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Books on the topic 'Limits of artistic freedom'

Author: Grafiati

Published: 24 April 2022

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1

The limits of artistic freedom: Criticism of art in Italy from 1500 to 1800. Leiden: Primavera Pers, 2008.

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2

Kiberd, Declan. Multiculturalism and artistic freedom. Cork: University College Cork, Department of Sociology, 1992.

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3

Trebilcock, Michael J. The limits of freedom of contract. [Toronto, Ont.]: Faculty of Law, University of Toronto, 1989.

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4

Trebilcock, Michael J. The limits of freedom of contract. [Toronto, Ont.]: Faculty of Law, University of Toronto, 1988.

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5

Trebilcock, Michael J. The limits of freedom of contract. [Toronto, Ont.]: Faculty of Law, University of Toronto, 1991.

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6

The limits of freedom of contract. Cambridge, Mass: Harvard University Press, 1993.

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7

Sadurski, Wojciech. Freedom of Speech and Its Limits. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-010-9342-2.

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8

Freedom of speech and its limits. Dordrecht: Kluwer Academic Publishers, 1999.

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9

Tillmans, Wolfgang. Freedom from the known. Gottingen: Steidl, 2006.

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10

P.S. 1 Contemporary Art Center., ed. Freedom from the known. Gottingen: Steidl, 2006.

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11

Glickman, Paul. Off limits: Censorship and corruption. New York, NY: Human Rights Watch, 1991.

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12

Trebilcock, Michael J. An exploration of the limits of freedom of contract. [Toronto, Ont.]: Faculty of Law, University of Toronto, 1990.

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13

Trebilcock, Michael J. An exploration of the limits of freedom of contract. [Toronto, Ont.]: Faculty of Law, University of Toronto, 1990.

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14

Obscenity and the limits of liberalism. Columbus: Ohio State University Press, 2011.

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15

Beyond the limits. Göttingen: Steidl, 2004.

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16

Artistic impressions: Figure skating, masculinity, and the limits of sport. Toronto: University of Toronto Press, 2011.

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17

Point zero: Creativity without limits. New York: Jeremy P. Tarcher/Putnam, 2001.

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18

Sophie, Fellow Silberberg, and Brown Cynthia G. 1943-, eds. Guardians of thought: Limits on freedom of expression in Iran. New York: Human Rights Watch, 1993.

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19

Campbell, Perri. Digital selves: Iraqi women's warblogs and the limits of freedom. Champaign, Illinois: Common Ground, 2015.

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20

Beaman, Lori G. Defining harm: Religious freedom and the limits of the law. Vancouver: UBC Press, 2008.

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21

Defining harm: Religious freedom and the limits of the law. Vancouver: UBC Press, 2008.

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22

Humphry, Derek. Lawful exit: The limits of freedom for help in dying. Junction City, OR: Norris Lane Press, 1993.

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23

Institute, on Continuing Legal Education (1994 Toronto Ont ). Constitutional: Freedom of expressions and the media : testing the limits. [Toronto: Canadian Bar Association - Ontario], 1994.

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24

Smith, Reed W. Samuel Medary & the Crisis: Testing the limits of press freedom. Columbus: Ohio State University Press, 1995.

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25

Stay in the yard: Rethinking the limits of personal freedom. Kansas City, Mo: Beacon Hill Press of Kansas City, 2009.

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26

Humphry, Derek. Lawful exit: The limits of freedom for help in dying. Junction City, OR: Norris Lane Press, 1993.

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27

Ahmad, Saiyad Nizamuddin. Fatwās of condemnation: Islam and the limits of dissent. Kuala Lumpur: International Institute of Islamic Thought and Civilization, International Islamic University Malaysia, 2006.

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28

Yi Wan-gyo =: Wangyo, Lee : natural power and freedom from all ideas and thoughts. Sŏul-si: Sajin Yesulsa, 2001.

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29

Drabinsky, Garth H. Life upon the wicked stage: Freedom of artistic expression. Toronto: Empire Club of Canada, 1994.

