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1

Sacramento, Octávio. "Liminal Spaces." Space and Culture 14, no. 4 (2011): 367–83. http://dx.doi.org/10.1177/1206331211412255.

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Based on ethnographic fieldwork on female prostitution in the border areas between Portugal and Spain, this article focuses on the analysis of physical space as a dimension of substantial influence over the organization and social dynamics of the cross-border demand for sexual services. The basic aim is to understand the strategies underpinning the localization of “clubs,” and to interpret the processes whereby their clients incorporate specific geographies of desire/eroticism and cartographies of male (in)fidelity into their everyday lives. In order to do this, special analytical attention wa
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Rauktis, Mary Elizabeth, Rachel A. Fusco, Sara Goodkind, and Cynthia Bradley-King. "Motherhood in Liminal Spaces." Affilia 31, no. 4 (2016): 434–49. http://dx.doi.org/10.1177/0886109916630581.

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Ahmed, Naveera. "Liminal Phases, Domestic Spaces:." Crossings: A Journal of English Studies 2, no. 1 (2009): 101–8. http://dx.doi.org/10.59817/cjes.v2i1.401.

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A liminal space / phase is a dimension of in-betweens’ where two identities can co-exist. Objects and traditions brought from home countries into foreign domesticities strengthen cultural identities; however, they are also symptomatic of the mourning process that is a part of the re[1]homing process. In Interpreter of Maladies, Lahiri’s characters grow more accustomed to living in foreign dwellings, and learn to negotiate between the culture, food and traditions of their home and ‘host’ country’ Lahiri also explores the effects that personal conflicts have on hybrid domesticities.
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Antonucci, Maria Cristina, Michele Sorice, and Andrea Volterrani. "Liminalities: Social Vulnerabilities Between Participatory Processes and Digital Space in the Neoliberal Era." SocietàMutamentoPolitica 15, no. 29 (2024): 163–77. http://dx.doi.org/10.36253/smp-15505.

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This article explores the development directions of liminal spaces and cities as a whole within the broader framework of neoliberalism in the Italian metropolitan context. First, neoliberalism was defined and considered in the context of liminal spaces and urban development, according to the international literature perspective. Then, with specific reference to the Italian case, through semi-structured interviews, it was found that liminal spaces, despite facing marginalisation, translocalisation and defamiliarisation, acted as antagonists and nuclei of resistance to the encroaching framework
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Piironen, Siiri. "Producing liminal spaces for change interventions: the case of LEGO serious play workshops." Journal of Organizational Change Management 35, no. 8 (2022): 39–53. http://dx.doi.org/10.1108/jocm-03-2021-0073.

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PurposeThe purpose of this paper is to advance spatial studies of change interventions by conceptualizing them as liminal spaces and examining how these spaces are conceived, perceived and lived during the intervention process.Design/methodology/approachThe paper explores change interventions as liminal spaces in the empirical context of LEGO serious play workshops through participant observations and interviews.FindingsThe study shows that in change interventions an abstract, conceived liminal space is created, maintained and closed down to enable the planned change to take place. While pract
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Irving, Gemma, and April L. Wright. "Maintaining liminal spaces for transition." Academy of Management Proceedings 2018, no. 1 (2018): 15515. http://dx.doi.org/10.5465/ambpp.2018.15515abstract.

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McCartney, Robert, Jonas Boustedt, Anna Eckerdal, et al. "Liminal spaces and learning computing." European Journal of Engineering Education 34, no. 4 (2009): 383–91. http://dx.doi.org/10.1080/03043790902989580.

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8

Pöyhönen, Siiri. "Room for communitas: Exploring sociomaterial construction of leadership in liminal and dominant spaces." Leadership 14, no. 5 (2018): 585–99. http://dx.doi.org/10.1177/1742715018793746.

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This article analyzes the sociomaterial construction of plural and hierarchical leadership in liminal and dominant spaces. Combining insights from, first, the emerging body of studies exploring the role of spaces in sociomaterial construction of leadership; second, spatial management and organization research focusing on liminal spaces; and third, Victor Turner’s social structure–anti-structure framework, it is argued that dominant spaces actively participate in a sociomaterial construction of leadership that reflects the social structure of an organization. Liminal spaces as places fostering
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Vesala, Hanne, and Seppo Tuomivaara. "Experimenting with work practices in a liminal space: A working period in a rural archipelago." Human Relations 71, no. 10 (2018): 1371–94. http://dx.doi.org/10.1177/0018726717744034.

