Academic literature on the topic 'Limited John Crossley and Sons'

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Journal articles on the topic "Limited John Crossley and Sons"

1

North, Susan. "John Redfern and Sons, 1847 to 1892." Costume 42, no. 1 (2008): 145–68. http://dx.doi.org/10.1179/174963008x285241.

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John Redfern's name appears frequently in the history of couture and late nineteenth- and early twentieth-century fashion, but information on his business is limited. The following is based on research done for the author's MA in the history of dress at the Courtauld Institute in 1993. It examines John Redfern's early years as a draper and how by 1892, he had become the leading ladies' tailor in Britain and France.
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North, Susan. "Redfern Limited, 1892 to 1940." Costume 43, no. 1 (2009): 85–108. http://dx.doi.org/10.1179/174963009x419746.

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This is the second of two articles on the history of Redfern, based on research for the author's M.A. in the history of dress at the Courtauld Institute in 1993 (Part I, 'John Redfern and Sons, 1847 to 1892', appeared in Costume, 42 (2008), 145–68). This article examines the company's history after incorporation in 1892, Redfern's influence on fashion, particularly during the period 1895–1908, and its survival under various names until 1940.
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3

HARDMAN, L. "T cells Edited by Feldmann M, Lamb J. and Owen M. published by John Wiley & Sons Limited." Cell Biology International Reports 14, no. 10 (1990): 939. http://dx.doi.org/10.1016/0309-1651(90)91164-y.

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4

Costantini, Giulio, and Marco Perugini. "The Definition of Components and the Use of Formal Indexes are Key Steps for a Successful Application of Network Analysis in Personality Psychology." European Journal of Personality 26, no. 4 (2012): 434–35. http://dx.doi.org/10.1002/per.1869.

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Conceiving personality as a network provides an interesting theoretical framework and a promising methodological perspective. The application of network analysis to personality psychology however is not straightforward, and some issues require careful consideration. We argue that the definition of components within networks cannot be limited to single items, and more work is needed to reflect the inherently hierarchical and indefinite nature of components. Additionally, we argue that formal empirical indexes must be clearly defined and consistently used to describe properties of personality networks. Copyright © 2012 John Wiley & Sons, Ltd.
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McCrae, Robert R., Antonio Terracciano, Anu Realo, and Jüri Allik. "On the validity of culture‐level personality and stereotype scores." European Journal of Personality 21, no. 8 (2007): 987–91. http://dx.doi.org/10.1002/per.659.

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In response to comments by Perugini and Richetin and by Ashton, we discuss the reference‐group effect as a potential source of distortion in cross‐cultural comparisons and suggest some research designs to test its nature and importance. We argue that laboratory studies of personality are of limited utility in understanding personality questionnaire responses in real life. We summarise evidence in favour of the validity of aggregate personality traits and suggest that more scepticism is needed with regard to the accuracy of national character stereotypes. Published in 2007 by John Wiley & Sons, Ltd.
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6

Hofelt, Chris. "Edited by Denis Hamilton and Stephen Crossley. Pesticide residues in food and drinking water: human exposure and risks. John Wiley and Sons, 2003, 378 pp; ISBN 0-471-48991-3 (hardcover)." Applied Organometallic Chemistry 19, no. 9 (2005): 1072. http://dx.doi.org/10.1002/aoc.947.

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7

Shuvera, Ryan Ben. "Southern Sounds, Northern Voices." Journal of Popular Music Studies 30, no. 4 (2018): 177–90. http://dx.doi.org/10.1525/jpms.2018.300412.

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Wilf Carter (Montana Slim) crossed the Canadian-U.S. border in 1935 to further his career as a country musician. Hank Snow moved to Nashville in 1945, reaching the stage of the Grand Ole Opry in 1950. Twenty-one years later Neil Young settled into Nashville’s Quadraphonic Sound Studio to record songs that would be featured on the album Harvest. Today, Nashville’s New West Records represents country-inspired Canadian musicians Daniel Romano and Corb Lund. These artists make up part of a notable history of northerners blending North American identities through country music. A significant and overlooked part of this history came to light in 2014 with the release of the Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985 compilation from Light In The Attic Records. NNA (Vol. 1) is a collection of limited releases from Indigenous musicians from across Canada and Alaska. It is significant because it makes audible that Indigenous musicians performed—and continue to perform—country, folk, and rock music, challenging the borders and identities forced on them through settler-colonialism. These artists bring together southern sounds and northern voices—often using northern Indigenous languages—to articulate different experiences under North American colonization. This paper begins to explore how artists such as Willie Dunn, John Angaiak, and William Tagoona unsettle North American boundaries and identities through country music. This paper also begins to explore the opportunities and challenges this compilation presents to white settler listeners.
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8

Kelly, J. S. "The Biology of Nicotine Dependence, Ciba Foundation Symposium 152. Pp. ix + 264. John Wiley & Sons, Limited, 1990. £35.95 hardback." Experimental Physiology 76, no. 4 (1991): 631–33. http://dx.doi.org/10.1113/expphysiol.1998.sp004215.

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9

Treagus, S. H. "Fault and fold tectonics by W. Jaroszewski, Ellis Horwood Limited, John Wiley & Sons. No. of pages: 565. Price: £47.50." Geological Journal 21, no. 1 (1986): 84–85. http://dx.doi.org/10.1002/gj.3350210115.

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10

PFANNKUCH, F., and R. MCGANDY. "Mechanisms of cell injury: Implication for human health Ed.: B.A. Fowler John Wiley and Sons Limited Dr.S.Bernhard, Dahlem Konferenzen, 1987." Cell Biology International Reports 12, no. 1 (1988): 71. http://dx.doi.org/10.1016/0309-1651(88)90117-8.

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Books on the topic "Limited John Crossley and Sons"

1

Cole, Michael. Broadwood square pianos: Their historical context, and technical development, together with a new biography of John Broadwood. Tatchley Books, 2005.

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2

Mr. Langshaw's square piano: The story of the first pianos and how they caused a cultural revolution. BlueBridge, 2009.

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3

Das Klavier als Mittel gesellschaftspolitischer Distinktion: Kultursoziologische Fallstudie zur Entwicklung der Klavierbauindustrie in England und Deutschland an den Beispielen Broadwood und Bechstein. Lang, 2007.

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4

Wiley. Knowledge for Generations : Wiley and the Global Publishing Industry, 1807-2007 Limited Ed: Wiley and the Global Publishing Industry, 1807-2007 Limited Ed. Wiley & Sons, Incorporated, John, 2007.

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5

Goold, Madeline. Mr. Langshaw's Square Piano: The Story of the First Pianos and How They Caused a Cultural Revolution. BlueBridge, 2012.

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