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1

Wisehart, Nat. "Liminal Space." Minnesota review 2020, no. 95 (2020): 47–52. http://dx.doi.org/10.1215/00265667-8623672.

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Awdish, Rana L. A. "The Liminal Space." New England Journal of Medicine 383, no. 4 (2020): e17. http://dx.doi.org/10.1056/nejmp2012147.

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3

Zhao, Ruyu. "Liminal Space Theory." Advances in Engineering Technology Research 9, no. 1 (2023): 14. http://dx.doi.org/10.56028/aetr.9.1.14.2024.

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Liminal space art, which has spread rapidly in recent years, is a branch of the subcultural aesthetic genre and has gradually derived artistic styles such as dream core, weird core, and trauma core. Under the interweaving and collision of various artistic styles, this subcultural aesthetic genre gradually formed its own unique artistic language and expression. In today's highly industrialized and rapidly modernizing society, people's nostalgia for the past and concerns about the future are the core concerns of liminal space art. The influence of liminal space art is not limited to the art circ
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4

Piironen, Siiri. "Producing liminal spaces for change interventions: the case of LEGO serious play workshops." Journal of Organizational Change Management 35, no. 8 (2022): 39–53. http://dx.doi.org/10.1108/jocm-03-2021-0073.

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PurposeThe purpose of this paper is to advance spatial studies of change interventions by conceptualizing them as liminal spaces and examining how these spaces are conceived, perceived and lived during the intervention process.Design/methodology/approachThe paper explores change interventions as liminal spaces in the empirical context of LEGO serious play workshops through participant observations and interviews.FindingsThe study shows that in change interventions an abstract, conceived liminal space is created, maintained and closed down to enable the planned change to take place. While pract
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Faustino, Joel Ramos. "The Great Between Liminality and Liminal Aesthetics in the Filmography of Charlie Kaufman." Via Panoramica: Revista de Estudos Anglo-Americanos 13, no. 2 (2024): 161–80. https://doi.org/10.21747/2182-9934/via13_2v2.

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In recent years, an online subculture dedicated to the appreciation and exploration of the aesthetic of empty spaces that evoke eerie and surreal feelings has sprouted on forums such as 4chan and Reddit. Users have taken to calling these “liminal spaces”, defined by existing in a state between being utilities and being ruins. Liminality has been defined in the fields of sociology and anthropology as the quality of being in between two stages of social and/or cultural status. This article aims to explore the filmography of American writer-director Charlie Kaufman throughthe lens of liminal aest
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Belair-Gagnon, Valerie, Avery E. Holton, and Oscar Westlund. "Space for the Liminal." Media and Communication 7, no. 4 (2019): 1–7. http://dx.doi.org/10.17645/mac.v7i4.2666.

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This essay considers how social actors in news have come to shape the contours of news and journalism and what these changes may suggest for other industries. It looks more specifically at the question of who does journalism and news and what that may signal for power dependencies, status, and norms formation. It examines how authors who contributed to this thematic issue define who gets to decide what is news and journalism, what forms of power are exerted amongst groups, who gets to claim status, and how norms and epistemologies are formed. Ultimately, this essay illustrates how conformity t
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7

Woodley, Carolyn. "Jurisdiction in Liminal Space." Alternative Law Journal 38, no. 4 (2013): 234–38. http://dx.doi.org/10.1177/1037969x1303800407.

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8

Huang, Wei-Jue, Honggen Xiao, and Sha Wang. "Airports as liminal space." Annals of Tourism Research 70 (May 2018): 1–13. http://dx.doi.org/10.1016/j.annals.2018.02.003.

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9

BYWATER, MICHAEL. "Performing Spaces: Street Music and Public Territory." Twentieth-Century Music 3, no. 1 (2007): 97–120. http://dx.doi.org/10.1017/s1478572207000345.

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AbstractThe interaction between ‘marginal’ music performance (whether socially or musically marginal, e.g. busking, ambient music, etc.) and ‘liminal’ spaces is at first sight a characteristically twentieth-century phenomenon. However, performance history as revealed not only through historical scholarship but through contemporary anecdotal or fictional writings can contextualize these current uses of music in negotiating public space, while revealing some of our assumptions about performance in general. I argue that much of liminal performance is concerned with the appropriation and retention
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10

Sacramento, Octávio. "Liminal Spaces." Space and Culture 14, no. 4 (2011): 367–83. http://dx.doi.org/10.1177/1206331211412255.