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Lived experiences in organizational liminal spaces ‘betwixt-and-between’ have begun to attract scholarly attention, but the full potential of liminal spaces in contemporary mobile and fluid working life has remained unexamined. This article contributes to theory by showing how a liminal experience in an alternative work environment is created via three dimensions: the aesthetic experience of a different environment, situated practices, and changes to work and life rhythms. Interview material was gathered from creative professionals working temporarily in a rural archipelago environment. The re
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BYWATER, MICHAEL. "Performing Spaces: Street Music and Public Territory." Twentieth-Century Music 3, no. 1 (2007): 97–120. http://dx.doi.org/10.1017/s1478572207000345.

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AbstractThe interaction between ‘marginal’ music performance (whether socially or musically marginal, e.g. busking, ambient music, etc.) and ‘liminal’ spaces is at first sight a characteristically twentieth-century phenomenon. However, performance history as revealed not only through historical scholarship but through contemporary anecdotal or fictional writings can contextualize these current uses of music in negotiating public space, while revealing some of our assumptions about performance in general. I argue that much of liminal performance is concerned with the appropriation and retention
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Hernández Pérez, María Beatriz. "Liminal Spaces in The Ancrene Wisse." Roczniki Humanistyczne 68, no. 11 (2020): 111–25. http://dx.doi.org/10.18290/rh206811-7.

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Przestrzenie graniczne w The Ancrene Wisse
 Historyczne studia nad kobietami żyjącymi w małych, odizolowanych wspólnotach w czasach pełnego średniowiecza wzbudziły zainteresowanie literaturą formacyjną powstałą w tym okresie. Trzynastowieczny tekst Ancrene Wisse, opisując kobiecą potrzebę odosobnienia, jednocześnie poświęca dużo uwagi służącym, które towarzyszyły swoim paniom w ich religijnej izolacji, pozostając ogniwem łączącym je ze światem zewnętrznym. Niniejszy esej omawia sposób, w jaki Ancrene Wisse, ustanawiając reguły izolacji religijnych kobiet, jednocześnie wykazuje dużą wyrozu
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Dentice, Dianne, and Michelle Dietert. "Liminal Spaces and the Transgender Experience." Theory in Action 8, no. 2 (2015): 69–96. http://dx.doi.org/10.3798/tia.1937-0237.15010.

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Faustino, Joel Ramos. "The Great Between Liminality and Liminal Aesthetics in the Filmography of Charlie Kaufman." Via Panoramica: Revista de Estudos Anglo-Americanos 13, no. 2 (2024): 161–80. https://doi.org/10.21747/2182-9934/via13_2v2.

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In recent years, an online subculture dedicated to the appreciation and exploration of the aesthetic of empty spaces that evoke eerie and surreal feelings has sprouted on forums such as 4chan and Reddit. Users have taken to calling these “liminal spaces”, defined by existing in a state between being utilities and being ruins. Liminality has been defined in the fields of sociology and anthropology as the quality of being in between two stages of social and/or cultural status. This article aims to explore the filmography of American writer-director Charlie Kaufman throughthe lens of liminal aest
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Msiza, Vusi, Nosipho Mbatha, and Nokukhanya Ndlovu. "Transitioning Between Spaces: An Intersectional Account of how We are Becoming Academics." Educational Research for Social Change 12, no. 2 (2023): 15–27. http://dx.doi.org/10.17159/2221-4070/2023/v12i2a2.

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In this paper, we, as early career academics, share how our identities and transitioning between spaces contribute to our becoming. Using storyboarding, we draw on intersectionality and liminal theories to examine how our identities and our transition between the liminal and dominant spaces have influenced our identity construction and shaped our becoming. We learn that our identities are in a state of constant construction and that the academic spaces we have transitioned between are, and have been, significant to our becoming.
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Koro, Mirka, Tejia Löytönen, and Joshua Cruz. "Public Performances and Art-Based Interventions in Liminal Academic Spaces." Qualitative Inquiry 26, no. 8-9 (2020): 1060–70. http://dx.doi.org/10.1177/1077800420939866.