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30

Ann, Curry. The limits of tolerance: Censorship and intellectual freedom in public libraries. Lanham, Md: Scarecrow Press, 1997.

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31

Freedom of artistic expression: Essays on culture and legal censure. Oxford, United Kingdom: Hart Publishing, 2013.

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32

Doczi, György. The power of limits: Proportional harmonies in nature, art, and architecture. Boulder, Colo: Shambhala Publications, 1985.

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33

Legal responses to religious practices in the United States: Accomodation and its limits. Cambridge [UK]: Cambridge University Press, 2012.

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34

The power of limits: Proportional harmonies in nature, art, and architecture. Boston: Shambhala, 1994.

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35

Copelon, Dianne. LIMITS ON ARTISTIC FREEDOM - CAN CONGRESS CREATIVITY. Edited by Dianne Copelon. Atlantic Center For The Arts, 1990.

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36

Gover, K. E. The Artist and the Institution. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768692.003.0004.

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This chapter analyzes the lawsuit between the Massachusetts Museum of Contemporary Art (Mass MoCA) and Christoph Büchel in terms of my dual-intention theory of authorship. The Mass MoCA case represents a significant challenge to the widespread art world intuition that the creative freedom of the artist should be given virtually absolute precedence in decisions about the creation, exhibition, and treatment of artworks. The chapter argues that this view is incorrect: respect for the artist’s moral rights does not require deferring to the artist’s wishes in every case. It shows that the distinction between artifactual ownership and artistic ownership that underlies the notion of artistic moral rights also serves to establish limits on those rights.

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37

Toye, John. Development within the limits of order, 1820–70. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198723349.003.0003.

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After the upheavals of the French Revolution, Enlightenment thinkers were blamed for loosening the bonds of society. In nineteenth-century France, Saint-Simon advocated a social compromise whereby scientists and artists planned the path of progress while the propertied classes retained political power albeit acting as trustees for the interests of the poor. Comte called for a scientific sociology to inform the design of political institutions. In Britain, Bentham rejected the doctrine of natural rights in favour of the principle of utility, while J. S. Mill flirted with Comte’s positivism briefly. Marx made little impact and socialism came in the guise of Fabianism and middle-class trusteeship for the poor. In Germany, Hegel interpreted the French Revolution as a phase in a moral struggle for freedom and called for freedom to be reconciled with the idea of the common good embodied in the state. List envisaged the common good as protectionist trade policy.

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38

Gover, K. E. Art and Authority. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768692.001.0001.

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Art and Authority is a philosophical essay on artistic authority and freedom: its sources, nature, and limits. It draws upon real-world cases and controversies in contemporary visual art and connects them to significant theories in the philosophical literature on art and aesthetics. Artworks, it is widely agreed, are the products of intentional human activity. And yet they are different from other kinds of artifacts; for one thing, they are meaningful. It is often presumed that artworks are an extension of their makers’ personality in ways that other kinds of artifacts are not. This is clear from our recognition that an artist continues to own his or her creation even once the art object, in which the artwork inheres, belongs to another. But it is far from clear how or why artists acquire this authority, and whether it originates from a special, intimate bond between artist and artwork. In response to these questions, the book argues for a ‘dual-intention theory’ of artistic authorship, in which it is claimed that authorship entails two orders of intention. The first, ‘generative’ moment, names the intentions that lead to the production of an artwork. The second, ‘evaluative’ moment, names the decision in which the artist decides whether or not to accept the artwork as part of their corpus.

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39

Lachs, John, and Patrick Shade. Freedom and Limits. Fordham University Press, 2014.

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40

Freedom And Limits. Fordham University Press, 2014.

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41

Lachs, John. Freedom and Limits. Edited by Patrick Shade. Fordham University Press, 2014. http://dx.doi.org/10.1515/9780823257935.

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42

Lachs, John. Freedom and Limits. Edited by Patrick Shade. Fordham University Press, 2014. http://dx.doi.org/10.5422/fordham/9780823256747.001.0001.

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43

Lambacher, Jason. The Limits of Freedom and the Freedom of Limits. Edited by Teena Gabrielson, Cheryl Hall, John M. Meyer, and David Schlosberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199685271.013.27.