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Based on ethnographic fieldwork on female prostitution in the border areas between Portugal and Spain, this article focuses on the analysis of physical space as a dimension of substantial influence over the organization and social dynamics of the cross-border demand for sexual services. The basic aim is to understand the strategies underpinning the localization of “clubs,” and to interpret the processes whereby their clients incorporate specific geographies of desire/eroticism and cartographies of male (in)fidelity into their everyday lives. In order to do this, special analytical attention wa
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11

Waardenburg, Maikel, Margot Visschers, Ineke Deelen, and Ilse van Liempt. "Sport in liminal spaces: The meaning of sport activities for refugees living in a reception centre." International Review for the Sociology of Sport 54, no. 8 (2018): 938–56. http://dx.doi.org/10.1177/1012690218768200.

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This article focuses on the meaning of sport activities for refugees living in a reception centre. We conceptualise the reception centre as a liminal space and analyse how this liminal space affects the meanings of sport activities for refugees. Based on interviews with refugees living in a reception centre we show how sport in this liminal space is to a large extent experienced as a way to overcome the boredom experienced at the centre, to forget about their daily struggles, but also has a large social function as it is an easy opportunity to meet with others. We argue that liminal spaces con
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12

Stewart, David P., and Ingrid B. Wuerth. "Sovereign Immunity as Liminal Space." European Journal of International Law 32, no. 4 (2021): 1501–8. http://dx.doi.org/10.1093/ejil/chab101.

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Abstract Questions of foreign state immunity frequently involve the ‘liminal space’ between substance and procedure, between domestic and international law and between the domestic law of the forum states and domestic laws of other states. US courts typically (and rightly) rest their analysis not only upon relevant foreign law and international practice but also upon procedural norms that are not formally part of the Foreign Sovereign Immunities Act. Immunity frequently implicates both the reach and power of domestic courts and the authority, organization and expectations of foreign states. It
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13

Czarniawska, Barbara, and Carmelo Mazza. "Consulting as a Liminal Space." Human Relations 56, no. 3 (2003): 267–90. http://dx.doi.org/10.1177/0018726703056003612.

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14

Lichtmann, Maria R. "Community college as liminal space." New Directions for Community Colleges 2010, no. 151 (2010): 17–28. http://dx.doi.org/10.1002/cc.412.

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15

Lawson, Euan. "Resisting in the liminal space." British Journal of General Practice 75, no. 753 (2025): 147. https://doi.org/10.3399/bjgp25x741057.

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16

Vig, Leanne Dawn. "Connections in a Liminal Space." Imagining SoTL 5, no. 1 (2025): 2–9. https://doi.org/10.29173/isotl799.

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This reflective paper is both a partial response to Dr. Julie Rattray’s opening keynote presentation, Travels in a Liminal Space: The Need for Guardians and Guides in SoTL, at the 2023 symposium, and an account of my journey to connection and revitalization through the Scholarship of Teaching and Learning (SoTL). After burning out mid-career, I found myself struggling with my identity, not only as an academic but also outside of work. I was at a crossroads heading into the last decade or so of my career. In this reflection, I will explore SoTL identity, threshold concepts, and liminal spaces f
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Eklinder Frick, Jens, Vincent Hocine Jean Fremont, Lars-Johan Åge, and Aihie Osarenkhoe. "Digitalization efforts in liminal space – inter-organizational challenges." Journal of Business & Industrial Marketing 35, no. 1 (2020): 150–58. http://dx.doi.org/10.1108/jbim-12-2018-0392.

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Purpose The purpose of this paper is to analyze the benefits and drawbacks that strategically imposed liminality inflicts upon inter-organizational digitalization efforts within the different phases of its utilization. Design/methodology/approach This study empirically examines digitalization in a large multinational manufacturing company, Sandvik Machining Solutions, using data that were collected through interviews and a qualitative research design. Findings This study shows that a liminal space separated from the structures in which one is supposed to inflict changes increases the risk of d
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Naja, Muhammad Farhat, Iqbal Raihan Kuswanto, Alan Purnama, Habib Fathurraziqin, and Mustika Kusumaning Wardhani. "Exploring Experience and First Impression in The Liminal Spaces (Case Studies: Corridors and Stairs in Campus Environment)." Journal of Architectural Design and Urbanism 6, no. 1 (2024): 12–22. http://dx.doi.org/10.14710/jadu.v6i1.18709.