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In this research, we brought together various theories and speculative conceptual connections of otherness associated with liminality especially as seen through one methodological experiment and art-based intervention, namely flash mobs. From our perspective, liminality and liminal spaces are incomplete and always becoming since often they cannot be documented or described through existing language and normative concepts. Moving away from normativity and speaking back from liminal spaces carry risks since complex and intersubjective liminal spaces challenge the authority of the researcher, kno
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Naja, Muhammad Farhat, Iqbal Raihan Kuswanto, Alan Purnama, Habib Fathurraziqin, and Mustika Kusumaning Wardhani. "Exploring Experience and First Impression in The Liminal Spaces (Case Studies: Corridors and Stairs in Campus Environment)." Journal of Architectural Design and Urbanism 6, no. 1 (2024): 12–22. http://dx.doi.org/10.14710/jadu.v6i1.18709.

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Humans and their feelings are a 'unique' study in architectural design, such as how humans behave in some spatial settings. Spatial settings are usually defined as an environment that contains specific activities. However, what about transitional spaces or corridors that only serve as intermediaries for 'some walking experience'? The discussion related to liminal space becomes interesting, mainly when studied from the perspective of architectural psychology. This study aims to investigate human experiences and perceptions of liminal spaces, focusing on two locations: the corridors and the stai
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Chittenden, Tara. "Fashioning fire hose: Design in the liminal spaces between product lives." Fashion, Style & Popular Culture 8, no. 4 (2021): 419–36. http://dx.doi.org/10.1386/fspc_00100_1.

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Among the scrapheap of society’s unwanted materials lies a vast and wondrous world of fashion potential. In the liminal phase between a product’s rejection and its fate as landfill, designers are called on to create a positive alternative. The upcycling process encourages designers to consider how they might release the past social lives of products to uncover the design potential of new creations. Upcycling introduces the dimensions of time, designer knowledge and skills into the creation of a garment or accessory. This practice makes a place in fashion for challenging the hypercycle of consu
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Kudriavtseva, Valentina Ivanovna, and Diana Kairatovna Satybaldina. "Liminal and Transitional Spaces in Mobile Practices." Manuskript, no. 12 (December 2021): 2717–21. http://dx.doi.org/10.30853/mns20210472.

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Wisker, G. "Crossing Liminal Spaces: Teaching the Postcolonial Gothic." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 7, no. 3 (2007): 401–25. http://dx.doi.org/10.1215/15314200-2007-007.

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20

Kinsley, Zoë. "Women in Transit through Literary Liminal Spaces." Women's Writing 23, no. 2 (2015): 273–75. http://dx.doi.org/10.1080/09699082.2015.1058735.

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21

Söderbäck, Fanny. "Liminal Spaces: Reflections on the In-Between." Architecture and Culture 5, no. 3 (2017): 383–93. http://dx.doi.org/10.1080/20507828.2017.1362886.

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Bradshaw, Penny. "Women in transit through literary liminal spaces." Green Letters 18, no. 3 (2014): 336–38. http://dx.doi.org/10.1080/14688417.2014.966558.

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Murphy, Joanne, and Sara McDowell. "Transitional optics: Exploring liminal spaces after conflict." Urban Studies 56, no. 12 (2018): 2499–514. http://dx.doi.org/10.1177/0042098018788988.

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The purpose of this article is to engage in a new conceptualisation of liminality, as it applies to space and place in societies emerging from conflict but not yet at peace. We adopt a case study approach of two urban environments: Derry/Londonderry, a city that experienced acute levels of violence during the Northern Ireland conflict, and Bilbao, the largest city in the Basque Country, which has been at the crux of the cultural and economic struggle for Basque independence. The visual, built environment has been significantly reconfigured in both cities to communicate the transition from conf
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Frommer, Martin Stephen. "Living in the Liminal Spaces of Mortality." Psychoanalytic Dialogues 15, no. 4 (2005): 479–98. http://dx.doi.org/10.1080/10481881509348845.

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25

Mitchi D, Kavya. ""How did it get so dark?": Mapping Liminal Spaces in Music Videos of Billie Eilish." Revista de Estudios Norteamericanos, no. 28 (2024): 37–58. https://doi.org/10.12795/ren.2024.i28.9.

