with the presence of trampled areas and disturbed grounds and possibly consumption of Nymphaeaceae seeds and tubers.
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Wani, Muneeb Ahmad, Imtiyaz Tahir Nazki, Reyaz Ahmad Bhat, Rahat Ashraf, Sajid Ali Malik, Ambreena Din, and Zahoor Ahmad Bhat. "Extricating the Impacts of Tactics of Nitrogen Source on the Growth & Development of Lilium Cultivars." Current Journal of Applied Science and Technology, March 7, 2019, 1–11. http://dx.doi.org/10.9734/cjast/2019/v33i430083.

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Lilium is one of the most important cut flower and ranks second among bulbous flowers in international market. The scope of the study lies in the fact that despite having the congenial climate of Kashmir for bulb production, the cultivators are importing the bulbs from abroad, so there was need to rationalize the nutrition for optimum plant growth and bulb yield of lilies under Kashmir valley conditions. Consequently, an investigation was undertaken to evaluate the differential response of Asiatic lilies cultivars to different methods of application and nitrogen sources (urea and calcium nitrate) in terms of plant growth, bulb development and yield. Significant differences were observed in growth parameters and behaviour of two cultivars viz., Serreda and Navona. Calcium nitrate significantly improved plant height, leaf area (LA) and LA index (LAI) recorded at 50, 75, 90, and 105 days after planting (DAP). Bulb yield parameters (weight of mother bulb, weight of bulblets, number of bulbs plant-1, propagation coefficient) varied significantly between the two cultivars. Calcium nitrate significantly improved bulb weight, bulb circumference, the number of bulbs plant−1 and propagation coefficient. However, the effect of three and four split nitrogen application on plant height, LA and LAI was significant at 90-105 day interval. Ca(NO3)2 was more effective in ensuring the prompt availability of nitrogen to plants as compared to urea (NH2CONH2); also it was advantageous for improving the bulb growth because of presence of critically important micronutrient i.e. calcium. Split application of nitrogen was advantageous not only in improving the growth and yield attributes but also in preventing the significant losses of nitrogen caused by various processes such as leaching.
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Books on the topic "Lilies-of-the-valley"

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Tank, Maksim. Red lilies of the valley. [Minsk, Byelorussian S.S.R: s.n.], 1986.

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Kaiser, Stephan, Torkild Hinrichsen, Ulrike Mayer-Küster, and Peter Schmersahl. Das Maiglöckchen: Vom Wundermittel zum Mauerblümchen. Husum: Husum, 2006.

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Thomas. Bountiful goodness: A little garden of roses & the valley of lilies. San Francisco: Ignatius Press., 2013.

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1380-1471, Thomas à. Kempis, and Thomas à. Kempis 1380-1471, eds. Meeting the Master in the garden: How Jesus cultivates our soul : being a translation of Hortulus rosarum (Garden of roses) & Vallis liliorum (Valley of lilies). New York: Crossroad Pub. Co., 2005.

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Moyer, Margery Day. The Valley of Lilies. PublishAmerica, 2006.

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Carey, Margaret. Lilies of the Valley. Independently Published, 2017.

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Into the Valley of Lilies. Halo Publishing International, 2014.

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Thomas. The Valley Of Lilies And The Soliloquy Of The Soul. Kessinger Publishing, LLC, 2006.

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Thomas. The Valley Of Lilies And The Soliloquy Of The Soul. Kessinger Publishing, LLC, 2007.

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Trust, Katawba Valley Land. Spider Lilies: The Rocky Shoals Spider Lilies of Lansford Canal State Park: A Natural Landmark of the Catawba River Valley. Palmetto Conservation Foundation, 2006.

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Book chapters on the topic "Lilies-of-the-valley"

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"Lilies of the Valley and Asparagus 1942-45." In The Curtain, 99–111. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9780889206182-009.

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Bullock, Philip Ross. "Tchaikovsky’s Songs: Music as Poetry." In The Edinburgh Companion to Literature and Music, 476–82. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9780748693122.003.0049.