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Humans and their feelings are a 'unique' study in architectural design, such as how humans behave in some spatial settings. Spatial settings are usually defined as an environment that contains specific activities. However, what about transitional spaces or corridors that only serve as intermediaries for 'some walking experience'? The discussion related to liminal space becomes interesting, mainly when studied from the perspective of architectural psychology. This study aims to investigate human experiences and perceptions of liminal spaces, focusing on two locations: the corridors and the stai
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Evrim, ERSÖZ KOÇ. "LIMINAL SUBJECT ON LIMINAL SPACE: THE REDEMPTIVE JOURNEY IN VALLÉE'S WILD." NEW ERA INTERNATIONAL JOURNAL OF INTERDISCIPLINARY SOCIAL RESEARCHES 8, no. 17 (2023): 12–27. https://doi.org/10.5281/zenodo.7752666.

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Jean-Marc Vall&eacute;e&rsquo;s film <em>Wild </em>(2014), adopted from Cheryl Strayed&rsquo;s memoir <em>From Lost to Found on the Pacific Crest Trail</em> (2012), portrays the real-life story of Cheryl Strayed&rsquo;s solo hike experience in the Pacific Crest Trail, abbreviated as PCT. The plot of <em>Wild</em> is adapted from a real-life story that takes place on a real long-distance hiking trail that reaches from the United States/ Mexico border to the United States/ Canada border. Reminiscent of the mythical wilderness journeys and road narratives in American culture and literature, <em>W
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Wang, Dan, and Ching-Cheng Shen. "Impact of Liminality in Organic Agricultural Tourism on Well-Being: The Role of Memorable Tourism Experiences as a Mediating Variable." Agriculture 14, no. 9 (2024): 1508. http://dx.doi.org/10.3390/agriculture14091508.

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Organic agricultural tourism integrates organic, toxin-free natural environments with agricultural industry and cultural lifestyles, creating a liminal space and experience away from everyday life. This study explores how this environment influences tourists’ memorable tourism experiences and subjective well-being. The research employed a questionnaire survey targeting tourists engaged in organic agricultural tourism in the Hualien and Taitung regions of Taiwan. This study used convenience sampling and collected a total of 440 valid questionnaires from 1 October to 30 December 2023. SPSS and P
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Van Zyl, D. "'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck." Literator 27, no. 1 (2006): 39–56. http://dx.doi.org/10.4102/lit.v27i1.178.

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'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in c
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22

McGregor, Andrew. "Liminal lieux de mémoire." Francosphères 10, no. 1 (2021): 79–90. http://dx.doi.org/10.3828/franc.2021.6.

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This article examines the representation of postcolonial memory in Tony Gatlif’s 2004 film Exils / Exiles. The constant movement that occurs in the film through travel, music, and dance reinforces the permanent dislocation of the film’s pied-noir and beurette protagonists. The film’s road-movie narrative represents, on the one hand, a gravitational pull away from the French Republican integrationist ‘centre’ towards an increasingly complex and diverse landscape of cultural identities linked by France’s colonial history, and on the other, a sense of nostalgia for an Algeria that no longer exist
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23

Burns, Stuart. "Crafting research from the liminal space." Action Learning: Research and Practice 9, no. 3 (2012): 259–73. http://dx.doi.org/10.1080/14767333.2012.722358.

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24

Hofmann, Eric, and Daniel Voloch. "Dual enrollment as a liminal space." New Directions for Higher Education 2012, no. 158 (2012): 101–7. http://dx.doi.org/10.1002/he.20019.

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25

Olasode, Chikodi Adeola. "LIMINAL SPACE IN WILLIAM BLAKE'S POETRY." UC Journal: ELT, Linguistics and Literature Journal 6, no. 1 (2025): 56–70. https://doi.org/10.24071/uc.v6i1.11429.