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When we conceive of “freedom” as the absence of limitations, it is easy to associate green politics with coercion and restriction. This troubling linkage frames environmentalism as hostile to freedom as such, and even leads many green theorists to doubt its relevance to environmental political theory. Is this, however, a narrow way of thinking about the concept of freedom and its relationship to environmentalism? Can freedom be greened to enhance ways of life that advance environmental goals? There are good reasons to think that it can. Green concepts of freedom not only offer salient critiques of ecologically destructive modes of freedom, they also open up creative aspirations to live autonomously and meaningfullywithinecological constraints. Ignoring the potential of freedom as a productive concept in environmental political theory overlooks powerful sources of motivation, experimentation, and political resonance. Green theorists should therefore work with, and not avoid, discourses of freedom in order to explore visions of individual, social, and ecological flourishing.

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44

Farber, Paul M. A Wall of Our Own. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655086.001.0001.

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The Berlin Wall is arguably the most prominent symbol of the Cold War era. Its construction in 1961 and its dismantling in 1989 are broadly understood as pivotal moments in the history of the last century. In A Wall of Our Own, Paul M. Farber traces the Berlin Wall as a site of pilgrimage for American artists, writers, and activists. During the Cold War and in the shadow of the Wall, figures such as Leonard Freed, Angela Davis, Shinkichi Tajiri, and Audre Lorde weighed the possibilities and limits of American democracy. All were sparked by their first encounters with the Wall, incorporated their reflections in books and artworks directed toward the geopolitics of division in the United States, and considered divided Germany as a site of intersection between art and activism over the respective courses of their careers. Departing from the well-known stories of Americans seeking post–World War II Paris for their own self-imposed exile or traveling the open road of the domestic interstate highway system, Farber reveals the divided city of Berlin as another destination for Americans seeking a critical distance. By analyzing the experiences and cultural creations of "American Berliner" artists and activists, Farber offers a new way to view not only the Wall itself but also how the Cold War still structures our thinking about freedom, repression, and artistic resistance on a global scale.

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45

Reeve, C. D. C. 4. Plato. Oxford University Press, 2017. http://dx.doi.org/10.1093/hepl/9780198708926.003.0004.

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This chapter examines Plato's main political ideas. It first provides a biography of Plato before discussing the overall argument of the Republic and the philosopher–kings that are its centrepiece. It then considers the Form of the good, knowledge of which is exclusive and essential to the philosopher–kings, along with the structure of the city envisioned by them, known as kallipolis, and its key operating principle. It also analyses the kallipolis from a variety of politically significant perspectives; for example, whether it is based on false ideology, whether it involves a totalitarian intrusion of the political into the private sphere, or whether it treats its least powerful members such as invalids, infants, and slaves in an unjust way. The chapter concludes by exploring how the kallipolis limits freedom of speech, artistic expression, personal freedom, and autonomy.

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46

The Limits of Freedom of Contract. Harvard University Press, 1997.

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47

Walter, Ott, and Rink J. E, eds. Youngsters between freedom and social limits. Leuven [Belgium]: Garant, 1997.

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48

Glanville, Jo. Net Effect: The Limits of Digital Freedom. SAGE Publications, Limited, 2011.

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49

Rex, Ahdar, and Leigh Ian. Part II, 6 Limits to Religious Freedom. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199606474.003.0006.

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This chapter discusses the ways that religious freedom can be restricted to more ‘manageable’ proportions. There are at least five such limiting strategies. Four of them involve making a distinction between the realm that is unhampered by the law and the restricted realm by focusing on the type of belief or the consequences of the action involved. These are distinctions between: belief and action per se; other and self-regarding acts; religiously compelled and religiously motivated acts; and core and peripheral beliefs. The chapter explains and critiques each one before considering a fifth strategy, reasonable limitation. It explains why this strategy is preferred over the others.

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50

Kathryn, Abrams, ed. The limits of expression in American intellectual life. New York: American Council of Learned Societies, 1993.

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