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: Darkness as it exists in one’s imagination and in the tangible realm is inextricably linked with a confusion of boundaries, a period of uncertainty and transition. By blurring the boundaries between familiar and unfamiliar, liminal spaces are safe yet intimidating. The paper analyses the lyrics and the music videos of songs “bury a friend,” “everything I wanted,” “NDA” and “Happier Than Ever” released by Billie Eilish from her albums When We All Fall Asleep, Where Do We Go? (2019) and Happier Than Ever (2021) to trace the configuration of liminal spaces. The dark visuals and lyrics that hint
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Martínez, Francisco, and Patrick Laviolette. "Trespass into the Liminal." Anthropological Journal of European Cultures 25, no. 2 (2016): 1–24. http://dx.doi.org/10.3167/ajec.2016.250201.

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This article outlines narratives of trespass. It analyses relations between the personal and the social in abandoned urban physical surroundings. Grounded in our own duo-auto-ethnographic encounters with off-limit places, the research examines the classic notion of liminality through a set of prisms that are less than orthodox. It does so by stressing the formative and transformative possibilities of those threshold spaces that often get bypassed, surpassed or trespassed. Through a series of vignettes describing moments of urban exploration in different parts of Estonia, our implicit aim is to
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Sferrazzo, Roberta. "The Construction of Workers’ Identity in Liminal Spaces." puntOorg International Journal 5, no. 1 (2020): 29–41. http://dx.doi.org/10.19245/25.05.pij.5.1.3.

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Graham, Colin. "'Liminal Spaces': Post-Colonial Theories and Irish Culture." Irish Review (1986-), no. 16 (1994): 29. http://dx.doi.org/10.2307/29735754.

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NAJAFIBABANAZAR, MARYAM. "HETEROTOPIA AND ALIENATING LIMINAL SPACES IN ULYSSES DUBLIN." Modernism and Postmodernism Studies Network 2, no. 1 (2021): 65–74. http://dx.doi.org/10.47333/modernizm.2021171851.

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Talairach, Laurence. "Liminal Spaces: Literature, Film and the Medical Museum." Journal of Literature and Science 10, no. 2 (2018): 122–27. http://dx.doi.org/10.12929/jls.10.2.13.

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O'Regan, Michael. "Liminal Landscapes Travel, Experience and Spaces in-between." Tourism Management 38 (October 2013): 13–14. http://dx.doi.org/10.1016/j.tourman.2013.02.006.

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Wood, Bronwyn E. "Crafted within liminal spaces: Young people's everyday politics." Political Geography 31, no. 6 (2012): 337–46. http://dx.doi.org/10.1016/j.polgeo.2012.05.003.

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Sharma, Nitasha. "Dark tourism and moral disengagement in liminal spaces." Tourism Geographies 22, no. 2 (2020): 273–97. http://dx.doi.org/10.1080/14616688.2020.1713877.

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Mulcahy, Dianne. "The salience of liminal spaces of learning: assembling affects, bodies and objects at the museum." Geographica Helvetica 72, no. 1 (2017): 109–18. http://dx.doi.org/10.5194/gh-72-109-2017.

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Abstract. In this article, I work toward producing understandings of learning as liminal and as located in a liminal space. Framed as learning through the in-between, I engage with the concept of liminality as a way of unravelling the complexity of the practice of learning at the museum. Deploying data from video-based case studies of 40 school students' engagements with learning over the course of a visit to Museum Victoria, Australia, and utilising an analytic of assemblage, I map the spatial dynamics of learning in action. From analyses undertaken, it is argued that liminal spaces of learni
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Idak, Yuliya, and Olha Malynovska. "TRANSITIONAL FORMS OF URBAN SPACE AS AN ENVIRONMENT OF FUNCTIONAL UNCERTAINTY AND EMERGING POSSIBILITIES." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2025, no. 2 (2025): 93–100. https://doi.org/10.23939/sa2025.02.093.

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The article examines the phenomenon of liminality as an analytical framework for understanding urban transformations in the context of post-industrial development. The study focuses on socio-cultural, morphological, and ecological dimensions of change. The research problem arises from the increasing number of urbanized areas that have lost their original functional roles and no longer align with traditional zoning principles or typological classifications. In this context, the article foregrounds the need for both theoretical and practical rethinking of urban spaces that exist in a state of in
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Waardenburg, Maikel, Margot Visschers, Ineke Deelen, and Ilse van Liempt. "Sport in liminal spaces: The meaning of sport activities for refugees living in a reception centre." International Review for the Sociology of Sport 54, no. 8 (2018): 938–56. http://dx.doi.org/10.1177/1012690218768200.