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“Thresholds" between different states of consciousness, states of being, or fully cognitive and perceptive states are the essence of many poems by William Blake. This paper discusses how liminality is used by Blake to break limits and express the experience of change. Based on the close readings of the selected examples from Blake’s opus—‘Songs of Innocence and of Experience’—as well as his prophetic books, it is possible to define certain characteristics of the liminal space in his work. The liminal exploration of Blake's poetry possesses the quality of traversing those boundaries and questio
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Ahmed, Naveera. "Liminal Phases, Domestic Spaces:." Crossings: A Journal of English Studies 2, no. 1 (2009): 101–8. http://dx.doi.org/10.59817/cjes.v2i1.401.

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A liminal space / phase is a dimension of in-betweens’ where two identities can co-exist. Objects and traditions brought from home countries into foreign domesticities strengthen cultural identities; however, they are also symptomatic of the mourning process that is a part of the re[1]homing process. In Interpreter of Maladies, Lahiri’s characters grow more accustomed to living in foreign dwellings, and learn to negotiate between the culture, food and traditions of their home and ‘host’ country’ Lahiri also explores the effects that personal conflicts have on hybrid domesticities.
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Van der Tol, Marietta, and Philip Gorski. "Secularisation as the Fragmentation of the Sacred and of Sacred Space." Theological Reflections: Eastern European Journal of Theology 22, no. 1 (2024): 11–34. http://dx.doi.org/10.29357/2789-1577.2024.22.1.1.

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Contemporary conflicts about secularity in ‘the West’ tend to focus on public space. Although collective Christian heritage means that public space is rarely exclusively neutral, conflicts continue to arise over the relationship between secularity and religious symbolism, and especially over those symbols which derive from religious minorities. This contribution critically considers the designation of space as either sacred or secular in political imaginaries, approaching processes of secularisation as part of a fragmentation of the sacred and of sacred space. We introduce the concept of trans
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Wagner, Erica L., Sue Newell, and William Kay. "Enterprise Systems Projects: The Role of Liminal Space in Enterprise Systems Implementation." Journal of Information Technology 27, no. 4 (2012): 259–69. http://dx.doi.org/10.1057/jit.2012.22.

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We investigate information systems (IS) projects as a liminal space ‘betwixt and between’ the status quo and the new environment, using a case study of the implementation of an enterprise system (ES). This liminal space provides a stabilizing platform whereupon the project team can develop new and potentially transformative IS. However, after a project team has completed its initial IS design for roll-out, this liminal space must be bridged to incorporate process-generated learning and new systems back into the organizational working environment. We demonstrate how this bridging involves negot
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Uerlings, Herbert. "Transitraum Varieté? Zu einem Treffen zwischen Franz Kafka und Josephine Baker in Köln." Zeitschrift für interkulturelle Germanistik 7, no. 2 (2016): 103–16. http://dx.doi.org/10.14361/zig-2016-0209.

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Abstract A transit space may be defined as a ›liminal zone‹ (V. Turner): Social, sexual and cultural hierarchies may be reversed or temporarily dissolved, the continuity of traditions may become uncertain, and future outcomes once taken for granted may be questioned. The dissolution of an order in a liminal space creates a fluid, malleable situation that can allow for the establishment of new perspectives and conventions. In his Bericht für eine Akademie (1917), Franz Kafka casts a sceptical eye on the variety show as a liminal space. This might open new perspectives on Josephine Baker’s perfo
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Mick, Meghan. "Designing Ecotones: Engaging Liminal Space in the Built Environment." Ekistics and The New Habitat 84, no. 2 (2025): 45–55. https://doi.org/10.53910/26531313-e2024842731.

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Edges occur between varying uses in human settlements, just as in nature between ecosystems. In either setting, the edges can be obvious and abrupt or allow a more gradual transition. In Ecology, the transitional area is known as an ecotone. The ecotone represents the meeting of two different systems and, regardless of size, serves as a rich and diverse habitat itself. Edges help define the form of what lies in between, within the ecotone or the liminal space. Liminality is an anthropological concept that refers to the transition between two distinct states of being and is typically more theor
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Antonucci, Maria Cristina, Michele Sorice, and Andrea Volterrani. "Liminalities: Social Vulnerabilities Between Participatory Processes and Digital Space in the Neoliberal Era." SocietàMutamentoPolitica 15, no. 29 (2024): 163–77. http://dx.doi.org/10.36253/smp-15505.

