Relevant bibliographies by topics / Linden-Museum

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Academic literature on the topic 'Linden-Museum'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Linden-Museum"

1

Trost, Vera. "Osmanische Handschriften in der Ausstellung "Reisen durch das Osmanische Reich"." WLBforum 5, no. 2 (2003): 24–25. http://dx.doi.org/10.53458/wlbf.v5i2.474.

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Bei der Vorbereitung der beiden Ausstellung im Linden-Museum Stuttgart und in der Landesbibliothek fanden sich sowhol im Gründungsbestand Herzog Carl Eugens als auch in der ehemals Fürstlich-Fürstenbergischen Hofbibliothek Donaueschingen Osmanische Handschriften.
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2

Kottmann, Carsten, and Andrea Worm. "Rezension von: Worm, Andrea u.a. (Hrsg.), Drucksachen." Schwäbische Heimat 76, no. 1 (2025): 78–79. https://doi.org/10.53458/sh.v76i1.16755.

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Andrea Worm, Sandra Linden und Kristina Stöbener (Hrsg.): Drucksachen. Inkunabeln und Einblattdrucke der Universitätsbibliothek Tübingen Museum der Universität Tübingen MUT 2024. 391 Seiten, zahlr. Abb., Hardcover 39,90 €. ISBN 978-3-949680-09-0
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Hummel, Siegbert. "Fünf Seltene Tibetische Kultgefässe im Linden-Museum Stuttgart Ein Beitrag Zur Bon-Religion." Monumenta Serica 44, no. 1 (1996): 383–91. http://dx.doi.org/10.1080/02549948.1996.11731296.

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Penny, H. Glenn. "The Museum für Deutsche Geschichte and German National Identity." Central European History 28, no. 3 (1995): 343–72. http://dx.doi.org/10.1017/s0008938900011869.

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Not far from the Brandenburger Tor on Unter den Linden, visitors to the Museum für Deutsche Geschichte (MfDG) entered Berlin's most beautiful Baroque building. Built by Europe's finest architects under the auspices of Prussia's Kings, the Zeughaus once held a collection of the nation's weapons and Prussia's trophies of war. But since its restoration in the 1950s, this eighteenth-century edifice's long sculptured hallways and high-ceilinged rooms housed the Marxist story of the German people's struggle; images of Prussian peasants, Silesian weavers, and hardened revolutionaries were arranged in
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5

Bessonova, Albina S., and Vladimir A. Viktorovich. "“Why Is This About Dostoevsky?” Or On the Vicissitudes of the Restoration of Darovoe." Dostoevsky and World Culture. Philological journal, no. 1 (2022): 18–51. http://dx.doi.org/10.22455/2619-0311-2022-1-18-51.

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The fourth of a series of articles dedicated to the restoration and museification of the memorial space of Darovoe — Monogarovo — Cheremoshnya. Dostoevsky’s Darovoe Museum-Estate opened anew on November 20th, 2021, while the restoration of the Church of the Descent of the Holy Spirit is still running. The authors of the article concentrate on the pressing issues of the ongoing processes and suggest reflecting on the basic principles ruling contemporary Russian restorers. The directives of the “Venice Charter” (1964), when absolutized, lead as in this case to the destruction of authenticity. In
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Nica, Liliana, Viorica Vasilache, Ana Drob, Silvea Pruteanu, and Ion Sandu. "Preservation and Restoration of an Old Wooden Icon with Complex Carved Ornaments, in a Conservation State of Precollapse." Applied Sciences 12, no. 10 (2022): 5073. http://dx.doi.org/10.3390/app12105073.

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Wooden icons used in liturgical activities suffer a series of evolutionary deteriorations and degradations over time, due to improper storage and use conditions. The deterioration of the physical state of the structural-functional elements and degradation of the chemical nature of the components often lead old easel paintings to precarious preservation (almost close to pre-collapse), impossible to use or display as an artifact. In this study was included an old oil-painted icon on a carved linden wood support with fine gilded ornaments, which frames a central icon (“Coronation of Virgin Mary”)
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7

Leyman, Viviane, Piet Stoffelen, Sofie De Smedt, and Ann Bogaerts. "Fibres in Meise Botanic Garden: A Future for Heritage Collections?" Biodiversity Information Science and Standards 2 (June 13, 2018): e26663. http://dx.doi.org/10.3897/biss.2.26663.