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This article focuses on the meaning of sport activities for refugees living in a reception centre. We conceptualise the reception centre as a liminal space and analyse how this liminal space affects the meanings of sport activities for refugees. Based on interviews with refugees living in a reception centre we show how sport in this liminal space is to a large extent experienced as a way to overcome the boredom experienced at the centre, to forget about their daily struggles, but also has a large social function as it is an easy opportunity to meet with others. We argue that liminal spaces con
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Tereszewski, Marcin. "Liminal Space in J. G. Ballard’s "Concrete Island"." Text Matters, no. 9 (December 30, 2019): 345–55. http://dx.doi.org/10.18778/2083-2931.09.21.

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This article explores the way in which surrealist techniques and assumptions underpin spatial representations in Ballard’s Concrete Island. With much of Ballard’s fiction using spatiality as an ideologically charged instrument to articulate a critique that underpins postcapitalist culture, it seems important to focus on exactly the kind of spaces that he creates. This paper will investigate the means by which spatiality is conceptualized in Ballard’s fiction, with special emphasis on places situated on the borders between realism and fantasy. Ballard’s spaces, often positioned on the edgelands
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Vig, Leanne Dawn. "Connections in a Liminal Space." Imagining SoTL 5, no. 1 (2025): 2–9. https://doi.org/10.29173/isotl799.

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This reflective paper is both a partial response to Dr. Julie Rattray’s opening keynote presentation, Travels in a Liminal Space: The Need for Guardians and Guides in SoTL, at the 2023 symposium, and an account of my journey to connection and revitalization through the Scholarship of Teaching and Learning (SoTL). After burning out mid-career, I found myself struggling with my identity, not only as an academic but also outside of work. I was at a crossroads heading into the last decade or so of my career. In this reflection, I will explore SoTL identity, threshold concepts, and liminal spaces f
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Sefton, Terry. "Teaching for Creativity and Informal Learning in Liminal Spaces." Action, Criticism, and Theory for Music Education 17, no. 3 (2018): 79–100. http://dx.doi.org/10.22176/act17.3.79.

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Clarke, C. L. "Liminal Lives: Navigating the Spaces Between (Poet and Scholar)." in education 20, no. 2 (2014): 103–20. http://dx.doi.org/10.37119/ojs2014.v20i2.172.

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This paper focuses on the importance of narrative beginnings to narrative inquiry, arguing that an examination of narrative beginnings is essential to positioning the researcher within the research. Through a series of personal poems, I unpack the significance of my own autobiographical beginnings from a narrative perspective, and from my proposed research on life and learning on the edges of community. In this paper, I also highlight the efficacy of employing poetic representation within a narrative inquiry. Through poetic representation, I demonstrate the liminal nature of understanding fiel
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Dennis, Celeste Hamilton. "Liminal Spaces: Migration and Women of the Guyanese Diaspora." Wasafiri 37, no. 2 (2022): 111–12. http://dx.doi.org/10.1080/02690055.2022.2031070.

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Tesar, Marek, and Sonja Arndt. "Writing the Human “I”: Liminal Spaces of Mundane Abjection." Qualitative Inquiry 26, no. 8-9 (2019): 1102–9. http://dx.doi.org/10.1177/1077800419881656.

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This article suggests a theoretical lens of “mundane abjection” as a new conceptualization of liminality as a methodologically and humanistically transformative concept. Thinking with Julia Kristeva’s post-structural conception of the subject as “always in-process,” this article traverses the inherent and transformative element of abjection in relation to the perceived ontological challenges of methodological liminalities. It posits liminality as a potentiating conceptual space for new ontologies in relation to the human “I.” Throughout, the performance, that is the occurrence, of mundane abje
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Peter, Heft. "Betwixt and Between: Zones as Liminal and Deterritorialized Spaces." Pulse: the Journal of Science and Culture 8 (June 5, 2021): 20. https://doi.org/10.5281/zenodo.10576341.

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Frequent occult or conspiracy circles longenough—especially those centered around theparanormal and ufology—one begins to notice atrend. UFO sightings or alien abductions, fairfolk conducting séances, leprechaunsfrantically hiding their coveted gold, and otherodd occurrences, are seldom happenings foundin populated areas. Indeed, for the skeptic, thefact of isolation with a lack of witnesses is thesingle most powerful weapon in their arsenal.“If such-and-such event really did occur, whyare there no witnesses? Why did it happen inthe abandoned church? Why do all yoursig
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Wang, Dan, and Ching-Cheng Shen. "Impact of Liminality in Organic Agricultural Tourism on Well-Being: The Role of Memorable Tourism Experiences as a Mediating Variable." Agriculture 14, no. 9 (2024): 1508. http://dx.doi.org/10.3390/agriculture14091508.