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This article explores the development directions of liminal spaces and cities as a whole within the broader framework of neoliberalism in the Italian metropolitan context. First, neoliberalism was defined and considered in the context of liminal spaces and urban development, according to the international literature perspective. Then, with specific reference to the Italian case, through semi-structured interviews, it was found that liminal spaces, despite facing marginalisation, translocalisation and defamiliarisation, acted as antagonists and nuclei of resistance to the encroaching framework
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Brown, Katherine A. "Confession and Social Space in the Decameron." Quaderni d'italianistica 38, no. 2 (2019): 41–63. http://dx.doi.org/10.33137/q.i..v38i2.32231.

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This essay argues that confession in the Decameron is a liminal activity, which affords characters and readers a milieu removed from the space of society in which transformation and ultimately a temporary moment of transcendence of the secular world (almost a return to paradise) are achieved. In the tales of the Decameron in which confession is central to the narrative (novelle I.1, III.3, and VII.5), the liminal is a locus of trickery. Boccaccio subverts the notion of spiritual transcendence traditionally associated with the sacrament of confession and playfully substitutes the profane and th
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Bush, Anne. "Reviewing Rome: the guidebook as liminal space." Visual Communication 1, no. 3 (2002): 369–74. http://dx.doi.org/10.1177/147035720200100307.

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Das, Shruti, Mirza Ibrahim Beg, and Ranjit Mandal. "The Liminal Space between Imprisonment and Freedom:." Crossings: A Journal of English Studies 15, no. 1 (2024): 76–85. https://doi.org/10.59817/cjes.v15i1.587.

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This paper aims to study The Shell (2008) by the Syrian writer MustafaKhalifa. It analyzes the physical as well as the psychological traumasuffered by the protagonist Musa, who was imprisoned for fourteenyears without knowing the cause of his imprisonment. After studyingfilm in Paris, a Catholic student Musa returns to his homeland,Syria, and upon landing at the airport, he is unjustly arrested. Heis mistaken for a radical Islamist and is imprisoned with detaineeswho were either with or suspected of being affiliated with the MuslimBrotherhood. He is locked up without trial in Tadmur under Bash
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Smirnov, M. Yu. "Russian Religious Studies in the Liminal Space." Pushkin Leningrad State University Journal 1 (2024): 284–97. https://doi.org/10.35231/18186653_2024_1_284.

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Introduction. Russian religious studies have not easily separated from the scientific atheistic paradigm, but has not reached any new qualitative state that allows it to be considered completely independent. This situation can be likened to a situation of a kind of transition, with the only necessary clarification that it is more or less clear from what state this transition began, but it is not at all clear what state can be the final result of the transition. Content. The incomprehensibility of the final stage of the transition does not, however, negate the reality of being in an intermediat
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Ritumban, Raymon D. "Transformative Liminality: A Reading of Genevieve L. Asenjo’s “Pangungumusta mula sa Balaan Bukid”." Poetika 11, no. 2 (2023): 119. http://dx.doi.org/10.22146/poetika.v11i2.90263.

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In 2021, Filipino writer Genevieve L. Asenjo published her short story collection titled Ang Itim na Orkidyas ng Isla Boracay. Hailed as “Best Book of Short Fiction in Filipino” during the 40th National Book Awards, it consists of narratives that delve into the entanglement of the Philippines, the United States of America, and South Korea. Specifically, in the story “Pangungumusta mula sa Balaan Bukid” (“Pangungumusta” from hereon), South Korea is imagined as a liminal space for the “migratory,” namely, the migrant workers and refugees. In postcolonial thought, a liminal space is perceived as
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Speight Vaughn, Melissa. "Black Epistemologies and Blues Methodology: Engaging Liminal Ontological Space in Qualitative Research." Qualitative Inquiry 26, no. 8-9 (2019): 1090–101. http://dx.doi.org/10.1177/1077800419883307.