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The precious historical collection of fibres in Meise Botanic Garden, with over 500 specimens in old hand-blown glass jars, was rehabilitated in 2017. Most of the specimens date back to the second half of the 19th century, a period of technological revolution. The rehabilitation retraces the industrious search for every possible raw material provided by nature at that time. The result is astonishing, not only regarding the origin and quality of the preserved material, its label information and its accompanying manuscripts, but also because of the extremely wide range of fibre species and their
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Leyman, Viviane, Piet Stoffelen, Smedt Sofie De, and Ann Bogaerts. "Fibres in Meise Botanic Garden: A Future for Heritage Collections?" Biodiversity Information Science and Standards 2 (June 13, 2018): e26663. https://doi.org/10.3897/biss.2.26663.

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The precious historical collection of fibres in Meise Botanic Garden, with over 500 specimens in old hand-blown glass jars, was rehabilitated in 2017. Most of the specimens date back to the second half of the 19th century, a period of technological revolution. The rehabilitation retraces the industrious search for every possible raw material provided by nature at that time. The result is astonishing, not only regarding the origin and quality of the preserved material, its label information and its accompanying manuscripts, but also because of the extremely wide range of fibre species and their
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9

Строков, А. А., Д. А. Куприянов та Г. А. Камелина. "Хylotomical study of Early Mediaeval wooden artifacts from Crimea (based on materials from the necropolis of Chufut-Kale)". Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, № 14 (23 вересня 2022): 206–26. http://dx.doi.org/10.53737/2713-2021.2022.30.40.008.

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Статья посвящена исследованию древесины, сохранившейся на металлических предметах из раскопок В.В. Кропоткина на могильнике Чуфут-Кале недалеко от Бахчисарая в 1957—1961 гг. Датировка могильника укладывается в рамки конца V—IX вв. Материал хранится в Государственном Историческом музее в Москве. Древесина сохранилась в основном на железных предметах, прежде всего на ножах и их фрагментах (как на лезвиях, так и на черешках). Вероятно, это были ножны (футляры) и рукояти ножей. Проведено ксилотомическое исследование для определения породы древесины. Отобрано 52 образца из 19-ти погребений, определ
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Игошев, Валерий Викторович. "Memorial Crosses of Veliky Novgorod: The Cross of Venerable Savva Vishersky and the Wander or the Black Cross." Вестник церковного искусства и археологии, no. 1(2) (June 15, 2020): 110–43. http://dx.doi.org/10.31802/2658-5111-2020-1-2-110-143.

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В статье исследуются деревянные поклонные кресты работы новгородских мастеров, которые устанавливались для поклонения и в память каких-либо значимых событий. На основании изучения истории бытования, типологии, стилистических и технико-технологических особенностей сохранившегося в Новгородском музее креста Саввы Вишерского и утраченного Чудного (Чёрного) креста выявлены разновременные части этих памятников и сделана их атрибуция. В результате исследования деревянного креста Саввы Вишерского установлено, что памятник является сложным и разновременным, в основе которого сохранилась древняя массив
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Books on the topic "Linden-Museum"

1

Stuttgart, Linden-Museum, ed. Netsuke: [Linden-Museum Stuttgart]. Arnold, 2000.

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2

Forkl, Hermann. Linden-Museum Stuttgart: Abteilungsführer Afrika. Linden-Museum Stuttgart, 1989.

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3

Hermann, Forkl, ed. "Geduld wird nicht sauer, egal, wie lange du sie aufhebst": 20 Jahre Jour fixe in der Afrika-Abteilung im Linden-Museum Stuttgart. 2nd ed. Linden-Museum Stuttgart, Referat Afrika, 2009.

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4

Hermann, Forkl, and Linden-Museum Stuttgart Afrika-Abteilung, eds. "Jeder Tag hat seine Geschichte": 15 Jahre Jour fixe in der Afrika-Abteilung im Linden-Museum Stuttgart. Linden-Museum, Referat Afrika, 2003.

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5

1936-, Frank Barbara, and Forkl Hermann, eds. Die andere Moderne Afrikas: Kunst aus den Sammmlungen des Linden-Museums Stuttgart : zum Gedächtnis an Barbara Frank (1936-2004). Linden-Museum, 2004.