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Organic agricultural tourism integrates organic, toxin-free natural environments with agricultural industry and cultural lifestyles, creating a liminal space and experience away from everyday life. This study explores how this environment influences tourists’ memorable tourism experiences and subjective well-being. The research employed a questionnaire survey targeting tourists engaged in organic agricultural tourism in the Hualien and Taitung regions of Taiwan. This study used convenience sampling and collected a total of 440 valid questionnaires from 1 October to 30 December 2023. SPSS and P
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Dr. Sarah Syed Kazmi and Ms. Esha tir Raaziah. "Liminality and Gender Fluidity in Shakespearian Dramaturgy: A Postmodern Perspective." Journal of European Studies (JES) 38, no. 2 (2022): 64–74. http://dx.doi.org/10.56384/jes.v38i2.256.

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The article seeks to compare and contrast the critical canon based on transvestism with deliberations upon androgyny. The postmodern approach explores the liminal spaces in Shakespearian dramaturgy where rigid, hide-bound compartmentalization of dichotomies in gender fuse with a fluid, liminal space of hybrid interface. The earlier readings of misogyny and chauvinism into Shakespearian heroines’ assumption of the male identity open vistas in the liminal space where these characters are conferred a privilege to navigate spaces beyond conventional fixities. By subjecting gender binaries to artis
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Forry, Kimberly. "Thin Spaces." OKH Journal: Anthropological Ethnography and Analysis Through the Eyes of Christian Faith 9, no. 1 (2025): 18–28. https://doi.org/10.62141/okh.v9i1.219.

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Through the lens of a particular hospice in southeastern Pennsylvania, I aim to observe how death is approached within a culture that swings between ignoring and glorifying death. Through on-site ethnographic engagement with patients of the hospice unit, informal and formal interviews with hospice staff, and scholarly analysis, I researched to discover answers to the following questions: What worlds do those who are knowingly dying inhabit? What choices do they make? What do they do and talk about? The answers to these questions offer an approach to dying that encompasses the liminal period be
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Ikalović, Vedrana, and Alice Covatta. "Tokyo liminal spaces as a dispersed constellation of spatial identities." SAJ - Serbian Architectural Journal 14, no. 3 (2022): 111–33. http://dx.doi.org/10.5937/saj2202111i.

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In a metropolis and metropolitan public space, increased attention has recently been given to overlooked and uncontrolled spaces. Considered as spatial 'voids,' 'idle spaces,' 'interstices,' and 'in-between' spaces, they all have one characteristic in common: 'the waiting for use' potential that can be ignited by users' creativity and tenacity, and with designers taking the role of 'enablers' rather than 'deciders'. Hence, urban leftover space becomes meaningful place with a strong local identity, enabling new connections and maximising its socio-spatial potential. This paper analyses Tokyo as
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Van Zyl, D. "'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck." Literator 27, no. 1 (2006): 39–56. http://dx.doi.org/10.4102/lit.v27i1.178.

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'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in c
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McGregor, Andrew. "Liminal lieux de mémoire." Francosphères 10, no. 1 (2021): 79–90. http://dx.doi.org/10.3828/franc.2021.6.

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This article examines the representation of postcolonial memory in Tony Gatlif’s 2004 film Exils / Exiles. The constant movement that occurs in the film through travel, music, and dance reinforces the permanent dislocation of the film’s pied-noir and beurette protagonists. The film’s road-movie narrative represents, on the one hand, a gravitational pull away from the French Republican integrationist ‘centre’ towards an increasingly complex and diverse landscape of cultural identities linked by France’s colonial history, and on the other, a sense of nostalgia for an Algeria that no longer exist
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Stevens, Becca. "Spirituality in training and curacy: ‘falling upwards’ in liminal spaces." Theology 128, no. 2 (2025): 122–29. https://doi.org/10.1177/0040571x251322334.

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This article explores the place of spirituality in training and curacy. It investigates spirituality through the lenses of longing for God, journeying and community. The article acknowledges the liminal space of theological education and curacy and the need to cross thresholds in the pilgrimage of formation.
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