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Realism, as the prevailing aesthetic in mid-nineteenth-century Russia, shaped the artistic practice of even those artists who may not have seen themselves as realists. In this regard, the case of Tchaikovsky is particularly instructive. Tchaikovsky’s songs enjoyed considerable popularity; however, César Cui, for example, denounced them for failing to respect the literary values of the words they set. Tchaikovsky’s views about the ability of music to access a form of truth that lay beyond verbal language might suggest a belief in the fundamental primacy of music over text. His songs play a crucial role in literary, as well as musical, culture, and in some cases are the only known source for otherwise unpublished poetry. He composed songs to his own lyrics, and also wrote poems not intended to be set to music. One of these, ‘Lilies of the Valley’ (‘Landyshi’), was set in part by Arensky, arguably misrepresenting the poem. Tchaikovsky particularly admired the work of the poet Afanasy Fet, comparing him to Beethoven. In the work of Tchaikovsky and of other song-composers of the nineteenth century, music plays a crucial role in the formation and dissemination of the literary canon.
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"The lake trapping was continued twice monthly from February 1991, two years after the first filling of the stage 2A reservoir, until June 1993. The trapping locality at Toonpan was essentially the same as for the 1984–85 studies except that for Big Bay was moved a few hundred metres up the incline. Because the expansion from stage 1 to 2A involved extensive clearing of marginal scrub, grassland and forest, almost total control of five mosquito species utilizing tree holes and plant axils (Aedes alboscutellaris, Aedes mallochi, Aedes purpureus, Aedes quasirubithorax) or shaded pools (Uranotaenia nivipes) occurred. The transformation of temporary wetland with ti-trees (Melaleuca spp.), lilies (Nymphoides indica, Nymphaea gigantea) and submerged plants into an unvegetated muddy foreshore similarly reduced Mansonia spp. and Coquillettidia crassipes, whose larvae depend on attachment to arenchymatous or lacunate macrophytes. Larvae of these genera have pointed reinforced tips to their siphons which are used to pierce these plants to breathe. Because of the devastating nature of the inundation and the time required for new breeding habitat to re-establish, mosquito populations increased through to the end of 1993 but the mean abundance of adult Culex annulirostris had not changed significantly from stage 1 levels. The trend for this species and for Anopheles annulipes was upward, and one can only speculate on population levels when the marginal vegetation has fully established. Due to the extensive loss of marginal vegetation and the creation of expanses of shallow muddy pools, especially towards Toonpan, Anopheles amictus and Aedes normanensis populations increased by 36-fold and 282-fold, respectively (Figure 9.2). The ramifications of this are interesting as Aedes normanensis is well recognized as a vector of Ross River virus and Murray Valley encephalitis, especially inland where Anopheles amictus (probably another species complex) has been the source of Ross River, Barmah Forest and Edge Hill viruses. Control of mosquitoes is usually directed at removal of breeding habitat (source reduction) or aimed at larvae which often aggregate in large numbers in discrete sites. Aedes normanensis is ephemeral and its desiccation-resistant eggs characteristically hatch in response to wet season rainfall filling up temporary pools. Plague numbers appear one month and may be gone the next. More accurate definition of these breeding sites, particularly at Toonpan, Antill Creek and Ross River, is required before control options can be considered. As already mentioned, the clearing process created vast expanses of bare muddy pools, particularly at the north-eastern end (e.g. Toonpan). As the lake gradually receded during the dry season, ideal breeding sites were created and populations increased through spring (from September) and also in the late wet season (March to April) when dry sites were refilled by rainfall. Thus, although the land clearing had benefits in eliminating tropical itch mites and some minor mosquito species, it probably paved the way for population growth of Aedes normanensis and Anopheles amictus. This could possibly be considered a dubious swap, although time will tell. Little is known of their biology and their flight range, the latter being of obvious importance to recreational activity at the other end of the lake. Fortunately, however, they are mainly active at night." In Water Resources, 144–45. CRC Press, 1998. http://dx.doi.org/10.4324/9780203027851-32.

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