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6

Stuttgart, Linden-Museum. Inrō: Gürtelschmuck des Japaners : aus Beständen des Linden-Museums Stuttgart. Schmuckmuseum, 1988.

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7

Heermann, Ingrid. Schmuck der Südsee: Ornament und Symbol : Objekte aus dem Linden-Museum, Stuttgart. Prestel, 1990.

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8

Gakkai, Bunkazai Hozon Shūfuku, ed. Rinden Minzokugaku Hakubutsukan: Kōgei : Applied arts in the Linden-Museum Stuttgart. Bunkazai Hozon Shūfuku Gakkai, 2002.

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9

Brandt, Klaus Joachim. Chinesische Lackarbeiten. Linden-Museum Stuttgart, 1988.

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10

Philipp-Franz-von-Siebold-Stiftung. Deutsches Institut für Japanstudien and Asahi Shinbunsha, eds. Kaettekita Bakumatsu, Meiji no Kaiga: Berutsu Korekushon : Doitsu Rinden Hakubutsukan shozō = Japanische Malerei aus der Sammlung Erwin von Baelz im Linden-Museum Stuttgart. Asahi Shinbunsha, 1993.

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Book chapters on the topic "Linden-Museum"

1

"Deutsches Historisches Museum, Unter den Linden 2." In Berlin – Eine postkoloniale Metropole. Metropol Verlag, 2024. http://dx.doi.org/10.5771/9783748946809-36.

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"German Historical Museum, Unter den Linden 2." In Berlin — A Postcolonial Metropolis. Metropol Verlag, 2024. http://dx.doi.org/10.5771/9783748946779-36.

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"7. Nordamerika im Linden-Museum Stuttgart: Respekt vor Fremdheit." In Anschauungssache Religion. transcript-Verlag, 2009. http://dx.doi.org/10.14361/9783839412831-006.

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"7. Nordamerika im Linden-Museum Stuttgart: Respekt vor Fremdheit." In Anschauungssache Religion. transcript Verlag, 2009. http://dx.doi.org/10.1515/9783839412831-006.

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5

Röschenthaler, Ute. "APPENDIX II. The ‘Fetishes’ and the Esser Collection at the Linden Museum." In Cameroon's Tycoon. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781782388760-022.

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Todd, R. Larry. "The Apostle’s Voice 1835–1837." In Mendelssohn. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195110432.003.0011.

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Abstract Escorting his parents to Berlin, Felix issued guarded bulletins about Lea to his siblings. Hardly were Lea, Abraham, and Felix relaxing on the evening of August 1, 1835, in the familiar comfort of Leipzigerstrasse No. 3, before an uprising erupted against the government. When the authorities for- bade an unruly crowd to celebrate the king’s birthday by firing rockets, one hundred and fifty “young ruffians” provoked the military and vandalized property on August 3 and 4 near Unter den Linden. Felix watched as protests broke out as the military killed innocent bystanders. This disturbin
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Penny, H. Glenn. "Harnessing Humboldt." In In Humboldt's Shadow. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691211145.003.0007.

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This chapter looks at Halealoha Ayau and his team's hope to learn more about the extent of the Hawaiian human remains elsewhere in Berlin, since those had been separated from the collections of material culture long ago. It aims to know what Hawaiian artifacts and human remains were in the city, where they were located, and who was in charge of the institutions that held them. The chapter then shifts to focus on the controversial process of rebuilding the old Berlin Palace on Unter den Linden: from the initial act of spending over 12 million euros to tear down the former East German Palace of
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Todd, R. Larry. "In the Public Eye1827–1829." In Mendelssohn. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195110432.003.0007.

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Abstract The old, antiquated phoenix is only waiting for his funeral pile, and will not be long finding it, for the time is at hand, and we shall live to see great things. —Fanny to Klingemann, April 14, 1828 Early on June 30, 1825, Zelter and the young builder C. T. Ottmer, escorted by bricklayers, carpenters, and the Singakademie management, assembled off Unter den Linden to lay the cornerstone of a new musical temple. Wielding a hammer, Zelter consecrated the first stone in the name of old Fasch. Designed by K. F. Schinkel, architect of Berlin neoclassicism, the new Singakademie became a li
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