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This article demonstrates how liminality provides methodological possibilities that consider affective, social, and cultural knowledge domains in interdisciplinary qualitative research. Arguing that researching perspectives of liminal citizens whose intellectual traditions exist outside the bonds of the most liberal citizenship conceptions requires liminal ontological space for researchers to un think the research process. In this blues poetic narrative, I recount how Black Studies liminal concepts of alterity, blues epistemology, and forms of life twisted in my research praxis informing a cri
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Dr. Sarah Syed Kazmi and Ms. Esha tir Raaziah. "Liminality and Gender Fluidity in Shakespearian Dramaturgy: A Postmodern Perspective." Journal of European Studies (JES) 38, no. 2 (2022): 64–74. http://dx.doi.org/10.56384/jes.v38i2.256.

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The article seeks to compare and contrast the critical canon based on transvestism with deliberations upon androgyny. The postmodern approach explores the liminal spaces in Shakespearian dramaturgy where rigid, hide-bound compartmentalization of dichotomies in gender fuse with a fluid, liminal space of hybrid interface. The earlier readings of misogyny and chauvinism into Shakespearian heroines’ assumption of the male identity open vistas in the liminal space where these characters are conferred a privilege to navigate spaces beyond conventional fixities. By subjecting gender binaries to artis
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Gaggiotti, Hugo, Carol Jarvis, and Jeremy Richards. "The Texture of Entrepreneurship Programs: Revisiting Experiential Entrepreneurship Education Through the Lens of the Liminal–Liminoid Continuum." Entrepreneurship Education and Pedagogy 3, no. 3 (2019): 236–64. http://dx.doi.org/10.1177/2515127419890341.

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Positioning the liminal and the liminoid on a continuum, we define a “space” within which practice-led, experiential learning occurs. The more liminal processes within this space are associated with familiarity, wide social recognition, and relative security, the more liminoid are allied with risk-taking, innovation, creativity, and higher levels of uncertainty. Our research was conducted among student or founders on M-Entrep, an integrated Masters and venture creation program. Our findings suggest it is the coexistence of the liminal program experiences, such as the “rite of passage” of obtai
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Liu, Wei. "Spatialization of Confucian ethics in the Song of China." East Asian Journal of Popular Culture 7, no. 2 (2021): 207–21. http://dx.doi.org/10.1386/eapc_00049_1.

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This article analyses the understudied film Song of China, mainly directed by Fei Mu, and argues that Confucian morality is spatialized and encapsulated in various chronotopes through the construction and movement of three types of ethical space (the space of propriety, the space of misconduct and the liminal space between good and evil), which enhances the aesthetic effect of conveying moral and political messages. The three main characters in the movie – the FATHER, the SON and the GRANDSON – each open up one of the three ethical spaces, and the spatial constructions interact or conflict wit
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Vesala, Hanne, and Seppo Tuomivaara. "Experimenting with work practices in a liminal space: A working period in a rural archipelago." Human Relations 71, no. 10 (2018): 1371–94. http://dx.doi.org/10.1177/0018726717744034.

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Lived experiences in organizational liminal spaces ‘betwixt-and-between’ have begun to attract scholarly attention, but the full potential of liminal spaces in contemporary mobile and fluid working life has remained unexamined. This article contributes to theory by showing how a liminal experience in an alternative work environment is created via three dimensions: the aesthetic experience of a different environment, situated practices, and changes to work and life rhythms. Interview material was gathered from creative professionals working temporarily in a rural archipelago environment. The re
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Mulcahy, Dianne. "The salience of liminal spaces of learning: assembling affects, bodies and objects at the museum." Geographica Helvetica 72, no. 1 (2017): 109–18. http://dx.doi.org/10.5194/gh-72-109-2017.

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Abstract. In this article, I work toward producing understandings of learning as liminal and as located in a liminal space. Framed as learning through the in-between, I engage with the concept of liminality as a way of unravelling the complexity of the practice of learning at the museum. Deploying data from video-based case studies of 40 school students' engagements with learning over the course of a visit to Museum Victoria, Australia, and utilising an analytic of assemblage, I map the spatial dynamics of learning in action. From analyses undertaken, it is argued that liminal spaces of learni
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Ikalović, Vedrana, and Alice Covatta. "Tokyo liminal spaces as a dispersed constellation of spatial identities." SAJ - Serbian Architectural Journal 14, no. 3 (2022): 111–33. http://dx.doi.org/10.5937/saj2202111i.

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In a metropolis and metropolitan public space, increased attention has recently been given to overlooked and uncontrolled spaces. Considered as spatial 'voids,' 'idle spaces,' 'interstices,' and 'in-between' spaces, they all have one characteristic in common: 'the waiting for use' potential that can be ignited by users' creativity and tenacity, and with designers taking the role of 'enablers' rather than 'deciders'. Hence, urban leftover space becomes meaningful place with a strong local identity, enabling new connections and maximising its socio-spatial potential. This paper analyses Tokyo as
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44

Krebs, Andreas. "Certainties and Rule-Following." Wittgenstein-Studien 13, no. 1 (2022): 23–30. http://dx.doi.org/10.1515/witt-2022-0003.

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Abstract This paper argues that Wittgenstein does not assimilate certainties to either linguistic norms or empirical propositions but assigns them to a liminal space between rule and experience. This liminal space is also brought into play in remarks written at the same time as those compiled in On Certainty, but attributed to different bodies of text (Remarks on Colour, Last Writings on the Philosophy of Psychology). The paper maintains that certainties express the agreement and constancy in judgements without which – as Wittgenstein contends in his Philosophical Investigations – rule-followi
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Berglund, Eeva. "Les Roberts: Spatial Anthropology: Excursions in liminal space." Suomen Antropologi: Journal of the Finnish Anthropological Society 45, no. 2 (2021): 62–64. http://dx.doi.org/10.30676/jfas.v45i2.103113.

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Roberts, Les 2020 (2018). Spatial Anthropology: Excursions in Liminal Space. London: Rowman &amp; Littlefield. 318 p. ISBN: 9781786606372 (hardback); ISBN: 9781786615978 (paperback); ISBN: 9781786606389 (E-book).
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Chu, Rongwei, Jie G. Fowler, James W. Gentry, and Xin Zhao. "Marketing to Liminal Consumers." Journal of Macromarketing 38, no. 4 (2018): 441–58. http://dx.doi.org/10.1177/0276146718802348.

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Though most acculturation research investigates movement across national boundaries, many other types of boundaries may exist (e.g. rural to urban migration). Rural migrant workers focus on their adaptive and exploratory consumption practices to assemble a liquid identity in China. In essence, this research examines the nature of the transitions that the vast group of Chinese (over 280 million) endures as migrant workers seek to assemble new identities through consumption activities in a liminal space. We find that family relations and government policy hinder migrants’ adjustments to urban li
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Cordova, Amanda Jo, and Lisa Mendoza Knecht. "Liminal Knowledge: Positioning Intersectionality in Academia." Cultural Studies ↔ Critical Methodologies 19, no. 3 (2018): 203–13. http://dx.doi.org/10.1177/1532708618819635.

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This qualitative inquiry explores what Chicana/o doctoral students in an Educational Leadership program perceive about the positioning of the intersection of their gender, race, and ethnicity in relationship to their academic advancement and leadership development. Chicana feminist epistemology (CFE) grounds this study to invigorate the interrogation of dualities imposed by binary social constructs of male/female, Chicana/Chicano, and Chicana/o/White. Testimonio accounts of three Chicana/o doctoral students reveal a liminal space of knowledge where the daily experiences of choques or cultural
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Sheets, Debra. "The Waiting Room: Caregiving as a Liminal Space." Gerontologist 55, no. 4 (2015): 692–93. http://dx.doi.org/10.1093/geront/gnv087.

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Rose, Anna-Lena, Liudvika Leisyte, Tobias Haertel, and Claudius Terkowsky. "Emotions and the liminal space in entrepreneurship education." European Journal of Engineering Education 44, no. 4 (2018): 602–15. http://dx.doi.org/10.1080/03043797.2018.1553937.

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Wootten, Claire F. "Navigating Liminal Space in the Feminist Ballet Class." Congress on Research in Dance Conference Proceedings 41, S1 (2009): 122–29. http://dx.doi.org/10.1017/s204912550000100x.

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The historically autocratic teaching model of Western concert dance provides both student and teacher with the comfort of expected ritual and outcomes. That comfort is greatly disrupted, however, in employing a pedagogy that has student empowerment at its center—feminist pedagogy. This paper will focus on the conditions of the liminal space created in shifting to a process-based educational approach from a traditionally product-driven training model.
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